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Descansarei
Arranjo Orquestral: Maestro Evanil Reuben Morgan e Versão de Eloir de Paula



                  
Percussion             
  
F9 A‹
Voice     
      

           
  

Flute 
  
Flute2      
      
    
Flute3  
         
Clarinet in Bb    
     
Alto Saxophone 
     

     
Trumpet in Bb   

      
            
Trombone
 
 
 
 
 
Violin 1

    
Violin 2  
  
Viola    

  
Violoncello
  
   

PIBBF - evanilviolao@gmail.com
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4

Perc.               
C/G G

Voice       

     


Fl.

Fl.2       

Fl.3   
            
Cl. 

Alto Sax. 
        

 
Tpt.      


Tbn.
      

      
   


Vln. 1

     
Vln. 2
     

  
Vla.

     
 
Vc.

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6

Perc.               
F9 A‹

    
   
Voice

       


Fl.

    
   
Fl.2

Fl.3   

            
Cl. 
        
Alto Sax. 
  

 
Tpt.     
   

Tbn.
        

 


Vln. 1

Vln. 2   

 
Vla. 


Vc.
    
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8

Perc.                      

C/G G C G/B

         
Voice
 
1.Co - bre - me,

   


     
Fl.


     
     

Fl.2

Fl.3    
            
Cl. 
   
Alto Sax. 
         

 
Tpt.     

         
Tbn.
   

     


Vln. 1

Vln. 2       

    
Vla.

  
    

Vc.

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11

Perc.               
A‹7 F D/F©

   
Voice
     
- - - - com Tu - as - - mãos.


     


Fl.  

   
Fl.2
     

Fl.3   

  
Cl.   
 
Alto Sax.       
  

 
Tpt.    
    
  
Tbn.
  

   
Vln. 1

 

    
Vln. 2

  
Vla. 


Vc.
    
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13

Perc.                      
 
G(“4) G C G/B A‹7

    
Voice
   
Com po - der, vem

   

    
Fl.

 
    
  
Fl.2

Fl.3    
    
Cl.   

    
Alto Sax. 
     

 
Tpt. 
   

     
Tbn.
    

    
Vln. 1

   

    
Vln. 2
  

    
Vla.

 
Vc.
     
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16

Perc.               
D‹ G C/E

  
Voice         
mees - con - der, Se - nhor. Seo tro - vão eo

 
        


Fl.

   
Fl.2        

Fl.3   
   
Cl.   

   
Alto Sax.         


 
Tpt.    
  
 
Tbn.
         


     


Vln. 1

Vln. 2       
    
Vla. 


    

Vc.

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18

Perc.               
F G/B C C/E

         
Voice
 
mar seer - guen - do vem, so - brea tem - pes -

        
 


Fl.

          
Fl.2


Fl.3    
 
Cl.        

         
Alto Sax.   


 
Tpt.     
        
Tbn.
  


      


Vln. 1

Vln. 2        
  
Vla. 

 
 

Vc.

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20

Perc.                      
F G A‹7 C/E F G/B

      
Voice          
ta - deu vo - a - rei So -breas á -guas Tu tam bém és Rei.

      
        


Fl.

               
Fl.2


Fl.3      
              
Cl.  
            
Alto Sax.     


 
Tpt.       

           
Tbn.
    


       


Vln. 1

       
Vln. 2 
    
Vla. 


    

Vc.

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10

               
23

Perc.               
C(“4) C C/E F G(“4)

        
  
Voice

Des - can - sa - rei, pois sei queés Deus.

       
Fl.

   

        
  
Fl.2

Fl.3    
   
Cl.   

        
Alto Sax.
    

 
Tpt.     

        
Tbn.
   

  


Vln. 1

Vln. 2    
  
Vla. 

 
Vc.
   
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11

                        
25 1. 2.

Perc.                      
C C C/E F G/B

            

 
Voice

Seo tro -vão eo mar seer guen - do vem,


      2.        
1.



Fl. 

        
    

 
Fl.2

Fl.3      
    
Cl.         

       
Alto Sax.          


 
Tpt.     
       
      
Tbn.
         

 
     


Vln. 1 

      
   
Vln. 2


 
Vla.    

 
 
  
Vc.

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12

               
28

Perc.               
C C/E F G

         
Voice
 
so - brea tem - pes - ta - deeu vo - a - rei.

        
 


Fl.

         
Fl.2
 

Fl.3    
       
Cl.  
         
Alto Sax.   


        
Tpt.   
        
Tbn.
  


      


Vln. 1

Vln. 2        
  
Vla. 

 
Vc.
   
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               
30

Perc.               
A‹7 C/E F G/B

       
Voice
   
So - breas á - guas Tu tam - bém és Rei.

      
   


Fl.

       
Fl.2
   

Fl.3    
        
Cl. 
   
       
Alto Sax.
 

         
Tpt.  
      
Tbn.
    

      


Vln. 1

Vln. 2        

  
Vla. 


  

Vc.

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               
32

Perc.               
C(“4) C C/E F G(“4)

Voice            
Des - can - sa - rei, pois sei queés Deus.

          


Fl.

        
  
Fl.2

Fl.3    
   
Cl.   

        
Alto Sax.
    

  
Tpt.   
 
        
Tbn.
   

  


Vln. 1

Vln. 2    
  
Vla. 

 
Vc.
   
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                       
34

Perc.                      
C C/E F G C

Voice             

           


Fl.

        
   
Fl.2

Fl.3     
    
Cl.    
        
Alto Sax. 
    

 
Tpt.             

Tbn.
            


   


Vln. 1

Vln. 2     
   
Vla. 


  
 
Vc.
