nt a aa an Ew s/ Guide Book & 2 CD Set (e ®)Jamey Aebersold Ear Training Course CONTENTS TrackNo. Exercise Number 1&2 1. Chromatie Seale Exercises Sas 2. Major and Minor 2nd Intervals 5&6 3, Major and Minor 3r4_ Intervals 7&E 4, Perfect 4ths, Augmented 4ths and Perfect Sth Intervals A 2 i 41.& 12 | 6. Minor and Majar Tths and the Octave 13 &14 | 7. Chord Qualities and Arpepgios 45.16 | 8 Short Musical Phrases 17 &18 4. Major Triads, Root Position 10. Minor Triads, Root Position 11. Major and Minor Triads-Mixed-3 Bars Each 23 T2. Major and Minor Triads-Mixed-1 Bar Each 2: 13. Major and ‘ith and Sth Chords-Moderm Voicings-4 Bars Each 1&2 | 14 Major th Chords Ret Position: 3&4 15, hords-Re yn-Ran dot Movement, 16. Dominant 7th Chards-Root Position-Random Roat Movement T&E 12. Mixed Major 7th, Minor 7th and Dominant 7th-Random Root Movement-2 Bars Each| 9&10 Té. Mixed Major ith, Minor 7th and Qominant ?th-Varied Voicings-2 Bars Each 71 & 12 LTS Walling Bass Ebe- afr, Mito Dominate Raps Eat jass Line-Major, Minor, Dominant-4 Bars 13 6.14/20. Moat foro Vee Voters Each ci A | 17 & 18 | 22. Diminished Tih Chords-4 Bars Each (in: Seale Woginning witha wholo-sepl | 49 & 20 | 23. Vos resolving up a Perfect th to Tanie-Chord af resclution. May be Major or Minor 21&22 | 24. Whole Tane Chords and Scales over Dominant 7th Chords which resolve to Tonic CD #2— -—— cD #1 ee (either Major or Minar) B5 ea | 75. IATAN 25.&26 | 26. Random Qualdies-2 Bars tach Final Exercise —_) Become familiar with the Chromatic Scale first. Memorize the sound of half and whole steps. Exercises on these recorded tracks should be played ever and aver until you zchieve a measure of success in quickly identifying the sounds that are played. 1 encourage you to sing along with Exercise No.7. Again, memorize the SOUND and get so you can instantly identify the quality/sonority (Major, Minor, Dominant Seventh, etc. . .). I have given answers to all exercises except No, | and No. 8, Use the answer shcets to determine how close you are in your educaied guesses, Write your guesses on a piece of paper and then compare them to-the answer sheei. Don't use the answers a&.acrutch. Your inner earhas the ability to figure out the answers but itrsay take repeated listenings. Many of the exercises may be treated as play-a-long background tracks., particularly exercise numbers 13, 18 and 19 through 26. After you've sung or played with them by ear, repeat the track, only this time look at the answers as you play, ‘The answers are listed for All instruments: Coneert Key, pages 2-7, Bb Instruments, pages 8-13, and Eb Instruments, pages 14-19. ‘Bxercises 2 through 7 are numbered on each side of the page and should be useful in ¢lassroom dictation situations. Thighly recommend David Baker's five Ear Training book/cassette series. () & ©1989 Jamey Achersold Jazz, Inc., 1211 Aebersold Drive, New Albany, IN 47150 ‘At ight reserved. imomatiral copyright cwoured hitp Awww jajazz.com“EXERCISES #2 THRU #7 Kea | ENS | tx a Hx. 87 Pa, +1 SPS | Gth’s | W's &Sva | Chord/Scale Quallctes Ps = = ca 1. aS ELA 45. i 46. a a. aR jor AsOelave Os Major 4th 7 = Dom. 3th ddim. += Raise 12 Step Verfset RU, = Hight Hand 1. ower Hz Step Lal anid 2