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Minerva S Owl PDF
Harold
Innis
(1894‐1952)
• A
Canadian
poli>cal
economist
• A
central
figure
in
communica>ons
theory
From
the
end
of
WWII
un>l
his
death
in
1952,
Innis
worked
steadily
on
an
inves>ga>on
of
the
social
history
of
communica>on,
studying
the
communica>on
media
of
the
last
4000
years.
From
the
thousand
page
manuscript
which
he
leN
at
his
death
came
his
two
pioneering
communica>ons
works:
Empire
and
Communica/ons
(1950),
and
The
Bias
of
Communica/on
(1951).
Harold
Adams
Innis:
The
Bias
of
Communica>ons
&
Monopolies
of
Power
hTp://www.media‐studies.ca/ar>cles/innis.htm
Bias
of
Communica>on
Innis
believed
that
the
rela>ve
stability
of
cultures
depends
on
the
balance
and
propor>on
of
their
media.
How
do
specific
communica>on
technologies
operate?
What
assump>ons
do
they
take
from
and
contribute
to
society?
What
forms
of
power
do
they
encourage?
A
key
to
social
change
is
found
in
the
development
of
communica>on
media.
Each
medium
embodies
a
bias
in
terms
of
the
organiza>on
and
control
of
informa>on.
Any
empire
or
society
is
generally
concerned
with
dura>on
over
>me
and
extension
in
space.
Time‐biased
media,
such
as
stone
and
clay,
are
durable
and
heavy.
Since
they
are
difficult
to
move,
they
do
not
encourage
territorial
expansion;
however,
since
they
have
a
long
life,
they
do
encourage
the
extension
of
empire
over
>me.
Innis
associated
these
media
with
the
customary,
the
sacred,
and
the
moral.
Time‐biased
media
facilitate
the
development
of
social
hierarchies,
as
archetypally
exemplified
by
ancient
Egypt.
For
Innis,
speech
is
a
>me‐biased
medium.
Space‐biased
media
are
light
and
portable;
they
can
be
transported
over
large
distances.
They
are
associated
with
secular
and
territorial
socie>es;
they
facilitate
the
expansion
of
empire
over
space.
Paper
is
such
a
medium;
it
is
readily
transported,
but
has
a
rela>vely
short
lifespan.
Organiza>on
of
empires
Militaris>c
–
concerned
with
the
conquest
of
space.
Religious
–
concerned
with
the
conquest
of
>me.
Compara>vely,
the
media
that
have
supported
the
military
conquering
of
space
have
been
lighter,
so
that
the
constraints
of
long
distances
could
be
lessened.
Those
media
that
supported
theocra>c
empires
had
rela>ve
durability
as
a
major
characteris>c
so
that
they
could
support
the
concepts
of
eternal
life
and
endless
dynas>es.
Stable
socie>es
were
able
to
achieve
a
balance
between
>me‐
and
space‐biased
communica>ons
media
Change
comes
from
the
margins
of
society,
since
people
on
the
margins
invariably
develop
their
own
media.
The
new
media
allow
those
on
the
periphery
to
develop
and
consolidate
power,
and
ul>mately
to
challenge
the
authority
of
the
centre.
La>n
wriTen
on
parchment,
the
medium
of
the
Chris>an
Church,
was
aTacked
through
the
secular
medium
of
vernaculars
wriTen
on
paper.
The
monopoly
posi>on
of
the
Bible
and
the
La>n
language
in
the
church
was
destroyed
by
the
press
and
in
its
place
there
developed
a
wide‐
spread
market
for
the
Bible
in
the
vernacular
and
a
concern
with
its
literal
interpreta>on.
Oral
communica>on,
speech,
was
considered
by
Innis
to
be
>me‐biased
because
it
requires
the
rela>ve
stability
of
community
for
face‐to‐
face
contact.
Knowledge
passed
down
orally
depends
on
a
lineage
of
transmission,
oNen
associated
with
ancestors,
and
ra>fied
by
human
contact.
Innis
is
forthright
in
his
own
bias
that
the
oral
tradi>on
is
inherently
more
flexible
and
humanis>c
than
the
wriTen
tradi>on,
which
he
found
rigid
and
impersonal
in
contrast.
The
Monopoly
of
Power
Monopoly
–
not
just
a
economic
concept
but
includes
culture
and
poli>cs.
Society
–
network
of
communica>ons
systems
Key
junctures
or
nodal
points
where
significant
informa>on
is
stored,
and
from
where
it
is
transmiTed
to
other
parts
of
the
system.
Individuals
or
groups
who
control
access
to
those
points
wield
great
power
Those
who
monopolize
knowledge
wield
great
power
and
are
also
in
a
posi>on
to
define
what
is
legi>mate
knowledge.
Monopolies
of
knowledge
tend
to
polarize
socie>es
into
a
mass
of
the
ignorant
and
a
knowledge
elite.
Monopolies
of
knowledge
encourage
centraliza>on
of
power.
Those
who
control
knowledge
have
the
power
to
define
reality.
New
media
threaten
to
displace
the
previous
monopolies
of
knowledge
"The
monopoly
of
knowledge
centering
around
stone
and
hieroglyphics
was
exposed
to
compe>>on
from
papyrus
as
a
new
and
more
efficient
medium"
It
is
really
the
"monopolies
of
knowledge"
which
are
at
stake
in
the
longevity
of
empires.
New
media
threaten
to
displace
the
previous
monopolies
of
knowledge,
unless
those
media
can
be
enlisted
in
the
service
of
the
previous
power
structures.
In
our
own
>me,
we
have
witnessed
such
shiNing
monopolies
in
the
delivery
of
news
to
the
masses
from
newspapers
to
radio
to
television
to
the
internet.
Each
medium
has
its
bias,
a
bias
which
changes
in
rela>on
to
the
significance
of
the
others
in
the
consciousness
of
cultures.
Those
cultures
made
powerful
through
their
former
monopolies
of
knowledge
based
on
film,
print,
or
television
become
vulnerable
to
the
aTacks
of
cultures
which
make
use
of
new
communica>ons
technologies.
EZLN
–
the
revolu>onary
Zapa>sta
movement
of
Chiapas,
Mexico
–
uses
its
website
to
counteract
nega>ve
propaganda
from
the
Mexican
and
United
States
governments
which
aTempt
to
distort
the
nature
of
this
populist
revolu>on.
If
we
further
juxtapose
the
bias
of
an
empire
for
a
par>cular
set
of
communica>ons
media,
how
this
bias
affects
our
impressions
of
that
empire,
and
how
our
own
biases
influence
our
observa>ons–then
we
begin
to
approximate
Innis’
method
of
media
analysis.
We
can
further
refine
our
study
of
media
by
focusing
on
the
monopolies
of
knowledge
within
any
empire,
and
the
poten>al
for
marginalized
cultures
to
adopt
new
technologies
in
order
to
gain
some
leverage
against
more
powerful
na>ons.
"Minerva’s
Owl
begins
its
flight
only
in
the
gathering
dusk…”
The
flowering
of
the
culture
comes
before
its
collapse
A
technological
realist
It
would
thus
be
a
mistake
to
consider
Innis
a
technological
determinist:
he
does
not
believe
that
technology
drives
social
evolu>on.
He
does,
however,
appreciate
the
considerable
power
invested
in
communica>ons
technologies
and
monopolies
of
knowledge
to
shape
culture.
The
crea>ve
possibili>es
of
each
new
medium
So
I
clicked
many
>mes
over.
But
again,
nothing
happened.
Then
I
clicked
on
it
like
a
woman
presses
a
bindi
on
to
her
forehead,
and
it
clicked!
Sangeeta
Cybermohalla,
28‐07‐2004
So
I
clicked
many
>mes
over.
But
again,
nothing
happened.
Then
I
clicked
on
it
like
a
woman
presses
a
bindi
on
to
her
forehead,
and
it
clicked!
Sangeeta
Cybermohalla,
28‐07‐2004