ERA OF 303: Omega Plan (Season 1) Ep 3

"Thanks For The Memories"

Written by
Jonathon Karagiannis
Created by
Jonathon Karagiannis

Address Melbourne VIC Australia

E-mail antaresunit1@gmail.com
 PROLOGUE

EXT. DRY TUNDRA WILDERNESS. SUNSET.

LONG SHOT with two boys working in the field.
Elda - Western Eden - 5292 BC
Cain (16) and his twin Abel. Abel is dark red in skin colour
and Cain is tanned. Both are wearing primitive animal skins
and are both tall, about 6 feet.

CLOSE UP: Cain, all dirty and muddy, groans and murmurs to
himself in vexation as he is ploughing the ground. His back
is bringing him distress. He is sweating uncontrollably, he
looks up and gives an envious eye towards his brother.
OVER-SHOULDER SHOT: Abel is watching the sheep under the
shade and tending them.
Some sheep go astray without Abel's notice and begin to
trample and ruin Cain's long, hard work of tilled ground.
This was the last straw.
Cain yells grievously at the sheep. He throws a handful of
dirt at them in his range. The animals do not react. Cain
then frantically turns to his brother. He is furious and
shaking.
CAIN
What are YOU, doing here?! What
right do you have to come and dwell
and bring flock to feed in MY
land?!
Abel approaches Can calmly form his shady relaxing spot, with
his shepherd crook in hand.
ABEL
What is there between me and you?
(Looks around. Seems
amused.)
You eat the flesh of my flock and
clothe yourself with their wool.
Now brother, listen. If you want it
your way, go. Take off the wool
which you clothe yourself with.
Then, only then I will go from your
land, as you have said.
Cain clenches his fists and growls in anger. He turns his
back to him and puts his hands on his hips.
 2.

CAIN
I cannot take this no more!! Surely
if I SLAY you today, i will get
what i deserve!
ABEL
Peace! You are not serious? Surely
YHWH who has made us, will avenge
my cause, just like earlier on: the
sacrifices confirmed it. He will
require my blood from you if you
slay me, for the Adonai is the
judge and arbiter-
As Abel speaks these words, Cain paces desperately and hisses
in revolt.
ABEL (CONT’D)
-and it is He, who will requite man
according to his evil, and the
wicked according to his wickedness
that he does on earth.
Cain pulls his shaggy hair in anger.
CAIN
STTOOOPPPP!!!!
He tries to jumps Abel, but Abel grabs his face and holds him
back.
ABEL
CAIN! If you kill me, YHWH will
know ALL your secret views and
thoughts! He will judge you for the
evil which you have declared!
CAIN
LULUWA!
Cain snaps. He fights back and turns to his equipment. He
viciously grabs his iron spear-like pruning-hook and swings
it at Abel. Abel is knocked in the head and hits the ground.
Before he can recover, Cain mounts him. The brothers grapple
but the head wound on Abel gives him a disadvantage.
HIGH ANGLE SHOT Cain struggles to get a hold of him. They
shift and move, grappling like crazy.
Abel yelps in amusement as he tries to block Cain swinging
his staff. He also seems annoyed.
 3.

ABEL
Hey! By the breasts we have sucked,
smite me not! By the womb that bare
us and that brought us into the
world, smite me not unto death with
that staff!
Cain punches Abel. Abel kicks back, but in self defence.
ABEL (CONT’D)
(in pain)
Stop! Now! You want to kill me
brother? Fool, use a stone and not
a tool! Get off!
CAIN
No. I will get Luluwa!
Abel looks at his brother with mercy and despair.
CAIN (CONT’D)
Mine!!!
Cain grabs a large stone and dangerously smashes it at his
head many times until he gets tired. Cain grunts brutally.
CAIN (CONT’D)
(sinisterly)
Vengeance is mine…
Cain then throws away the rock and grabs his pruning-hook and
rises it above his head.
EXTREME CLOSE UP of the pruning-hook head, as Cain raises it
with both hands. Scarlet sun in the background makes it look
like a volcanic spear-head in flames (slow mo).
MID SHOT of Cain. He gives a final cry and suddenly plunges
the spear into Abel.
Just as this happens, CUT to Abel’s sheep looking up at us as
the sound of death - an unnatural boom reverberates across
the valley. Silence. The sky begins to turn to an ominous
red. The wind howls through the valley.
CLOSE UP of Cain’s face gradually transitioning from vengeful
to stupefied. His eyes are wild and wide. They also look red
as if he is possessed.
LOW ANGLE SHOT: Still clenching the tool, Cain looks at
Abel’s lifeless corpse. His head is gushing dark blood
everywhere. Cain, breathing heavily slowly unclenches his
shaky hands from the handle. He turns them over and sees his
blood covered hands.
 4.

CAIN (CONT’D)
(astonished)
Oh…
He quickly turns his head around in paranoia making sure he
is alone.
CLOSE UP of Abel’s crushed head.
Cain sniffs and stammers.
CAIN (CONT’D)
(laughs without guilt)
Ohh… What a fool, Abel… What a
fool... You made this happen
yourself…
Cain bows down and clenches the soil in his hands as he is
stunned by his actions. He does not react with emotion. After
a few seconds of this, the sun has now set and something
strange occurs. Cain looks off into the scarlet sky.
Cain looks up from a soft sizzling sound coming from Abel. He
looks and sees his blood bubbling and rising like water
vapour. The blood slowly changes from deep red into clear
water Abel's blood is evaporating like water!
But as this happens, Cain feels his skin twitching. It does
not take him long fro him to realise that his own bodily
sweat is now dripping red blood! The gore and sight terrifies
Cain!
He looks at Abel.
CUT TO Cain frantically digging a pit grave for Abel and
drags him in. Breathing non-stop, Cain throws dirt into the
grave to cover up the crime scene. Cain them stands up and
dusts his hands. He looks at his body. He tears off his top
and looks at his unbelievably fit and sculpted body. He has a
large hulkish back from all the groundwork. Cain sighs when
he looks at all the blood covering him.
He walks away to pick up his pruning hook when suddenly, the
sound of something heavy shots from the ground.
Cain looks behind, shocked to see Abel’s body tossed out of
the pit all on its own.
Cain’s face is priceless. It is mixed with frustration and
complete fright. He vexedly rushes back to the pit.
Cain digs the pits deeper, this time with the hook and his
hands. It is almost completely dark now. As Cain does this,
we see his ripped arms shivering.
 5.

He lifts up his brother’s body and throws it into the hole.

Cain then forcefully covers the it.
Once finished, Cain takes a few seconds to stare at the
grave. He slowly begins to walk backwards, ready to see what
happened before. Nothing happens. Cain takes a few more
faster steps backwards. Nothing happens. Cain then does this
again and when all seems normal, Cain turns around and runs.
When Cain is running, the earth literally jerks backwards.
Cain falls to the ground with a frightful yell.
CLOSE UP of Cain as we see his desperate and weary face. He
looks bewildered out of his mind. He slowly looks back.
Once again, Abel’s body has been cast aside out of the pit.
Cain tenses. He hugs his pruning hook. It is now completely
nighttime. Cain looks around and we hear a distant thunder
clap.
In the distant mountains, we see a flash of lighting as a
columbus cloud of abstract and utter blackness looms towards
Elda. The setting suddenly becomes eerily silent. So silent,
it is deafening.
CLOSE UP of Cain’s stupefied face of utter terror. The air
looks like it has been sucked out of the scene for a moment.
CAIN (CONT’D)
(whispers with dread)
Oh… My… God… How…? I am i my
brother’s keeper?
Cain begins to hyperventilate. Thunder claps and echoes even
louder in the distance.
Suddenly, Cain shuts his eyes and tramples towards Abel. He
digs the hole with grunting and cries of mental strife. He
rolls his brother's body into the ditch and cruses again.
Then flings and kicks and throws the dirt to cover the ditch
in a trantramic way. He soon leaps out of the hole to finish
covering up his brother.
Cain finishes, breathing with exhaustion. Quickly he sought
for the rock he used to kill Abel. He drops it unto the
ditch. As he does this, Cain yells agonisingly. Cain is
squatting over his brother's grave bows his head with his
hands over the rock.
CLOSE UP of Cain’s bloody hands mixed with the blood of his
brother imprinted on the rock.
 6.

Cain looks over behind in the distance. The storm is coming

fast. Out of time, Cain stamps his feet on the grave and
picks up his tool and runs back home. While Cain runs off in
terror, we PAN down to the rock. We see slowly the grains of
dirt rise in the air on its own. Then suddenly, a low
groaning sound erupts as the grave explodes.
CUT TO BLACK.
LONG SHOT: Cain is caught in the storm running and trying his
hardest to find his family’s cave. A great gush of wind
shakes the valley. Cain loses his balance and falls. He gives
up walking and hides in a depression, trembling with fear. He
covers his head. He curls up in a ball. Mud and dirt cover
him.
CUT TO

EXT. CAVE. NIGHT

Thunder and heavy rain.

INT. CAVE
Under the overhanging rock is a large family of 6 is huddled
up next to a bond fire, cooking dinner. Adam (208) is
unbelievably healthy and fit for his old age. He is handsome
and wears a large and warm Golden Fleece. Around 8 and a half
feet tall.
His paranoid facial expression towards the lulling rain,
suggests he knows something is odd.
In the cave is his wife Eve (208) also good looking,
seductive and unbelievably young. About 8 feet tall. Adam's
daughters Luluwa (20) most attractive 7 and a half feet tall,
Aklia (12) cute and playful 5 and a half feet, Awan (17) and
Aclima (16) are all healthy, fit and naturally beautiful at 6
feet tall. They are all wearing animal skin clothes. They are
all eating lamb, and unleavened bread and no one is talking.
Very unusual.
The cave is full of different items like bowls of
frankincense and myrrh as well as 70 rods of gold, which act
as lighting in the huge cave that extends down a corridor
branching off into small sections.
Adam finishes eating his meal. He looks like he did not enjoy
it. He shakes his head.
 7.

ADAM
We should have not started
Passover. Cain and Abel have not
come. This is not natural. Look.
The Creator is angry at us again…
We disobeyed...
AKLIA
(Weary)
What? What did I do? Nothing wrong
father?!
LULUWA
Aklia, Cain and Abel have not
returned from their sacrifices.
They have not even come back before
the sun set in which they are
called to do. Now there is a storm
waging... Daddy, we cannot just
wait for it to settle. You must do
something.
ADAM
Something horrible happened indeed.
I will go into the field. Those
boys are in big trouble.
Adam gets up and tends the fire. He grabs a piece of firewood
as a torch.
Eve gets up as well to comfort her husband.
EVE
(very nervous)
Please be careful Adam. Storms are
unforgiving during this time of the
night...
ADAM
I will. Protect the girls, and keep
the fire going. Pray my love. We
need to replenish of what has
occurred.
Adam walks out. He covers his head with the Fleece as an
umbrella and holds the torch in his right hand under the
Fleece, so it may not be extinguished.
We see Eve and the girls huddle together by the fire for
warmth and prayer.
EVE
I pray it is unlike my dream dear
God...
 8.

AKLIA
What dream mother?
EVE
(Reluctant)
Oh, the dark dream is not for the
ears of little children. Please,
let us… Let us...
CUT TO:

EXT. TUNDRA WILDERNESS . STORM. NIGHT

Cain is now standing inside the depression, drenched from the
furious tropical down fall of rain. Wind lashes out at him.
Mud fills the depression to his shins raising at an
exceptional rate. He spreads his arms up in the storm, as
lighting flashes twice and thunder booms literally like a
furious voice from the heavens.
Cain immediately falls on his face. He ignores the crashing
rain and mud.
CLOSE UP of the blood on Cain’s body gathering in a pool in
the ditch.
CAIN
(dissembling)
I DON'T KNOW! AM I MY BROTHER'S
KEEPER!?
The wind picks up. It's so powerful, muddy water is blown and
engulfs Cain, which makes him scream.
Cain is absolutely thunderstruck by the Lord's remarks.
CAIN (CONT’D)
NOOOO!!!
He grips his forehead in pain.
CAIN (CONT’D)
MY PUNISHMENT IS TOO MUCH TO BEAR!
Suddenly, a lightning bolt strikes 20 feet away from Cain.
The sound, makes him leap in the air and fall in the
depression again. His ears are ringing from the extremely
loud bang.
FLASH TO
JUMP CUT TO SERIES OF SHOTS
 9.

-Gushing blood running in rivers.

-The spear used to kill Abel splashed with a whole lot of
blood. The tool begins to light up like a firefly.
-The earth cracks in half.
-Abel’s dirty body rolling aimlessly in the mudslide from the
rain.
-DNA helix
-A P.O.V shot of a lace reaching up and stabbing a bloody
man's side, who has a swollen stomach.
-A shot of a striking venomous snake.
FLASH TO

EXT. FIELD . CLAIMED STORM. NIGHT

Adam continues walking, searching for the brothers.
ADAM
CAIN!!! ABEL!!!!
It is still raining. As Adam searches, his torch picks up a
wooden crook in the distance.
He approaches it and curiously picks it up with his left
hand. Remembering who it belongs to, Adam starts to panic.
He looks around the area and goes exploring for longer. Adam
walks away from us.
Adam searching with perseverance.
ADAM (CONT’D)
Cain! My sons! Abel! Where are
you!?
Adam continues to search.
Finally he finds a brown mound in the distance like a
carcass.
Thinking he found something, Adam runs towards the body.
POV as light shines on the dirty remains of Abel amongst
rocks. Water is still flowing down from the side of the small
hill he came tumbling down from.
 10.

DUTCH TILT as Adam comes face to face with the face of his
beloved dead son.
Adam gasps and his eyes widen. But his torch is suddenly
extinguished from the rain, putting us into pure darkness.
Adam screams with emotion, as white text appear on black
screen.
“For thy violence against thy brother Jacob shame shall cover
thee, and thou shalt be cut off for ever.” Obadiah
FADE TO

EXT. DRY TUNDRA WILDERNESS . MORNING

CLOSE UP of Cain sleeping. His face is completely caked with

dried mud.
CUT TO
Luluwa is searching for Cain in a field of tall barley. As
she is doing this, she spots the depression where Cain is
sleeping and sees the crater made by the lightning strike.
The ground is still blackened.
As she inspects this, Cain groggily gets up and Luluwa yelps
in fright. Then she sees the face of her brother as the
identity of the mud man.
LULUWA
Cain?
CAIN
Lulu?
LULUWA
How?
Luluwa rushes towards him and helps him. She doesn't care if
she gets dirty from all the mud caked on Cain.
LULUWA (CONT’D)
What HAPPENED last night? Where
were you? Where's Abel? Are you
hurt?
CAIN
Really love, I am fine.
Luluwa is not convinced.
 11.

LULUWA
No, please don't lie to me. Ask me.
I know when you lie. You look like
you had a petrifying nightmare last
night...
Cain looks away from her dazzling gaze. He locks eyes with
the camera.
CAIN
It is beginning…
Luluwa tilts her head in confusion. Cain locks eyes with her.
They love each other.
CAIN (CONT’D)
Beloved, Luluwa. Will you flee from
this horrid place with me? To the
land of Nod? There, do you wish
that we may have freedom to raise
our own nation? And do things our
own way? There we can get married,
and have children and rise up a
seed - a seed that will become -
the most grandeur.
LULUWA
(spell-bounded)
Oh. Cain... That does sound exotic.
But, why do you wish this upon us?
Who will be our head? Father will
never approve of this.
CAIN
Your father - he plundered me!
Because... Because, the God of your
father, saw something in me, that
does not belong. He spoke to me and
said this is right for us. Our,
head my love-
He strokes Luluwa's cheek with his muddy hand.
CAIN (CONT’D)
- will be the god of the earth. I
did see the Adversary.
LULUWA
(awe)
You did!?
CAIN
Yes.
 12.

LULUWA
(awe)
And what did he say?
Cain glances away.
CAIN
And he wants to help us.
Cain lets go of Luluwa.
CAIN (CONT’D)
And he saw my hard heart and had
pity on me. He came to me as a man
and spoke unto me saying “Behold
Adam and Eve have taken counsel
together about the marriage of you
two; and they have agreed to marry
Abel's sister Luluwa to you. But if
it was not that I love you, I would
not have told you this thing. Yet
if you will take my advice, and
hearken to me, I will bring: you on
your wedding day beautiful robes,
gold and silver in plenty, and my
relations will attend you."
Luluwa is infatuated by this. She looks rather excited and
satisfied.
LULUWA
The glory… if what you said was
true. What did you say in reply?
CAIN
With much joy i said. “Where are
your relations?" And the man
answered, "My relations are in a
garden in the north, whither I once
meant to bring your father Adam;
but he would not accept my offer.
But you, if you will receive my
words and if you will come unto me
after your wedding, you shall rest
from the misery in which you have;
and you shall rest and be better
off without your father Adam." But
Eve, our mother was resistant. You
know i am sorry that i beat her. I
am sorely repentant of it.
Something in my soul was stirring
and i did not know it. But you do
still love me?
 13.

LULUWA
My brother, of course i love you. I
did not want to marry Abel anyway.
It is a transgression on my parents
part.
CAIN
It certainly was.
A yellow light on his forehead gleams and Cain feels its
sting. He grunts in pain. Luluwa is adamant that Cain is
telling the truth now. She takes hold of him.
LULUWA
Cain? What is that? What’s wrong?
CAIN
(agony)
Water! Quick! Go!
CUT TO

EXT. POND. DAY

Luluwa is helping to wash Cain. He looks relaxed and aroused.
Luluwa dunks Cain in the water like a baptism and surfaces to
reveal the mysterious black mark on his forehead.
LULUWA
Cain, what is that mark on your
brow?
It is not glowing yellow anymore and is permanently embedded
in his skin like tattoo. It looks like a X cross, with a
curved hook at the tip on the bottom leg on the right.
CAIN
A mark? I never noticed until now.
LULUWA
I do not understand. Did you
recently receive it? I do not
recall seeing you with it all my
life.
CAIN
What is the look of it?
Luluwa studies it.
 14.

LULUWA
A cross with two curves at the
bottom. Tav?
Cain is confused.
LULUWA (CONT’D)
Brother. We need to get back to the
cave.
CAIN
But our dream… They might know -
LULUWA
Brother, what is keeping you from
returning home. What happened to
Abel?
Cain looks away and sighs.
CAIN
(Resentment and remorse)
If i tell you, you will despise me
and shun me and…
LULUWA
Brother please tell me what
happened to him?
CAIN
I simply - do not know how you will
react! What am i meant to say?!
LULUWA
The truth!
CAIN
The truth is too dark altogether.
LULUWA
Cain, no matter what it is, even if
you had killed him, i would never
hate you. What did you do to Abel?
Three beats
CAIN
See, but that is actually what
happened...
Luluwa looks at Cain with surprise.
LULUWA
You…?
 15.

Cain backs away from her.

CAIN
Yes, sister. I murdered him…
(beat)
Are you satisfied?
Luluwa studied him with concern. She does not seem very
shocked.
LULUWA
W… Why?
CAIN
I suspected you knew all long that
i had burning indignation against
him. Unlike my sisters, you would
have cast me out as a vagabond
right now. This unthinkable deed i
did, was all for the purpose to
gain you as mine own. And you
understood it. Well...
Cain moves towards Luluwa and she seems a bit hesitant.
CAIN (CONT’D)
This is why i desire you so much.
LULUWA
And what would they say?
CAIN
They would know that i am defiled
with blood. Then they will give us
leave. This, this i performed - is
a new invention. No one has ever
done what I committed. But no, only
you are worthy to have insight to
the truth. It was all for love. For
love’s sake.
He touches hands with her.
TRANSITION:

EXT. CAVE. DAY

Adam wearisomely returns to the Cave of Treasures with Abel
in his arms. Grief and anguish manipulates his face. Eve, and
her daughters slowly emerge out of the cave in silence
beholding the unbelievable sight. He does not say a word.
 16.

There is no sound but emotional and powerful music playing in

the background.
Adam lays his sons body down at the mouth of the cave as Eve,
Aklia, Awan and Aclima gather ground the corpse and cry over
it.
CAIN (V.O)
Born in the everlasting Garden,
they never knew such a morbid thing
like death existing.
Luluwa remains at the entrance looking over her mourning
family. She has some tension in her body language, but she
knows her defiance is sufficient.
CAIN (V.O) (CONT’D)
The Adversary never lies.
Cain lurks in the shadows of the cave observing.
CAIN (V.O) (CONT’D)
He just bides his time.
CUT TO:
Adam wrapping Abel up with sweet spices and myrrh. They make
a burial for him.
CUT TO:
Cain with his pruning hook, in the field walks up to his
father. Adam with tears streaming down his face, turns around
slowly and simply puts out his hand as if to get him away.
Cain nods and with Luluwa, walk away together with supplies.
They make it down to the bottom of the mountain, near to the
place where Cain had killed his brother.
140 days have passed and there are many fruit trees and
forest trees all over the area.
Cain puts his supplies and his staff on the ground.
CAIN (CONT’D)
We will stop here for tonight.
They settle down.
LULUWA
This place is a paradise. Cain...
Cain then stands up slowly, and looks upon her.
 17.

CAIN
This is why i brought you here.
Cain and Luluwa go for it passionately. They smile and rub
each other. As they smooch, a dog starts to sniff at the
bags. Luluwa notices it. It sits and licks its lips.
CAIN (CONT’D)
Well! I guess we already have our
child!
Cain smiles at Luluwa. She blushes. She giggles and they
laugh.

INT. CAVE OF TREASURES

Adam all alone, sits at the mouth of the Cave. We slowly pan
around until we get to see the valley in front of him. In
time-lapse fashion, day turns to night, while a small farm
becomes a tiny and humble primitive settlement grows. As this
occurs, Adam becomes older with his long hair becoming more
grey. Time stops, at a glorious evening as Adam looks down at
the modest camp.
22 years later - Elda
SETH (O.C)
Daddy?
A beautiful sixteen year old boy. His beauty was like that of
his father Adam, yet more beautiful. He is walking up the
hill towards the cave entrance with a smile.
Adam wakes up from his daydream.
ADAM
(meditative)
Oh, son.
Seth approaches and sits next to him and they hug.
ADAM (CONT’D)
Oh, my son. My only begotten son.
(sighs)
You know how the enemy tries so
hard to ruin us, and kill us, yet
he never satisfies his wants?
SETH
Abba? What did we ever do to the
Accuser?
 18.

Adam shifts and puts his knees up to rest his chin on his
hands.
ADAM
Nothing… Nothing, at all my son.
SETH
Father Adam, what is troubling you?
ADAM
My child, I am crushed by the
burden of trouble.
SETH
Of what trouble?
ADAM
It is my mind… Since your mother
and i abandoned His covenant, I
have brought upon your body
seventy-two strokes from the Satan;
the trouble of the first stroke is
a pain of the eyes, the second
stroke an affection of the hearing,
and likewise in turn all the
strokes shall befall you.
(sighs)
What shall I do? He is jealous of
you Seth. Vehemently. Just like him
we fell together, but God still has
mercy upon us and protects us, but
the Serpent does not have this
blessed hope. He manipulated your
brother and sister to rebel against
us and conquer the world in order
to reclaim his own personal glory.
We must always remain true to the
Most High now.
SETH
It is - tiresome father. Ever since
I was seven…
Adam rubs his son’s upper back like a reassuring massage.
ADAM
Be not afraid, O my son; there is
no disgrace in it. It is not good
to be alone in the light. I wish
that you can marry, from fear the
enemy might overcome you… I do
thank God for my bride...
At the through of Cain, Adam blows his head in shame.
 19.

Seth does not reply. Long period of silence.

Adam stares out at the horizon.
ADAM (CONT’D)
(Reflective and in
disappear)
You are so - humble… You never saw
the Garden and you never yearned to
chase after its fruit…
(hangs his head)
Promise me then, that you will
never travel to the west. Do not
let a through even root into your
soul to go. Swear by the blood of
your brother Abel that you will not
depart from Elda and into the
wicked tumultuous Eridu. Neither
shall your offspring.
He gently puts his hands on his son’s shoulders.
ADAM (CONT’D)
(Begs)
Swear it

EXT. VILLAGE. DAY

We pan down towards a large primitive village. We fly down to
the streets filled with seductive woman dancing to rhythmic
music.
We cut and see women dancing to arouse the drunken and
animalistic lustful men, cheering, babbling, whistling around
her.
We then see a woman scream and a group of men hound her and
drag her aside to a corner off screen to abuse and rape her.
We see a larger primitive building that has a single balcony.
Eridu
We see a pair of feet walking across slowly towards the
balcony of a large building overlooking the village.
We see Cain (39), with white skin with no facial hair. He is
wearing gold and sliver jewellery with an elaborate robe with
green feathers with red and yellow tips. He is growing a
single horn on his forehead. He is holding a primitive staff
with a hook on the top.
Behind him, Enoch (16) comes from behind.
 20.

CAIN (O.C)
You see, mankind is living in a
laborious horror.
Enoch looks up at his dad.
CAIN (CONT’D)
My progeny has flourished and done
all we can in our wretched estates.
It would not be too long now, no,
until we will be an army big enough
to size the fruit of knowledge.
ENOCH
Will the fruit taste nice?
Cain licks and bites his lips creepily. He rubs his son's
head.
CAIN
Ah son, i can already taste the
immortality on my tongue. No matter
what happens, i cannot be stopped.
Remember that this pursuit is not
hedonistic. I am doing this all for
you.
He comes down to his son’s level and whispers in his ear.
CAIN (CONT’D)
The sons of Adam, as long as they
live - are dangerous.
Cain lets out a low nervous laugh.
ENOCH
Then belief will be the drive of
our actions.

The dog Cain had adopted comes out and sits next to Cain’s
leg. He looks down and smiles.
CAIN
Do not hold back my son. 3 ladders
make our seed up. My father is
spiritual. But my siblings are
carnage. Do what you will son of
the first god. This city is
freedom. A paradise for those that
are willing to find the key to
becoming immortal. May your seed
become so great, it is uncountable.
 21.

The two look out at the village where all sorts of wickedness
is happening.
The theme intro music begins to play in the background.
DISSOLVE TO:
ERA OF 303 OPENING SEQUENCE - ENDING WITH THE EPISODE TITLE:
ERA OF 303
THANKS FOR THE MEMORIES
END OF TEASER
 22.

ACT 1

EXT.  WILDLIFE PARK, DAY

We see young James Casbolt, with Julia and Kate in a photo
booth surrounding a koala on a small man sized gum-tree. They
smile at us as the people behind us take a photo. We hear
tourists in the background.
Caversham Wildlife Park, Australia - 1980 December 27th
PARK WORKER
(Australian accent)
Say cheese!
The photo is taken and the family of three go behind and
enter through a second corridor to the right.
PARK WORKER (CONT’D)
Golden. Okay next?
We see Casbolt and his family meet in a courtyard with Con
and Anastasia and Neil Pettit.
ANASTASIA
(Australian ascent)
So how was it?
Julia nods in silence. Kate smiles.
KATE
It was so adorable!
CON
That’s great!
Neil does not make a sound. He just gives a shallow smile and
looks at Casbolt.
JULIA
Can we go and see the quokkas now
mum?
KATE
Quokkas? What are those?
JULIA
The are like a chipmunk, mixed with
a wallaby. They say they are the
happiest animals on earth. I
actually wanna see em.
 23.

KATE
Well of course, we go to them later
Juli.
Casbolt looks around at the crowd. We look at his POV and we
see the young boy Danu called Max, lock eyes with him for a
moment.
Casbolt smirks.
CASBOLT
(to himself)
Hey…
Soon he disappears into the crowd. An announcement plays in
the background on loud speaker.
SPEAKER
(FILTERED)
Koalas first evolved on the
Australian continent during the
period when Australia began to
drift slowly northward, gradually
separating from the Antarctic land
NEIL
(Scoffs)
Idiots that believe this crap…
(shakes his head)
SPEAKER
(FILTERED)
mass some 45 million years ago.
Fossil remains of Koala-like
animals have been found dating back
to 25 million years ago.
Neil walks towards his backpack and slings it on his back.
NEIL
Lets go guys.
FADE TO:
Plane taking off at runway.
CASBOLT (V.O)
My step father Neil Pettit, was
arrested and went to prison in
Spain just before i was born. It
was when he came out, me and my
family had to move around the world
travelling
 24.

We see young Casbolt staring out the window.

CASBOLT (V.O) (CONT’D)
And living in countries such as
Canada, Australia, Spain, Ireland,
Denmark and other places important
to our family.
We see outside the window from Casbolt’s POV.
Neil slips in between the squishy seat over people to get to
his.
NEIL
Excuse me.
JULIAN (V.O)
And why was that?
Neil sits down next to Kate.
NEIL
I scared them off.
KATE
(nods)
Good.
(beat)
NEIL
(leans over to her)
303 seeks ultimate control of all
the factions you know. The
tentacles will grasp everyone. So
if you disclose the abuse, you will
be abused. Just how the system
works. That’s just the way it
should be.
Kate rubs her emerald ring nervously.
KATE
(puts on a fake
assertiveness)
You know you can trust me.
NEIL
(coldly)
Oh Yeah… If you rebel against them,
they will have it their way. There
will be no other way.
Kate just stares at the Neil’s TV on the back of the seat in
front of him as if she was in a trance.
 25.

JULIAN (V.O)
What is 303? What does that even it
stand for?
FADE TO:
INT, JULIAN’S CAR. DAY
CASBOLT
Uhm… Many things really. You cannot
give it one definition. The main
one is the representation of the
overarching force of spiritual
dominance that will bring the world
reunified under one figure head,
like a tyrant. The 33 is the
highest level in Freemasonry - a
secret society that appears
innocent to the first and second
degree, but the more you learn, the
more enlightened you become in the
dark arts. The more forbidden
knowledge you will learn that the
average human will never know. The
higher you go, the more secretive
and isolating it gets. Most do not
even get to this high level - it
takes a lifetime of dedication: of
being snared by a great delusion of
righteously serving God. But in
reality, they are serving Lucifer -
the prince of this earth. My
friends who are high level
Freemasons imply this, but of
course, they never tell me
blatantly.
JULIAN
Yeah… I’ve heard about that. Sounds
too crazy to believe though. Those
Freemasons are actually doing
nothing at all to society
whatsoever. But i heard some guy
said that no one knows what they
are even doing there anymore. Huh.
Like they a bit of amnesia or
something. They do not even know
where they came from or what they
even trying to achieve. Yah know.
CASBOLT
Many are in the lower degrees do,
Julian, they are just as ignorant
as any normal citizen.
(MORE)
 26.
CASBOLT (CONT’D)
But very few actually have the
enlightenment and confidence of
their purpose. It goes back to
Babylon-
JULIAN
Okay, i can’t believe that. Just,
okay. Let's continue where we left
off.
CASBOLT
Oh, sorry for the tangent.
JULIAN
No hard feelings Cap.
Casbolt bows his head and sighs.
CASBOLT
Okay…
(shaky breath)
Now it is 1981 August 7th. This was
a very sacred day for the Chosen
Ones which is an ancient 9 day
harvest festival. I am 5 years old
and this is when the beginning of
the sessions mentioned by Danu to
Kate began. This is the first
OSIRIS genetic engineering program
procedure… Now Julian…
(voice expresses some
trauma)
The details of this programming
session are very disturbing… And,
it has messed many of us soldiers
up...
Julian looks at Casbolt with shock.
JULIAN
You alright Cas?
CASBOLT
It did affect me, of course. That
was the whole point. Anyways...
JULIAN
You do not have too tell this part
-
CASBOLT
Nah, i can handle it. I have seen
too many things.
(MORE)
 27.
CASBOLT (CONT’D)
Too many extraordinary things that
are not normal.
(breath is shaky)
If it was not for the brutal
training that was given later on, i
do not think i would be sane enough
to tell you the truth about the
dark underside of the BRAVO faction
of the AL/499.
FADE TO:

EXT. WHITE TIGER. DAY

We pan towards a building with a logo with a white tiger that
says: Mixed Martial Arts. We see Casbolt and some of his
school friends walk inside the doorway. The boys, including
Casbolt are wearing kipahs. In the inside, we hear a man’s
voice booming like a sadistic mad man.
CLOSE UP of Casbolt as he takes his kipah off and puts it
into his bag with a coat of arms that has a flying serpent
with a snake in its claws under justice scales. The banner
says: Merovingian Primary - Chalgrove.
Casbolt waits behind as his friends go in. We hear the man
yelling.
MAD MAN (O.C)
(rhythmic)
HERE COME THE SAINTS. COME MARCHING
IN. OH WHEN WILL YOU REALISE THAT
YOU ARE LAAATTTTTEEEE!!!!
BOY
(squeaky)
Sorry sensei…
As this occurs, Casbolt looks ahead in fear and with tension
in his body language. He bows his head and closes his eyes.
He whispers something angrily and strolls inside.
Casbolt walks in the door with his head down as he bows.
We see a large bulky Russian man in karate gear with a black
belt. He is pale skinned with blonde hair and his face looks
like it has been punched all his life and has grown and
conditioned to adapt to the pain. He appears to be more of a
wrestler than a martial arts guy.
MAD MAN
(low and sinister. Points
at Casbolt)
(MORE)
 28.
MAD MAN (CONT’D)
Well, well, well... There you are
you lazy dog. A dangerous fellow
this one. I expect big things from
you Captain England.
Casbolt looks up. His face is full of fear. His friends look
at him with sympathy.
MAD MAN (CONT’D)
Your mother’s named is Kate Casbolt
eh? Well good riddance because she
made a smart choice on her part to
enrol you here.
The Mad Man spreads out his arms
MAD MAN (CONT’D)
Welcome to the tiger’s cage.
Casbolt lifts up his head in pride, though he is still
sacred. He swallows.
MAD MAN (CONT’D)
Ha! I do not like that look… Too
arrogant and rebellious. They must
have jacked your genes up pretty
badly, i guess. I’ll make sure i’ll
enbitter you so much, you would
never look up with pride again.
CASBOLT
(strong and militaristic
voice)
I’m ready sensei.
MAD MAN
Your eyes tell me otherwise boy…
You are not ready. Well, come on!
Stop looking at me like that! Get
moving! You’ll make a fool of
myself! This our first day so i
will watch you like a panther!
Casbolt throws his bag down and zips it open and gets his
gear out.
Turns to the rest of the group.
MAD MAN (CONT’D)
Don’t break the newbie’s back or i
will break your neck you hear me
Hicks?
 29.

A rather large, tall boy in a brown belt nods. Mouth guard at

the ready.
MAD MAN (CONT’D)
Make sure we give him a nice
welcome, but don’t kill the kid!
Get changed! Come on! You all chose
to come to my class, so let's do
things the way we are meant to do
them. None of this wishy washy
feminine gymnastics bull crap like
Taekwondo! We will be doing
barbaric, dirty ,and rough
grappling today! Naturally, you
boys will certainly excel at this!
Now, QUICK! 100 squats, then 80
star jumps, then 60 sit ups and 40
diamond push ups. GAWH!
CUT TO:
Aerial shot of the dojo. It has mattered floors, with boxing
bags, gymnastic equipment, boxing equipment, shields, armour
and more. The boys are sparing in pairs.
MAD MAN (CONT’D)
You end up, where you give up!
White Tiger Program
Casbolt is grappling with another young kid named Douglas
Dietrich. Douglas is on top of him. They shift around,
Casbolt tries to arm bar him. With a cry, he twist his hips
and his right knee slams into the Douglas' rips. He lets go
and Casbolt fights his way up.
The sensai claps sharply.
MAD MAN (CONT’D)
That was weak Casbolt! Keep it up!
CUT TO:
Max Spiers as he finishes off another boy named Tyler
Davidson. The man blows the whistle.
MAD MAN (CONT’D)
Change! QUICK!
Frantically, Casbolt’s partner gets up and moves to the next
partner.
DOUGLAS
Thanks.
 30.

Then, Casbolt is once again in the presence of his twin: the

young Max Spiers. They are face to face. There is tension and
some surprise in their faces. The tumult in the background
seems very insignificant at this moment. The two look at each
other dumbfounded.
MAD MAN (O.C)
OKAY! In positions!
The sensai walks over to a young black kid with long hair.
MAD MAN (CONT’D)
Let's get moving Dave Marrow.
He slaps him on the back with a lot of force so much, that
Marrow grunts and moves a bit off balance.
MARROW
Yes sir…
MAD MAN
(death stares Marrow)
Sir? Sir! SENSAI!!!
We cut back to Casbolt and Spiers. Their eyes are locked.
SPIERS
What's your name?
Casbolt does not answer.
MAD MAN
Ready...
SPIERS
Why do i keep on seeing you?
MAD MAN
FIGHT!!!
Suddenly, Casbolt snaps as if someone had turn a switch in
him. He goes and grabs hold of Spiers who tries to secure
him. Casbolt is furiously pushing him, but Spiers pushes back
him his legs rooted in the ground.
MAD MAN (CONT’D)
Go, go, make him cry Spiers! Break
him!
Spiers quickly with all his might swipes his legs around
Casbolt’s and Spiers loses balances and lands on his right
knee.
 31.

MAD MAN (CONT’D)
DON’T LET HIM GET YOU!
Spiers with much effort managers to push back up.
MAD MAN (CONT’D)
Come on! Brothers rivalry! Come on!
Then the real fight begins. Spiers lets go of Casbolt’s neck
and pushes him in the chest. Casbolt shouts in pain. Spiers
rolls on his back still holding onto Casbolt, bringing him
down with him. Casbolt begins to grab roughly at his arms and
legs and face with savagery. Spiers getting beaten, tries to
wrap his legs around Casbolt and tries to roll back up but it
does not work well. Casbolt strikes Max’s side and his leg.
Spiers yells.
MAD MAN (O.C) (CONT’D)
OI! Lay it off!
Casbolt begins punching Spier’s face with much power that
seems too much for a young child. Spiers knees Casbolt in the
groin and bites his fingers. Casbolt screams in pain.
MAD MAN (O.C) (CONT’D)
HEY!!!
Spiers head first rams into Casbolt in a head lock and holds
his left arm out in an arm bar. Casbolt is breathing like a
wild animal. His eyes are full of hate. His face is red and
his teeth are blared.
CASBOLT
(sinister)
You die…
MAD MAN
BREAK IT UP!!!
The seasni gropes Spiers and Casbolt by their hair and breaks
them apart.
MAD MAN (CONT’D)
Casbolt! What the hell were you
thinking?! Does this guy look like
needed that?! Come on!
All the other kids have stopped fighting and are now all
staring at Spiers and Casbolt.
 32.

CASBOLT
(eyes Max with remorse as
if he did not know what
just happened)
I… What…?
MAD MAN
You crazy dog! I know he is
genetically messed up like you but
you are not at that level yet! Not
in my bloody class! COME ON!
He takes Casbolt by the ear and drags him to the sidelines.
CASBOLT
Ahhhhh!
MAD MAN
Now, get ready for the conditioning
drill, while i teach this guy a
hard life lesson. Time to meet the
thunder paw.
Max Spiers remains standing watching his twin being escorted
out with some curiosity. Dave Morrow comes over to him.
MORROW
What happened dude?
SPIERS
I don’t know…
Spiers rubs his jaw. He looks outside the window.
SPIERS (CONT’D)
I do not know, but those punches
should have knocked me out cold.
MORROW
But that was wicked Max! I wish i
could do dat.
Spiers gives a weak smile.
CASBOLT (V.O)
The aim of the training was to
produce and prompt obedience to
authority, the ability to endure
pain and hardship and courage and
victory in battle.
FADE TO:
 33.

EXT. WHITE TIGER PARKING LOT. EVENING

Neil is leading Casbolt into his car. Casbolt is still
sobbing from his punishment. Neil silently lets Casbolt in
the car. He sighs.
When Neil begins driving, he begins to verbally abuse
Casbolt.
NEIL
The karate teacher - good on him.
When you decide to break the rules,
they will break you instead.
Casbolt silently looks out the window ignoring him in the
back seat.
NEIL (CONT’D)
I like it when others are abused…
(beat)
Because i know that i am not the
only one…
(beat, beat, beat)
My father Bill, he used to treat me
like that you know James? You look
at me, and realise that you are
looking at mirror - a mirror of
your future self. You become a
pedo, a child porn addict, who has
no purpose in life but to only do
the things that our superiors tell
us. Whether they are good or bad.
(beat)
Casbolt, this because it is only
necessary. Abuse has become a sort
of family tradition. My own
stepfather was Bill Merch - a POW
in the second world war yah know
and he was tortured severely. When
he came back to the UK - he started
to sexually abuse my sister Debby-
(Neil chokes up. His voice
has more emotion in it. We
can tell he isn't making
this story up.)
And also psychologically abused us
by killing our three pet rabbits in
our faces and other - things.
(beat, beat,beat)
I forgot their names…
(beat)
(MORE)
 34.
NEIL (CONT’D)
The trouble is, no one in this
world is specialised to fight back
against this… Yep, it is all part
of the stupid plan… Dumb them
down...
(Neil begins to cry. He
stops talking.)
We see Casbolt looking at his stepdad with some feeling of
sorrow. He also is stunned, because he cannot understand
everything he said.
Neil exhales long and deep.
NEIL (CONT’D)
There is something in mind control
called 'Dramatisation' namely if a
person is abused, they will act out
the abuse on other people in times
of stress and say the exact words
and perform the same action their
abuser did to them… You become the
handler Casbolt. You will become
like me… Someone quite wretched,and
broken… Now of course - you have no
idea what i even said... Stuff it!
Suddenly, Neil’s phone rings. He picks it up and calls.
NEIL (CONT’D)
Yeah?
We don't hear anything but his facial expression tells us
what is being said is connected to Casbolt and is important.
He nods.
NEIL (CONT’D)
Right. He’ll be ready.
He hangs up. Neal turns to Casbolt.
NEIL (CONT’D)
James, you have an appointment with
Danu tonight. Around 7 these men
will pick you up and take you to
Berkshire.
Casbolt nods.
CASBOLT
Oh, okay…
 35.

NEIL
I should be good for you James.
Take it easy.
They pull up at Kate Casbolt’s flat.
We cut and see Julia carrying her finished dinner plate to
the kitchen. She walks back to the dining room and see Neil’s
car and Casbolt come into the driveway.
JULIA
Mum, they’re home!
KATE
Good, we can get Casbolt ready for
his first testing.
JULIA
What do they even do over there
mum?
KATE
(Shallow)
Julia.
(beat)
I cannot tell you dear. It is
privacy.
Julia stares at her mum with bewilderment.
JULIA
Why? Mum i want to know what’s-
KATE
(with emotion)
Julia! Enough!
(beat)
Why don’t you read your comics.
I’ll have some warm milk and honey
prepared for you. Its a school
night. You cannot come. Its for
your brother’s own good.
CUT TO:
A white Alfa Romeo rushes and stops in the driveway.
We see the silhouette of Neil as two men in suits walk out,
leaving the doors open and the car engine on. They look
around their early 30s. One has a short black bread and along
Mediterranean face with a summer tan. The other also has a
bead and has brown hair that is more curly and boofy.
 36.

Neil places his hand on Casbolt’s shoulder. The young boy

literally has no clue at want is happening. He looks dazed
and sleepy. Neal pushes him forward.
NEIL
You can go now James.
Casbolt looks back at Neil with eyes begging for answers. He
has no idea at what is about to happen.
NEIL (CONT’D)
Take him. Kate will pick him up
after the program is done.
PREFECT 1
Don’t worry. We got sorted this Mr
Pettit. Thank you.
The man hands him a thick pile of cash in a rubber band.
NEIL
Welcome.
PREFECT 1
Your experiments with the cloned
mice was revised and the results
come out very well by M.O.D and
R.A.F sir. Just wanted to report to
you.
NEIL
I know. I know. It was nothing.
Good luck.
The first man takes Casbolt by the shoulders and silently
leads him into the back seat of the car.
CUT TO:
Julia rushes to the window and looks out. Her face is full of
concern and curiosity.
POV OF JULIA as the doors of the car shut. Neil remains
silhouetted in the shadows as it begins to reverses back.
CUT TO Neil’s face as he watches the car pull back. He lacks
emotion. He almost looks proud but he has signs of tension in
his body language.
The Alfa Romeo pulls out.
EXTREME CLOSE UP of the car logo of a Knights Templar cross
and a crowned green serpent eating half of a man with his
arms raised.
 37.

The number plate that is modified saying: “Rev19:19”. The car

moves forward and we see it drive off into the distance.
FADE TO BLACK.
END OF ACT 1
 38.

ACT 2
We get a few series of distorting sequence of scenes. We see
blurry headlights of cars and different coloured lights.
Slowly but surely we hear the voices of the two men rise to
the surface.
PREFECT 2
Have some of this Michael.
The man hands Casbolt a cup of water.
Casbolt has a completely blank face. He is completely
vulnerable in the back seat as they are driving.
He is unsure. Casbolt looks at the man.
PREFECT 2 (CONT’D)
Its water son.
Casbolt takes the cup. Then the man picks up a pill in his
hand.
PREFECT 2 (CONT’D)
Okay, take this too.
Casbolt does not know what it is or what to do with it. He
take sit and stares and studies the pill in his palm.
CLOSE UP of the pill in Casbolt’s hand.
PREFECT 2 (O.C) (CONT’D)
Now put the pill on your tongue
Micheal.
Casbolt looks back up and then back at the pill.
CASBOLT
Now?
PREFECT 2
Yes man. Put it in your mouth, keep
it on your tongue but do not bite
it or chew on it. It was taste very
horrible if you do.
CASBOLT
I  don’t -
PREFECT 2
Quick man! Just put it in your
mouth and do not eat it! Cupish?
Casbolt puts the pill in his mouth slowly.
 39.

PREFECT 2 (O.C) (CONT’D)
Now. Grab the water and drink. Make
sure the pill washes down your
throat as you do it.
Casbolt raises the cup to drink. He tries to swallow but it
does not work.
PREFECT 2 (CONT’D)
Well? Did you do it?
Casbolt with some water in his mouth shake shakes head.
PREFECT 2 (CONT’D)
For Christ’s sake! Here.
The man takes off his belt and leans over and raises the cup
to Casbolt’s lips.
PREFECT 2 (CONT’D)
Now swallow the damn thing.
Quickly! It will help you later!
Casbolt finally swallows the pill. The man sits back in his
seat.
PREFECT 2 (CONT’D)
Now, he’s ready.
Casbolt wearily looks out the window at the dark warm golden
light of the street lamps that cut back and forth from
darkness to light.
CASBOLT
What was it?
PREFECT 2
The what man?
CASBOLT
Was it a lolly?
PREFECT 2
A lolly? Yes, yes it was. A very
special kind of lolly. It’s going
to make you powerful boy.
Certainly.
CASBOLT
(nervously)
Okay…
 40.

PREFECT 2
(beat)
Bluebirds do not hear, see or
speak…
LONG SHOT. We see the car driving from the city of London
into a countryside.
The car drives on two laned road at night in a heavily wooded
area with lots of tall bare and gothic looking trees on the
sides of the road. We PAN DOWN and a barbed wire electric
fence blocks our view. We see danger signs and a large gate
that has a security booth with a guard inside.
Greenham Common Newbury - Berkshire
The car stops and the man in the passenger seat turns to
Casbolt in the back.
PREFECT 1
Now son, these people keep nuclear
weapons here. It is a providence.
Danu gave them to us.
SIDE MID SHOT of Prefect 2
PREFECT 2
Right.
He rolls down his window.
GUARD
You come under the name of Danu?
PREFECT 2
You know we are. We have the Prince
in the back.
GUARD
Security number please?
PREFECT 2
X4566-2
GUARD
Alright, access granted Barry. Take
the BRAVO entrance to the Mannequin
centre.
PREFECT 2
Aye sir. Thank you.
The gate opens and the car continues driving down the two
laned road.
 41.

PREFECT 1
Now James, you need to lie down on
the floor. Do not look out the
window. There are cameras and
security here that do not like
little kids.
Casbolt obeys and lies on the floor in the back seat.
They continue to drive straight until they enter into a large
building. We hear people outside but we are looking up from
Casbolt’s view. We do not see what is happening.
PREFECT 1 (CONT’D)
Okay, you can sit back up now.
Casbolt obeys.

We see the car in a large aircraft hangar. It goes down into

an underground tunnel with two lanes.
As they drive, Casbolt has a face of worry, confusion but he
looks tired. The pill is starting to keep him from panicking
too much. They approach a flat underground car park with an
army truck parked on the left-hand side. There are a set of
booths here, with more security sitting inside them. There
are barriers this time. The tunnel went on further, but the
car stops.
PREFECT 1 (CONT’D)
We’re here kid. Get ready and good
luck. It’s a great service to The
Order.
They open the doors and help Casbolt out. On Casbolt’s right
we see a group of around 15 children standing by the door.
All the children had blankets wrapped around their shoulders
huddled together. There were military soldiers in full camo
gear and some had suits on. They were not saying anything and
just appeared to be standing there waiting. Most of the men
had very long hair in braids and dreadlocks that almost
ruined their formal appearance.
Prefect 2 takes his bag off his shoulder.
PREFECT 2
Here kid. You might want this.
He hands over a blanket to Casbolt that is identical to the
ones the 15 kids have. Casbolt takes the blanket, glances
over at the kids and walks slowly towards them, emotionless
and silently.
 42.

The group of 15 consisted mostly of boys. The children were

the IBIS children that Casbolt was raised with and some we
recognise form the White Tiger program and from Toronto. Most
appeared to be at the same age Casbolt (5 years old), but
some looked slightly older and taller.
Then a door opens on the right. The 16 kids all turn. Out
comes the strikingly beautiful woman Danu. She looks 18. She
never seems to age. Her hair this time is tied in a bun. We
see her ears that are abnormally pointed. She wears a bright
red dress, that looked like it was from Amish country from
the 1600 to 1700s. Yet it still looked new and fashionable.
She has the strange necklace that we saw in the last episode
around her neck. She has dark eyeliner around her eyes. She
wears high heels and she stops. She looks down at the
children with dominance. As she spoke, her eyes remained
locked on them.
DANU
(her voice sounds childish
and innocent. But it is
filled with defilement.)
Okay children… Will you follow me
please...
JAN RODRIGO
(whispers)
Mis Danu… It's Danu…
DANU
(seductively)
Come on.
Casbolt and the kids follow Danu into a large room on the
right that houses hard-wear and they pass another door into a
classroom.
DANU (CONT’D)
Sit down everyone.
As the kids sit down, Danu wheels from aside a trolley and
places parts of plastic geometric shapes on the desks.
Danu finishes handing them around and reaches the front. Her
posture and her gait looks sneaky.
DANU (CONT’D)
Now class. Look in front of you.
What you see on your desk - is a
puzzle. Your job is to try your
very best to get the pieces in the
correct places to create a picture.
Do this to the best of your
ability.
 43.

She looks at Casbolt.

DANU (CONT’D)
Now all of you here, have held back
inside of you untapped physic
abilities. This task will revive
this ability which as the Tomorrow
People - it is an obligation you
ought to have. They have been
stripped from all of you. Now in
these three minutes, you have a
chance to show me if you are
capable of showing that it is
instinctive.
She brings her left hand up to check her watch.
DANU (CONT’D)
Okay. When i say go, you begin.
(beat)
Go!
They begin to put the pieces together. They are concentrating
hard.
Danu has her hands at her back as she strictly walks by
eyeing down without turning her head at the kids work.
After a few moments of intense commitment, Danu interrupts
the silence.
DANU (CONT’D)
50 seconds left.
She is at the front of the room with an upright posture, she
looks at her stopwatch.
Some children have done better than others. We see Casbolt
doing quite well.
DANU (CONT’D)
Times up!
The kids stop and Danu picks up a clipboard. She gets out a
pen and walks around each table at a time jotting down the
results. Her eyes look zombie-like as she writes.
CASBOLT (V.O)
Danu - a fairy queen or Aos Si of
the Otherworld. She goes way back.
(MORE)
 44.
CASBOLT (V.O) (CONT’D)
She is the original elf that
produced a sacred monarchy in
England and Ireland so influential,
her role in the Omega Plan - she is
crucial. She is a nihilist. And
mother of it. Snivelling and very
deceptive. Beautiful and striking.
I hate her. Her looks only scare
me. She reawakened our supernatural
abilities. She gave me these powers
that make me different. From this
point forward, in order to make the
powers more effective, they had to
traumatise us. It was very nasty.
Danu finished writing the results. She then turns at a
security camera positioned in the top right of the room. She
looks mad and irritated.
CUT to security footage. We see Danu on the screen in the
room look up at it and nods.
CUT back to classroom. Everything seems normal. Danu remains
silent. Her look is very cruel.
Suddenly, a group of men in black military uniforms barge in
from the door on the right which Danu had used. The kids
react looking at them in fear. The men with long hair to
their shoulders are quite muscular and dragged the children
out with their blankets quite easily.
DANU
(Commanding and
aggressive)
This is not pretense children! This
is not kingarden or church! This is
the truth - you are better than the
guinea pigs! You are liberated from
hypocrisy! You will be the new
tomorrow and will create paradice!
You are the soldiers that will
fight in cohesion and brotherhood!
The harbingers of a Neverland! The
time has come to witness what a
true homoioi endures! The way of
the warrior - pain and suffering -
it is a lump of vanity! Throw it
up! Get it all out! GO! GO!
As she screams this, she unpins her hair and she shakes it.
It is curly and light brown. Her face is contorted and she
looks very horrid and demonised. She convulsives a bit when
she does this, but not severely. She maniacally laughs with
childish glee.
 45.

The kids panic and scream as they are roughly dragged from
their seats at the very unexpected events. Some are crying.
Still screaming and terrified, Casbolt and the kids are
aggressively strapped onto gurneys.
VOICES
QUICK, give it!
VOICES (CONT’D)
Hold them!
VOICES (CONT’D)
Stay still!
From Casbolt’s point of view, we see someone in a lab coat
jab a needle in his left deltoid and his vision from here
starts to get hazy and dream-like. He has been drugged.
From Casbolt’s POV, we are wheeled down a long hallway.
CUT to bird’s eye view of Casbolt in the gurney.
We pass more corridors. It is quite blurry, choppy,
disorientating and hazy. We hear random disembodied voices
everywhere.
We rush past dentist rooms with metal dentists chairs.
Suddenly, we come to two large swinging doors with a whole
lot of racket coming from the inside.
We enter into a large dark room lit up with infrared and
sapphire dark blue lighting illuminating faces and the
pathway. There are many large cages on both sides housing all
kinds of wild animals, mostly dogs and wolves near the front
and birds and tiger and lions further down into the darkness.
Casbolt’s vision clears a bit. We see an elevator on the left
hand side and past that is a row of computers and consoles
with people managing them.
Danu’s voice roared from behind Casbolt.
DANU
It is time to act as one mind now!
1947 was only the beginning!
MAN
(American ascent)
Okay let’s go now.
The man unstraps Casbolt and we see more men with long
shoulder length hair unstrap the kids.
 46.

DANU
Let this test be a warning, for
those that mistrust us!
MAN
Stand in front of the cage here
everyone! Hurry up!
Danu strides in front of Casbolt and waits at the large cage.
She looks demonised and psychologically disoriented.
DANU
Unstrap them men, quick!
(claps her hands)
Time is short!
The 16 children are lined up in front of a large metal cage
or a cell.
A gigantic wild Alsatian dog is barking inside like mad. It
barks at the children very aggressively.
Casbolt cuddles up with all the kids with their blankets for
protection as they stare at the monster with shock, but
besides a few whimpers, none were reacting as a normal child
would. By this stage, Casbolt and the kids are in a state of
chemical-induced calmness and compliance.
Danu’s indignant facial expression makes it look like a face
of a corpse in the blue lighting.
DANU (CONT’D)
Beware children. We are going to
play a game. A very important game.
One will be luckily chosen to be a
key for the opening of the
Otherworld. It is to choose one of
the first Chosen Ones so we can
provide a remedy for our
discrepancies.
On her right side, Danu proceeded to hang multi coloured
spiral ribbons onto a wall with hooks. They are glowing with
a psychedelic aura in the dark in the fluorescent blue light.
DANU (CONT’D)
(awe and wonder)
Pick one of them…
Casbolt and the 15 other kids do so. Casbolt picks regular
purple. Once all the ribbons have been taken, Danu has her
arms around her back. She attempts to make a move forward,
but she does not. The dog snarls and barks, banging of the
cage.
 47.

A lot of the kids looks frightful at the dog while holding

their chosen glowing ribbons. Danu remains focused looking at
the children. Her face looks merciless.
Danu’s demonic gaping eyes with eyeliner looks up right at
us. Her face is frowning at the same time. She slowly plucks
up a dark purple ribbon. The light shines up from below,
making her look deathly and supernatural. The ribbon glows.
CUT TO Casbolt with utter bewilderment. He looks down at his
purple ribbon and at Danu.
Her voice is still juvenile, unlike her depressed looks. Dog
is barking in background.
DANU (CONT’D)
Who has dark purple…?
A girl puts her hand up.
GIRL
Me.
We see a slight jocose smirk on Danu’s elvish face. She
gestures.
DANU
(coy and wry smile)
Come - here…
Casbolt and some of the kids rubberneck at the young girl
that was chosen. Some of her friends smiled with joy. Little
did they know what the girl was chosen to become.
The innocent walks up to Danu, who remains with a crossed
strict expression.
GIRL
I won?
Danu just nods. Suddenly, the man with long hair in a suit
quickly grabs the girl’s hair roughly. She screams in
shocking agony, and crying and whimpering. The man is very
strong as he lifts the girl up with his other hand holding
her torso. She kicks and wails to no use.
Danu lowers her head with her unrepentant face until her
whole face is in her shadow, watching with lust in her eyes.
Casbolt whimpers in terror as this happens. He drops his
purple ribbon. He was so close to being chosen.
Danu pulls a key out of her dress and unlocks the dog’s cage
quickly as if touching it will make her sick.
 48.

The dog rises on its hind legs snarling and growling and
barking like crazy. She opens the cage and with great
strength the man grunts and throws the girl into the cell.
Danu quickly slams the gate shut. Her eyes are frenzied. She
is gritting her teeth in a serial killer like fashion. Her
hair is wild and broken.
The dog lands on top of the girl bawling and kicking up at it
with her legs and arms.
POV as the dog goes in for the kill at her throat. We see its
teeth as it opens its mouth at the camera.
CUT TO Casbolt shutting his eyes and covering his face with
his blanket as we hear the indescribable sounds of a wailing
child being torn into pieces by a wild hungry dog inside a
cage. As the girls cries finally ceased and nothing but
cracking bones and chewing is heard, Casbolt looks up at an
tall Asian boy watching the girl die horribly.
We see the large dog shaking what remains of the girl
playfully in its bloody mouth.
CASBOLT (O.V)
(with remorse)
It is difficult for me to remember
much after this and to be honest
Julian, i do not want to. I even
feel guilty about witnessing this
event and even writing and talking
about it. Another survivor named
James Rink who was next to me, told
me this is very common as well in
Asia, and all around the world with
abducted and missing children. This
is where some of them end up. This
what i went through is called
survivor guilt. The only thing that
haunted my mind forever from that
event besides the girl’s death, was
Danu’s ghastly face and her feral
eyes in that fluorescent blue
light. She has these eyes that
would have made her perfect to play
the girl possessed in The Exorcist…
JULIAN
My God… I’ll get nightmares if i
was you...
CASBOLT
Would you Julian?
 49.

JULIAN
(vulnerable)
What?
CASBOLT
Julian. Please remember that this
is what your own girls could have
gone through. If you are lucky,
they would have been suffering from
survivor's guilt. You need to use
your military skills and weapons to
be able to protect your children
from these inhumane Satanists, do
you understand me? We are not
playing games here, Sergeant, this
is really going on and we must
fight back against it. They will
come for your daughters sooner or
later.
JULIAN
There's no way. There is no bloody
way my daughters are going through
any of that crap! No freakin way!
Man! Just no! I’m fed up! Casbolt,
the advice is taken. I’ll do
whatever possible - it is possible!
I’ll mow them down if they come!
CASBOLT
Man, look!
Julian brakes. He nearly hits the back of another car. He
only dints the license plate. It sounds bad.
CASBOLT (CONT’D)
Dude! You -
Julian furiously beeps the horn. He rolls down his window.
JULIAN
(sudden burst of anger)
MAN ARE YOU BLIND!?
The man in front gets out of his car.
OLDER MAN WITH A POOR VISION
BLIND? You watch where you're going
minster!
JULIAN
Get out of the way! I just made a
small dint! Get over it you crank!
 50.

OLDER MAN WITH A POOR VISION

But you hit me man!
Julian in anger, maneuvers around the car and slips in front
truing left.
In the car is silent.
CASBOLT
(awkward. Clears throat)
Okay. I guess i was not meant to
see that.
JULIAN
Yeah, that never happened. We are
not very far from the prison now.
(beat)
I get bloody pissed off when i am
fired up! Helps me in war time. But
not when i am driving, of course...
Its my ultimate fuel to push on in
the heat of things.
CASBOLT
Sergeant, you want me to
continue?...
JULIAN
Yes, please go on. I want you to go
on. I mean, i want to know more
about these secret underground
bases. I want to know as much as
possible - just in case i end up
going to one of them to blow them
up so i can free by daughters.
CASBOLT
If. If, they find them. I promise
you Julian, that will not be
necessary if you are very watchful
and caring of them.
JULIAN
Yeah, i hope so… I really do hope
so.
FADE TO:

INT. BLUE CAGE ROOM

We are back in the dark room with the cages and the blue
fluorescent light.
 51.

Danu crosses over to the computer technicians and they are

watching waves and frequencies on screens and some are
discussing them. Danu talks to them.
DANU
First Alpha program is ready to be
submitted?
MAN
Yes majesty. It is all done.
DANU
Go to a mound to send word to
Sinmara and to the Alfheim folk.
The Celtic Danish blue bloods are
chosen and are to be kept within
the building for more procedures
are to be conducted. They are ready
for the final testing before the
final ETLADS project.
MAN
Indeed excellency.
DANU
I did get word from King Frey and
Queen Sinmara regarding the
masterpieces too.
MAN
Well.
DANU
He has been rather intrigued at the
achievements of Mangus in project
IBIS and his tracking of the RH
Negative blood types and Nephilim
genetics. He has wished he had
never seen him go down is such a
honourable way for such a major
cause. He wishes to join us here
soon, and he also requests that one
of our hybrid masterpieces must be
from Magnus’ line - because he
earned our favour well.
Danu pulls out a long 40 centimetre box with Nordic runes on
it.
DANU (CONT’D)
Sinmara gave me this. She wishes if
Magnus’ son would like to keep it
in his mansion in Boston. Are you
able to do that for me?
 52.

MAN
Huhm. I will see.
The man takes the box.
MAN (CONT’D)
The Chases do have a powerful
bloodline. I agree your highness. I
will certainly notify Peneume and
Director Bonner of this.
DANU
Have you all recorded this testing
down men?
The men at the computers all nod.
MEN
Ready excellency.
DANU
Good. Good.
Danu turns to the guards.
DANU (CONT’D)
Clear this place. Take them to the
Lambourne entrance. But for the
princes exchange their positions.
The 15 children are now taken and escorted out of the room.
They are walked back up the corridor and are taken into a
different room into a different classroom. The children are
met by more men in suits also with shoulder length long hair.
JULIAN (O.V)
What’s with the long hair dude?
CASBOLT (O.V)
I do not know if this is true or
not, but everyone in Project
Mannequin believed they are
descendants from Hercules. Hercules
got his powers from his long hair
by making a Nazarite vow, and it is
believed that if you cut your hair,
you would lose all authority and
psychic powers. Later, when we got
older in our training in the agoge,
we needed to grow our hair for a
long period of time.
JULIAN (O.V)
Huh okay. Go on then.
 53.

The two prefects come out.

PREFECT 1
Welcome back James.
PREFECT 2
How did it go?
Casbolt looks at them in silence and with a face of horror.
He wraps himself in the blanket.
PREFECT 1
(pretending to be Casbolt)
Well thanks.
PREFECT 2
Yeah of course you did. Okay follow
me kid. Queen’s orders.
The Prefects are dressed in civilian clothes now. They take
Casbolt down another corridor to the left. They then take a
right turn before they open a door in front. Enter a black
woman with pupils glowing like tiny rings of lava. Her skin
was no ordinary black. It was so dark, it looked purple.
Squid ink at midnight was not as black as her appearance. It
was like chiselled obsidian. She has a formal dress on that
is black with yellow patterns on it. It shimmered all in
harmony as if they were the very fabric of a neutron star.
She is tall, very tall. About 7 feet, towering above the two
Prefects. She has lots of black hair that shines as a halo
around her head. Following her is young Max Spiers.
PREFECT 2 (CONT’D)
Cross over two. Come here Max.
Max and James lock eyes with each other. They do not say a
word, but they both have a look of intrigue. They touch
hands.
The second prefect takes Max and the tall black woman takes
James.
PREFECT 1
See you James.
As the two men walk off, Max looks back at James Casbolt.
Casbolt looks back as if he wants to warn Max about Danu and
the dog. He has a curious facial expression. He wants to ask
something but the black woman interrupts him by placing her
hand over his mouth. Casbolt glances up at the woman. She
gestures behind him. Holding hands, Casbolt proceeds through.
They walk down a corridor until they take the stairs to go
down to a lit up, echoey subway station.
 54.

The two wait on a long platform and just in time, a train

arrives. Suddenly in Casbolt’s head we hear a feminine
German/Scandinavian voice. “This way child.”
The train slows down and the sliding doors open. The train is
mostly empty.
Listening to the voice in his head, Casbolt follows the tall
black woman on the train. They sit in one carriage all by
themselves. The lights slowly begin to dim as the woman
enters. It is quite lulling and peaceful. They sit next to
each other the way they appear to be travelling. The doors
close and the train begins to move in the long dark tunnel.
There is no talking. The two remain silent next to each other
for a long time. Casbolt looks around. There is not much to
see. The lights in the train get dimmer and dimmer as they
move. The screeching of the train on the rails echoes
outside. Then that same voice enters Casbolt’s mind: “James,
do not be afraid. You are safe now. Everything is alright.”
Casbolt looks up at the woman. She turns her head looking at
him. Her eyes are smouldering like amber and ashes in a
campfire in their sockets. They are very warm. As the woman
looks at Casbolt with reassurance she places her warm and
comfortable hand on Casbolt forehead. Suddenly an orange
harmless glow radiates from her palm as she comes into
contact with Casbolt. He closes his eyes and smiles slightly.
The voice fills Casbolt’s mind as if the woman touching her
is speaking. “We have a long trip ahead of us. You have made
a good start young man. Rest. Sleep. Rest Casbolt. Sleep...”
The woman does this, Casbolt slowly drifts off, cuddling up
in his blanket and drifts off and we
FADE TO BLACK.
FADE TO:
Casbolt slowly walking up as the train stops at another
underground station. The doors slide open. The black woman
gets up and Casbolt slowly follows her groggily. “No need to
rush young man.”
They walk from the station and enter into a short corridor
and then enter into a large white room.
The light is very bright here. Casbolt takes time to adjust
to the harsh light. When he does, we see there are men
wearing protective white suits walking around. Some of them
hold spray guns like hoses and smoke like vapour flows out of
them. It is very cold. Casbolt looks at the woman and
released why he is still alive. She is now on fire
completely.
 55.

Her whole body is glowing white and yellow like the sun. Her
eyes everything were glowing like a huge inferno. She was
keeping Casbolt alive.
“You like it? I through you did. Told you there is nothing to
scared about. See, i am on your side.”
Casbolt looks at her as if she was an angel from Heaven.
“Stay close to me Casbolt. Follow me.”
As she walked, the ground sizzled and her burning footprints
were left behind. The air around her melted. The cold mist of
the cryogenic storage place does not affect them. Casbolt,
has no choice but to follow her. He is curious and wants to
know more.
Morgue like apparatus is housed on the left side. The fiery
woman approaches one of them. “Come over here Casbolt.” A man
in the protective suits escorts Casbolt to one of the morgues
and opens one up.
MR SARION
Casbolt! My gosh you have grown!
Casbolt looks at the man and behind the mask. Casbolt’s face
lights up with joy.
CASBOLT
Minster Sarion? You minster Sarion?
MR SARION
Yes, yes, it’s me James!
CASBOLT
What are you doing here?
MR SARION
Oh. This is where i work now. Well,
i have always worked here. Teaching
was only my part time job.
CASBOLT
Good to meet you.
MR SARION
Yes.
Sarion grabs a strange looking material.
MR SARION (CONT’D)
Yes. But now, it is time to leave.
He leads Casbolt inside the morgue.
 56.

CASBOLT
What is this? What are you going to
do?
As he places the strange material on Casbolt, he explains.
MR SARION
Oh, trust me. It's actually very
awesome. Really. I’ve done it
before. A few times since I loved
it so much. Once you sleep inside
this, you will have many amazing
dreams. They will feel very real.
When you wake up, all of the
worries you had today will
disappear.
Casbolt nods as he is fully covered by the material.
Sarion then picks up one of the hoses and sprays Casbolt with
this strange white icy cold mist thoroughly.
The glowing woman nods at Sarion.
GLOWING WOMAN
The coma is the answer. Just like
what happened to you - he will live
for centuries.
The woman explodes and she vanishes out of sight.
CUT TO:

INT. JULIAN’S CAR. DAY

Casbolt stares out in front at the road.
CASBOLT
From this moment until 1982, i
literally have no memories of
anything. It is like a gap in my
life. Like one minute, i am in this
chamber and the next i awake in the
Malaysian jungle. Its just bizarre.
JULIAN
Amnesia? Memory wipe? What did that
white mist do to you anyway? You
missed out on a whole year! Did
your parents care? Were you in a
coma?
 57.

CASBOLT
Look, i have theories okay, but i
am not sure if this was it. I was
only 5 at the time. I think i was
at Porton Down, Wilshire - a
biowarfare centre. It is a big
underground base below that, i
believe that’s where the fire giant
lead me.
JULIAN
Is that connected to the Berkshire
DUMB?
CASBOLT
(His head tilts to the
right as he speaks)
Uhm i am not one hundred percent
sure but i know there is a base
underneath Welford. And then i know
they are all connected around the
country in tunnels, the Labyrinth
and mines and roads underground. So
but, basically, the base underneath
Porton Down is a biowarfare
facility. They have UFO technology
underneath there too like the one
from Berwyn Mountain.
JULIAN
Like Roswell?
CASBOLT
Yeah, like Roswell. But, anyways.
Porton Down. That’s where they
created um… Horrendous biowarfare
weapons. Some of them are like a
gas, it damages your brain and
freezes your consciousness to a low
savage animal instincts.
(flexes)
You go crazy and violent.
JULIAN
Yeah… What kind of gas was that?
CASBOLT
Um. I do not know the name of it.
Um, i had…
Casbolt cringes a bit.
 58.

CASBOLT (CONT’D)
I have seen certain things over the
years which i don’t feel
comfortable to talk about now.
JULIAN
Right.
CASBOLT
But i do know one hundred percent
that they got this biowarfare
weapons.
JULIAN
So if you had a suitcase of it
inside, and you open it up, it will
blow up in your face?
Casbolt shakes his head.
CASBOLT
I don’t know how it works exactly.
But i know um, it could possibly
just be an airborne thing.
(spreads arms)
Pohh. Comes out. I don’t know one
hundred percent but i know what it
does, i know the effects, i felt
the effects i have seen the effects
of it in the biowarfare tests in
Project Mannequin. They used to
test them on real people, mostly
homeless people. They put lots in a
room, in a sealed room…
Casbolt shakes his head and rubs it.
CASBOLT (CONT’D)
I get really twitchy talking about
it.
JULIAN
That’s okay. Well, we are here now
anyway.
Julian’s car parks outside on a very old greyish white
warehouse like building.
LONG SHOT. It surrounds a large area of space where grass has
grown. In the centre there is an old courtyard and the other
side of the building looks like it has been demolished in
complete ruin. On the left there is a construction site and
on the right is the main road.
 59.

JULIAN (CONT’D)
Boy, has this place gotten a
beating. Such an ugly building.
They have not bothered to fix it or
even take it down. Been a bunch of
gang violence over here. So, i
don’t know. Try to make it as worst
possible experience for the
prisoners i guess.
CASBOLT
The police do not know how to
discipline the disobedient
properly. If a prison is a hotspot
for gang violence, you know you
have messed up.
Casbolt gets out of the car looks behind the camera for
anything.
He then picks up his expensive silver and mat black suitcase.
On it is a small logo of the same spiral triangle that Danu
has on her necklace.
Julian notices Casbolt taking his suitcase as he closes the
door.
JULIAN
You don’t have to take that you
know. We are just dropping by.
CASBOLT
You never know.
He place stage suitcase down holding the handle.
CASBOLT (CONT’D)
You never know who is tracking you
down. We need to be ready at all
times.
The two enter into the old prison. At the entrance, they are
welcomed by to massive cravings of two goddesses on the sides
of the arch entrance. It looks haunted and sad.
END OF ACT 2
 60.

ACT 3

INT. PRISON. OVERCAST.

FADE TO:
An empty cell. Grey concrete grimy walls and very melancholy
setting. There is a bared caged on the ceiling where
colourless light casts dull shadows of the cage inside the
cell. We can hear a horrible ruckus outside. Men are
spitting, grunting, swearing and yelling in Spanish. The
walls alone tells a story of detestable events that has
happened here, in its nugatory and sterile existence. The
walls itself seem to weep.
Carl - in a state of great despair, sits in a seat in an old
mundane office, handcuffed. He is now wearing an orange
jumpsuit. A police man sits in his messy and old musty
office.
We see Carl is very distraught and a completely new man. He
looks like he rejects everything. His hair is messy, he has
no glasses on. His eyes are sorrowful. In the background we
hear the echoes of the prisoners yelling. Carl closes his
eyes and hold his head as if the echoing phantoms are jabbing
poison darts into his psyche.
CUT TO:
A man named Wally Wachsman is leading Julian and Casbolt down
the hall.
WALLY
The "Oso Blanco" is the most
notorious prison of Puerto Rico and
the birthplace of 2 most famous
latino gangs: "Asociacion Neta" and
"Los 27". Here, at this prison
hundreds of murders and where
ghosts still roam in abandoned
walls.
A delirious prisoner reaches out from his cell and tries to
grab Casbolt’s suitcase. He is begging him in Spanish.
JULIAN
What is that grotesque smell? Oh
man they should really renovate
this place. Been used for 60 years
straight.
 61.

WALLY
You’re certainly right. This place
is a disjointed pen. The prison
system has been fined about $250
million for violations since 1980.
It was unclear when a new prison
would be built or where the
prison's current 1,000 inmates
would be moved. It is the second-
largest prison on the island.
CASBOLT
Man, Carl’s in a muck.
WALLY
Carl’s just down this way.
They follow Wally into the office.
As the door opens, Carl remains with his head down.
WALLY (CONT’D)
Sir, Carl has some visitors.
The policeman gets up and they speak in Spanish. Finally, it
seems the policeman accepts them and gestures for them to sit
down.
JULIAN
Gracias.
They sit down next to Carl. Carl covers his face and tries to
move away.
WALLY
Now man. Let's hear what truly
happened on that day. Poor thing,
he might be suffering from post
traumatic stress from the
unexpected triggers that went off
in his bring to a second split
personality that was a mindless
cold blooded killer. Carl, whatever
the case, your records lack any
criminal offence so we may assume
that we are missing the bigger
picture. According to Casbolt, we
might think you are one of the
homoioi. You could be a victim of
MK ULTRA. Carl sir, please give us
the bigger picture.
 62.

CARL
(delirious)
Oh yes!
(laughs)
Oh yes you have no idea what’s
coming…
(serious)
They trapped me…
WALLY
Hmmm?
CASBOLT
Carl, are you all right?
Carl slowly turns and looks at Casbolt with complete madness.
CARL
Why do you lie?
(Beat)
JULIAN
Sir, please tell us if you saw any
men in black suits-
CARL
NO! TAKE THEM OUT!
WALLY
Hold on man!
CARL
(Weak)
They interrogated me…
CASBOLT
Who interrogated you?
CARL
The… The…
He groans in pain.
CARL (CONT’D)
Confessions… The Mark… Confessions!
James, it’s all over. You will be
deposed of because of me… And the
world too.
JULIAN
(shock)
What are you even saying?
 63.

CARL
There is no escape. We serve and
pay to cover up their past
abominations as slaves to their
hive mind. Their actions still
stink underneath the rug up to
Heaven. The, dark powers and
principalities and the wickedness
in high places. There is no human
that can stop them. They will merge
with us. They have nestled programs
within programs.
JULIAN
Wait! What are you even saying?
What are the dark powers you are
referring to? Those in government?
CARL
Does anyone have an American One
dollar bill?
WALLY
Oh, yes. In this draw.
He pulls it out and gives it Carl. Carl shows Julian the
back.
EXTREME CLOSE UP of a pyramid with a floating capstone with a
glowing eye in the middle.
CARL (O.C)
Pictures are a thousand words...
Julian takes the dollar form his hand and looks at it.
JULIAN
Erhmmm… I’m not much of a riddle
solver.
CARL
See. Everyone has their
identification on them without even
knowing it.
Casbolt takes the dollar. He looks up.
CARL (O.C) (CONT’D)
We serve evil thinking we are doing
good.
CASBOLT
We cannot be relying on our eyes
here.
(MORE)
 64.
CASBOLT (CONT’D)
What your saying is that the enemy
is the Occult. Tau 303
conspirators.
CARL
They are not human beings James,
you know that well.
JULIAN
The gods? The gods are in charge.
CARL
There is, a sense of urgency. Even
in those in high places. All over
the world, these gods are
disclosing their plans to open
individuals. Pulling the strings.
They pass unnoticed and no matter
how beautiful and seductive they
appear, and what star system say
say they come from, they intent on
carrying out one single plan to
enslave all of humanity. I am a
victim of it...
CASBOLT
Carl, to what? What did you do?
CARL
I thought i was just doing my job.
I was creating something so small,
yet its effects will be as a
mustard seed.
CASBOLT
What did you make?
CARL
I’ll tell… Fine. My job was being
an engineer. We are moving towards
an age where implants will be done
so we can be identified. You see, I
spent thirty-two years of my life
as an electronics engineer working
in the Bio-Tech field; working in
the surveillance field. I worked
for the CIA, FBI, the Customs
people. I worked for GE and
Honeywell... and IBM. I worked for
a lot of large companies… Yeah.
(MORE)
 65.
CARL (CONT’D)
So we got into designing, um,
centrical architecture and implants
that are very small, size of a
grain of rice, with its own
charging circuit inside of it built
on the body’s temperature change.
We spent a million and a half
dollars trying to determine where
the temperature changed the most on
the human body.
CASBOLT
Where are you getting this
information from Carl? I never
heard this before.
JULIAN
What exactly are you warning us
about?
CARL
The more you talk, the more they
put the screws to you.
CUT TO JULIAN
CARL (O.C) (CONT’D)
But if you do not sound the
trumpet, the people’s blood is on
your hands.
CUT TO:

INT. ADJUNTAS, GIGANTE DORMIDO . AFTERNOON

The two girls are inside the hotel room playing the board
game Sorry with Ben. They win.
CARL (V.O)
You have to be ready for the
decline of human civilisation.
REYNA
DEAD! I WIN!
BEN
Man, you beat me again. I was way
ahead i was killing you -
Reyna gently tries to kick him.
 66.

BEN (CONT’D)
And you came back. This game is
fixed, you’re cheating, are you
cheating?
Reyna is now rolling on the carpet.
REYNA
(giggling)
No!
BEN
You better not be.
REYNA
You’re sorry!
She gets up and skips to her room. Ben gets up and looks at
the game.
BEN
This game is sorry.
Hylla was giggling in the background.
Phoebe enters. She pulls out a printed piece of paper.
PHOEBE
Ben, you have to read this.
BEN
What?
PHOEBE
This email sent to you by Carl.
It's about… Casbolt. Did you read
it?
BEN
Skimmed it. What is it?
PHOEBE
Come if you want.
Ben and Phoebe go inside to the kitchen.
PHOEBE (CONT’D)
I’ll read it.
She takes the page and reads it out loud as Ben listening
attentively and with urgency. She looks mind-blown.
 67.

PHOEBE (CONT’D)
Dear Carl Sanders,
My name is James Casbolt. I am a
former MI 6 agent that was involved
in black ops during the mid 90's in
London, England. See my website
www.jamescasbolt.com for details.
I have blown the whistle on many
things on this website, however
there are certain areas I have not
gone public with. This regards my
involvement a genetic-enhancement
programme run by the NSA in the
area that I grew up in. This
project involves creating super
soldiers and super spies.
FADE TO:
Carl, Casbolt and Julian having an intense conversation. We
pan in behind their shoulders and close ups of their
intrigued facial expressions. We cannot hear their voices.
PHOEBE (V.O) (CONT’D)
This programme is called project
Mannequin and was/is being jointly
run NSA in an underground facility
in Peasmore, Berkshire in England.
I have recovered memories of
genetic enhancement procedures
being performed on me in this
facility.
FADE TO:
A dark stormy night on a beach with crashing waves and
pouring rain.
PHOEBE (V.O) (CONT’D)
There are at least 133 Deep
Underground Military Bases in
America alone and well over 400
worldwide.
A full super moon breaks through the clouds and shines.
PHOEBE (V.O) (CONT’D)
Hundreds of thousands of men, women
and small children
We are in a bedroom. It is a small holiday house. The water
on the window pane is illuminated by the super moon, bringing
a cold and ghostly light into the room.
 68.

We see a young woman (late 20s) with long dark hair inside
that looks like she is frozen in bed. Her eyes are looking up
as if she is paralysed.
PHOEBE (V.O) (CONT’D)
are brutalised, tortured,
programmed, experimented upon, and
killed in many of those underground
facilities (and taken by predators)
which often are shared with
incredibly malevolent beings who
literally eat humans.
We see the woman in utter fear as she is frozen in side her
bed. Only her blue eyes can move. She is breathing hard and
fast with no idea of what has happened.
PHOEBE (V.O) (CONT’D)
People simply don’t understand just
how technologically advanced the
Tau 303 is compared to the civilian
sector.
Outside on the beach, a whitish blue orb rises out of the
water about 20 feet from the shore, illuminating a rippling
glowing pathway towards the shore and the small house. A
shadow of a bearded man ascends out of the water gracefully
and gradually. As he comes closer to shore he is not walking
in the water, he appears to be gliding or floating through
like it was nothing. He glides through the swirling waves
until the water level reaches his hips.
PHOEBE (V.O) (CONT’D)
We aren’t talking about fifty years
ahead, we’re talking about one
thousand years ahead.
Cloning, mind control,
invisibility, anti-gravity, free
energy, age regression, soul
transfers, extended life spans,
time travel, portals, ability to
cure any disease, etc.
We get a closer look at the mysterious man but it is too dark
to make out his features. He looks like he is wearing a
greenish robe with what looks like shells on his head like a
crown. We see a slight glint or glow of his green eyes. Now
we can see that he is floating and not walking at all. He
reaches the shore still floating above ground slightly
towards the house. The rain is still pouring and the moon
illuminates him a bit. He is wet as a carnal being.
 69.

PHOEBE (V.O) (CONT’D)
are already in the hands of the 303
and their military lap dogs.
We are living in a make-believe
world of pretend democracy while
being lied to by pretend
representatives, pretend media, and
pretend leaders, of which a large
percentage are working on behalf of
303 to destroy this country and
usher in The Beast One World
government.
We are back in the room. The man appears through the window
and the woman looks at him. He has black hair, a neatly
trimmed black beard, a deep tan, and sea-green eyes that were
surrounded by sun-crinkles that told one he was prone to
smiling. He was not smiling now. A crown of seashells is on
his head.
PHOEBE (V.O) (CONT’D)
It has also been confirmed by
contacts in the NSA that I was part
of this programme and may still be.
I have NSA documents in possession
that teach how to create super
soldiers if you are interested in
pursuing them. These documents are
classified 'above top secret' and
are worth a lot of money.
FADE TO:

HOTEL. ROOM.
PHOEBE
Again I have not released them on
my website because this area is
extremely sensitive.
The reason I am sending you this
email is because Julian Ramirez
Alernero emailed me a few days ago
regarding his daughters and their
possible connections to my story
and all these child abductions and
hybrid genetic engineering. However
I cleared my email account and
erased his contact details by
accident. I am going through a very
painful and confusing de-
programming. Many more memories are
coming up.
(MORE)
 70.
PHOEBE (CONT’D)
Please will you send forward this
to depaulab@gmail.com and ask him
to get in touch with me if
possible. There is so much more to
this then I can say now. I will
forward you a couple more emails
regarding my experiences. Again
please forward these to Lieutenant
Julian’s commander Benjamin DePaula
depaulab@gmail.com.
In truth
James Casbolt
Shalom.
Ben smirks.
BEN
(tries not to laugh)
I’m so sorry. Its too much.
He leaves.
PHOEBE
Ben?!
Ben turns around with frustration.
BEN
Casbolt’s is actually that. Mind
controlled. I could believe someone
that it literally insane?! I would
be an idiot! Why do you believe him
Phoebe? You do not even know him!
PHOEBE
(ANGRY)
Are you for real? You don't know
me! You have no bloody idea what i
have seen, oh you mortals are such
full of vanity and nugatory
thoughts! It is your best friend
Benjamin! Your friend is in strife
and he is the only one that can
help him.
BEN
Does he look like he has made
anything better?! No! Extremists
like him should stay away - out of
the military. He causes more harm
than good to those around him...
(beat)
Like my dad…
 71.

Reyna and Hylla are listening in the background.

HYLLA
(Whispering)
I believe him. He is telling the
truth no doubt. Reyna?
Reyna smirks.
REYNA
Yah, he not joking around.
FADE TO BLACK

EXT. DUMB. NIGHT

We see a featureless corridor with walls which contain
numerous glass windows on both sides like sterile cell
containing strange and terrify animal human hybrids,
suspended in blue liquid, fast asleep. We see a Minotaur, a
Scythian Dracanae, a Clazmonian Sow, a deformed human with
large hands and an elongated skull and many baby fetuses of
many shapes and sizes with larger eyes and phlegmatic bodies.
Montauk Air Force Base
We turn to a door with a small glowing blue delta logo on it.
We slowly zoom to a close up of the delta.
CUT TO:
Documents and pages with a title saying "TOP SECRET - PROJECT
ETLADS" with a list of last names. We see only a few but the
others are blurred out:
-Jackson
-Liszukiewicz
-Riverwind
-Zhang
-Veri Tachi
-Ifeoluwa
We also glimpse a list of genes:
-LRP5
-MSTN
 72.

-FAAH-OUT
-GRIN2B
-BDKRB2
We see from a glass window a Chinese woman in a glowing
creamy room on a futuristic bed. Around her are 5 foot tall
grey aliens with huge ink black eyes and holding strange
tools in their hands. The woman is in agonising pain. Her
stomach literally has a bump trying hard to penetrate her
belly and green hospital gown. Her screams her muted as she
rolls around in unfathomable pain giving birth. The greys are
securing her.
POSEIDON (V.O)
Immortals are to never, never
again, seem alien to man. There is
nothing more admirable than when
two people who see eye to eye keep
house as man and wife, confounding
their enemies and delighting their
friends.
We see someone holding a futuristic IPad that has a see
through screen. On it is a hologram of young boy - about 5 or
6 with smiling with dishevelled, jet black hair, swept to one
side. He has sea green eyes and a Mediterranean complexion.
POSEIDON (V.O) (CONT’D)
You see - he has my eyes.
The woman with the black hair and blue eyes that we just saw
is holding the device looking at her son. She looks
emotional. They are in a room that looks like a room inside a
large imperial spaceship in Star Wars.
WOMAN
Did those events happen?
POSEIDON
In the vision?
We see the green eyed man. His hands are also scarred like an
old-time fisherman's. He is in causal clothes wearing khaki
Bermuda shorts, and a Hawaiian shirt. Looks like Jason Momoa.
When he speaks, his mouth does not move. He is using
telepathy.
POSEIDON (CONT’D)
You saw the cyclones? The fires,
nuclear bombs, tsunamis and the
earthquakes all right?
 73.

The woman who is sitting done of a coach looks up at the god

with a face of fright and reverent fear.
WOMAN
They were not alright... They hit
the United Sates and... They looked
like they were real events... What
do we do then?
POSEIDON
Honey, have faith in us. We will
have a task to do. These events
must happen soon in the future and
they must be executed correctly.
The woman looks out. We see they are looking out what seems
like a window giving a glorious breathtaking view of a
rainbow nebula in deep space, filled with stars and ink black
space.
POSEIDON (CONT’D)
Have you noticed something about
the modern demigods?
The woman looks back down at her screen. We are looking up
from below and we see through the IPad screen with a reverse
picture of the young boy.
WOMAN
They have powers?
POSEIDON (O.C.)
Can you tell the difference between
us and you?
CLOSE UP of the picture of the boy. Three beats.
Then CLOSE UP of Poseidon. They both have very similar
features
CLOSE UP of the woman.
WOMAN
What do you mean between the
difference between me and you?
Everyone's the same. Same skeleton.
Same humanoid structure.
Poseidon closes his eyes with sanctification and moves his
head to feel the emanating light of distant stars on his
skin.
POSEIDON
See... Isn't that wonderful?
 74.

He slowly opens his seaweed green eyes.

POSEIDON (CONT’D)
Isn't that beautiful?
We see a MID SHOT of the woman on the coach and the god
standing beside her in his daggy beach clothes.
POSEIDON (CONT’D)
Pretty soon in the future, we will
all be together... You will not be
able to tell the difference, it
will be wonderful...
Poseidon takes the IPad out of his wive's hand and sits down
next to her.
CLOSE UP of them touching hands.
POSEIDON (CONT’D)
But... Some will be able to tell
the difference between gods and
men. They will be able to strike a
stark dividing line between us and
you, based off appearances.
WOMAN
Man has always been fight one
another.
POSEIDON
We will teach the mortals once and
for all. If you really look into
it, there is a difference - on the
molecular level. But, do not worry
honey, we will soon sculpt society
to anticipate those differences to
accept it. You are one of the lucky
ones. You cannot tell the
difference. Most mortals will not
be able to.
Poseidon sits up and helps the woman up.
POSEIDON (CONT’D)
Follow me. It's time to meet your
son's future mentor at Camp Hero.
As the god leads the woman away, we are left viewing the view
into outer space. Then it flickers and glitches and suddenly
switches off to reveal it was not real, but a hologram on a
metallic wall.
CUT TO:
 75.

INT. PRISON BATHROOM. DAY

We pan to a barred window to a small room in which Julian is
looking out of.
JULIAN
(distress)
Man, Casbolt is so right.
Julian begins to pace inside.
JULIAN (CONT’D)
I told them who you are. What it
really means to have a
relationship. But, no, i will never
tell them how i can communicate...
Why man should concatenate with the
things he does not understand in
order to remove fear to find
understanding.
(anger or passionate)
I’ll rather die for you - than tell
the truth!
Julian breaks down and aggressively slaps the wall as if the
walls of the prion are messing with his mind.
JULIAN (CONT’D)
(breathing hard)
They will not get it! I know, yes.
Oh, man… I am literally itching
right now demobilise. Like, it is
like an uncontrolled drive that is
sort of like - lust. Oh, i know you
enjoy my stoicism. You're obsessed
with it. My violence is what
brought us together. Oh, yes… It’s
so good…
He gets himself straight.
JULIAN (CONT’D)
(giggling slightly with
pleasure)
Right... Okay... I cannot wait to
gear up, i mean, picking up my M16
and to vaunt greatest as we ravage
the desert sands and bring hell
fire upon those that dare to
destroy - us... The flame will
never go out.
(shakes head)
(MORE)
 76.
JULIAN (CONT’D)
Oh, I promise you, we will fight
for it. Yep. It is the whole reason
my kids are mutants...
Julian looks out the bared window at the forlorn sky.
JULIAN (CONT’D)
Is that why i am chosen? I is
certainly a great blessing to have
a ghost as a -
(Julian just lazily ceases
to finish his sentence as
he imagines fanciful
through. He prepares to
get out of his liminal
environment.)
That's why Casbolt is here. No more
hiding then...
CUT TO:

EXT. PRISON. EVENING

Casbolt and Julian walk out of the old prison towards the
car.
CASBOLT
He has warned us. We need to get
back now. They are coming to kill
us.
JULIAN
Hold on a minute what about dinner?
And the kids?
Casbolt picks up his suitcase. He looks slightly paranoid and
alter, not looking at Julian but around at his surroundings.
JULIAN (CONT’D)
And - i just don’t get it! You
never even used it! What was the
point!?
CASBOLT
Man, you remember what Carl said?
JULIAN
Well, yeah. There’s like an omega
plan to kill billions. Then he
mentioned Joseph DePaula’s lectures
at the Take on the World Conference
in Vermilion Ohio.
 77.

Casbolt opens the door and puts the suitcase in the boot,
almost ignoring him.
JULIAN (CONT’D)
And those men in black are just the
beginning and that nature out there
is way bigger than we thought.
Casbolt turns to Julian
CASBOLT
Yep. Literally. Reality is not what
it seems at times. What might look
like suitcase, but it is not
really.
JULIAN
And what do you mean?! Do not tell
me that suitcase has those bio-
weapons inside!
CASBOLT
(detached)
Nah, it is more sophisticated than
that...
JULIAN
Alright then, so what weapon can it
turn into then?
We cut to a different POV. We see a hulking man in a black
trench coat by his SUV looking through binoculars at Julian
and Casbolt going into the car. He is on the other side of
the main road. He then opens his door and gets into his car.
He starts it up.
TRENCH COAT MAN
(Arabian)
Sleeper we know America’s schemes
too. It's time to give them a sign
- no one comes into our people for
staging a terrorist attack we did
not want to do. No one is coming to
plunder us.
He pulls out and follows the main road keeping track on them.
We cut to Casbolt and Julian in the car driving on the main
road back to the hotel. They are quite. Julian sighs and
breaks the silence.
JULIAN
That’s harsh… Is Carl really going
to stay their?
 78.

CASBOLT
Well until the prison shuts down.
The gang violence is certainly not
going to help him though.
JULIAN
Cas, why didn’t you know about the
mark he was talking about?
CASBOLT
Do not expect me to know everything
Julian. There are 13 families that
control everything. I am just like
you Julian - the power is in the
hands of the few. I am just a
whistle blower. Carl’s testimony
are like puzzle pieces and my job
is to put them together.
The traffic outside on the freeway is relatively light going
south. Julian had the left lane to himself.
The SUV is right behind them. We see through Julian’s side
mirror.
The SUV then changes lanes to Julian's right and accelerates
forward until it is right next to Julian’s car.
Looking from the left window, we see Julian driving and the
SUV next to the car on the right.
JULIAN
Ah jeez, okay i’m going call Ben to
see if we can pass by his daddy.
Just as Julian is about to pick up his phone, the SUV
suddenly swings over and bashes into the right side of the
car.
JULIAN (CONT’D)
HOLY,FUC-
We cut and see the SUV push Julian’s car into the oncoming
lanes. The SUV had waited until the other direction was full
of on going traffic doing 100.
JULIAN (CONT’D)
AGRRAAHHHH!!!
Julian kicks the brakes hard whilst also trying to resist the
SUV’s force. But the SUV is too big. A pickup truck was
heading right at them.
 79.

CASBOLT
QUICK! DON’T BRAKE! GO! GO! GO!
TURN AROUND!!!
Julian stops resisting and hits the accelerator and swings
his car as far left as he could. Screaming tires and honking
horns erupt around them.
JULIAN
NAAGHHHH!!!
It was through sheer luck that the truck merely grazed them.
Julian furiously weaves his way through the oncoming traffic.
They honk and swerve to the side.
Casbolt holds on tight to the handle on the top of the back
door of the car closing his eyes and clenching his teeth.
Just as a Jeep just makes it pass them, Julian skids off the
freeway, and into pasture land. They land roughly on the
grass. They come to a stop just in time in front of a tree.
The SUV speeds off, leaving behind a triangle of vehicles and
rubber smoke behind its tracks.
Suspenseful music rising and…
CUT TO BLACK
END OF EPISODE 3