1º Clarinet in Bb

AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire

(MARCHA PROCESIONAL) Transc:Milton Calderon Torres

 
                
p
          
5  
                 

           
       
9
                 
 
mf

             1.    
         
14

2.
 
                       
   
18

      
f

             1.    
    
  
 
22
         
 

     
26 2.         
   
      
p
30
                   
  

      

  
33
              
        
1.

    

             

   
37 
2.     

        
f
41               

               


44        

1. 2.
         

        
 2º Clarinet in Bb
AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire
(MARCHA PROCESIONAL)
 Transc:Milton Calderon Torres

     
p                  
     
8
              
  
   mf

      
    
13            1.   

 

                     
  
17 2.
    
 
f

                 
 
21
    
          

           
25 
1.   
 
     
2.
      
 

                    
29
         

  
    
p

32         

            
  
         
      
36   
2.     

1.
   
     
f
40               

                

    

43  1.   2.  

              


1º Alto Saxophone AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire
(MARCHA PROCESIONAL) Transc:Milton Calderon Torres

              
               
p
5
                      
  
        

9
                        
 
mf


            
      1. 
14
     
2.
 

  
18
          
   
         
f
22
               
  
1.
      

26

2.
           
      
        
  

   
           
                    
29

 
 
p
32                    
   
      

        
35         1.     2. 
    
    

 


f

                

39

         

               1.       2.   
  
43 
  
   
  
3
2º Alto Saxophone
AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire
(MARCHA PROCESIONAL) Transc:Milton Calderon Torres

   
                          
p

 
5
  
              
       

             
9
         
 
mf

                             
14 1. 2.
 

  
18
          
   
         
f
22
               
  
1.
      

        

26
  
2.
              
  


               
29

 
                     
p

 
                        
32

  

35         1.      2.         

    
    

 


f

                

39

         

               1.       2.   
  
43 
  
   
  
3
Tenor Saxophone AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire
(MARCHA PROCESIONAL) Transc:Milton Calderon Torres

             
                
p

 
               
5

                

9
                          
  
mf


           1.
  
14
                
2.



18
 
                  
f
    

        
22
   
1.
                

       
 
26

2.

               
   

  
           
                   
29

 

p
32                  
     
  

                

   
    
36
  
1. 2.

     
f

                 
40

             
3

         2.   
44
         
1.

      
1º Trumpet in Bb AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire

 (MARCHA PROCESIONAL) Transc:Milton Calderon Torres

                           
p
8
        
  
         
      
mf

             
13
          
1.


 

                
17
       
2.
       
f

                    
21

            

1.   
 
25
                
2.
                

  
29

                                    
p
32
                    
  
    

35
              1.           2.     

     

          
                             
38

  
     
f

               
42

        

                
44
    
1. 2.



       

2º Trumpet in Bb AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire

 (MARCHA PROCESIONAL) Transc:Milton Calderon Torres

                             
p
8
    
                      
mf


13
                    
1.
      

            
17      
      
2.

         
f
21    
                  
          
    

1.     

25
    
2.
                           

 
29

                                     
p
32
  
                          


35
          
1. 2.
         

              

      
38
              
                                
f
41
                   
                             

   
44
             
1. 2.


                
 
1º Trombone AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire
Transc:Milton Calderon Torres

       
(MARCHA PROCESIONAL)
           
     
     
p
                 
  
4
     


          


8
                            

mf
12             
                               


                   
16   
      
1. 2.
        
f
20          
    
    


                
24     1. 2.
      

    
                 
27
             
    

p

             
                                  
31



     1.            

35
      
2.

   
        
f
39
    

                       
  

           1.       2.  

  
43 
       

3
 
 2º Trombone
AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire
Transc:Milton Calderon Torres

            
(MARCHA PROCESIONAL)

              


p
     
      
6
     
        
    
mf

        

       
10

                 

      
  
       1.           
14
      
2.
      
        
 
  

    
18 
             
  
  
f
22
             1.  
       

 

               
         
26 2.
       

                                    
29

         
p

                                  
33 1.
       

           
          
37
     2.


    
f
41
               
      

3
44           1.         2.   
   

    
 1º Euphonium AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire
Transc:Milton Calderon Torres
(MARCHA PROCESIONAL)

        
                   
  
p
4
        
                   

8
  
                           
  
mf
12
 
  
                            


               
16

1. 2.

                     
f
20
         
  
     


24
    1.       
 
               

2.

       


                                    
28

      
p
32
 

                                

             
36
 
1.
 2.
 

      
          
f
40
                  
             3

       
44
         
1.
     
2.



      
 

2º Euphonium AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire
(MARCHA PROCESIONAL) Transc:Milton Calderon Torres

    
                          
p
4
 

                           

8
  
                           
 
mf
12

                             
  

               
16

1. 2.

                     
f
20
         
  
     


24
    1.       
 
               

2.

       


                                    
28

      
p
32
 

                                

             
36
 
1.
 2.
 

      
          
f
40
                  
             3

       
44
         
1.
     
2.



      
 

 Tuba Bb
AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire
(MARCHA PROCESIONAL) Transc:Milton Calderon Torres

        
        
p   
6
              
               
mf

6
10
               
                 

13
        
1.


              

      
 


        
17 2.
 
                 
 

f
 
       
21
    
       

 
25 1. 2.
 
        
           
     
               
28
  
  
        
 
  

 
  p
32
             
                         


                      
36 1. 2.

 

       
f
40
    
                    
   3

                          
44 1. 2.
 
Bass in E
AL SEÑOR DE LOS MILAGROS Nº 17 De: Carlos Freire
(MARCHA PROCESIONAL) Transc:Milton Calderon Torres

               
p    
6

               
 

  
mf     
10
6
               
 
     
       

13
     1.


              

          
  


17 2.
                       
f        
21    
 
                
 
   
25
 
1. 2.
                    
     
 
     
28

           
      
       
   
  p    
32
                        
                  

 
36
 
1. 2.

 
           
                
f
40
                  
       
   3

 2.    
44

1.
                          

 AL SEÑOR DE LOS MILAGROS Nº 17
Drum Kit       
De: Carlos Freire


(MARCHA PROCESIONAL) Transc:Milton Calderon Torres

  

              
     
      
       
    
p
8          
            
        
       
  
mf

       
16 1.     2.   
      
         
 
             
    
f
20
   
                 
                

                     


24 1. 2.
     
                 

     
        
28   1.
      
      
                
       
p

       
37 2.
      
                 
                    
      
f
41    
                           
              
     


               

44 1. 2.
          
 
             
