S@UND ss lam i@ag a GGThe following diagram illustrates the function of some of the controls discussed: Vibrato (Wah-wah) Tone color Loudness gq) OOO|Os x ae ~| oO bP D ° a 9 On 5/6 O 3/6 Modulation sietaaon ook roNase Speed ‘Shape @~ ents | __ Modulation Amount MOOG MUSIC would like to thank those who contributed ideas for Sound Charts, with special thanks to Hannah Shapero: we welcome further suggestions. ‘—Pitch bending SOUND: SHAMISEN (Chinese plucked instrument) CONTROLLERS OSCILLATOR BANK. emo e-cs NOTES: *OSCILLATOR-1 and OSCILLATOR-2 in unison. Play f black keys only in middle of the keyboard. :ce—?4 SOUND: HARESICORD 56°. Oda SCO Om 55 OGSO8 SROSGe |, fOO}oo* GBOGOS NOTES: *Oscillator-1_ and OSCILLATOR-2 in unison. Increase DECAY TIME control to 700 for lower register of key- board. 46SOUND:. ELECTRIC PIANO SOUND: VIOLA CONTROLLERS OSCILLATOR BANK * o ou 8 SOUND: VIOLIN 8 O® CONTROLLERS LO | Todo OSCILLATOR BANK OOO © O O Oa O #4 ourrur © e~ i NOTES: Apply modulation gradually on sustained tones. Use MOOG 1120 Foot Pedal to control loudness. Use MOOG 1121 Foot Switch to control GLIDE on/off for portamento effects. SOUND: CELLO & OD 20 86 OOO? HOCIYOO & © © oe NOTES: *OSCILLATOR-1 and OSCILLATOR-2 in unison. Apply modulation gradually on sustained tones. Use MOOG 1120 Foot Pedal to control loudness. Use MOOG 1121 Foot Switch to control Glide on/off for portamento effects. **Glide when appropriate. 1" ‘CONTROLLERS OSCILLATOR BANK Mixen. MODIFIERS. output ConTROLLERS | OSCILLATOR BANK @-Ca e om NOTES: *OSCILLATOR-1 and OSCILLATOR-2 in unison. Apply modulation gradually on sustained tones. Shorten AT- TACK TIME setting on LOUDNESS CONTOUR for rapid passages. Use MOOG 1120 Foot Pedal to control loudness. Use MOOG 1121 Foot Switch to control GLIDE on/off for portamento effects. **Glide when appropriate.