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393608551 Barry Cockcroft Rock Me萨克斯独奏 PDF
393608551 Barry Cockcroft Rock Me萨克斯独奏 PDF
solo saxophone
Barry Cockcroft
reedmusi c .com
written
117
forKenn
p
B
Performance notes
exploration
ofanextensive
range
rock music. A rapid andunwavering tempo,
a gradual
ofcolourful
dynamics
97
increaseof the
121
‘Rock Me!’ captures the relentless driving energy, rhythms and beats
is vital
p
forms
density
musical
in the performance
and
found in many
of this
the
of
piece.
Rock
At times the saxophonist must simulate various other instruments including didgeridoo, electric
solo saxoph
B B B B
C3
5
p C C C C
B The
suggested
multiphonic
fingerings
may
need 133
some
adjustment depending on the saxophone being used.
sim.
p 9
pp
2 types of slap tonguing imitate the snare and bass
109
C 77The
has been notational
drum. The unpitched slap can be played with any fingering
written on the middle
Bb for
suggested
notes
pp Bracketed
are the
fingerings
to F
but
clarity.
7 7
are used and all notes should be played short.
give maximum resonance. As is common in drum music,
grad. 13137
5 dim. 81
mp
7
molto cresc. few rests 9 6
6
f molto dim.
4
85 fade unpitched slap
C unpitched slap141 grad. addgrowl
E
RM55
117Connect sim.this section smoothly
E 89by keeping semiquaver (16th constant.
cross fade key
the
hits and inv 21 slap www.reedmu
with the preceding notes
pp mf
mp
7
notes) The
121 p 154
rapid blues passages should remain exactly in time.
6
F sim. 93 D 6
6 25
mf
F
the
low
the multiphonic
a
w
125
effect. low
keymay
Hit C key to create both and
The
mf
cresc.
the subsequent p F notes 158but the C must be
p 97 6
percussive Bb be left down for
removed.
hit
6 C key
6 6
GSlowly and freelyq9=66
29
149 Distortion
130
(growl and playharmonics)
grad. add growl
G and 3
over-blowing mp molto
cresc.
harmonics.
The resultant
sound
simulates
is achieved
5160
7
The distortion
addharmonics
effect Livelyby simultaneously
q =
132
singing
9 9 6
6
7
7
bisbligiando
sim.
3
guitar.
poco rall.
33 fff molto espressivo
101
a wild and distorted
mp
132
pp
sim.
133 163 accel.
growl
k ft molto
sim.dim.
RM55
t k 6 www.reedmu
H section
This and the
bars
2transitional
it
preceding
harmonics
use ofanddouble
growl
tonguing
for boththe
speed
Rock Me!
©2009
Reed
should make
add
and a difference in attack.
105
RM556 sim.
p cresc. f www.reedmusic.com
RM556 ISMN 979-0-
mf cresc.
166 H Fast
pp
www.reedmusic.com
and
furious q =160 All
G Slowly and freely q = 66
written for Kenneth Tse
sim.
pp
Bb
C
5
C
13
17
21
25
B Bb
ta
C C
29
33
2 B
B
C
37
C4
C2
B
B B
C3
C
C
C
41
grad. cresc.
C4 C2 C1
B B B B
B C3
C5
C C C C
C
45
49
pp
53
grad. dim.
inv slap
p grad. cresc.
C
57 unpitched slap
mf
61
7
sim.
6
65
9
69
9
bisbligiando
73
RM556
www.reedmusic.com
3
77
81
85 fade unpitched slap
cross fade key hits and inv slap
89
mf
D
93
p
97
101
add harmonics and growl
105
109
113
RM556
www.reedmusic.com
4
E
117
p
121
125
130
5 7 9 6 6 7 7
mp molto cresc.
132
3
f molto dim.
133
sim.
pp
B
C
F
137
p hit C key
141
grad. add growl
mp
poco rall.
growl
145
6
f
mf cresc.
B
G
Slowly and freely q = 66 wail
E
149
Distortion (growl and play harmonics)
3
fff molto espressivo
RM556
www.reedmusic.com
5
154
6 6 6
wail
158
Lively q = 132
160
sim.
pp accel.
163
t k t k sim.
p cresc.
H
Fast and furious q = 160
166
mp cresc.
170
mf cresc.
growl ad lib until end
174
f cresc.
178
ff
181
cresc.
norm.
wail
184
3
fff ff Banff, Canada
October 2007
RM556
www.reedmusic.com
Music by Barry Cockcroft
Saxophone
Ku Ku (soprano)
Foreign
Black & Blue
Gorge
Salamanca
Beat Me (tenor)
BO (tenor)
Zodiac (12 original compositions)
Reflections (alto saxophone & piano)
Rock Me
Clarinet
Tango (with piano)
Zodiac (12 original compositions)
Blue Tongue
Cello
Kir
Saxophone quartet
p (SATB)
Duets
Slap Me (concert duet for two same pitched saxophones)
Published by reedmusic.com