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  • Title: Composer 170

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    David Maya
    4 views1 page
    This is a musical composition titled "Title" composed by Composer with a tempo of 170 beats per minute. The piece is written for solo instrument and contains musical notation spanning 61 measures. It utilizes standard notation symbols and indicators for tempo, dynamics, and expression.

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    Original Title

    1597961.pdf

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    This is a musical composition titled "Title" composed by Composer with a tempo of 170 beats per minute. The piece is written for solo instrument and contains musical notation spanning 61 measures. It utilizes standard notation symbols and indicators for tempo, dynamics, and expression.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    4 views1 page

    Title: Composer 170

    Uploaded by

    David Maya
    This is a musical composition titled "Title" composed by Composer with a tempo of 170 beats per minute. The piece is written for solo instrument and contains musical notation spanning 61 measures. It utilizes standard notation symbols and indicators for tempo, dynamics, and expression.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Title


    Composer
     = 170

                                         

      
       

      
           
                  
             
    9


                                        
        
    14

                          To Coda 

                         
    
    18

     
                                
       
         
      
    Solo:


    23

    
      
         
      
     
                     

            
    30




         
                                 

             
    36

     

        
                  

        
            
      
    42



    3

     
       
         
         
       
                  
         
    47

       
     
    D.S. al Coda 

                       
    54

     

                     
    61

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