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 Orchestre National de Lyon & Leonard Slatkin - Berlioz:

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Roméo et Juliette, Op. 17, H 79 (2019)  The Baker Illustrated Bible

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Classical, Opera | Label: Naxos Records

Immensely in uential, the remarkable Symphonie fantastique was composed while Hector Berlioz was su ering an intense and unreciprocated passion GOODIES
for the Irish actress Harriet Smithson. Its autobiographical tale describes a young musician's opium-poisoned nightmares of jealous despair and fatal
justice following the murder of his beloved. Berlioz wrote a second movement cornet solo into a subsequent revision of the score, here included as an _ AudioZ
optional extra. He wed his sweetheart actress but, recuperating in Nice, wrote Le corsaire after the nal breakup of their marriage. Internationally
renowned conductor Leonard Slatkin began his tenure as Music Director of the Detroit Symphony Orchestra in the 2008-2009 season. He was recently _ That One Privacy Site
named Music Director of the Orchestre National de Lyon, beginning with the 2011-2012 season. He completed his twelfth and nal season as Music
Director of the National Symphony Orchestra in June 2008, and nished his three-year commitment as Music Advisor to the Nashville Symphony
Orchestra in June 2009. Slatkin continues as Principal Guest Conductor of the Royal Philharmonic Orchestra.
"The playing is remarkably re ned, from an orchestra which has a strong tradition in Berlioz. String playing is cultured, catching the yearning in the rst
movement and an appropriate glassy quality in the nale." (Mark Pullinger, International Record Review)

"There's plenty of atmosphere… in a notably vivid, spacious recording, from which an elegant movement especially gains… excellent playing and
recording still gives this disc a respectable place in a crowded market.' 4* –Michael Scott Rohan, BBC Music Magazine October 2012 'Leonard Slatkin's
new post as music director of the orchestra National de Lyon yields up this polished performance of Berlioz's hallucinatory masterpiece, preceded by a
suitably dashing Le Corsaire overture as curtain raiser… one of [the disc's] admirable qualities is the lucidity of playing that responds well to the
particular palette of sonorities that Berlioz envisaged." (Geo rey Norris, Gramophone)

"This new, magni cent recording… represents a glorious launch to Leonard Slatkin's new musical directorship of the Orchestre National de Lyon… This is
the full-fat Symphonie Fantastique, marked by meticulous organisation…. [the] textural clarity is extraordinary. The orchestra is sumptuous… a seriously
classy recording of a suave, stylish and enthralling performance." (Michael Tumelty, Sunday Herald)
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1. Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1a, Introduction
2. Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1b, D'anciennes haines endormies
3. Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1c, Premiers transports que nul n'oublie!
4. Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1d, Bientôt de Roméo la pâle rêverie
5. Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1e, Mab! La messagère uette et légère
6. Roméo et Juliette, Op. 17, H 79, Pt. 2: No. 2a, Roméo seul
7. Roméo et Juliette, Op. 17, H 79, Pt. 2: No. 2b, Fête
8. Roméo et Juliette, Op. 17, H 79, Pt. 2: No. 3a, Ohé, Capulets!
9. Roméo et Juliette, Op. 17, H 79, Pt. 2: No. 3b, Scène d'amour
10. Roméo et Juliette, Op. 17, H 79, Pt. 2: No. 4, La Reine Mab, ou la Fée des Songes
11. Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 5, Jetez des eurs pour la vierge expirée!
12. Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 6a, Roméo au tombeau des Capulets
13. Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 6b, Invocation
14. Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 7a, Quoi! Roméo de retour!
15. Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 7b, Je vais dévoiler le mystère!
16. Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 7c, Pauvres enfants que je pleure
17. Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 7d,Mais notre sang rougit leur glaive
18. Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 7e, Jurez donc par l'auguste symbole
19. Béatrice et Bénédict, H 138: Overture
20. Le roi Lear, Op. 4, H 53: Overture

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