BOSSA NOVA ANTONIO CARLOS JOBIM LAURINDO ALMEIDA JOAO GILBERTO LUIZ BONFAINTRODUCTION In recent years the Bossa Nova has become much more than just a passing fancy on the American musical scene. The guitar is a very important part of the Bossa Nova style and the great Brazilian composers responsible for many of our “standards” are all guitarists: Antonio Carlos Jobim, Luiz Bonfa, Laurindo Almeida,-Baden Powell and Joao Gilberto. The basic rhythm pattern for guitar accompaniment is as follows: ce. But there are many variations in the Bossa Nova rhythm patterns, some of which are shown here: =a ae ea EXPLANATION OF FINGERINGS fingerboard Encircled numbers @ — © indicate the string to be used. Roman numerals indicate the fret position. ‘Arabic numerals (1, 2, 3, 4) indicate the proper left-hand fingering. For example: The chord in the third position (II!) may look like this: (Wotation) (Diagram) m Hott same as ag ©Copyright 9 ty MCA MUSIC FUBLISHING Dison f MCA INC. 118 ray New Yok NY 1019 nna Copyigh Scued AN Reed DACA ene tgAUTHENTIC BRAZILIAN BOSSA NOVA GUITAR ARRANGEMENTS ‘Arranged by JACK MARSHALL CONTENTS Tm COMPOSER PAGE BIM-BOM Gilberto 15 coRcovADO (Quiet Nights of Quit Stars) Jobim 1 DEDA (Let Me) Baden Powell 4 DESTINO ‘Nmeida 10 GAROTA DE IPANEMA Jobim-De Moraes 2 Marshall Mosher 6 Gilberto " WSENSATEZ (Wow Insensitive) Jobim-De Moraes 8 {JOURNEY TO RECIFE Richard Evans w LUCIANA Jobim-De Moraes 18 MEDITACAO (Meditation) Jobim-Mendonca 4 MENINA FLOR Bonta Toledo 2 0 BARQUINHO (Uttle Boat) Boscoli-Menescal 2 REA Lobo-Guerra 9 SAMBA DE UMA NOTA SO {One Note Samba) Jobim Mendonca 5 SAMBALERO (With Love) Bonta 8 ‘SOZINHA NAO Chieo a THESE ARE THE WAYS OF LOVE Marshall Mosher 8 TRISTEZA EM MIM Tavires Guimardes a UM ABRACO NO BONFA Gilberto ‘ This publication snot forsale in Coty MCA MUSIC PUBLISHING Diino ACAINC 5a, Now Yak NY 101 the EC andlor Ausra inca ogi sce An ps eo or New Zealand. PACA oops