Examples 7 — 10 show this rasgueado dividing one beat into five equal parts — a quintuplet: fim 4 i EES 1 al | The five-stroke rasgueado greatly expands our “vocabulary” for playing compds. Now we will apply it t rhythms of farruca, soleares, alegrias, and tangos. Example 7 por farruca The chords and melody here are identical to Example 2, but now beat 2 of each baris a five-stroke rasgue followed by an accented downstroke on beat 3. As you play, remember there is no pause between beat 2 beat 3. 7. Por Farruca