Professional Documents
Culture Documents
01 Kiessel PDF
01 Kiessel PDF
22 [2014] 2 [48]
ZNANSTVENI ÈASOPIS ZA ARHITEKTURU I URBANIZAM
A SCHOLARLY JOURNAL OF ARCHITECTURE AND URBAN PLANNING
SVEUÈILIŠTE
U ZAGREBU,
POSEBNI OTISAK / SEPARAT OFFPRINT
ARHITEKTONSKI
FAKULTET Znanstveni prilozi Scientific Papers
UNIVERSITY
OF ZAGREB,
FACULTY 160-173 Marko Kiessel Orthodox Church Architecture in Pravoslavna sakralna arhitektura
OF ARCHITECTURE Asu Tozan the Northern Districts of Cyprus u sjevernim regijama Cipra
from the mid-19th Century to 1974 od sredine 19. stoljeæa do 1974.
ISSN 1330-0652
CODEN PORREV From Eclecticism to Neo-Byzantine Od eklekticizma do neobizantskog stila
UDK | UDC 71/72 Original Scientific Paper Izvorni znanstveni èlanak
22 [2014] 2 [48] UDC 72.035 (564.3)”18/19” UDK 72.035 (564.3)”18/19”
159-368
7-12 [2014]
Fig. 1 Cyprus, distribution of 81 surveyed church buildings/bell towers and their morphological characteristics
Sl. 1. Cipar, razmještaj 81 analizirane crkvene zgrade/zvonika i njihove morfološke karakteristike
Scientific Papers | Znanstveni prilozi 22[2014] 2[48] PROSTOR 161
This paper analyses Orthodox Church architecture in Cyprus, considering build- Ovaj rad analizira pravoslavnu sakralnu arhitekturu na Cipru s obzirom na gra-
ing typology and sculptural decoration. The hybrid character of the initial eclec- diteljsku tipologiju i skulpturalnu dekoraciju. Hibridni karakter poèetnog
ticism may be understood as reflection of Cypriot identity. The subsequent eklekticizma može se shvatiti kao odraz ciparskog identiteta. Razdoblje pre-
dominance of the Neo-Byzantine style began when the aspirations of Greek- vlasti neobizantskog stila koje je uslijedilo zapoèelo je onda kad su težnje
Cypriots for Enosis turned into an anti-colonial movement. The Neo-Byzantin- ciparskih Grka prerasle u antikolonijalni pokret. Neobizantski stil može se
ism can be understood as expression of Greek cultural-religious identity. shvatiti kao izraz grèkoga kulturno-religijskog identiteta.
162 PROSTOR 2[48] 22[2014] 160-173 M. KIESSEL, A. TOZAN Orthodox Church Architecture… Scientific Papers | Znanstveni prilozi
church buildings, is the much restored church • The sources and the significance of the
St. Andronicos of uncertain age in Kythrea/ decoration of Cypriot bell towers between
Deg¡irmenlik.24 The younger tower displays ca. 1857 and the 1930s - The Neo-Gothic,
Neoclassical detailing, the north side of the Neoclassical and eclectic decoration of bell
building a Neo-Gothic moulded archivolt por- towers (portals and windows) can be record-
tal that is framed by a Neoclassical aedicula. ed until the 1930s/1940s. It is typical of the
last years of the Ottoman period and the first
• The eclectic decoration on bell towers -
five to six decades of the British period. The
The biggest of all three categories of bell tow-
influence of the contemporary Neo-Gothic
ers displays a varying combination of Neo-
Gothic and Neoclassical detailing (Fig. 1). The Victorian architecture is possible. However,
decoration of a group of towers which we the types of decoration in Cyprus are unique.
have named the ”Morphou-Nicosia type” is The source of the Neo-Gothic is naturally the
highly remarkable: so far we have traced island’s rich heritage of Gothic churches of
fourteen closely related monuments in the the Lusignan era, a fact that has already been
wider area between Morphou and Nicosia in mentioned regarding St. Synesios in Dipkar-
the western part of the island, expanding paz/Rizokarpaso (Fig. 2).27
slightly also beyond Nicosia. These towers The source of the Neoclassical may be found
mostly belong to church buildings of the new in the mainstream of European Historicism
single-space type. Their storeys are separat- and/or in the ideological-cultural Greek Neo-
ed by strongly moulded Neoclassical entab- Classicism of Greece (Athens) between ap-
latures/cornices. Their corners are heavily proximately 1840 and 1910. So was the Neo-
emphasized by non-fluted engaged (Neo- classical vocabulary in Cyprus, especially re-
Gothic) cluster-columns which are crowned garding educational architecture of the
by variations of the Corinthian capital. Their 1920s, interpreted as an expression of Greek
pointed arches imitate Gothic windows, usu- identity.28 However, the non-academic Neo-
ally enriched by inserted trefoil-arch tracery classicism of Cypriot church towers (and -
(Fig. 8). Sometimes these ‘Gothic windows’ buildings), and especially the eclectic mixture
are underneath a classical pediment, which is of the Neo-Gothic and the Neoclassical, are
usually crowned by symmetrically sculpted not related specifically to a ”Greek” Neo-
floral or ”peopled scrolls”. The cornices at Classicism - in contrast to the academic Neo-
the top of the towers bear corner-anthemia. Classicism of educational buildings. We
The quality of the decoration of these bell therefore suggest that the discussed Ortho-
towers is outstanding. The towers date ap- dox churches do not transport codes of Greek
proximately from the end of the 19th century identity. Their hybrid design is a consequence
to the 1930s and belong to: of local Cypriot identity, considering a) the
1) Kato Zodhia/Aşag¡ı Bostancı, church of the
Holy Cross (Fig. 1, Nr. 25); 2) Nikitas/Gü- 24 Gunnıs, 1936: 310: ”almost completely rebuilt”. Ya-
neşköy, St. Nikitas (Fig. 1, Nr. 26); 3) Mor- pıcıog¡lu, 2007: 567-568
phou/Güzelyurt, St. Mamas; 4) Morphou/ 25 1: Date ”1923” on tower. Images: Pittas, 2006: 195,
197. 2: Date ”1932” on tower. Images: Pittas, 2006: 202-
Güzelyurt, Agia Paraskevi; 5) Kapouti/Kal- 204. 3: Gunnıs, 1936: 348-349: ”rebuilt in 1725”; date
kanlı, St. George (Fig. 1, Nr. 27); 6) Kambia, ”1900” on tower. Images: Pittas, 2006: 177, 179. 4: Two
monastery of Macheras (Fig. 1, Nr. 31); 7) Lar- dates ”1880/85” on body of the church. Yapıcıog¡lu, 2007:
nakas tis Lapithou/Kozanköy, St. Dimitrianos 606-607. 5: Images: Pittas, 2006: 199; Yapıcıog¡lu, 2007:
611-612. 6: Parthog, 2006: 269-270: ”rebuilt in 1892”. 7:
(Fig. 1, Nr. 29); 8) Meniko, St. Cyprian (Fig. 1, Date ”1930” on tower. Yapıcıog¡lu, 2007: 944-945. 8: My-
Nr. 32); 9) Trakhonas/Kızılbaş (suburb of rıanthefs, 2002: 87, fig. 29: tower built in 1913. 9: Dates
Nicosia), church of BVM; 10) Pano Zodhia/ ”1901” and ”1916” in iron lattices of portals; Yapıcıog¡lu,
2007: 499; 10: Myrıanthefs, 2002: 85: ”1908”; date
Yukarı Bostancı, Archangel Michael (Fig. 1, ”1911” on tower. Image: Pittas, 2002: 194. 11: Gunnıs,
Nr. 30); 11) Kato Kopia/Zümrütköy, church of 1936: 259: ”rebuilt in 1818”; date ”1910” on tower; the two
the BVM (Fig. 1, Nr. 28; Fig. 8); 12) Morphou/ western bays belong to the single-space church type. Ima-
ges: Pittas, 2006: 214-215. 12: Myrıanthefs, 2006: 85,
Güzelyurt, St. George (Fig. 3); 13) Kaima- note 113; date ”1931” on tower. Images: Pittas, 2006:
klı (Nicosia), Ayia Varvara, and 14) Neokho- 180-181. 13: Markides, 2012: 347 fig. 35. 14: date ”1908”
rio/Minareliköy, St. John Prodromos (Fig. 1, on tower; images: Yapıcıog¡lu, 2007: 558.
Nr. 40).25 26 Exometokhi/Düzova: date ”1898-1909” on tower. Ima-
ges: Yapıcıog¡lu, 2007: 569-570, 576-577. Apart from the
To the east of Nicosia the closely related bell previously discussed churches, the third category has
been recorded regarding the towers of the churches in Fig.
towers of two single-space churches of neigh- 1 Nr. 20: Karpasia/Karpaşa, Holy Cross (Maronite church,
bouring villages St. George in Kythrea/Baş- rebuilt in 1924: Yapıcıog¡lu, 2007: 934); Nr. 35: Paralimni,
pınar-Deg¡irmenlik and St. George in Exome- St. George (single-space church); Nr. 36: Peristerona, SS.
tokhi/Düzova display heavy architectural de- Barnabas and Hilarion [Parthog, 2006: 273: 19th century
bell tower]; Nr. 37: Gondea/Türkmenköy, St. Charalambos
coration with four fluted corner columns in (date ”1893” above the south portal); Nr. 45: Lapithos/
each of the two upper storeys and with Lapta, St. Minas [Gunnıs, 1936: 315: church of 1843], St.
strongly moulded entablatures.26 These tow- Paraskevi (single-space church; date ”1892” in iron lattice
above north portal; Gunnıs, 1936: 314: church of 1892), St.
ers, and perhaps the church buildings too, Anastasia (single-space church; Gunnıs, 1936: 314: ”mo-
were surely built by the same workshop. dern church”), St. John Baptist [Gunnıs, 1936: 314: church
Scientific Papers | Znanstveni prilozi Orthodox Church Architecture… M. KIESSEL, A. TOZAN 160-173 22[2014] 2[48] PROSTOR 167
distant origin of the single-space church type self-confidence of the Orthodox Church after Fig. 8. Kato Kopia / Zümrütkköy, church
in a medieval, local Byzantine church type, b) the Ottoman reforms of 1856 (leading to the of the Blessed Virgin Mary, bell tower, 3rd storey,
east side (tower: beginning of 20th century)
the Neo-Gothic-style pointed cross-vaults, c) end of the bell-ringing ban) and again after Sl. 8. Kato Kopia/Zümrütkköy, crkva Blažene
the decoration of the towers and d) the folk- the beginning of the British rule in 1878 which Djevice Marije, zvonik, 3. kat, istoèna strana
art character of some of the decoration.29 created hope for a union with Greece, a hope (zvonik: poèetak 20. st.)
The widespread non-academic, eclectic char- that was disappointed in 1925 when Cyprus Fig. 9. Tavrou/Pamuklu, SS. Sergios and Bakchos,
acter of the decoration and its relation to became Crown Colony.32 north side (ca. 1930s/50s)
folk-art, results from the fact that anonymous Sl. 9. Tavrou /Pamuklu, sv. Sergios i Bakchos,
sjeverna strana (oko 1930.-1950.)
local craftsmen were commissioned instead THE REVIVAL OF THE BYZANTINE TRADITION
of academically trained architects. The first PONOVNI PROCVAT BIZANTSKE Fig. 10. Tavrou/Pamuklu, SS. Sergios and Bakchos.
church-architects are known by name from c. Capital of the triple arcade of the west facade
TRADICIJE (ca. 1930s/50s)
1930 onwards, according to Myrianthefs, in Sl. 10. Tavrou /Pamuklu, sv. Sergios i Bakchos,
relation to the churches in the district of Mor- Concerning the churches in the Morphou/ Kapitel trostruke arkade zapadnog proèelja
phou/Güzelyurt.30 This circumstance coinci- Güzelyurt-district, Myrianthefs noted that (oko 1930.-1950.)
des approximately with the return of the first the new churches, built from the 1930s on-
Cypriot architects who trained abroad, in- wards, ”abandoned the typological and mor-
cluding Theodoros Photiadis whose role we phological characteristics of the churches of
discuss below.31 the immediately preceding period. The do-
The boom in construction and decoration of med church was re-introduced [...]”.33 How-
bell towers (and of the single-space church ever, this describes a general development in
type) is very likely the consequence of a new Cyprus, not only in the Morphou-district. The
new types are equipped with barrel vaults,
of the 18th cent.]; Nr. 46: Ardhana/Ardahan, St. George (no
domes and towers without elaborate sculp-
date available); Nr. 48: Skilloura/Yilmazköy, BVM Skillou- tural decoration. Myrianthefs does not men-
riotissa (no date of the present building mentioned in tion the term ”Byzantine” in relation to this
Gunnıs, 1936: 426); Nr. 49: Vathylakkas/Derinçe, St. revival. Nor does he discuss the change of
George (single-space church; Gunnıs, 1936: 456: church
of the 17th cent. (?): probably meaning the predecessor of meaning of the architectural language with
the present church). regards to cultural, religious and political con-
27 St. Synesios: Gunnıs, 1936: 411-412. On the Gothic ditions of the island.
heritage of Cyprus: Enlart, 1987; Vaivre, 2006. On the
transfer of the ”Gothic-Byzantine architectural amalgam” At the beginning stand buildings like Our
of the late Lusignan period down to the 18th century see Lady in Galata34 (Fig. 1, Nr. 50) which still de-
above and note 9. monstrates characteristics of the churches of
28 Yildiz, 2011: 267-269; Given, 2005: 408-409; Mar- the ”immediately preceding period” by the
kides, 2012: 356-361 fig. 60-61, 63b
type of its two towers. This eclectic work of a
29 On the Greek Neo-Classicism: Biris, 1999: 15-16. Our
argument is supported by G. Hill who, as a sideline, men-
local master mason draws from the previous
tions the importance of the Byzantine for the Greek (-Cyp- ecclesiastical architecture and from Neo-Byz-
riot) nationalism, compared to the Classical: Hill 1972: antine models which had been developed in
489, note 3 (extensively on the Enosis movement in Cy- Greece, for example by Aristotelis Zachos.
prus: 488-568). Papademetrıou, 2011: 11, 14, on the rela-
tion to folk-art. Short remark on the ‘Cypriot’ character of Zachos is considered an outstanding expo-
the three tower categories: Kiessel, 2014.
nent ”of a revival of Greekness” in the 1920s
30 Myrıanthefs, 2002: 88 and is known for his eclectic ”re-interpreta-
31 Fereos, et al., 2006: 15; Given, 2005: 408-409 tion”, rather than for a plain revival of the
32 On the hope for a union: Spyridakis, 1964: 63-64 Byzantine tradition.35 Two of his church de-
33 Myrıanthefs, 2002: 88 signs, St. Nicholas in Bolos with double-tow-
34 Information on Our Lady in Galata: Myrıanthefs, er façade and the church of the Transfigura-
2002: 88, fig. 32
35 Giacumacatos, 1999: 27, 29; Biris, 1999: 23; Fes-
tion in Volos (1930-36) without double-tower
sas-Emmanouil, et al., 2005: 29 façade, demonstrate the types by which the
36 On the two churches in Greece: Fessas-Emmanouil, architect of Our Lady in Galata might have
et al., 2005: 17, 32 been inspired.36
168 PROSTOR 2[48] 22[2014] 160-173 M. KIESSEL, A. TOZAN Orthodox Church Architecture… Scientific Papers | Znanstveni prilozi
Fig. 11. Pendayia/Yeşilyurt, St. Nicholas, view from While the double-tower facade of Our Lady town houses in the 1920s (in Nicosia).42 The
south-east (ca. 1950) displays the older tower type, although with- Tavrou/Pamuklu type should therefore be
Sl. 11. Pendayia/Yeşilyurt, sv. Nikola, pogled s
jugoistoka (oko 1950.) out sculptural decoration, an arched tympa- better named the Pedoulas type.
num under a central barrel vault and the indi- Interpretations of the early Byzantine basilica
Fig. 12. Ayios Ermolaos/Şirinevler, St. Ermolaos, cation of a Byzantine arcaded triple window such as Zachos’ SS. Konstantin and Helena in
view from south-east (ca. 1950s/60s) underneath, the double-tower facade of the
Sl. 12. Ayios Ermolaos/Şirinevler, sv. Ermolaos, Volos with its campanile might have inspired
pogled s jugoistoka (oko 1950.-1960.) nearly contemporaneous cross-plan church another Cypriot church type, recorded so far
type in Tavrou/Pamuklu (Fig. 9-10) shows a only in Pendayia/Yeşilyurt: St. Nicholas is a
Fig. 13. Prastio/Aydınköy, St. Stylianos, probably by tower type with Byzantine triple windows, a decoratively brick-cladded, three-aisled ba-
Takis Zembylas / Diomides Kythreotis,
west and south side (ca. 1970)
central gable and a ‘thermal window’ under- silica without a dome, but with polygonally
Sl. 13. Prastio/Aydinköy, sv. Stylianos, vjerojatno neath. The gable derives from the model of encapsulated apse, blind niches, gable roof
djelo Takis Zembylasa/Diomides Kythreotisa, the early Byzantine/early Christian basilica and a two-storey campanile. The interior un-
zapadna i južna strana (oko 1970.) that had been interpreted for example by Za- mistakeably shows a structure of reinforced
chos in SS. Konstantin and Helena in Volos concrete piers (Fig. 11).43
(1930-1935).37 Accordingly the decoration of
the Tavrou/Pamuklu church type refers to A transitional example from the Neo-Gothic/
early Byzantine examples, especially to the Neoclassical eclecticism of the 3rd category
main column order of the Hagia Sophia in to the Neo-Byzantine is the decoration of
Constantinople. This type has been recorded the bell tower of the Gothic-style single-spa-
in the western annex to St. Dimitrios in Leon- ce church St. George in Morphou/Güzelyurt
arisso/Ziyamet, in SS. Sergios and Bakchos (1931).44 The capitals of its cluster-columns,
in Tavrou/Pamuklu, St. George in Ephtako- which frame the usual Gothic pointed arches,
mi/Yedikonuk, the church of the Anastasis in are not of the usual Corinthian but imitate an
Peristerona/Alanıcı, the church of Our Sav- early Byzantine type (Fig. 3).45
iour in Akanthou/Tatlısu, St. Andreas in Ne-
apolis/Yenişehir (a suburb of Nicosia), Ayios THE CONTINUATION
Kendeas in Paphos and in the Holy Cross OF THE NEO-BYZANTINE STYLE
church in Pedoulas (Fig. 1, Nr. 52, 51, 53, 63,
54, 55).38 None of these buildings in their KONTINUITET NEOBIZANTSKOG STILA
present state are mentioned by Gunnis’ ‘His- Besides the introduced church types several
toric Cyprus’ of 1936, although his work does other types developed in the decades after
occasionally mention non-historical buildings 1930 which refer to the Byzantine heritage.
with the pejorative description ”modern”. Amongst them are buildings which display a
Considering the hybrid morphological fea-
tures of Our Lady in Galata we do not assume 37 Fessas-Emmanouil, et al., 2005: 33, 35-36
that the Tavrou/Pamuklu type originated in 38 Images according to the order of churches: Yapı-
Cyprus. It might be a previously existing cıog¡lu, 2007: 222-223; 262, 266, 432, 358-359 (or Kesh-
Greek type as the ”domed typology was most ishian, 1985: 230), 500; Lazarides, 2007: 157; no image
of Ayios Kendeas available; Schneider, 2002: 163
common in modern Greece”.39 It might then 39 Conduratos, et al., 1999: 144
have been imported either by Greek archi- 40 Generally on the return of Cypriot architects from
tects or Greek-Cypriot architects returning to education abroad: Fereos, et al., 2006: 15
the island from their education abroad.40 As 41 Myrıanthefs, 2002: 88; Lazarides, 2007: 157 (photo
the Cypriot Theodoros Photiadis is known to of the church dated to 1935)
have designed the Holy Cross church in Pe- 42 Given, 2005: 408-409; Markides, 2012: 356-361
doulas (1931-35) (Fig. 1 Nr. 55)41, he might 43 Pittas, 2006: 209: ”built in 1950”. Image: Yapıcıog¡lu,
have been the one who imported this type to 2007: 658. Compare: Apollinare in Classe in Ravenna (6th
cent.): Effenberger, 1986: fig. 130
Cyprus or who developed it on the basis of
44 Myrıanthefs, 2002: 85, note 113; inscription with
other Greek types. Photiadis was educated in date ”1931” on tower
Athens and is otherwise well-known for the 45 See: Kramer, 1998. 46, pl. 10, 2-4 (Hagia Sophia,
design of neo-Greek school buildings and Constantinople)
Scientific Papers | Znanstveni prilozi Orthodox Church Architecture… M. KIESSEL, A. TOZAN 160-173 22[2014] 2[48] PROSTOR 169
modern aesthetic of concrete and abstracted larity of the two buildings (Fig. 1, Nr. 57-58; Fig. 14. Nicosia, Apostle Barnabas and St. Makarios
Byzantine forms, like the single-space Ayios Fig. 13-14).48 It corresponds to the Byzantine church, by Neoptolemos Michaelides,
view from north-west (1970s)
Ermolaos/Şirinevler type (Fig. 1, Nr. 59; Fig. three-aisled basilica with transept, a dome Sl. 14. Nikozija, crkva apostola Barnabe
12).46 The type is characterized by a continu- over the crossing and sets of triple windows.49 i sv. Makariosa, djelo Neoptolemos Michaelidesa,
ous barrel vault, smoothly plastered, round- Based on the aesthetics of concrete and pogled sa sjeverozapada (oko 1970.)
ed surfaces, a curvilinear apse, arched bell- glass, is the type an abstracted version of Fig 15. Nicosia, Apostle Barnabas and St. Makarios
tower and several Byzantine arched triple older basilicas with transept and dome such church, west facade
windows. The body of the church type, not its as the church of the Panagia Chrysopelaiotis- Sl. 15. Nikozija, crkva apostola Barnabasa
abstracted Byzantine decorative features, re- sa in Famagusta (1955-60) which display a i sv. Makariosa, zapadno proèelje
fer back to the local post-medieval examples more figurative Neo-Byzantine vocabulary.50
of single-space, (pointed) barrel-vaulted Or- All these are typological successors of the
thodox churches, which survive at least down type of the early Byzantine basilica encoun-
to the 18th century and which have been dis- tered in St. Nicholas in Pendayia/Yeşilyurt.
cussed above as predecessor of the cross-
vaulted single-space churches of the ad- A departure from the apparent reference to
vanced 19th and early 20th centuries. Its mod- the Byzantine has been achieved only by very
ern design approach makes a date in the few churches built around 1970, such as the
1950s to the 1960s probable, considering the single-space Apostle Barnabas and St. Maka-
general development of modern architecture rios church by Neoptolemos Michaelides in
of Cyprus in these years.47 Nicosia (Fig. 15-16) and the Agia Triada church
by J&A Philippou in Famagusta.51 The para- Fig. 16. Kato Kopia/Zümrütköy, new church of the
Another type appears in the church of the
bolic vault of the church in Nicosia and its Blessed Virgin Mary, by Takis Zembylas / Diomides
BVM in Kato Kopia/Zümrütköy, designed by Kythreotis, under the dome looking east into the
façade recall Oscar Niemeyer’s St. Francis in
Takis Zembylas and Diomides Kythreotis choir with iconostasis (1970/71)
Pampulha (1943).52 However, the parabol is Sl. 16. Kato Kopia/Zümrütköy, nova crkva Blažene
(1970/71), and in St. Stylianos in Prastio/
Aydınköy, designed probably by the same ar- element of a number of progressive, partially Djevice Marije, djelo Takis Zembylasa/Diomides
influential (Catholic) church buildings since Kythreotisa, ispod kupole pogled prema istoku
chitectural office because of the strong simi- na kor s ikonostasom (1970./71.)
the 1920s which symbolise the ecclesia pere-
grinans, the church as tent, according to Witt-
46 The modern aesthetic, however, is achieved often by
traditional but plastered construction material, as visible
mann-Englert.53 In comparison to the church
on Ayios Ermolaos. of the BVM in Kato Kopia and St. Stylianos in
47 Recorded in: Bellapais (Fig. 1,60), St. George; Bella- Prastio discussed above, the Byzantine char-
pais mountain, St. ?; Agios Georgios / Karaog¡lanog¡lu, St. acter of the exterior is more strongly reduced
Phanourios (Fig. 1,61); Livera/Sadrazamköy, SS. Konstan- and abstracted. Apart from the parabolic
tinos and Helena (Fig. 1,62); Ayios Ermolaos / Şirinevler,
St. Ermolaos. Images: Yapıcıog¡lu, 2007: 699-700, 865, vault of the nave, a separate, slightly higher
916, 952. On the modernism of the 1950s/60s in Cyprus: parabol marks the space in front of the bema,
Fereos et al., 2006: 17-19. in contrast to the domes of the BVM and St.
48 Kato Kopia/Zümrütköy: Phokaıdes, 2007: 37. Fereos Stylianos over the crossing of nave and tran-
et al., 2009: 152 fig. 1-2. Images: Pittas, 2006: 218, 223.
That the church is in a desperate state of situation as Fe- sept. The ”holiest”, however, is traditionally
reos et al., 2009 claim, cannot be confirmed by us. During separated from the Orthodox laity by an icon-
our visit in 2009 the interior was in a very good state, even ostasis. This ‘orthodox’ separation stands in
the iconostasis had not been removed.
contrast to modern Catholic and Protestant
49 On the Byzantine typology: Fessas-Emmanouil, et
al., 2005: 17-19 church architecture of the 20th century which
50 Images: Yapıcıog¡lu, 2007: 136-137 often abandons the division of the interior
51 Fereos, et al., 2009: 105 fig. 1-2; 144 fig. 1-2 into ”holy” and ”holiest”, in favour of a uni-
52 Kiessel, 2014 fied space.54
53 2006: 17-22, 69-79. See examples in: Schnell, 1973: The Maronite Panagia Chariton church by
42 fig. 30-31 (1926) ; 66 fig. 70 (1922-25); 102 fig. 105
(1951); 109 fig. 133 (1953-54) Charilaos Dikaios in Nicosia (1959-61)55 is for-
54 Wittmann-Englert, 2006: 22 mally a modern, abstracted version of the
55 Keshishian, 1990: 162-163; Fereos, et al., 2009: 61 early Byzantine basilica-type of St. Nicholas
fig. 1-4 in Pendayia/Yeşilyurt discussed above. Its
170 PROSTOR 2[48] 22[2014] 160-173 M. KIESSEL, A. TOZAN Orthodox Church Architecture… Scientific Papers | Znanstveni prilozi
APPENDIX - DECORATIVE DETAILS 4) b) Limnia/Mormenekşe, St. Nicholas; to- church type: probably single-space, barrel
OF BELL TOWERS, LINKED TO OTHER wer: 19th cent.?, decorative details: c), g), h); vault, decorative details: post-medieval (?)
TOWERS/CHURCHES (LISTS I-II) church type: single-space/cross-vaults, de- Gothic, ”Neoclassical”
corative details: mainly ”Neo-Gothic” 16) Milea/Yildirim, St. Andronicos; church
DODATAK - DEKORATIVNI DETALJI 5) Prastio/Dörtyol, St. George; tower: 1876 (tower?): early 19th cent. [Gunnıs, 1936: 345],
ZVONIKA, POVEZANI S DRUGIM (inscription), decorative details: b), c), d); decorative details: o); church type: single-
ZVONICIMA/CRKVAMA (POPISI I-II) church type: single-space/cross-vaults, dec- space/cross-vaults, decorative details: ”Neo-
orative details: ”Neo-Gothic”, ”Neoclassical” classical”
a) independent rose window-like tracery in 6) Lysi/Akdogan, BVM; tower/church: end 17) Asha/Paşaköy, St. George; church (tow-
relief of 19th cent. [Gunnıs, 1936: 330], decorative er?): 1861 [Gunnıs, 1936: 179], decorative
b) gablets with crockets details: generally referring to cathedrals of details: r); church type: single-space/cross-
c) antithetical double-S motif Famagusta/ Nicosia; church type: basilica/ vaults, decorative details: Neoclassical, ”Neo-
d) horizontal zig-zag frieze with bell-like pen- cross-vaults/tambour and dome, decorative -Byzantine”
dants details: Neo-Gothic, Neo-Byzantine 18) a) Kythrea/Deg¡irmenlik, St. Marina;
e) crouching corner-figure in 4th storey 7) Asha/Paşaköy, St. John the Baptist; church: 1734 [Gunnıs, 1936: 310], tower ob-
f) Gothic window tracery in relief church: 1861 [Gunnıs, 1936: 179], decorative viously later, decorative details: s) t); church
g) bands of aligned rhombs alternating with details: i); church type: single-space/cross- type: barrel vaulted, 1 crossing vault, deco-
circles vaults, decorative details: ”Neo-Gothic”, rative details: ”Neoclassical”
h) ‘tree of life’ motif (?) on a gablet ”Neoclassical” 18) b) Kythrea/Deg¡irmenlik, St. Andronicos;
i) bell-like pendants 8) Argaki/Akçay, St. John the Baptist; tower: tower: 19th cent.?, decorative details: no spe-
j) capitals with ‘wind-blown’ foliage 1901 (inscription), decorative details: j); church cific decoration; church type: several build-
k) vertical bands of aligned rhombs type: probably single-space, barrel vault, 1
ing phases, two-aisled, groin vaults, decora-
l) band of bouquets of leaves below the crossing vault, decorative details: post-me-
tive details: Neo-Gothic, Neoclassical
cornice (see Vathylakkas; 3rd cat.) dieval (?) Gothic, ”Neoclassical”
19) Vasilya/Karşiyaka, St. Konstantinos; tow-
m) bands of bell-like pendants, Famagusta (Varosha), ?; tower: 19th cent.?,
decorative details: b), c), e), k); church type: er: 20th cent.?, decorative details: no specific
n) vertical bands of floral ornments (see St.
single-space/cross-vaults, decorative details: decoration; church type: single-space/cross-
Michael in Koma tou Yialou; 3rd cat.),
Neo-Gothic, Neo-Byzantine vaults, decorative details: ”Neoclassical”
o) bands of floral ornaments (see St. Michael
in Koma tou Yialou) 21) Yerolakkos/Alayköy, Panagia Evangelis-
p) pilaster-like colonnettes (see Skilloura, LIST II: BELL TOWERS tria; church/tower: beginning of 20th cent.
BVM Skillouriotissa) [Yapıcıog¡lu, 2007: 496], decorative details:
WITH PREDOMINANTLY NEOCLASSICAL
q) framing bands of aligned rhombs alter- no specific decoration; church type: single-
FEATURES (SEE FIG. 1) space/cross-vaults, decorative details: ”Neo-
nating with circles (circles with inserted
Greek cross) 9) Ayias Trias/Sipahi, Holy Trinity; tower: Gothic”, ”Neoclassical”
r) bands of aligned rhombs 19th cent.?, decorative details: l); church type: 22) Myrtou/Çamlibel, St. Panteleemon;
s) bands of aligned rhombs and perls probably single-space, barrel vault, 1 cross- ”1914” (north portal), church (tower?) ”re-
t) bands of aligned antithetical leafs ing vault, decorative details: ”Neoclassical” cently” restored [Gunnıs, 1936: 352], deco-
10) Ayios Thyrsos, St. Thyrsos; church/tow- rative details: no specific decoration; church
er: 20th cent.?, decorative details: no specific type: not defined, decorative details: ”Neo-
LIST I: BELL TOWERS Gothic”, ”Neoclassical”
WITH PREDOMINANTLY NEO-GOTHIC decoration; church type: single-space/cross-
vaults, decorative details: Neo-Gothic 23) Flasou, St. Demetrianus; date: ? [Myri-
FEATURES (SEE FIG. 1) anthefs, 2002: 85, 87], decorative details:
11) Leonarisso/Ziyamet, St. Dimitrios; tower:
19th cent.?, decorative details: m) n) o); church not defined; church type: single-space/cross-
1) a) Rizokarpaso/Dipkarpaz, St. Synesios;
tower: 1867 (inscription), decorative details: type: single-space/cross-vaults, decorative vaults, decorative details: ”Neoclassical”,
a) b) c) d) e); church type: origin: Byzantine details: ”Neoclassical”, Neo-Byzantine (west ”Neo-Gothic”
cross-in-square, decorative details: Byzan- facade after 1930) 24) Tochni, Agios Stavros; church/tower: re-
tine, Neo-Gothic 12) Kilamenos/Esenköy, St. George; tower: built in 19th cent. [Parthog, 2006: 307], dec-
1) b) Rizokarpaso/Dipkarpaz, Holy Trinity; 19th cent.?, decorative details: m), o); church orative details: not defined; church type: not
tower: 1867 (inscription), decorative details: type: probably single-space, barrel vault, 1 defined/barrel vault, decorative details: Neo-
f) g); church type: single-space/cross-vaults, crossing vault, decorative details: ”Neo- classical
decorative details: Neo-Gothic classical” 33) Kaliana, SS. Ioachim and Anna; belfry
2) Yialousa/Yenierenköy, St. Marina (St. Mi- 13) Lefkoniko/Geçitkale, Archangel St. Mi- early 20th cent. [Parthog, 2006: 183], de-
chael?); tower: 19th cent., decorative details: chael; church (tower?): rebuilt in early 19th corative details: no specific decoration;
f) g); church type: single-space/cross-vaults, cent. [Gunnıs, 1936: 323], decorative details: church type: not defined, decorative details:
decorative details: ”Neoclassical” p); church type: origin: Byzantine cross-in- not defined
3) Ayios Theodoros/ Çayırova, St. Theodore; square, decorative details: ”Neoclassical”, Kyrenia, St. Michael; church: 1860; tower:
tower: 19th cent., decorative details: a), b), d), Byzantine 1885 [Yapıcıog¡lu, 2007: 671], decorative de-
e), g); church type: single-space/cross-vaults 14) Engomi/Tuzla, BVM; tower: 20th cent.? tails: no specific decoration; church type: sin-
(inl. older structure), decorative details: ”Neo- ca. 1930?, decorative details: q); church type: gle-space/cross-vaults, decorative details:
classical” single-space, barrel vault, decorative details: no specific decoration
4) a) Limnia/Mormenekşe, St. George; tower: Neoclassical, Neo-Byzantine (facade) Nicosia, St. Anthony; church rebuilt in 1743
1862 (inscription), decorative details: c), g), 15) Vatili/Vadili, St. George; church: 1856 [Parthog, 2006: 258]; tower obviously add-
h), i); church type: probably aisled, pointed [inscription; Gunnıs, 1936: 456: rebuilt]; ed later, decorative details: k) r); church type:
barrel vault, decorative details: ”Neoclassical” tower obviously later, decorative details: p); barrel-vaulted, decorative details: not defined
172 PROSTOR 2[48] 22[2014] 160-173 M. KIESSEL, A. TOZAN Orthodox Church Architecture… Scientific Papers | Znanstveni prilozi
Bibliography
Literatura
1. Biris, M. (1999), From late Neo-Classicism to Places from Ancient Times, Zavallis Press Ltd., 32. Toman, R. [ed.] (1994), Die Kunst der italieni-
the Emergence of Modernism: 1900-1930, in: Nicosia schen Renaissance. Architektur, Skulptur, Male-
Conduratos, et al., 1999: 15-26 17. Keshishian, K.K. (19902), Nicosia. Capital of Cy- rei, Zeichnung, Könemann, Köln
2. Bonato, L.; Yiakoumis, H.; Kaba, K. (2007), The prus then and now, The Moufflon Book and Art 33. Vaivre, J.-B. de; Plagnieux, Ph. [eds.] (2006),
island of Cyprus. A photographic Itinerary from Centre, Nicosia L’Art Gothique en Chypre, De Boccard, Paris
the 19th to the 20th century, En Tipis Publications, 18. Kiessel, M. (forthcoming), Lefkosia, Nicosia, Lef- 34. Wittmann-Englert, K. (2006), Zelt, Schiff und
Nicosia koşa. Remarks on the Architecture of the Capital Wohnung. Kirchenbauten der Nachkriegsmo-
3. Brenk, B. [ed.] (1985), Spätantike und frühes of Cyprus before the Division, in: Cyprus Buffer derne, Kunstverlag Josef Fink, Lindenberg i. A.
Christentum, Propyläen, Frankfurt/Main Zone as an Open City [ed. Şentürer, A.; Şenel, 35. Yapıcıog¡lu, I. (2007), Basilicas, Cathedrals, Mo-
4. Conduratos, S.; Wang, W. [eds.] (1999), 20th- A.; Avcı, O.], Istanbul nasteries. Churches and Chapels in North Cy-
-century architecture. Greece, Prestel, Munich 19. Kramer, J. (1998), Bemerkungen zu den Metho- prus, Vol. 1-2, Ege University Press, Izmir
den der Klassifizierung und Datierung frühch- 36. Yildiz, N. (2011), The Development of an eclec-
5. Constantinides, E. (1999), Monumental Pain-
ristlicher oströmischer Kapitelle, in: Spätantike tic Style in Architecture due to the cultural Evo-
ting in Cyprus during the Venetian Period, 1489-
und Byzantinische Bauskulptur. Beiträge eines lution and Reflection of National Identity during
1571, in: Medieval Cyprus. Studies in Art, Archi-
Symposions in Mainz, Februar 1994 [ed. Pesch- the Westernisation of the Ottoman Empire and
tecture, and History in memory of Doula Mouriki
low, U.; Möllers, S.], Franz Steiner Verlag: 43- British Colonial Period in Cyprus, in: Tradition,
[ed. Ševèenko, N.P.; Moss, C.], Princeton Uni-
58, Stuttgart Identity, Synthesis. Cultural Crossings and Art.
versity Press: 263-300, New Jersey
20. Lazarides, S. [ed.] (2007), Giragos Zartarian, Essays in honor of Günsel Renda [ed. Yasa
6. Æurèiæ, S. (1999), Byzantine Architecture on Cy- Yaman, Z.; Bag¡cı, S.] Hacettepe University Pu-
Photographs 1935-1950, Marfin Laiki Cultural
prus: An Introduction to the Problem of the blishing: 265-272, Ankara
Centre Publication, Nicosia
Genesis of a Regional Style, in: Medieval Cy-
prus. Studies in Art, Architecture, and History in 21. Markides, D. (2012), Nicosia under British Rule,
memory of Doula Mouriki [ed. Ševèenko, N.P.; in: Historic Nicosia [ed. Michaelides, D.], Rimal
Moss, C.], Princeton University Press: 71-94, Publications: 325-402, Nicosia
New Jersey 22. Myrıanthefs, D. (2002), Church Architecture
7. Effenberger, A. (1986), Frühchristliche Kunst (Thirteenth-Twentieth Century), Holy Bishopric
und Kultur. Von den Anfaengen bis zum 7. Jahr- of Morphou, 2000 years of Art and Holiness [ed.
hundert, C.H. Beck, München Michaelides, L.], Bank of Cyprus Cultural Foun-
dation: 71-96, Nicosia
8. Enlart, C. (1987), Gothic Art and the Renaissan-
23. Papacostas, T. (1999), Byzantine Cyprus. The
Sources
ce in Cyprus, Trigraph Limited, London
Testimony of its Churches, 650-1200, Unpu- Izvori
9. Fereos, S.; Phokaıdes, P. (2006), Architecture blished PhD thesis, University of Oxford (availa-
in Cyprus between the 1930s and 1970s, ”Doco- ble in Cyprus American Archaeological Research
momo”, 35: 15-19, Paris Institute, Nicosia)
10. Fereos, S.; Michael, A.; Hadjisavvas-Adam, I. 24. Papademetrıou, E. (2011), Lithanaglypha tes Ky- Internet Sources
(2009), Learning from the Heritage of the Mo- prou, En Tipis, Lefkosia
dern. European Heritage Days, Department of Internetski izvori
25. Parthog, G. der (20062), Medieval Cyprus, A
Town Planning & Housing / Cyprus Architects Guide to the Byzantine and Latin Monuments, 1. Given, M. (2005), Architectural styles and ethnic
Association, without location Moufflon Publications, Nicosia identity in medieval to modern Cyprus, http://
11. Fessas-Emmanouil, H.; Marmaras, E.V. (2005), 26. Phokaıdes, P. (2007), Cyprus, Of Islands and eprints.gla.ac.uk/3317/1/1.pdf (pagination 405-
12 Greek Architects of the Inter-War Period, Cre- Otherness, ”Docomomo”, 36: 32-37, Paris 412)
te University Press, Herakleion 2. Zäh, A. (2011), Der Campanile von Belussi (heu-
27. Pittas, C. [ed.] (2006), Morphou. A cry of agony,
12. Gazıog¡lu, A. (1990), The Turks in Cyprus. A Pro- Chr. Nicolaou and sons Ltd., Nicosia te: Kypseli) auf der Insel Zante (Zakynthos). Ein
vince of Ottoman Empire (1571-1878), K. Rüstem 28. Rızopoulou-Egoumenıdou, E. (2012), Nicosia unbekanntes venezianisches Baudenkmal des
& Brothers, London under Ottoman Rule 1570-1878-Part II, in: Histo- 18. Jahrhunderts, http://www.zeitschrift-fuer-
13. Giacumacatos, A. (1999), From Conservatism ric Nicosia [ed. Michaelides, D.], Rimal Publica- balkanologie.de/index.php/zfb/article/view/
to Populism, Pausing at Modernism: The Ar- tions: 265-324, Nicosia 275/283
chitecture of the Inter-War Period, in: Condura- 29. Schneider, A. (2002), Zypern. Archäologische
tos, et al., 1999: 27-40 Schätze, byzantininsche Kirchen und gotische
14. Gunnıs, R. (1936), Historic Cyprus. A Guide to its Kathedralen im Schnittpunkt der Kulturen, Du- Illustration Sources
Towns and Villages, Monasteries and Castles, Mont, Köln Izvori ilustracija
K. Rüstem & Brothers, Nicosia 30. Schnell, H. (1973), Der Kirchenbau des 20. Jahr-
15. Hill, G. (1972), A History of Cyprus, Vol. 4: The hunderts in Deutschland. Dokumentation, Dar- Fig. 1. Created by Vildan Açan, Department of
Ottoman Province, the British Colony, 1571-1948, stellung, Deutung, Schnell&Steiner, München Graphic Design, Cyprus International Uni-
Cambridge University Press, London, New York 31. Spyridakis, C. (19642), A brief History of Cyp- versity, according to instructions of the
16. Keshishian, K.K. (1985), Famagusta, Town and rus, Publications Department Greek Communal authors
District. Cyprus. A Survey of its People and Chamber, Nicosia Figs. 2.-16. Authors
Scientific Papers | Znanstveni prilozi Orthodox Church Architecture… M. KIESSEL, A. TOZAN 160-173 22[2014] 2[48] PROSTOR 173
Summary
Sažetak
MARKO KIESSEL, Ph.D., Studied Classical Archaeo- Dr.sc. MARKO KIESSEL, studirao je klasiènu arheolo-
logy, Art History and History at the universities of giju, povijest umjetnosti i povijest na sveuèilištima
Trier, Köln and Bologna. His interdisciplinary re- u Trieru, Kölnu i Bologni. U sklopu svoje interdisci-
search has resulted in diverse studies, for example plinarne istraživaèke djelatnosti, bavio se raznim
on parts of the late Roman imperial palace of Trier, temama, primjerice, dijelovima kasnorimske car-
on early Byzantine architecture in Cyprus, on Art ske palaèe u Trieru, ranobizantskom arhitekturom
Déco architecture in Cyprus and on a postmodern na Cipru, Art Déco arhitekturom Cipra i postmo-
New Classicism in Northern Cyprus. dernistièkim novim klasicizmom sjevernog Cipra.
ASU TOZAN, B.Arch., M.Sc., Ph.D., studied at Eastern Dr.sc. ASU TOZAN, B.Arch., M.Sc. studirala je na
Mediterranean University and Istanbul Technical Sveuèilištu istoènog Mediterana i Tehnièkom sveu-
University. Her Ph.D. thesis deals with the urbaniza- èilištu u Istanbulu. U disertaciji se bavi urbaniza-
tion and architecture of the British colonial period cijom i arhitekturom britanskog kolonijalnog raz-
in Cyprus (1878-1960). Her research has resulted in doblja na Cipru (1878.-1960.). Njezina znanstveno-
published and forthcoming studies on the heritage istraživaèka djelatnost usmjerena je na istraživanje
of modern architecture and housing in Cyprus. nasljeða moderne arhitekture i stanovanja na Cipru.