Black Magic

Black Magick Mastery Training Course – Companion Workbook
A Course In Black Magick:

Black Magick Mastery Training Course
Accompanying Workbook
By E.A. Koetting
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A Course In Black Magick:

Black Magick Mastery Training Course
All rights reserved. No part of this book may be reproduced or utilized without prior
written permission from the copyright holder(s)
Copyright 2015
E.A. Koetting
Timothy Donahue
Become A Living God
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Disclaimer:
The demonstration of rituals and other magical workings contained in this
course are designed to show the practitioner through various processes
how to become a successful Black Magician.
No laws were broken during the preparation for, or during the filming of
this course.
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TABLE OF CONTENTS
INTRODUCTION
What This Book Will Do For You Page 5
PART 1
Necessary Materials Page 8
PART 2
Curriculum Outline and Overview Page 12
PART 3
Course Curriculum Page 14
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Introduction
This e-book is intended as a workbook to accompany

the Black Magick Mastery Training Course.
In it are the reference materials which will allow you to

work along with the course program in real-time.
What This Course Will Do For You
The Black Magick Mastery Training Course will provide

you with every secret piece of hidden knowledge that will
allow you to make changes in the world in conformity with
your will through supernatural means without restraint.
While these teachings can be used to heighten your awareness

of your own supernatural ability, this is only the beginning.
You’ll learn that through this kind of magick, you will not only be
utilizing implements from the natural world around you, but also
you will learn to delve deeply into the supernatural realms to
obtain powers and learn processes to work your magicks and to
bring into manifestation the creation of your will in this world.
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This course will provide you with a road map for true
ascension as you gain mastery over the natural and spiritual
worlds, taking you to places beyond this world, to commune
with spirits and demons, angels and a multitude of other
entities in the astral planes and demonic realms, drawing
from each experience more power and insight into the much
larger realm and practice that is Black Magick.
In this course you will not only be introduced to real power but you
will learn to use this power with absolute freedom and without any
restraint. Many disciplines of magical training insist that magical
power is to be used with a sense of caution, that there are
consequences too ominous for the practitioner to endure, that a
modicum of restraint is necessary when wielding it – that is not the
case here, as you will be shown how to call upon the unlimited
power of the universe to work your will according to your desire.
Working with power in this way is an act of blasphemy, as it

were, in that it establishes a declaration to the creator of reality
as we perceive it, that “it’s not good enough, I can make it better –
for me!” This is the definition of the true Black Magician.
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This course will show you how to unlock the innate ability within
you to call upon and to use this power, and through this process,
you’ll uncover aspects of yourself that you never knew existed!
Learning special meditation techniques to open the psychic
centers of your mind while preparing your being for an intake of
overwhelming energy; Self Initiation and Dedication to prepare for
the journey that this course will guide you on; Rites and Rituals so
old and ancient that the Gods themselves will attend with anxious
delight; Demonic summoning and Spirit communication beyond
anything you have ever seen before; the Power to destroy your
enemies or to protect yourself from magical attack, these things
and so much more await you in this comprehensive and all-
encompassing Black Magick Training course!
Most importantly, though, you’ll learn that you are able

to create limitless opportunities for yourself through the
use of the infinite power you have harnessed, and you’ll
discover, first-hand, your own True Nature as an Eternal,
Omnipotent being, as a Living God, unique in who you
are, and boundless in what you may become!
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PART 1
Necessary Materials
Black Magick, as taught in this Training Course, is the most

ancient and original form of magick that was practiced in
every part of the ancient world, manifested by different
names and by seemingly different gods, but all working
toward the same purpose: the Attainment of Godhood!
There are many things that can be used in the performance of

this magical art; however, a base number of items along with
their descriptions of use are listed below to help get you started.
In this course, most of the items I use are simple, everyday

things, and some are rather unique and not so readily available,
nevertheless, what you choose to use will be entirely up to you.
Most of these devices can be substituted as needed, but

they can also be found easily and inexpensively.
First, let’s talk about your own personal preparations:
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1. You’ll need to prepare yourself for an encounter with your

own infinite nature. That means that when you begin this
course, you’ll need to leave your self-doubt and self-
criticism at the door, as much as you’re able to. But, you’ll
also find that as you progress through this course, and as
you experience the wonders of your True Self, that any
negative impressions you may have of yourself will fall
away… and you’ll probably also find that the way the rest
of the world sees you will transform as well!
2. You’ll need to prepare your schedule to allow you the time to
not only watch this course and study these notes, but also
time to practice the rituals and workings pertaining to the
attainment of Real Power. So much of these amazing and life-
changing events can’t be summarized in any amount of
words, but need to be experienced for yourself. Make the
time to have the experience, and you’ll find that quickly, it’s
no longer a matter of discipline, but a manifestation of your
own divinity that pulls you back into the abyss wherein you
are the creator God of your own Destiny!
3. You’ll need to prepare a ritual space to use for your magical
workings. You don’t have to turn your home into a dungeon
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or a temple, though. Just make sure that you have

somewhere quiet, where you won’t be disturbed
while you are practicing these works of power.
With these few preparations, you are ready to start on

your path to obtain endless Power!
List of Material Items:

 An altar 

 Copious amounts of incense 

 Ritual candles 

 Ritual dagger or knife 

 Ritual bowls 

 Paper and pen or pencil 

 Various colored candles (red, green, blue,
orange, indigo, black, white, yellow, etc.) 

 Candle making supplies and wax 

 Salt, black salt, various herbs and oils (to be
defined in each of the pertinent course sections) 

 Moldable clay (play-doe works fine), animal bones,
small cloth pouch, string or twine, mirror box 

 Mortar and pestle or other crushing implements 

 Small jars or containers for collection and storage 
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 Pieces of wood and stone 


 Optional items: 
o Recording devices
o Scrying mirror
o Ouija board
o Cloak
o Writing Journal
o Flashlight and shovel...
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PART 2
Curriculum Outline and Overview
In this course, you will learn:

 Everything needed to prepare you for the
practice of Black Magick. 

 The principles and practices of Rituals and
Spells pertaining to Black Magick and the
attainment of real Power. 

 This course is divided into sections, and each
section contains several chapters. The section list
below will give you an overview of what you’ll be
learning as you ascend through this training course: 
o Introduction to Magic 

o Communing with the
Darkness o Self-Initiation 

o Rites of Consecration
o Candle Magick 
o Sympathetic and Poppet

Magick o Contagious Magick 

o Baneful Magick 

o Strengthening and Balance 
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o Sigil Magick
o Demonic and Spirit Summoning
o Psychic Magick
o Possession
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Part 3
Course Curriculum
Section 1
Introduction to Black Magick
In this section, I give you an introduction to inner workings
of Black Magick
Birth of Soul Knowledge

 When you begin there is a new vocabulary to learn
and I will define these terms. 



 Black Magick gives you the ability to transform
the world around you. 
Interest Blossoms
 As a child, I was introduced to spirituality first through
the teachings of the LDS church by my parents. 
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 At 15 years old I was living with my mother and

allowed to experiment with my own spirituality.
This was the starting point of my journey into the
occult and my beginning experiences with magick. 
Differences in Defining Black Magick

 Black Magick reveals and requires the innate
ability within you to harness unlimited power. 
Performing Magick is easy

 Black Magick approaches the idea of limitless
potential directly, so you can literally experience
real power through ritual magick immediately. 
Reflections on Magick
 The success of my first experiences with magical power
attributed greatly to the instant need for more of this power
and ability, resulting in the development of techniques and
ideas that have guided me to the place where I am today. 
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Fine Tuning Magical Practice

“Where the mind goes the rest of you will follow.”
 I had an unbelievable desire to be a magical being at

such an early age that it seems I was born with it, and
that desire inspired in me a behavior that has ultimately
opened doors to unlimited potential and power. 


 Eventual mentors like Baba Maharaja, Suhnam,
Crowley, Joe, and Paul; I started applying the different
methods they would use and refined my own method. 
Mastery of Black Magick

 As I continued to push the boundaries of magical
ascent further and further I have indeed become
omnipotent, realizing that all power is available to me. 
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Section 2
Dark Communion
Meditation Techniques and their Purpose

 Before you can master the secrets of Black
Magick, you must first gain mastery over yourself. 



 Meditation is vital to gaining mastery of the mind and
focusing your intent toward any magical working. 


 Various meditation techniques and mantras are helpful to
prepare the mind and body to be receptive to the subtle
yet powerful energies that you will be working with. 


 Certain Mantras such as: ahhh and ohhmm are potent
seed-sounds that generate creative and psychic energy
that can be injected into your magical workings. 


 Breathing techniques are important as they train you to
not only control the flow of energy as it begins to move
within you, but to also be aware of and receptive to it. 
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 Learning to focus your mind will result in you

gaining self-control and mental discipline; this is
a much needed preparatory step toward your
advancement into serious magical workings. 
Communing With The Darkness

 Darkness is the Place of Creation – Become the Darkness,
and Creation is that which happens within YOU! 


 Allowing yourself to embrace the darkness, to
become one with it, will create in you a perspective
of unlimited potential and possibility, opening your
mind to your own true Godhood. 



 To begin, sit alone in absolute darkness, cut off
from all sight, sounds, and smells – allowing
your senses to quiet so that darkness might pour
into you, engulfing every fiber of your being. 



 Breathing the darkness in and out, you will begin to travel
backwards through time, connecting to the primal shamans
and sorcerers of your ancestors and as you continue in your
backward movement, you connect with the A-Causal beings 
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that spun reality into existence.
As you continue on this path of mental creative

exploration, you arrive at a place where nothing is,
only infinite potential, infinite possibility.
 Sit in this place of utter darkness, breathing it in and

out, in time you will begin to hear things, voices, and
though you may not be able to understand them, you
will know they are real and tangible. 


In the darkness, in that place, you may hear many
other strange and obscure things; this is where the
birth of thought resides. 



 With hands outstretched, feel yourself becoming
the darkness, imagining that each of your hands
are discs of dark light. 



Begin moving your hands in a circular motion, palms facing
each other, as you feel with your imagination the darkness
building up between them, see a black aura forming around
them, and use this to connect more fully with the darkness. 
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 When you feel a complete connection with the

darkness fulfilled within you, taking time to wallow
in this state of utter absorption, imagine now that
your physical form literally begins to disappear, as
you become the very darkness itself. 
Section 3
Initiation
Nature Walk
 The powers of magick are natural, and as such, they do
not go against Nature, but rather, they work with Nature. 


Learning to harness the powers of Nature is the
beginning of Magick! 



 Get out to a place in nature as remote as possible, however, a
park with trees and grass will suffice if that is all that is
available to you, listen to the sounds of nature; birds singing,
leaves falling, water running, etc., be perceptive, and listen. 
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This is how you attune yourself to Nature.
 Find a place to sit and get grounded with the natural flow of
earthly energy, and sense the many aspects of the natural
world around you – the sights, sounds, and smells of nature. 



 Allow yourself to fall into a state of deep meditative
reflection and awareness, becoming aware of your
own inner nature and how much you really are
connected to all things, and in so doing allowing
yourself to be cleansed of all the worldly cares and
worries that would prevent you from becoming. 


 Finding your place in the magical world of Nature
will find you in the natural world of Magick! 
Acts of Blasphemy
 The true Black Magician knows that he or she alone
is the God of his or her own world, and therefore,
any and all ties to other god-forms, beliefs,
superstitions, traditions, etc., must be severed in
order to walk the path that is Black Magick! 
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 This is a powerful demonstration by you to break free

from all religious and superstitious beliefs and practices
that you may have adopted throughout your life. 


 The physical destruction of implements, books, clothing,
etc., of the thing or things that are symbolic of your past
views and beliefs is necessary for you to perform this work. 


 Pacts and oaths, baptisms and covenants, religious
observations such as holidays and services, can and
ought to be obliterated from the inner being of the self. 


 As you perform this ritual cleansing of your life,
imagine the soul of you being freed from any and all
prior commitments, agreements, oaths, or obligations
that were imposed upon you by a misguided
perspective and know that by so doing you will be
renewed to now walk the path of the Black Magician. 
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Self-Initiation
 Self Initiation is an introduction of yourself to the
powers, the spirits, and the gods, not only as a
means for you to get to know them, but it provides
also a way for them to get to know you. 



 Self Initiation is a means of contact with the spirit
world and acts as a doorway through which you will
be able to establish familiar relationships that will help
you throughout the course of your magical career. 


 Preparation of a ritual space for the Self Initiation rite in
nature is preferable (though this can be performed in your
home if that is the only option available to you); removing
any cumbersome branches or stones and establishing or
erecting a natural altar (this can be made of stone, wood,
or earth) in the center of your magical circle, placing the 4
ritual candles on the outer ring representing the corners,
and also having other implements on hand for the
performance of your magical working, is required before
the rite can be performed. 


 Suggested implements for this rite include: 
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o 4 candles
o incense and
coals o rock salt
o water
o ritual knife or dagger
o ritual journal
o pre-written
incantation o cloak
o bowls
 Now is when you will consecrate your sacred space with
incense, salt, water, and fire by walking counterclockwise
around the outer edge of the circle chanting whatever
incantation you deem worthy, or you can use the incantations
offered here, invoking the elements one by one in their turn. 



o Following is the incantation used for calling
down the element of Air:
“I call the element of Air, I call the creatures that
dwell in the sky, come now, come now, come now
and greet me, as your brother, as your friend…
“Spirits of the Air, essence of Wind, come now.”
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down the element of Earth:
“Element of Earth, who endures forever, and ever,
who gives us nourishment, who gives us shelter,
come now, come now, come now to your call…
“All creatures of Earth, all spirits of our
motherland, come down into this salt, come down
into this ground, come down into this body.”

down the element of Water:
“Creature of Water, all spirits of Water, all
Spirits that speak through not the mind, but
through the heart, come and speak to my
heart now, hear me and know my heart, and
know my mind, and know that I am your ally
and your friend, and I ask that you be mine…
“All Spirits of Water, come.”

down the element of Fire:
“Creature of Fire, all Spirits of Fire, come now
not to destroy but to warm, not to blind but to
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enlighten, come now Spirits of Fire,

come now, come now…
“Come now Fire, come now, make yourself
known through your fire, through your heat,
through your warmth, through your light…
“Come now Spirits of Fire, all you Spirits of
Fire, all you God’s of Fire, all you who have
given us the knowledge of the power, come…
“Come now, Fire…”
 Standing now in the center of the circle, before the

altar and facing east, call upon the powers of Nature,
and the Elements of Fire, Water, Earth and Air to join
with you and to be witness of your magical workings. 
o You can recite the following incantation:

“I cloak myself in shadows, and I invite Darkness
to come upon me, I call all the elements here,
Fire, I call you, Water, I call you, Earth, I call you,
Air, I call you, I call you not to manifest on the
outside of this circle, but I invite you in, I invite
you in, into my circle, into my temple, into me, all
that is mine I give, so that I may know
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you.
“I bring you inside, inside, inside; I bring you
inside, inside, inside.”
o Bring now the 4 candles, the water, the salt, and the
incense from the outer ring of your circle and place
them on your altar, continue the following incantation:
“Fire, I bring you inside my circle,

inside my temple, inside of me, inside
my life. Fire, come inside.”
o Kneeling before your altar, recite the

following incantation:
“Fire, Water, Earth, Air, before you, I am
unhidden, before you, I reveal myself, who I am,
as you have revealed yourselves to me, these
Elements, these Powers, are the foundation.
Sacred is the Earth, Sacred is the Air, Sacred is
the Fire and the Water, these are the powers of
the Left Hand Path, I thank you for coming, I thank
you for coming, I thank you for embracing me, as I
can feel your arms and hands upon me, as I can
feel your love inside me, guide me, I ask you,
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empower me, strengthen me, but always

teach me, always teach me.
“I dedicate myself to these works of Black
Magick, Black is the void into which all things
will manifest, Black is the Mystery, that I ask to
reveal itself, take me now into that mystery, take
me now into that void, teach me the secrets of
creation, so that I may become a God.
“Fire, Water, Earth and Air, I breath you

in and you are a part of me, and I am a
part of you forever. So it is done.”
Witching Hour
 Realizing that the Black Magician is not really a resident
of this world, but rather, only a traveler through it, he or
she soon becomes aware of the ability to transcend this
world into the more infinite realms of possibility. 


 During the Witching Hour – around 3 am, natural portals into
other worlds begin to open, this happens throughout the
natural world. The Dark Wizard is able to perceive these
portals by his or her personal wanderings through nature.
When a portal of power is discovered it is wise to familiarize 
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yourself with the path leading to it so as not to incur injury

while approaching it in the darkness.
 These are places of power and are not places for electronic
gadgets, including flashlights, and this is why by the light
of the moon the Black Magician is best guided. 


 Once you have discovered one of these places of power,
and have arrived ready to receive the energy that awaits
you, allow yourself to be taken by the darkness, embrace
this power as it envelops you entirely. Know at that
moment that you are in the company of the Divine and
the Profane, for that is the balance of Nature! 


 After you have connected with this power and are infused
with its scent, go out and wander further into the natural
world continuing to connect with all things around you. 
Magical Names
 In discovering and creating your own magical
name, you do not want to think about or meditate
on it; you simply want to let it flow through you. 
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 Sit down quietly with some paper and pen in hand,

letting the tip of the pen rest gently upon the paper
surface, and as you summon your magical name,
let the essence of it come through you naturally. 



 Some people hear the entire name in their mind,
while others are guided one or two letters at a time,
whichever way it comes to you, allow it to flow. 



 This process may take several days or even several weeks
to fully manifest, or it may take only a few minutes, everyone
being uniquely guided by magick in their own way. 



 Once you feel satisfied that what you have written
is right for you, then trust in it, believe it, and use it
in the furtherance of your magical pursuits. 
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Section 4
Rites of Consecration
Ritual Preparation
 Ritually cleansing or clearing the ritual knife or dagger
of lingering energies prior to harvesting ingredients
and or for use in your magical workings, is crucial. 


 Generally, submersing it into fresh running
water from a brook or stream is best. 
Harvesting Ritual Ingredients

 During your harvesting efforts, it is really important
to express gratitude for the things you collect, as
they are quite often living things and will be used in
helping you to magically transform the world around. 


 This is an opportunity for you to feel your way as you
harvest ingredients with what speaks to you in relation
to what you find that may be needful and useful. 
Often, when out collecting items for your magical workings,
you may be drawn to an item, not knowing why you might
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need it or even how you could use it, nevertheless,

because you are being drawn to it, it is essential
that you harvest it believing that its purpose will
manifest itself to you at the right time.
 Some of the ingredients used for our magical workings

can only be obtained by going to a store to purchase
them; the harvesting process is still generally the same.
Let your intuition guide you, let the items you need talk
to you as you consider them individually and for what
purpose you intend to use them. 
Making It Holy
 This is the act of imbuing ritual objects with spiritual energy
to act in your behalf. In so doing, you are laying claim to said
object as being your own; “it belongs to the God within.” 

This applies to virtually any object or material used by
the Black Magician for his or her magical workings. 


 First, you must exercise the spirit or essence of the object
already in it, and then consecrate it with your own essence
and spirit. This results in the creation of a magical,
symbiotic relationship between the Wizard and his or her 
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tools.
 To clear an item of any residual energies, submerse it

in natural running water such as a stream or river,
however, some objects may be too large or delicate
to endure such treatment and can be cleansed by the
use of either Expelling Water or Expelling Powder. 


 Expelling Waters and Powders are made by combining
ingredients, particularly those with strong male and female
essences, creating a new ‘spirit’ or energy that then can be
used to anoint or to consecrate your ritual tools and space. 



Expelling water
ingredients: o Mint 

o River
water o Salt 
o Lemon juice 



 Consecrate each item individually in preparation to
combine them into a single mixture. After you have
combined the ingredients, consecrate the newly created
concoction, imbuing it with your energy and intent. 
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Sealing and labeling your containers properly will secure the
integrity of your concoctions, protecting their quality for

future use.
 After you have created your Expelling Water and have

used it to clean a ritual object, such as an altar or area,
use what is called your magical breath to blow away
any unwanted lingering or residual energies. 


 And finally, the creation and use of a consecration
oil. This will consist of Olive oil, Lavender oil,
Cinnamon, and a few drops of your own blood. 



As with the preparatory procedures listed above for
the Expelling Water, you will imbue each item
individually, then mix them together in a new
container, and then bless the newly created
Consecration Oil, imbuing it with your energy and will. 


 Just a drop of the Consecration Oil on each of the cardinal
points as also on any other significant features, followed by
a gentle rubbing in of the oil upon the surface of the object 
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being consecrated with either the index and middle fingers

together, or with just the middle finger alone.
 At this point, the object is now ready to be sanctified

and used as one of your magical tools, and this is
done by imbuing your energy and will into it, thereby
establishing a mental and spiritual connection with it. 
Section 5
Candle Magick
Fire, water, and blood are the three great gateways

taught to me by Azazel, and in this section we will be
working with the gateway of Fire.
Candle Meditations
 Before closing all candle meditations, know what you
want from the working, see it being a reality and then
verbally command it so, then blow out the candle. 
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The White Candle

 Light a single candle and set your gaze upon it, particularly
the flame itself. Become one with the movements and motion
of the flame, both inwardly as outwardly. 



 Allow your vision of the peripheral world around you to
disappear so that all you see is the candle’s flame, letting
your mind calm down as you breathe gently in and out,
realizing that your very breath is become the flame. 


 See the portal or gateway that exists in the
flame, allowing yourself to enter through those
gates and into realms unknown. 
The Red Candle

 As you stare into the flame, allow yourself to
drift away connecting with the emotion of
passion, bring it into you, and gain mastery of it. 



 With passion you can control others, bring love into the
lives of others, manipulate the emotions of others, and
bring others into submission to your will. You can be a
beacon of attraction through your control of passion. 
36
The Orange Candle

 This candle is for creativity and prosperity and
for the fulfillment of your creative vision, and
is associated with sensuality. 



 Envision the beauty of your creation, whether it is
writing, song, painting, building, or whatever your
creativity may become, see it and be happy in it. 
The Yellow Candle

 This candle is for protection and also for the treasures of gold
and treasures of the soul, especially of health and long life. 



 This candle is also for protection from
harm and for transcendence. 
The Green Candle

 This candle represents all that grows, wealth,
abundance, love; it is that which heals and nourishes. 


 Use this candle to improve relationships and to
bring increase into your life. 
37
The Blue Candle

 This candle represents the air, intellect, thoughts,
dreams and intuition. 



 This candle is used to improve communication
and comprehension, for learning new things, for
setting yourself at ease. 
The Black Candle

 This candle is the doorway to the unknown, to
secrets and to the self. 



 All knowledge can be obtained through the
passage of this gate. 
The Indigo Candle

 This candle represents the third eye; envision in your
mind’s eye indigo flame entering in through every direction. 


 Through this gateway, imagine all knowledge and all power
flowing into you, chanting the mantra, soo haa maa caan. 
38
Collecting Items to make Portal Candles

 The process is much the same as described in the
“Harvesting Ritual Ingredients,” detailed in Section 4
above, and is reiterated here for your convenience. 



 During your harvesting efforts, it is really important
to express gratitude for the things you collect, as
they are quite often living things and will be used in
helping you to magically transform the world around. 


 This is an opportunity for you to feel your way as you
harvest ingredients with what speaks to you in relation
to what you find that may be needful and useful. 


Often, when out collecting items for your magical
workings, you may be drawn to an item, not knowing
why you might need it or even how you could use it,
nevertheless, because you are being drawn to it, it is
essential that you harvest it believing that its purpose
will manifest itself to you at the right time. 


 Some of the ingredients used for our magical workings can
only be obtained by going to a store to purchase them; the 
39
harvesting process is still generally the same. Let

your intuition guide you, let the items you need
talk to you as you consider them individually and
for what purpose you intend to use them.
Portal Candles
 This kind of candle has more of a contagious effect,
one that is more tailor-made to your specific desires. 



 Portal candles are made up of a combination of
ingredients to which you, the sorcerer, has been
guided to intuitively for the working of your will. 



If the reason for this candle is to bring love into your life,
perhaps you may want to add some hair or fingernails of
the person you want to attract, or maybe written attributes
on a piece of paper describing the type of person you want. 



Maybe you are in need of a better job or more cash
flow; you could add pieces of money or a piece of
paper with a desired job title written on it, etc. 
40
The idea is to be creative because this is your world that you
are creating, and it is your magick that you are working.
 You can buy a simple candle molding kit at your local

craft store or online, or you can use a used paper
towel center as shown in the video as your mold. It is
worth the cost of purchasing an actual candle wick, as
they are more durable and will burn better and longer. 


 If you decide to use a paper towel center as your mold, be
sure to first create a “plug” of wax about an inch thick at the
bottom of your mold that has been allowed to fully hardened,
prior to pouring your hot portal candle wax into it. 


 The kind of wax you use does not really matter, though
bees wax is perhaps the cleaner burning, most organic
and all natural variety of wax available, it all depends
upon you and what you are guided to use. 


 Once you have melted the wax, take your time adding
the ingredients by feeling the energy and essences
associated with each one of them, charging them
also to do the work you have intended for them to do. 
41
At this time you may also want to add some consecration oil,
however, let your own intuition guide you in this.
 Now that all the ingredients have been added, extending

your right hand over the mixture, charge the substance
with your intention by putting your energy into it. 


 Carefully, now, pour the melted waxy concoction that is your
portal candle into the mold you have prepared. It is okay if
you happen to spill some on the surface of your table or
altar, and for that reason you may want to use a funnel. 

 Breath upon the candle as it sits in the mold, breathing into
it your life force – thereby, bringing to life this portal candle. 
42
Section 6
Sympathetic Magick
Like Attracts Like

 This is more than just a “law of attraction,” it is the
replication through symbolic ritual of what it is you
want, whether it be a physical object or a particular
circumstance, to manifest in this reality. 



 This kind of magick is best exercised while in the theta
gamma state, allowing all other thoughts or concerns to fall
away, and also, with real intent, as these are very potent
magicks and must be approached seriously, never frivolously. 



 Keep your artistic renditions simple as you prepare
them for your ritual workings, they are symbolic and
need only be a focal point of your intention and desire. 


 Some items that can be used to create a strong
link to your workings include: 

o Colored yarn
o Candles 
o Poppet 
43
o Clay
o Paper
o Pictures
o Small burlap sack
Personal Items:
 Photo 

 Personal belonging 

 Hair 

 Finger or toe nail clippings 

 Blood 

 Saliva 

 Skin 

 Urine or feces 



 Setting the completed poppet or other symbolic device
before you, imbue it now with your intense desire to
make this symbolic gesture a reality in your world. 


 End this working with an incantation or prayer to
seal the power of it into the working itself with
your strong intention to manifestation. 
44
Poppets and Wax Dolls

 The secret to successful magical workings is to
become like a child, believing and without doubt. 



 In this segment I am demonstrating the use of
poppet magic to heal another person who is ill. I am
using simple children’s clay to form the poppet in
the image of the one I am working this magic for. 



 Notice that I am infusing the clay poppet with hair
from the person; this directly connects them to the
poppet, I am also infusing it with other living things
that infer a pleasurable, healthier, and happier life. 



 To make this working complete, you must now imbue the
poppet with your will through an incantation or prayer,
finishing with an affirmation for a positive outcome. 
45
Section 7
Secret Combinations
The Magic Of Combinations

 Utilizing the secret and magical combination of
ingredients to perform your magical workings is a
perfected skill of the Black Magician. 



 Often, the Dark Wizard is inspired and will intuit
what ingredients to combine in order to create the
perfect concoction for the magical working at hand. 


 These magical mixtures can have a contagious
effect, especially when placed directly on the skin,
working your will in whatever capacity you seem fit. 
Contagious Magick
 This is magick that is placed into an object,
resulting in that object affecting anyone or
anything that it comes into contact with. 
46
 By magically charging the combination of collected

items you are creating a new and living thing, and
that new creation is your spell. 



 As I go along in the video, you will see that I am
being guided by magick to collect various different
items, and placing them into a small bag. 


This is the same process by which you will also prepare for
and perform this kind of magick; listening to your magical
intuition you will be guided to what you truly need. 



 Once you have finished collecting the various items
needed, spend time feeling and connecting to the energies
associated with each of them, as this will help you to better
understand the unique properties that they contain. 


 Laying the items out upon your altar, charge them
with the energy of the essence that they represent
to become the new creation of your will, to perform
the work you have intended for them to do. 
47
 This is very potent magick, and as such, there is

no limit to the kind of magical effect you can
achieve utilizing this form of magick. 



 Seal the pouch securely with the newly charged
items in it and place it where it will be most
effective to working your will. 



 After the outcome you had intended has been
accomplished, the working is now complete, and you
can then end the spell by disposing of the sealed
pouch into a body of water – a lake, river, pond or sea,
so that the energies of it can return back to the ethers. 
Magic Baths
 Magic Baths are quite useful to wash away any negative or
lingering energies, and also act to invigorate the mind and
body in preparation for ritual or other magical workings. 



 In this ritual setting, you may call upon your guardians,
spirits, and the elementals to attend and to bless you
with their cleansing, healing and regenerative power. 
48
o The following incantation is effective in bringing

about a magical sanctification in your life:
“Al Uzza, most beautiful, most powerful one.
With one hand a sword and the other a lily,
come now down from the heavens and bless
this one. Al Uzza come, Al Uzza come.
“Allat, Goddess of the shadows, keeper of souls,
speaker of judgement, judge now this one, judge
now this one as sacred for she has within her
your dark flame. Show her how to forge the
unknown and guide her even in her darkest days.
“Manat, who ties all knots, Manat, mistress of
fate, look upon this one, guide her with joy that
all her days will be filled with happiness, and
those that are filled with sorrow will only add joy
that is to come. Manat, clear her path, Manat,
clear her fate, Manat, greet this goddess with the
freedom to write her own destiny, and to bind her
own knots. Manat, come. Manat, come.
“Breath out all that is heavy, and let the lightness
49
of spirit enter you with your inward breath. Exhale
your burdens, inhale light. Feel the sun move
through your body, let it move from your fingers,
through your whole body down to your toes, and
release every bit of darkness within you.
“Fire of passion, Water of life, Earth is her

womb, and you are her child, Air to give
you flight wherever you should go.
“You are the Spirit, you are the Goddess!

You are Eternal!”
 Let your mind drift freely as you allow yourself to

become the God or Goddess of your higher self,
becoming imbued with infinite energy and possibility. 
Expedition Powder
 This is not only very potent magick, but it is quite often very
difficult to make, this is because of the ingredients needed,
that being the rarity or unavailability of them; therefore, the
collection of said ingredients may be considered by some to 
50
be illegal, and can even be quite

dangerous and life threatening.
For this reason, it is strongly advised that you take these
things into consideration before embarking on a path that
would require you to create and use this kind of magick.
However, because this is a training course for Black

Magick, an example is shown to you for educational
purposes only, nevertheless, as a practicing Black
Magician, you are expected to walk your own path.
 Expedition Powders are an aspect of Voudon and

are Baneful magicks, used to paralyze an enemy, to
subdue them, even to invoke death upon them. 



 You may glean from the video the varied aspects and
suggested ingredients to work this magick, however,
as the working itself is so organic and fluid a process
that to attempt the rigidity of writing it in this text
would only serve to befoul the living nature of it. 
51
Section 8
Baneful Magick
Death Magick
 This ritual is used primarily to kill someone. It
is NOT recommended for idle use! 



 Preparation of the ritual space is rudimentary, a
simple circle with an altar in the center. Supplies
are also basic, a ritual dagger or knife, some
moldable clay – incense and candles are optional. 



 Create a vortex of energy by either walking around the inside
circle several times or by a circular motion of the arm and
dagger, calling down power to manage the working at hand. 



 As you mold the clay into the form of your
intended victim, work into it your malevolent
intention, imagining as you do the very attributes
of his or her character, binding your will upon it. 
52
Inscribe the name of your victim onto the finished

effigy with your dagger, and finally, seal your
working with some of your own blood.
 Summon forth what natural or supernatural

force(s) or entity(s) that you deem beneficial to
the fulfilling of your work. 



Lay out the ‘crime(s)’ committed against you by your
victim as witness to the Gods and Spirits of your choice
to levy death as reward for his or her malicious deeds. 


 The ritual culminates by you plunging the dagger into
the heart of your symbolic victim, repeatedly if so
desired, swearing death upon him or her completely. 


Exercise what manner of destruction you see fit
upon the clay model, as it fully represents the
image of your enemy’s destruction. 



 When you have finished your working, bury the
remains of the clay model in the earth, somewhere
outside of the circle – near or far doesn’t matter. 
53
Channeling and Exorcism

 It is strongly recommended that you do not attempt
to exorcise an entity or spirit by your self – especially
if you are just starting out in your magical career. 


The people performing the channeling in the video
accompanying this workbook are professionals, with many
years’ experience, who are combining their individual
intuition and expertise to create a clearer picture for the
group as a whole to perceive and to work with. 



 Be aware, that if you threaten or taunt the spirits,
trying to gain control or mastery over them in an
attempt to dislodge them from a domicile or to
extirpate them from another human being, you, in
all likelihood, will invoke the wrath of said entity. 



Those people who choose that path usually have
very short life spans, thereafter. 


You have been warned. 
54
 In this training course, you will be shown a

safer way to approach the spirits, and possible
techniques for inviting them to leave. 



 One of the first things you will want to do when dealing
with an unknown or unwelcome entity, is to try and get
a sense of what kind of entity it is, and if it possibly is
sentient enough or willing to communicate. 


This may require some research into the actual history of
the structure where the poltergeist activity is taking place;
also, talking to the current residents, if any, or neighbors, in
an attempt to glean as much information, looking for details
that will help you to more accurately identify the spirit. 



Learning as much as you can about the entity
beforehand will help you prepare for how to approach it. 


 At this point it is useful to consider what method of
communication you will be using to make contact,
although, it many instances it may not be your choice
so much as it is what you are intuitively guided to use. 
55
There are various forms and techniques of spirit

communication in use today as in ancient times,
here is a list of some of the most common forms:
o Spirit boards o
Scrying mirrors
o Pendulums / dowsing
o Channeling
o Automatic
writing o Runes
o Evocation
o Voluntary possession
 When you feel like you are ready to make contact

with the spirit or entity, and have determined the
best way to approach it, do so with confidence in
your ability to perform this magical working. 


Be prepared for anything! 



 In the video accompanying this course, a group is attempting
to communicate with an entity that had apparently settled in
the house many years before the current resident moved in,
and was causing enough of a commotion that it needed to be 
56
addressed.
Using a Spirit board, more commonly called an Ouija board,
the spirit is encouraged to make contact by spelling out
words or to even answer simple yes or no type of questions.
 This is a real communication/channeling event,

where contact was visibly made and heard as the
spirit expressed its intentions quite clearly. 



 Later in the course, you will witness a full possession
and communication with an ancient Voudon spirit. 
Protective Magick for House and Property

 This work is important for Black Magicians to perform
on a monthly basis, to clean your home and property
from unwelcome or unknown spirits that accumulate,
over time these entities can cause a disruptive and
chaotic flow of energy during your ritual workings,
resulting in less than successful magical results, or
they can simply cause an uncomfortable and
somewhat disruptive atmosphere in your home. 
57
 The techniques shown in this section are beneficial

to exorcise poltergeists, banish spirits, clean house
and property of unwanted energies, ridding those of
unwelcome possessions, eliminating curses, etc. 


 The tools and ingredients needed for this working: 
o Medium sized bowl of cold water
o Salt
 Mix the salt with your fingers until it is dissolved

in the water, and then extending the index and
middle fingers over the bowl, charge the water and
salt mixture with spiritual light and energy. 



 Walking through your home, flick this mixture with the
fingers of your right hand around the walls and floor, into
corners and other small spaces, around window seals, etc. 



You will want to invite all those living with you to
participate, as well as any friends and visitors to
your home that would like to share in this event. 
58
Spell Negation
 This spell working is best used to eliminate curses
and even to resend a curse back to the sender. 


 Items used in this working: 
o Red and black yarn or string
o Mirror box
o Black ‘Witches’ salt
o 1 black candle
o 2 red candles
 Begin by tying knots in the conjoined segments

of yarn/string, allowing yourself to be guided by
intuitive inspiration as to how many knots to tie,
each knot representing a curse upon you. 


 Holding the knotted yarn in your left hand, raise it above
the flame of the black candle and verbally dissolve any
and all curses and their effects intended upon you, and
after declaring your working finished, burn the yarn in
the flame and drop it into the mirror box. 
59
 After the fire has consumed the knotted yarn/string, close the
mirror box and verbally seal it with your willful intention. 
Section 9
Balance
Black Magick has Risks

 In this section we will look at the various kinds
of risks associated with the practice of Black
Magick and how to avoid them. 
o Ritual blow-back
This often occurs, not because you misspelled
an entities name, or forgot to light a candle,
etc., no, it’s usually because you weren’t aware
of something needful to your working and it
resulted in something going awry.
This is quite often the result of neglecting to

listen to and to be guided by your intuition,
the voice of magick dwelling within you.
60
o The value of non-attachment

As is usually the case, when we engage in
magick with the intent of changing the
world around us, the circumstances,
people, objects, and even the way we think
will be affected, sometimes in drastic ways.
This can be very traumatic if you are attached
emotionally to whatever it is that has been
affected – even destroyed and gone forever.
The wisdom that is taught by sages, gurus and

wise men the world over is to adopt the attitude
of non-attachment, it is really important if you
wish to truly advance as a Black Magician.
o Working against your magick

This happens, for example, when people cast a
spell to get healthy but then don’t quit smoking;
they perform a ritual to receive more money, but
sit in their house watching TV while never
creating opportunity for money to come into their
lives; making contracts with demons to obtain
61
power and knowledge but then refuse to practice
magick or to study and learn anything further.
o “The spirits have turned against me…”

This is a case of mistaken understanding, as
the spirits are actually working to do exactly
what you have asked them to do; only
because you are not holding up your end of
the bargain, they are seemingly turning
your world upside down bringing into
reality the very thing you wanted to create.
o Magick can be traumatic

Invoking energies and entities, affecting every
emotion within you, pulling you through the
portals of discovery and change, destroying
perspectives, redefining concepts, all in ways
that you are likely neither prepared for nor even
aware that such things could be – but, they are!
The reality of what you are doing can be
overwhelming and even frightening, as suddenly
you experience something so tangible and intense
62
that the awareness of it is too much

for you to deal with, sometimes even
for the seasoned Wizard.
This is quite often the case, however, for those

who merely dabble in magick, viewing it more as
a curiosity and have not really accepted that it is
real, that the spirits are real, and that the kind of
energies they are dealing with are in fact real!
This kind of an awakening can be rather

disturbing for the untrained mind, thus, it is
best if you do not approach magical workings
half-heartedly or as an idle curiosity.
As you learn to take such things in stride by

knowing that such things WILL and DO happen,
you will come to know that it is all part of the
magical process on the path to ascension.
Grounding yourself after experiencing any kind

of ritual trauma is highly advised, and can be
63
performed quite simply by sitting on the

ground (outside is best):
 As you sit on the ground, feel roots

growing out of the base of your
spine into the earth, going down as
deep as you feel they need to go. 



 Let them solidify in place and feel
yourself solidifying, grounding. 
Balance of Life
 It is a really good practice to get into to keep a magical
journal, keeping a record of your experiences that will
allow you to see the changes that have come about in
your life as a result of your magical workings. 


A ritual journal will become your own personal grimoire
of magick, it will provide for you a comparative review to
see your progress and also be a reference guide of what
worked and what may not have. 
64
 Too often Black Magicians will want to separate

themselves from other people and the world by
hiding away in their homes or retreats, permanently. 


This is not healthy, neither is it advised, as you can become
lost in a delusional sense of reality that only you can perceive. 



When you perform rituals and work magick, if you do not
go out into the world to be witness to the changes your
magical workings are doing, then the potency of your
workings will, over time, become greatly diminished. 


 If you gear all your magical workings to the improvement
of your life, then you should be able to see the influence
of those workings in your life and be able to determine
their effectiveness by the increase in the quality of your
life, balanced by the quality of change in your life. 

Change is incremental to the positive development
of your magical growth. Allow it to work within you
and you will see a new world open up for you. 



 Getting out into nature and re-connecting on a regular basis is
very essential, as all power is naturally abundant and more 
65
easily accessed by using the grounding techniques taught in
this course.
Section 10
Spirit Contact
Sigil Magick
 This is perhaps one of the simplest and most
effective forms of magic to perform. 



 Sigils are symbols of the actual spirits, and act as doorways
through which spirit communication is made possible. 



Focusing your attention upon the sigil associated
with the spirit or demon you wish to communicate
with, while bidding it to you by chanting its name, will
result in direct communion with the desired entity. 


 There are many reasons why the Dark Wizard may seek out the
aide of spirits; to subjugate them to do your bidding, to aide
you in performing magical spells, to rid you of an enemy, 
66
to bring wealth, riches, or love into your life, etc.
In some instances there will be a cost to pay, an offering or
tribute, perhaps even a pact that must be entered in to, no
matter the case, such things will be discovered and worked
out between the spirit and the magician in every situation.
Thus, it is important to do a little research before

contacting a spirit, so that you will know how to approach
it, and also, what to expect from the encounter.
 The most effective way to work this magick is to draw the sigil
out on a piece of paper - in pencil first, paying close attention
to detail, and thinking about the spirit in the process and how
its attributes will aide you in your endeavor. 



Once you have finished drawing out the sigil in pencil and
are satisfied that it is acceptable, re-trace it now in ink.
This will allow you to focus your mind on feeling it come
to life, and in so doing, creating a living portal of energy. 


 There are various incantations or prayers that can be used,
some are friendly approaches while others can be quite 
67
offensive as they attempt to subjugate and subdue the

spirits; the manner in which you choose to approach
the spirits is entirely up to you, though caution is
advised when attempting to subdue a spirit.
 Sitting or kneeling before the sigil, allow your

vision to flow over it as you sink deeper into the
theta-gamma state, relaxing your face and eyes and
preparing your mind for communion with the spirit. 



 When you have successfully summoned the spirit, it is
proper to vocalize your intentions or desires verbally
or mentally, listening intently for the spirit’s response. 


 When you feel the communication has been completed
and are satisfied that the spirit has agreed to perform the
working to which you called it forth to perform, you may
then end the encounter by acknowledging that it is done. 


 Take now the sigil and fold it several times. Place it
somewhere that it will not be disturbed, and do not
open it until after the working has been accomplished. 
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 Once the task is finished and your will has been

completed, take the sigil and burn it to release the
energy and to close the doorway – this is very important. 
Spirit Communication
 Once again, utilizing fire, one can easily open a gateway of
communication with the spirits; demonstrating how easy and
simple it is to participate in this form of magical working. 



 Gazing into an open flame, whether it be a camp fire or a
candle, noticing the ethereal nature of the fire itself, allow
your awareness to be pulled down into the flame as you
begin to perceive the gateway between the worlds open. 


 You may choose to communicate with a particular entity
through the flame, or you may simply want to commune
with the elementals of fire themselves, either way, have
in mind the entity or entities you want to contact before
entering the deeper states of consciousness. 


 In this kind of trance like state, it can often be helpful to
have someone assist you by asking pertinent questions
and also to record the event for future review. 
69
Scrying
 Scrying is an ancient form of spirit communication and
contact, it is often most effective through the use of water. 



As demonstrated in the video, you can sit on the edge of a
calm body of water, or fill a basin with water, or even fill a
cauldron or chalice with water, either way will work just fine. 


 The technique for getting the most out of your workings
is to allow your eyes to glide along the surface of the
water, while your mind plunges deep into the abyss. 


This is achieved by relaxing your face and body,
breathing in and out to calm the mind and spirit,
keeping your attention on the water’s surface. 



 Eventually, you will begin to notice a white cloud or mist
developing on the surface of the water; this is the
gateway through which your spirit vision will take place. 
As your attention rests upon the cloud or mist,

you will notice your awareness being pulled into
it, and then you will see the vision unfold.
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 Do not be overwhelmed by the grandeur of the scene, but

rather, simply allow it to effortlessly reveal itself to you. 
Spirit Guides
 The ringing of a bell is useful in clearing the air from any
residual or lingering energy, and is most helpful in preparing
the atmosphere for spirit contact, this is especially true when
attempting to contact your spirit guides. 



Selecting what kind of bell or other tone producing
device to use for this ritual working is according to
your own intuitive perspective, and should not be
limited to stereotypical recommendations. 



Several bell tones are usually enough, though your
own feeling on the matter should be your guide
here to determine how many are sufficient. 



 Through the use of sigils, effigies, runes or some
other talismanic item, you can attune your mind
to the spirit you intend to summon. 
71
In the video, the use of a scrying bowl is used as the medium
of contact.
 Calling upon the spirit, speak the truth as you see it,
vocalizing your intentions and desires clearly and honestly. 



 Much of the process for this kind of contact is similar to that
expounded upon in the previous chapter concerning Scrying. 
Spirit Animals
 According to Freya, “…the spirit is an animal.” 




 Being able to mentally switch between the theta-gamma
states to an alpha state in order to make cognitive decisions
is very helpful when receiving guidance from the spirits. 


 When dealing with spirit guides, the more specific
your questions are, the more specific the answers
will be. So, if you don’t receive a clear or worthwhile
answer, it may be that you need to re-word the
question – paying special attention to the details. 
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 Why do certain people have certain spirit animals?

They are the animal natures within the individual people. 


 By becoming the spirit animal within, you will
gain an understanding of the Power of 3, and that
will guide you through your evolutionary ascent. 


 Sequence of the spell to contact your spirit animal: 
o Hold a round stone in your left hand behind your back
o Touch the heart center of your chest with the

index and middle finger of your right hand
o Breathing heavily to invoke energy
o Think about wanting to know your spirit animal
– focus on it, visualize it
o Let yourself “feel” what it might feel like to
have that knowledge
o Now speak the spell:
“Three bodies I have within me, three forms that
I do not know, three beasts that are wandering,
bring them to my sight so I may see them,
bring them to my mind so I may know them,
show me the animal that guides me.”
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o Now, place the stone in your right hand in front

of you and recite the following incantation:
“Once in three days coming, one of the three
forms will be known in a vision or in a knowing,
or in this world that is my home; Elves that live
beneath the waters, take this spell and take this

stone, and give me knowledge of my Fylgja.”
o Finally, with the right hand, throw the stone

into a body of water – a lake or a pond, and
try to get it into the center.
 At this time, you should disconnect from trying to

“see” your spirit animal, and let it manifest itself to
you in a manner that it chooses. 



 When you have finally made conscious contact with your
spirit animal and seek to communicate with it, listen to
what it says, as it will guide you in your path through life. 


 There are three kinds of spirit animals: 

o Land based; these are best suited to help
you in the affairs of your day-to-day life
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o Water born; these kind are guides in the

underworld, navigating the world of the dead
o Air born; these are most helpful in matters of a

spiritual nature
 Your spirit animal is your fylgja or fetch, and it is

the animal form that you can shape-shift yourself
into, granting you greater power in this world that
otherwise you would not normally have. 



 The following exercise will help you make contact
with your spirit animal: 

o Find a body of water, whether it be a pond or lake or
even a slow moving river where a pool has formed, a
swimming pool or a bath-tub filled with water, etc.
o Relax your body and facial muscles, letting

any tension flow out away from you
o Start by visualizing your spirit animal in the center

of the body of water, just above the surface, letting
your gaze skip across the surface of the water
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o Imagine now that you are becoming the animal

form of your spirit guide; see yourself
transforming into the very spirit animal you are
imagining there above the surface of the water
o Allow your body to fall into a deep trance like

state, almost into a sleeping state, being the
spirit animal and no longer human
o Imitate the movements associated with the kind of

animal you have now transformed into, feel what
it is like to be a bird with wings, or a wolf with four
legs and a tail, or a fish swimming in the sea, etc.
Let your imagination guide you, and let

your spirit animal become you.
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Section 11
Idolatry
Demonic Summoning
 In this section, summoning a demon is taken
to a whole other level. 



 Instruction for this section is limited to your own
understanding of the intuitive process and your ability
to discern spiritual communication and direction. 


To do so, is to change your whole world in a way
that must and can only be experienced in order to
understand it fully, any description given here
pales in comparison to the actual experiential
knowledge gained from performing the ritual itself. 


 In the ritual demonstration, as shown in the video
associated with this section, there is given a
genuine accounting of a true demonic summoning. 
An ancient being is summoned and communicated with fully
and completely, resulting in part by the establishment of a
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stone Idol in symbolic reference to the deity that was

summoned.
 If anything can be suggested, it is that you find a place

where you can perform a ritual of this magnitude without
interruption, and that you set up your circle and have
ready whatever else you may choose to incorporate into
your ritual beforehand, and that you are 100 percent
committed to the process before ever entering the circle. 


 Some suggested items to include are: 
o Flour or corn meal
o Incense and coals
o A stone or other object into which an Idol
may be created
o Ritual dagger/knife
o Ritual bell or other similar sounding device
o Sigil or veve or other representation of the
being that you will be summoning
o Incantation or spell for summoning
 At this point, it is up to you now to glean from the video all

the subtle skills and knowledge about how to perform this 
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kind of ritual and many others like it, to summon

whatever beings, spirits, deities or demons you so
desire, according to your will, on your path to ascension.
Establishing the Idol

 Recognize the sacredness of the Idol you have now
created, housing the presence of the entity you have
summoned, revere it as a living deity in your temple. 


 Perform ritual works before it, including it in
reference to powers and principalities, establishing
it as a witness and a confirmer of your word. 


 Realize that you now have a God in your temple
from which you may receive prophecy, for not only
yourself but for those living around you. 


Be grateful for this. 
79
Section 12
Shadow Magick
The Black Magician

 The Black Magician exists in a world of his or her
own making; without rules, without any of the
external constraints of morality or ethics. 



The Black Magician executes judgement upon his or her
enemies without regard to the laws of mankind, including
causing the death of those deemed worthy to receive it. 



This is the kind of real power that the Black Magician
holds; this is what it means to be a Living God. 
Psychic Vampirism
 There are three kinds of Vampires:
o Sanguinarian Vampires – these are the kind

that feed on the actual blood of others.
There is a real power that can be obtained through the
80
drinking of blood; life altering realities that

manifest through you from this form of
vampirism, though these abilities are relegated
primarily to the realm of your physical senses.
o Psychological or Emotional Vampires – this kind of
vampire seeks more of a social agenda, and attaches
itself psychologically and emotionally to someone in
order to improve their own status in the world.
o Psychic Vampires – these are the kind of vampire who
will drain you of your life force by using the apparatus
of astral tendrils or through physical contact, all the
while feeding upon you like a parasite, and not only
surviving off of you, but truly thriving because of it.
 Some people are born with this innate ability of psychic

vampirism, and of those people, few ever become aware
of it enough to exploit this power to their advantage,
while others with this gift simply go through life
unaware that they are draining those around them. 


However, as is often the case, most people affected by the life 
81
draining attack of the psychic vampire are left with an

empty, loss-of-energy feeling that can and often does result
in illness, whereas long term effects can end in death.
 Some of these psychic vampires are able to control

others by simply looking into their eyes, and just like
hypnotism, enslave the will of another to do their bidding. 


 Using the skills of psychic vampirism, you can
give someone energy by following these steps: 
o First, imagine yourself filled with light,

moving and cycling through you
o Then, make physical contact with them, creating

a powerful link, making sure that all the fingers of
your right hand are touching them
o Then recite:
“By the power of the stars, I give my energy and
my power to (the person’s name), may he or she,
take my power within him/her, may he/she take
82
my energy into his/her being to be healed,

energized, and to be well, so it is done.”
 One of the potential downsides to psychic vampirism is

the common side effect of becoming addicted to the
energy of others, so much so that you will find it
difficult to even exist without regularly parasitically
draining the life force out of others in order to survive. 
Notwithstanding any negative side effects, there are some
advantages to developing this skill and magical ability.
o Draining an enemy of his or her energy just prior to

cursing them, weakens their defenses drastically
o If you are drained from ritual workings or extreme
physical labor, feeding on the energy of another will
boost your own energy levels almost immediately
o Also, if you need extra energy to perform

a serious ritual, then draining someone of
their energy will certainly do the trick
83
o You can also use these techniques on spirits, drawing
energy from them is a really amazing experience
Be warned, however, that many spirits will not

take too kindly to your efforts to feed off them
and may retaliate in a nasty way…
 Following is the first method for draining

energy from another person: 



o Prepare your mind by imagining yourself
feeling hungry, tired and empty, and in a
desperate need to feed off of someone
o Grab hold of the person with your left hand, making

sure that all of your fingers are touching them
o See the light of energy that you are craving

burning within them, visualize it, feel it
o Open your eyes and look at them, see, if you can, that
person’s aura and visualize it becoming your own
84
o Visualize now the light of their aura coming

into your hand, up your arm and into your
chest, filling the emptiness of your own being
with the energy you have now taken from them
o Relax as completely as you can, and feel the

energy flowing into you, pulling it in with your will
o Once you reach a level of ecstatic energy, it is

advisable to end the encounter
 It is important to develop a kind of astral filter so that

you won’t take other people’s astral parasites, for
example, or any other spiritual defects or illnesses, etc. 


This is done by imagining a kind of screen on the
palm side of your left hand that filters out any
negative and undesirable attributes of the person’s
energy as you are draining it from them. 



 The second method for draining the energy of another
does not require physical contact, as follows: 
85
o Sit a few feet away from the individual you are

planning to affect
o Imagine an astral arm, like a tentacle extending

from your body to theirs, touching them
o Following the same procedures as described for

physical contact, begin draining their energy from them
o In like manner, you can imagine your aura

expanding to envelop them and through the
aura drain them of their energy
 Practicing these techniques at greater distances

each time will result in the development of powerful
psychic and astral abilities. 



 The following steps will show you how to become a
full astral vampire: 


o Light a single black candle
86
o Place your right hand on a crystal so you can

store the energy you are taking. This isn’t
required, but it is suggested.
o Gaze into the flame and visual your victim, see him or
her clearly, remembering what they look like, what they
smell like, imagining how the touch of their skin might
feel like – recreating that person in your imagination
o Take the image you have in your mind of them

and put it into the portal of the flame, seeing
them in that portal, wherever or whenever they
may be, placing them in their environment
o See your victim there in the portal, connect with them

and see the light of their energy glowing inside them
o Allow yourself to feel the hunger, the craving

for that light and then pull it from them through
the candles flame, focusing upon their chakras,
piercing them with your intention and hunger
87
o As you pull the energy out of them, extend your

left hand to draw out the energy through the
flame and into your right hand as you
simultaneously push the energy into the crystal
o When you are content with your working, blow out

the flame to sever the link and ending the ritual
Glamor Magick
 Glamor Magick is most useful when the need to hide your
presence from the detection of others is necessary. This can
include hiding your identity as a Black Magician, or that you
may want to hide your intentions from an enemy allowing you
greater access and making them more vulnerable. 



 Some of the ways in which you might do this are: 
o Blending into the shadows in such a way that

it seems you have literally disappeared
o Actually changing the appearance of your

form, being able to shapeshift
88
o Blending into a crowed and no longer being detected
 Following is an exercise of Glamor Magick to

change the color of your eyes: 



o Start by closing your eyes and imagine them
being a different color than what they are now
o See in your imagination your eyes filling in

with the new color you have chosen for them
o When you feel that it is a permanent change,

that your eyes have fully changed color, open
your eyes and go about your day
o The longer you are able to maintain the

change outside of the ritual working, the more
it will become a reality in this world
 The above technique can be used for changing the

color and look of your hair, your skin tone, your
facial features, even your basic shape and height. 
89
 There is no limit to what you are able to accomplish

here, as your magical imagination knows no bounds. 



 In order to make this a real and viable aspect of your magical
skillset, you must believe that it is working, running to the
mirror for proof will only engender doubt and that alone will
weaken if not completely negate any positive results. 



Instead, let the comments of those who see you, and
by their acknowledgment that something is not quite
right, be the measurement by which you are able to
determine your level of successful transformation. 


 Glamor Magick is useful also in changing the emotional
and mental states of another person, by simply invoking
within yourself the emotion or thoughts you want the
other person to feel or think and then pushing it out
through your aura to envelope their aura, thereby causing
them to absorb your intention to become their own. 
Using this same technique, you can cause practically any
object to disappear or alter its form from the view of others –
remember, this does not mean that things actually disappear,
90
but to someone looking at a thing, it would appear that it

vanished.
Necromancy
 Communicating with the dead is the fine art of Necromancy. 



Necromancy allows for multiple people to participate in, and is
often encouraged, as a few or so bodies will help to create an
energy vortex through which the spirit or spirits are able to
draw energy enough to sustain a lingering presence. 



Communication with the dead is sometimes easier
for those who are blood related to the deceased,
making for a smoother transition into a state of
actual contact as well as understanding the message
or words spoken or transmitted by the spirit. 


 Using items belonging to or that are associated with the
deceased is favorable in making a worthwhile connection. 



These items are placed on the altar or table before
you and focused upon to create a connection. 
91
 Necromancy utilizes certain psychic abilities

associated with channeling, but also some
techniques involved for evocation/invocation, as
one summons the spirits to communicate. 



 As with other forms and practices for spirit
communication, tools such as spirit boards, Scrying
bowls and mirrors, pendulums and crystals can be
used to help facilitate a successful encounter. 


Also remember that communing with the spirit world
in all of its many guises is a lifelong learning process,
we grow in our ability and skill to understand “spirit-
speak,” as it truly is a language of its own. 
92
Section 13
Dark Ascent
Considerations for Possession

 This is the closest form of spirit communication that you
will ever experience, and perhaps, the most life changing. 


 One reason for the Black Magician to invoke a full
possession would be to learn from the spirit or demon
directly, to let them guide you on the path to fulfill whatever
magical working you may be indulging in at the time. 


 In my book, “Evoking Eternity,” there are many
examples of how to evoke and invoke spirits, demons,
and angels, the processes described therein show the
techniques used for full spirit possession. 


However, if you have mastered the many techniques
that are described in this course pertaining to spirit
communication, you will have the skill and knowledge
necessary to successfully accomplish an encounter of
full spirit or demonic possession, gaining in the
process the wisdom and knowledge derived therefrom. 
93
 Finally, as with any encounter you initiate with the spirits, it

is important to know in advance what it is you desire of them
and have it clear in your mind before the working begins. 
Finding the Right Spirit

 A rule that should always be adhered to is to
NEVER open yourself up to possession by an
unknown or unexpected entity. 



There are in fact malevolent beings with malicious
motives that would take great delight in messing
up your world, do not give them the opportunity,
KNOW who you are intending to work with before
you summon them; it’s as simple as that. 


 Developing a good working relationship with an
entity is the best way to determine what spirits are
good for possession and those that are not. 
We begin our magical quest by introducing ourselves to the
spirit world, and in time, through the processes and the
experience of our magical workings, we learn what manner of
94
being each of them is, a level of trust is established,

resulting in the development of lifelong
relationships with some of them, and possession
with them then becomes the natural next step!
 In order to get the most out of the possession it is

advised that you consider those spirits who will most
likely be able to help you in areas of your personal
nature where you are lacking mastery and control. 


 Possessions are very intimate and can result in a kind of
love affair with the entity that may last into the eternities,
it is a very powerful experience to bring into your world,
and should warrant a serious amount of contemplation
before entering into such a complete surrender of self. 
Possession
 You will want to provide a few days wherein the
spirit can reside within you, to be able to absorb
all the knowledge and power it may have for you. 



 With possession, you will want to give yourself over
completely to the spirit, trusting that you will regain power 
95
over yourself once the experience has ended.
This would include allowing your body to move and behave
in whatsoever manner you feel it is being drawn into doing.
Depending upon the entity and the purpose for

which you have initiated the possession, you may be
inclined to eat things normally dangerous or simply
inedible, or to participate in some form of sexual
activity, whatever the case may be, accept that you
are being guided and enriched by the experience and
resign yourself to becoming the happy observer.
 3 days is a good period of time in which you may gain a

worthwhile understanding from the experience, however,
it is recommended that you do not go beyond 9 days,
especially for those who are just starting out. 


It is also recommended that you have someone
experienced on hand who can help bring you out
of the possession should you need it. 
Keep in mind that if the possession should go beyond 21
96
days, that it will likely become permanent, and you will cease
being you in the fullest sense.
 To remove an entity from someone possessed, an

experienced Black Magician need only put some rock
salt on the forehead or the heart or the solar plexus of
the possessed individual and with their left hand
hovering over the salt, draw out the spirit into the salt
where it can then be dissolved in water or simply buried. 


Do NOT contact any clergy of the Abrahamic faiths, they
can’t help you, and in most cases the result of their
efforts will only cause enmity between you and the
spirit, destroying the trust you have built up between
you, and actually making an enemy of the entity! 


 It is also worth your time to record in some fashion,
whether it be by video or voice recording, the
possession capturing as much of the experience as
you can for future reflection and contemplation. 
97
The Wizard Way

 Following is a poem written by Aleister Crowley
entitled, “The Wizard Way.” 



The video accompanying this section of the
course is a physical rendition of the esoteric and
occult meaning of that poem. 
THE WIZARD WAY

A poem by Aleister Crowley
VELVET soft the night-star glowed

Over the untrodden road,
Through the giant glades of yew
Where its ray fell light as dew
Lighting up the shimmering veil
Maiden pure and aery frail
That the spiders wove to hide
Blushes of the sylvan bride
Earth, that trembled with delight
At the male caress of Night.
98
Velvet soft the wizard trod

To the Sabbath of his God.
With his naked feet he made
Starry blossoms in the glade,
Softly, softly, as he went
To the sombre sacrament,
Stealthy stepping to the tryst
In his gown of amethyst.
Earlier yet his soul had come

To the Hill of Martyrdom,
Where the charred and crookèd stake
Like a black envenomed snake
By the hangman's hands is thrust
Through the wet and writhing dust,
Never black and never dried
Heart's blood of a suicide.
He had plucked the hazel rod

From the rude and goatish god,
Even as the curved moon's waning ray
Stolen from the King of Day.
He had learnt the elvish sign;
99
Given the Token of the Nine:

Once to rave, and once to revel,
Once to bow before the devil,
Once to swing the thurible,

Once to kiss the goat of hell,
Once to dance the aspen spring,
Once to croak, and once to sing,
Once to oil the savoury thighs
Of the witch with sea-green eyes
With the unguents magical.
Oh the honey and the gall
Of that black enchanter's lips
As he croons to the eclipse
Mingling that most puissant spell
Of the giant gods of hell
With the four ingredients
Of the evil elements;
Ambergris from golden spar,
Musk of ox from Mongol jar,
Civet from a box of jade,
Mixed with fat of many a maid
Slain by the enchantments cold
100
Of the witches wild and old.
He had crucified a toad

In the basilisk abode,
Muttering the Runes averse
Mad with many a mocking curse.
He had traced the serpent sigil

In his ghastly virgin vigil.
Sursum cor! the elfin hill,
Where the wind blows deadly chill
From the world that wails beneath
Death's black throat and lipless teeth.
There he had stood -- his bosom bare —
Tracing Life upon the Air
With the crook and with the flail
Lashing forward on the gale,
Till its blade that wavereth
Like the flickering of Death
Sank before his subtle fence
To the starless sea of sense.
Now at last the man is come
101
Haply to his halidom.

Surely as he waves his rod
In a circle on the sod
Springs the emerald chaste and clean
From the duller paler green.
Surely in the circle millions
Of immaculate pavilions
Flash upon the trembling turf
Like the sea-stars in the surf —
Millions of bejeweled tents
For the warrior sacraments.
Vaster, vaster, vaster, vaster,
Grows the stature of the master;
All the ringed encampment vies
With the infinite galaxies.
In the midst a cubic stone
With the Devil set thereon;
Hath a lamb's virginal throat;
Hath the body of a stoat;
Hath the buttocks of a goat;
Hath the sanguine face and rod
Of a goddess and a god!
102
Spell by spell and pace by pace!

Mystic flashes swing and trace
Velvet soft the sigils stepped
By the silver-starred adept.
Back and front, and to and fro,
Soul and body sway and flow
In vertiginous caresses
To imponderable recesses,
Till at last the spell is woven,
And the faery veil is cloven
That was Sequence, Space, and Stress
Of the soul-sick consciousness.
"Give thy body to the beasts!
Give thy spirit to the priests!
Break in twain the hazel rod
On the virgin lips of God!
Tear the Rosy Cross asunder!

Shatter the black bolt of thunder!
Such the swart ensanguine kiss
Of the resolute abyss!"
Wonder-weft the wizard heard
This intolerable word.
103
Smote the blasting hazel rod

On the scarlet lips of God;
Trampled Cross and rosy core;
Brake the thunder-tool of Thor;
Meek and holy acolyte
Of the priestly hells of spite,
Sleek and shameless catamite
Of the beasts that prowl by night!
Like a star that streams from heaven
Through the virgin airs light-riven,
From the lift there shot and fell
An admirable miracle.
Carved minute and clean, a
key Of purest lapis-lazuli
More blue than the blind sky that aches
(Wreathed with the stars, her torturing snakes),
For the dead god's kiss that never wakes;
Shot with golden specks of

fire Like a virgin with desire.
Look, the levers! fern-frail
fronds Of fantastic diamonds,
104
Glimmering with ethereal azure

In each exquisite embrasure.
On the shaft the letters laced,
As if dryads lunar-chaste
With the satyrs were embraced,
Spelled the secret of the key:
Sic pervenias. And he
Went his wizard way, inweaving
Dreams of things beyond believing.
When he will, the weary world

Of the senses closely curled
Like a serpent round his heart
Shakes herself and stands apart.
So the heart's blood flames, expanding,
Strenuous, urgent, and commanding;
And the key unlocks the door
Where his love lives evermore.
She is of the faery blood;

All smaragdine flows its flood.
Glowing in the amber sky
To ensorcelled porphyry.
105
She hath eyes of glittering flake

Like a cold grey water-snake.
She hath naked breasts of amber
Jetting wine in her bed-chamber,
Whereof whoso stoops and drinks
Rees the riddle of the Sphinx.
She hath naked limbs of amber
Whereupon her children clamber.
She hath five navels rosy-red
From the five wounds of God that bled;

Each wound that mothered her still
bleeding, And on that blood her babes are
feeding. Oh! like a rose-winged pelican
She hath bred blessed babes to Pan!
Oh! like a lion-hued nightingale
She hath torn her breast on thorns to

avail The barren rose-tree to renew
Her life with that disastrous dew,
Building the rose o' the world alight
With music out of the pale moonlight!
O She is like the river of blood
That broke from the lips of the bastard god,
106
When he saw the sacred mother smile

On the ibis that flew up the foam of Nile
Bearing the limbs unblessed, unborn,
That the lurking beast of Nile had torn!
So (for the world is weary) I
These dreadful souls of sense lay by.
I sacrifice these impure shoon
To the cold ray of the waning moon.
I take the forked hazel staff,
And the rose of no terrene graff,
And the lamp of no olive oil
With heart's blood that alone may boil.
With naked breast and feet unshod
I follow the wizard way to God.
Wherever he leads my foot shall follow;

Over the height, into the hollow,
Up to the caves of pure cold breath,
Down to the deeps of foul hot death,
Across the seas, through the fires,
Past the palace of desires;
Where he will, whether he will or no,
If I go, I care not whither I go.
107
For in me is the taint of the faery

blood. Fast, fast, its emerald flood
Leaps within me, violent rude
Like a bestial faun's beatitude.
In me the faery blood runs hard:

My sires were a druid, a devil, a bard,
A beast, a wizard, a snake and a satyr;
For — as my mother said — what does it

matter? She was a fay, pure of the faery;
Queen Morgan's daughter by an
aery Demon that came to Orkney
once To pay the Beetle his orisons.
So, it is I that writhe with the twitch Of
the faery blood, and the wizard itch To
attain a matter one may not utter
Rather than sink in the greasy splutter
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls
Grown to sloppy women and brutal

churls. So, I am off with staff in hand
To the endless light of the nameless land.
108
Darkness spreads its sombre streams,

Blotting out the elfin dreams.
I might haply be afraid,
Were it not the Feather-maid
Leads me softly by the hand,
Whispers me to understand.
Now (when through the world of weeping
Light at last starrily creeping
Steals upon my babe-new sight,
Light — O light that is not light!)
On my mouth the lips of her
Like a stone on my sepulchre
Seal my speech with ecstasy,
Till a babe is born of me
That is silent more than I;
For its inarticulate cry
Hushes as its mouth is pressed
To the pearl, her honey breast;
While its breath divinely ripples
The rose-petals of her nipples,
And the jetted milk he laps
From the soft delicious paps,
109
Sweeter than the bee-sweet showers

In the chalice of the flowers,
More intoxicating than
All the purple grapes of Pan.
Ah! my proper lips are stilled.

Only, all the world is filled
With the Echo, that dips over
Like the honey from the clover.
Passion, penitence, and pain
Seek their mother's womb again,
And are born the triple treasure,
Peace and purity and pleasure.
— Hush, my child, and come aloft
Where the stars are velvet soft!
110

Black Magic

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Black Magic

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Black Magick Mastery Training Course – Companion Workbook

A Course In Black Magick:

A Course In Black Magick:

This e-book is intended as a workbook to accompany

In it are the reference materials which will allow you to

What This Course Will Do For You

The Black Magick Mastery Training Course will provide

While these teachings can be used to heighten your awareness

restraint. Many disciplines of magical training insist that magical

power is to be used with a sense of caution, that there are

consequences too ominous for the practitioner to endure, that a

modicum of restraint is necessary when wielding it – that is not the

power of the universe to work your will according to your desire.

Working with power in this way is an act of blasphemy, as it

you’ll uncover aspects of yourself that you never knew existed!

Learning special meditation techniques to open the psychic

centers of your mind while preparing your being for an intake of

overwhelming energy; Self Initiation and Dedication to prepare for

delight; Demonic summoning and Spirit communication beyond

enemies or to protect yourself from magical attack, these things

and so much more await you in this comprehensive and all-

encompassing Black Magick Training course!

Most importantly, though, you’ll learn that you are able

Black Magick, as taught in this Training Course, is the most

There are many things that can be used in the performance of

In this course, most of the items I use are simple, everyday

Most of these devices can be substituted as needed, but

First, let’s talk about your own personal preparations:

1. You’ll need to prepare yourself for an encounter with your

2. You’ll need to prepare your schedule to allow you the time to

time to practice the rituals and workings pertaining to the

attainment of Real Power. So much of these amazing and life-

changing events can’t be summarized in any amount of

words, but need to be experienced for yourself. Make the

no longer a matter of discipline, but a manifestation of your

are the creator God of your own Destiny!

3. You’ll need to prepare a ritual space to use for your magical

workings. You don’t have to turn your home into a dungeon

or a temple, though. Just make sure that you have

With these few preparations, you are ready to start on

List of Material Items:

 Pieces of wood and stone 

In this course, you will learn:

o Sympathetic and Poppet

In this section, I give you an introduction to inner workings

Birth of Soul Knowledge

 At 15 years old I was living with my mother and

Differences in Defining Black Magick

Performing Magick is easy

Fine Tuning Magical Practice

 I had an unbelievable desire to be a magical being at

Mastery of Black Magick

Meditation Techniques and their Purpose

 Learning to focus your mind will result in you

Communing With The Darkness

backwards through time, connecting to the primal shamans

and sorcerers of your ancestors and as you continue in your

backward movement, you connect with the A-Causal beings 

that spun reality into existence.

As you continue on this path of mental creative

 Sit in this place of utter darkness, breathing it in and

each other, as you feel with your imagination the darkness

building up between them, see a black aura forming around