Vsdgxcvbxcgvzxc

Zvzxcv

Zvc

Zfvczxvczvxcz

Cvzvczvczfvzsfzf

____Cuerpos que importan. Buenos Aires: Paidós, 2002 (1er ed. 1993).
Muñoz, José Esteban, Dissidentifications. Queers of Color and the Performance of Politics,
Minneapolis, University of Minnesota Press, 1999.
Phelan, Peggy, Unmarked. The Politics of Performance, London & New York, Routledge, 1993.
Prieto Stambaugh, Antonio, “La actuación de la identidad a través del performance chicano
gay”, debate feminista, 13, abril de 1996, pp. 285-315.
Taylor Diana y Juan Villegas (eds.), Negotiating Performance, Gender, Sexuality and
Theatricality in Latin/o America. Durham and London, Duke University Press, 1994.
Taylor, Diana. 2003. «Actos de Transferencia» en The Archive and the Repertoire. Durham,
Duke University Press
_____ The Archive and the Repertoire. Performing Cultural. Memory in the Americas. Durham:
Duke University Press, 2005.
Yudice, George. The Expediency of Culture. Uses of Culture in the Global Age. Durham: Duke
University Press, 2003.

Performance en Música
Auslander, Philip. 2006. «Musical Personae» The Drama Review 50: 1, spring 2006, N. York
University and Massacgussetts Institute of Thechnology, 100-119.
Béhague, Gerard. «Introduction» Performance Practice. Ethnomusicological Perspectives.
Contributions in Intercultural and comparative Studies number 12, Greenwood Press,
Wesport- Connectitut, London-England, 3-12.
Beserra, Bernadete