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The Practical Psychic S Little White Book by Richard Webster PDF
The Practical Psychic S Little White Book by Richard Webster PDF
PSYCHiC'S
LittLE WHitE
B001(
RICH~ WEBSTER_
THE PAActicAL
PSYCHic's
LiitLE 'VHitE BOOK
RICH~ WEB8l'E~
Brookfield Pre8a
Brookfield Press,
8 Napa Court,
Hawick, Auckland 2016,
New Zealand
ISBN 978-86-467-0877-1
FOREWORD 8
INTRODUCTION 14
CONCLUSION 137
ACKflOUJLEDGmEDTS
We'd like to thank Doug Dyment, Max Maven, Mota,
Brother Shadow, and Michael Weber for their valuable
input into this book.
7
A confession: Despite the fact that I have neither
met nor spoken with Neal Scryer I am certain he exists. I
have several trusted friends who have spent time with him,
face-to-face, and they tell me he is as fascinating in
person as is the person I have only met in print.
If you are here because you've already read his
Little Black Book and you want more- it's here. If you are
encountering Mr. Scryer's thinking and writing here for the
first time, allow me to offer a few suggestions: First, be
forewarned that Neal's writing style (and frequently his
approach to methodology) is simple, but not simplistic.
You will discover his solutions to seemingly impossible
effects are often as direct as "a marked envelope and
some subtle observation." No magnets, no reed switches,
no RFID chips. If you find yourself feeling let down by such
straight-forward solutions, keep in mind that it was the
effect that got you excited, and the methods will always be
invisible to the audience. Consider it a step in a more
mature direction.
Second, please note that the title of this book is
'The Practical Psychic's Little White Book." That's
Psychic, not Mentalist. If there is a topic with more divided
opinions than that of the use of playing cards in
Mentalism, it is the subject of the validity of developing a
persona with the power to tell others about themselves. I
believe these are choices for the individual, and that while
relative truths may exist, certainty does not. Remember
what Shakespeare wrote about worlds and stages and the
parts we all play. If the goal is to entertain, share wonder,
help others or all of the above, I have no problem with it. I
Foreword
Michael Weber
August, 2011
fJE.AL 8CRYER.AfJB fTJE
by Docc Hilford
10
Neal Scryer And Me
polite than the other two groups, but even more apparent
is their secret language.
Neal brought me to the registration desk. He looked
into the eyes of a middle aged
woman and asked her about the people who owned the
gift shop. Her cool manner
designed for efficiency changed. They chatted for a
moment in a strange and
enchanting language known only to locals, and then Neal
smiled at her.
This magical gesture caused the now helpless
woman to offer Neal anything she could grab. She held up
pens and note pads for him to take as a gift. She offered
to upgrade my room to a suite. She asked if there was
anything she could do to make Neal's
presence in the hotel more agreeable. She was instantly in
love.
I live in Miami, but work in New York City often.
Recently Neal invited me to meet him after my show. He'd
be at Lincoln Center. Around 11 :00 p.m. the car pulled
over to drop me. Neal's smiling face came to the window.
The driver, a well-known performer in his own right, leaned
over me toward Neal.
"Why don't you ever come by the hotel?" he asked
Neal.
"I've not been invited," Neal said with a laugh.
"That's not true. You know you're invited any time.
Please come. You're my guest. Dinner, drinks, the show,
it's all on me. Any night you wish."
"That's very kind. Thank you."
"Not at all! I will never forget the kindness you
showed me years ago."
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The Practical Psychic's Little White Book
12
Neal Scryer And Me
Thanks Neal.
IfTTR_OBUCTIOfT
I first met Neal Scryer several years ago, and was
immediately impressed with his enthusiasm, people skills,
and incredible ideas. I was thrilled when he asked me to
help him write his first book, as I felt his ideas deserved to
be better known than they were. The response from the
mentalism community was amazing, and The Practical
Psychic's Little Black Book sold out in a matter of weeks.
That's an amazing achievement for a book that was
published under a pseudonym.
Richard Webster
14
1. EFFECTS U81fTG THE A T0 Z PRlfTCIPLE
In Psychometry from A to Z I listed the keywords I
use for each letter of the alphabet, and included brief
readings for each of them. You might want to have a look
at that book to see the types of readings I do for each
letter of the alphabet. The letters I use depend on a variety
of factors. At a particular function I might give readings
based on, say, A to G. I might use the letters that form the
name of the corporation or group I'm working for. I record
this information in my diary. This means I can easily look
up what I did on the first booking if I'm booked again to
entertain the same group of people.
Ideally, you should create your own keywords, and
then create readings for them. This is because you'll find it
much easier to remember your own choice of words,
rather than trying to remember mine. Thirty or forty
minutes with a dictionary will provide you with a lengthy list
of possible words.
Here are some key words to help you get started:
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The Practical Psychic's Little White Book
16
Effects Using The A to Z Principle
17
The Practical Psychic's Little White Book
18
Effects Using The A to Z Principle
1=A
2=8
3=C
4=D
5=E
6=F
7=G
8=H
9 =I
1 2 3 4 5 6 7 8 9
A B c D E F G H I
J K L M N 0 p Q R
s T u v w X y z
Think of the reading you could give from someone's
house number once you've learned this. If they lived at
number 253, for instance, you could use the numerological
keywords, and follow that by including B, K and T (from
number 2), E, N and W
(from number 5), and C, L and U (from number 3). With
practice, that's an easy thirty minutes of material, as you
have twelve mnemonic "hooks" to base your reading on.
Most of .the time, you'd use maybe three hooks, but it's
good to know you have plenty of material in reserve, if
necessary.
19
The Practical Psychic's Little White Book
MICHAEL WEBER'S B to Y
20
Effects Using The A to Z Principle
MO =Mother
OF= Deaf
ZB =Sibling
KM =Calm
21
The Practical Psychic's Little White Book
CHRISTMAS READING
22
Effects Using The A to Z Principle
23
The Practical Psychic's Little White Book
IN A TOY STORE
IN A CANDY STORE
CHOCOLATE FINGERPRINTS
24
Effects Using The A to Z Principle
25
The Practical Psychic's Little White Book
Ask the first of these people her name, and give her
an A to Z reading. Keep it light-hearted, and throw in a few
jokes to make it fun. Ask the other person her name, and
give her a reading as well. Look around to see where the
ghosts are, as they've moved and are standing behind two
other people. Continue giving playful, light-hearted
readings until everyone has received one.
FREE KISSES
26
Effects Using The A to Z Principle
AMUSEMENT PARK
Ask someone to imagine they're at an amusement
park. Ask her to look around and tell you which is her
favorite ride. You can then give her a reading based on
the name of the ride. The type of ride might also give you
information about the person. Someone who chooses the
Tunnel of Love is obviously different to someone who'd
pick a roller coaster.
AROSEBYANYOTHERNAME
Ask someone to close her eyes and think of a rose.
It can be white, yellow or pink. Ask her to open her eyes,
and tell her what color you thought was concentrating on.
You might guess, for example, pink. If you're correct, give
her a reading based on this color. It doesn't matter if
you're wrong. She'll forget that as you proceed to give her
a reading based on the color she chose.
Incidentally, if you are correct, and name the color
the lady was thinking of, you might choose to move
directly on to another effect. In this case, naming the color
is a warm-up to a stronger effect. After presenting that,
Neal often returns to the color and gives a reading on it at
that stage.
This effect, simple though it is, can be a great
opener, as you can't go wrong. Neal presents this effect in
a number of different ways. Instead of different roses, he
might ask someone to mentally choose a car, bus or
airplane. He sometimes uses a diamond, a ruby or a
Porsche. Neal believes this is also a good way to develop
your intuition. After asking the person to choose one of the
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The Practical Psychic's Little WhHe Book
28
Effects Using The A to Z Principle
29
The Practical Psychic's Little White Book
30
Effects Using The A to Z Principle
31
The Practical Psychic's Little White Book
people, Neal might use one letter from the treasure and
one from the person's name. It's entirely up to you which
letters you use.
Here are some possible words you can use:
AMBITIONS PITFALLS
A Ambition Anger
8 Brave, bold Beaten by life
c Courageous Compliant
D Daring Defiant, drudge
E Energetic Envious
F Friendly Feckless
G Generous Glib
H Heart Harsh, haughty
I Independent Impenitent, idiot
J Joyful Jail
K Key (to success) Knave
L Light-hearted Libertine
M Masterful Malificent, mean
N Nurturing Niggardly, nag
0 Open Offensive
p Pleasant Pig
Q Queen (regal) Queer (strange)
R Reliable Rogue
s Solid, stable Sarcastic, scandal
T Truthful Treachery
u Upstanding Uncouth
v Victorious Vapid
w Wonderful Wilful, wrathful
X excellent X-rated (lust)
y Young at heart Yob
z Zest Zero
32
Effects Using The A to Z Principle
BACK IN TIME
AT THE MOVIES
33
The Practical Psychic's Little White Book
SPIRIT COMMUNICATION
34
Effects Using The A to Z Principle
35
The Practical Psychic's Little White Book
36
Effects Using The A to Z Principle
the psychic. When this person tells the psychic her name,
he'll know it's a different person, and will give her an A to
Z reading without the secret information. However, if you
wish, you can ask your friend to add something extra at
the end. He might say, "I'm getting a feeling about
someone else who is with you." He can then proceed with
a light, generalized account of the secret information.
If you wish, you can arrange a secret code with
your friend telling him that the original person doesn't want
a reading. This could be as simple as saying "Hi," instead
of "Hello."
NIGHTMARES
37
You give them your card, and ask the person to call
you at any time If she needs to talk further about thA
dream. "I won't charge you for this. I'll try to help you. In
fact, over the next few days I'll ask my guides and healerfi
to come Into your dreams and resolve the problems. That
should get rid of the nightmare." If you have her card, ask
If you can call her in a few days to sea If the matter has
bean resolved.
This doers need to be reserved for nightmares. The
person can write down any current problem, except for
marital or health concerns, and you can provide help and
guidance.
38
2. nEAL'S FAV0RITE EFFECTS
EASY HELLSTROMISM
39
The Practical Psychic's Little White Book
Explanation
40
Neal's Favorite Effects
Variations
41
The Practical Psychic's Little White Book
Part One
42
Neal's Favorite Effects
what's going to happen. Are you all ready? Okay. Let's call
Jason back."
Jason returns, and is told to stand facing away from
the group. The others - five or six, or even more - people
stand behind him and focus their energies on making him
move. It might take a couple of minutes, but most of the
time Jason will move.
If he moves, Neal congratulates him, and the group,
for their abilities at sending and receiving energy. If he
doesn't move, Neal gracefully says the experiment failed.
It wasn't anyone's fault. Sometimes these things happen.
In actuality, this I rare. Most people find it hard to stand
motionless for two minutes, and - even if the person
moves simply because he's tired - Neal takes it as a
success. You should, too.
Regardless of the outcome, Neal then moves on to
Part Two, which always works.
Part Two
43
The Practical Psychic's Little White Book
Method
44
Neal's Favorite Effects
45
The Practical Psychic's Little White Book
46
Neal's Favorite Effects
47
The Practical Psychic's Little White Book
Method
48
Neal's Favorite Effects
49
The Practical Psychic's Little White Book
50
Neal's Favorite Effects
51
The Practical Psychic's Little White Book
PHOTOGRAPHIC CLAIRVOYANCE
52
Neal's Favorite Effects
that the stack was cut to, and shows the photograph inside
it to the spectators. You turn away, or even walk out of the
room while this is going on. The photograph is placed
back into its envelope, and the envelopes are all mixed
again. Finally, the person mixing them places them in his
pocket, or hands them to you.
Ask the person who chose the envelope to
concentrate on the picture he or she selected. You pick up
a pad, and slowly draw a picture that proves you could
clairvoyantly see into the envelope. Sometimes, Neal
gives this spectator a pad, and they stand back to back,
each drawing the same picture.
Method
53
The Practical Psychic's Little White Book
54
Neal's Favorite Effects
height. This gives you all the time in the world to read the
name on the bottom card.
You place the cards down and pick up the first one.
As this is pseudo psychometry, the five cards are marked.
You look at the mark before turning the card over and
reading out the name that has been written on it. Let's
assume the name is Mike. "Mike, Mike, Mike," you say.
You look at each of the ladies ...Could I ask the person
thinking of Mike to mentally relive the experience." You
look at the women again, and finally hand it to one of
them. "I could really sense the anger in you. What did
Mike do to you?"
Listen as she tells you what a son of a bitch he
was, how he divorced her, etcetera. When she's finished,
close your eyes and say a brief silent ritual over the card.
Open your eyes and tear the card into pieces. "It is done,"
you say. "You can now move on."
Pick up the remaining cards and shuffle the bottom
card to the top and down to the bottom again. Pick up the
top card and psychometrize that in the same way.
Continue until you have just one card left. Turn to the only
person who is left. "Obviously, this card belongs to you.
Tell me what the problem was, but don't tell me his name.
Tell me what he did to you." After listening to her response
ask her to think of his name. " Is it - George? I'm hearing
George." Once she's agreed that it is, pick up the card and
ask her if she's ready to let George go. You need to ask
this, as she may well want him back. No matter what she
says, close your eyes, mumble, open them again, and tear
the card up.
All the evidence is destroyed by the time this effect
is over. The ladies are entertained, but also feel good, as
55
The Practical Psychic's Little White Book
MY PSYCHIC AUNT
56
Neal's Favorite Effects
Neal takes the cards she's cut off, and asks her to place
the top card from the pile still on the table to one side.
"Let's see what the card would have been if you'd cut one
less," Neal says. He shows the bottom card of the stack in
his hands. It's, say, the king of hearts. "Let's see what card
you'd have chosen if you'd cut one deeper." Neal turns
over the new top card of the pile on the table to reveal,
say, the seven of diamonds. Neal puts the cards back in
their box, and places the deck back into his pocket. He
puts the face down selected card next to the photograph.
"You'll remember I told you about the letter my aunt
sent me. It's been in this envelope since before we
started." Neal pushes it to one of the spectators and asks
her to open it and read the message. He reads something
along the lines of:
"Dear Neal, I had a dream last night that was so
strong that I woke up and wrote it down. It involved you
and a group of people you were entertaining. In my dream,
you had a new camera that you were testing in your home.
You took photographs of your kitchen, bathroom, living
room and bedroom. For some reason, someone selected
the photograph of your kitchen. After that, I got a strange
impression of a playing card. It was the five of clubs. In my
dream, a beautiful, blonde lady was cutting the cards, and
that's the card they chose. As you can see, Neal, it was a
strange dream, and I hope it makes sense to you. Your
loving aunt, Julia."
As the person reads the letter, Neal turns over the
photograph when the person refers to his kitchen. It is a
picture of his kitchen. He also turns over the card when its
name is mentioned, and it happens to be the five of clubs.
57
The Practical Psychic's Little White Book
Method
58
Neal's Favorite Effects
he'd like to work with, and adds details about her to the
four letters before putting them in his pocket.
Naturally, the envelope holding the three
photographs that were not chosen was left on the table
deliberately. The audience will want to look at these, after
hearing the letter from your aunt. Sometimes, Neal shows
these photographs after turning over the chosen
photograph. At other times, he leaves it up to the audience
members to examine the photographs.
Neal asks you to treasure this effect, and keep it to
yourself. This is an easy effect to do, but a great deal is
going on all the time: a photograph is selected, people
concentrate on a card, a lady cuts to this card, and a
prediction, which has apparently been there since before
the effect began, proves to be correct.
If you don't like the story of your psychic aunt, you
could retell the story as if you'd had the dream. In this
case, the message might read:
"I had a dream last night. It was so strong that I
wrote it down, and decided to mail it to myself to act as
proof of my prediction, if it ever came true. I had a feeling
that the show on (such and such a date) would be the
night it happened, so I decided to bring the envelope with
me tonight. In my dream I'd have someone select a
photograph from the ones I took in my house to try out my
new camera. She selected the photo of my kitchen. I then
had another dream which told me to send you a thought
projection of the five of clubs, as I saw in my dream a
beautiful, blonde woman cutting to that card. I have no
idea if my prediction is correct, but sometimes dreams do
come true."
59
The Practical Psychic's Little White Book
POSITIVE THINKING
60
Neal's Favorite Effects
Method
61
The Practical Psychic's Little White Book
Method
62
Neal's Favorite Effects
asked to cut the deck in half, and to then cut each half
once more, creating four piles. You have to watch to see
where the pile containing the force cards is placed.
Once she has done that, you pick up the top card
from the force pile and place it facedown on your hand.
You take the top cards from the other three piles one at a
time, and place them on top of the first card. You then
count the cards down onto the table ("One, two, three,
four"). This places the first force card on top of the pile of
four cards. This is repeated three times, until you have
four small piles, each with a force card on top. The rest of
the deck is reassembled and placed to one side. The top
cards of the piles are turned over and interpreted.
63
The Practical Psychic's Little White Book
64
Neal's Favorite Effects
65
The Practical Psychic's Little White Book
66
Neal's Favorite Effects
67
The Practical Psychic's Little White Book
68
Neal's Favorite Effects
everyone a bay leaf, and tells the story about how he was
taught this ritual many years ago by an old lady. When
he's finished telling the story, he hands out pens. He
allows one pen for every two or three ladies. Once
someone has finished writing her wish, Neal takes back
the pen and hands it to someone else. As he does this, he
glances at the wish the first person has written down. He
doesn't make a move of this. In a room full of people, he
only needs to see two or three wishes.
When everyone has written down a wish, the
leaves are burned, and Neal tells them their wishes will
come true. Everyone feels wonderful, which is the point of
the exercise after all.
Later, when he's giving everyone private readings,
he remembers the people whose wishes he noticed. This
gives him additional information that he can use in the
course of the reading. He doesn't make it obvious that he
knows what their wish is, but simply uses this knowledge
to embellish the reading.
Burning bay leaves plays well at home parties and
one-on-one, but burning anything is not a good idea in
other venues. However, if he's performing in a hotel, for
instance, Neal will hand out bay leaves and tell them to
burn them when they get home. Sometimes he has them
write down their wish there and then, and at other times he
suggests they write it down when they get home.
He also sometimes writes the wish on the leaf for
the person. This can be extremely useful, especially if they
give you their card. Neal writes their wish on the back of
the card and places it in a file close to his phone. If they
call back at any time, Neal can casually ask them if their
69
The Practical Psychic's Little White Book
70
Neal's Favorite Effects
71
The Practical Psychic's Little White Book
72
Neal's Favorite Effects
TINGLING EARS
73
The Practical Psychic's Little White Book
74
Neal's Favorite Effects
75
3. EFFECTS txJITH CAR{=)8
NEAL'S PARLOUR ACT
76
Effects With Cards
Method
77
The Practical Psychic's Little White Book
78
Effects With Cards
Method
79
The Practical Psychic's Little White Book
LIE DETECTOR
80
Effects With Cards
81
Thn Praetlcnl P•yGhlr.'• Llttii'J Whlttt Book
LUCKY LOTTO
82
Effects With Cards
Method
83
The Practical Psychic's Little White Book
84
Effects With Cards
Method
85
The Practical Psychic's Little White Book
EASY NUMEROLOGY
86
Effects With Cards
Would you like me to call you some time to give you more
information?"
San Francisco mentalist, Doug Dyment, likes this
effect, and calls the single digit number the person's
"universal path number." He explains that this number
provides the reason why the person is here in this
incarnation. The numerological reading helps the person
understand why she is alive at this particular time, and
what she should be focusing on in this lifetime.
TAROT YOU DO AS I DO
87
The Practical Psychic's Little White Book
88
Effects With Cards
THREE PREMONITIONS
89
The Practical Psychic's Little White Book
Method
90
4. BACK_TO THE PATIO
Everyone who read The Practical Psychic's Little
Black Book knows how much Neal likes Roy Baker's
PATEO force. Here are some more effects from Neal that
utilize this popular force.
91
The Practical Psychic's Little White Book
92
Back To The Patio
DEEPLY IN LOVE
93
The Practical Psychic's Little White Book
Explanation
ENERGY AT WORK
94
Back To The Patio
Method
95
The Practical Psychic's Little White Book
96
Back To The Patio
97
The Practical Psychic's Little White Book
make sure that it's hidden in their closed fist as they take it
out of the bag.
Once everyone has taken a doll, toss the bag
aside, and tell the volunteers that you're going to close
your eyes for a few seconds.
"While my eyes are closed, would you please all
change positions. Once you're in your new position, open
your fist slightly so you can see the color of the doll you're
holding. Make sure you don't let anyone else see what doll
you chose." Pause for a few seconds. "Has everyone
done that? Good." Produce a pendulum, and briefly
explain how it works. "Pendulums have been used for
thousands of years to answer questions, and to find
hidden objects, such as gold or water. Tonight the hidden
object is the black doll. This is just an experiment, but I
have faith in my pendulum, and I'm feeling positive. Let's
see if my pendulum will lead me to the person who is
holding the black doll."
Suspend the pendulum, and allow it to move in
several directions before it finally "chooses" a particular
person. Ask that person to open her hand. To the
audience's amazement, she is holding the black doll.
Explanation.
98
Back To The Patio
person takes a doll. Then he releases the white doll for the
last person to take. Sometimes he holds just one doll
back, and this goes to the last person.
Neal asks everyone to change position. This is
purely a psychological touch. Neal knows who's holding
the black doll, but asking everyone to change position
makes the effect seem even harder. He does this in many
effects. Whenever he knows who the correct person is, he
asks them to change position. This also makes it harder
for any skeptics to work out what is going on.
If you use a pendulum regularly, you'll know that
you can mentally make it move in any direction you want.
However, you can also do this by making extremely slight
movements with the hand that is holding the pendulum. Be
careful to ensure the movements are not obvious to
anyone else.
Michael Weber loved the addition of the pendulum
to Max's Kurotsoke, and gave Neal some useful
suggestions. He suggested using several different colored
dolls, and explaining the color indicated the doll's area of
influence. Red, for instance, relates to love and passion,
blue is peace of mind, and so on. The dolls are placed into
a bag and mixed. After seven people have each taken a
doll, and are holding it in their closed hand, you produce a
white doll and explain that it represents wisdom, purity of
thought, and clarity of insight. You then produce a
pendulum, and wrap the upper end of the cord or chain
around the white doll. Allow the pendulum to hang free
from the other end. Explain that the energy of the doll will
travel through the cord, like blood through veins or
electricity through wire, and the finial at the other end will
react in one of two ways: it will swing in a circle when it is
99
The Practical Psychic's little White Book
100
Back To The Patio
Method
101
The Practical Psychic's Little White Book
102
Back To The Patio
PSYCHOKINETIC QUARTER
Method
103
The Practical Psychic's Little White Book
USEFULTOOLFORPKTOUCHES
Until now, Neal has shared this idea with only two
people. Both pleaded with him not to tell anyone else
about it. He uses a dental floss threader that can clean
under bridges. It is called Gum®Eez-Thru floss threader.
They are available at drug stores or directly from the
manufacturers (www.gumbrand.com). They are cheap,
too. Neal buys twenty-five for under two dollars. These
threaders contain a loop, and the thread sticks out about
two inches. Neal puts the loop on his right ring finger, and
is ready to go. He starts with his hands facing down, and
the thread facing the floor. As he sweeps both hands up
and outwards the thread touches the person's hair. The
spectators can not see anything, but the person feels the
thread. When he's finished, he lets the threader drop to
the floor.
Neal also finds these useful when doing an aura
cleansing.
104
Back To The Patio
105
5. Y0U HAVE LIVEB BEF0Rf=
People are fascinated with the idea of
reincarnation, and often ask psychic readers if they can
tell them anything about their past lives. Different readers
have their own methods to answer questions of this sort.
They may examine the person's palm, create a specific
spread of Tarot cards, have the person choose a colored
gemstone, or do anything else that helps them give a
satisfactory and satisfying answer.
Neal has developed his own way of answering this
question. If someone asks about reincarnation, Neal tells
them he'll try to tell him or her something using his spirit
guides, in collaboration with the person's spirit guides. He
closes his eyes, and asks the person to take hold of his
hands. He remains silent for two minutes, and then tells
the person what she needs to know. When he's finished
talking, he opens his eyes again.
Everything Neal tells them is positive, as he wants
the person to feel good about the experience. Whenever
possible Neal does genuine past life regressions.
However, he is frequently asked this question in situations
where he cannot do this. Consequently, when he is
performing for entertainment purposes he'll use a script.
Here's an example:
"You were a ballerina in Russia in the mid 1800s."
Neal pauses for about sixty seconds at this point, as if
waiting for more information. He gives the information in
an unrushed, slightly hesitant manner, as if he's receiving
it with considerable effort. This makes it more believable. If
you rush through it, or fail to have significant pauses, the
person might suspect you're using a script. "Your father
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You Have Lived Before
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You Have Lived Before
MOTA'S PALMISTRY
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Thfl Pruetlcal PRychlc'R Little White Book
life. You refused to be the little Miss Door Mat then and
are ready to no longer be the door mat now."
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this as you wish. And once you've done this, take three
slow, deep breaths, and open your eyes."
Neal waits until everyone has opened their eyes,
and then asks them what clothes they chose to wear in the
meditation.
"That's fantastic," Neal says. "You've each chosen
the right clothes, as they were the clothes you wore in one
of your many past lives."
Neal then gives three or four of the audience a
reading, using A to Z on the clothes they chose.
Neal used to tell his audiences what was going to
happen, but stopped doing this when he found that some
people deliberately chose clothes that depicted the period
they thought they had lived in. This is why, at the end, he
asks everyone what clothes they chose to wear before
telling them it represents a past life.
This effect may sound too simple, but it has a
profound effect on the people who take part. Neal can
easily spend a whole hour with this routine, giving the
participants readings based on their past and present
lives. He thinks it's one of the most powerful meditations
he does.
MAKING CONTACT
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You Have Lived Before
puts my energy, and your energy into the cards," you say.
You repeat this with the cards the second volunteer has
collected. You now walk away from the volunteers.
"There's a basket on my table," you tell the first
volunteer. "Would you please call out the names of the
people that are written on the cards you're holding. After
saying the name, drop the card into the basket. Thanks."
When the first volunteer has read all the names on
her cards, you repeat the process with the second
volunteer.
You then hand the first spectator a bag full of rose
petals, and ask her to cover the names in the basket with
half of the bag of rose petals. She gives the rest of the bag
to the second volunteer who puts the rest of the rose
petals into the basket.
"This provides good energy," you explain. If you
wish, you can also place some unwrapped candy into the
basket to provide instant energy.
You thank the two volunteers and ask them to sit
down.
You pause for several seconds, and then
hesitatingly start receiving names. You fail to properly
receive the first one or two, and explain that the spirit has
left. Fortunately, you succeed with the next one, and
you're able to go directly to the person who is thinking of
that name. You give her a brief reading and a message
from the person she named on the other side. You might,
for instance, say: "This is a female. Her name is Helen.
She has a message for you. She says fulfill your dream.
She's watching and sending you love."
When you have finished giving the message, you
receive a name from the other side of the room, and again
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Method
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6. THE PEnBULUITI
Neal uses the pendulum in a variety of different
ways. People are fascinated with it, and Neal finds it adds
considerably to much of what he does. We'll start with
something that shows just how clever he is.
Assume that you have taken two or three long
shots that didn't work. Fortunately, you have an effect that
is surefire that will redeem your reputation. Before doing it,
though, Neal will say, "I think I know why these
experiments aren't working. One person's energy is not as
strong as it should be. I hope he won't mind if I temporarily
remove him from the group." After he's left, the final effect
works.
Neal does this politely, and almost apologetically.
Naturally, if there is a wise guy in the group, this is a good
opportunity to get rid of him.
Neal has a variation of this that uses the pendulum.
"I sense there's a slight negativity here that's causing a
blockage and preventing us from succeeding," he says. "I
don't know where it's coming from." He produces his
pendulum, and tests everyone in turn. Naturally, the
pendulum reacts differently in front of the wise guy or
someone who didn't appear particularly interested.
Neal has yet another way of handling this. He might
say, "I'm sensing very little energy from one of you, but
strangely this person is the most psychic person in the
group." Neal proceeds to find that person using his
pendulum.
Finally, if he's missed a couple of experiments, and
is ready to perform his surefire one, Neal will take out his
pendulum and ask it some questions. "Does this group
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you could ask, 'Will I win Lotto?' or 'Will I travel soon?' Fun
questions along those lines."
The person asks the questions and the pendulum
responds to each one. Let's assume, for example, that it
gave three "yes" answers, and two "no" answers.
"Very interesting," Neal says when she finished
asking questions. "You remember the envelope that has
been there since before you started?" Neal picks it up and
removes a business card with a message written on the
back. He hands it to the lady, and asks her to read it
aloud.
"A lady wearing a blue dress and white shoes will
ask 5 questions. The pendulum will respond positively to 3
questions, and negatively to 2."
Method
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7. AllGELIC C0JTlfTHJiliCATI011
Angels are more popular today than ever before,
and your clients will love hearing about them. Neal uses
them extensively in his work. Here are some of his ideas
on the subject.
ANGELIC IMPLANTS
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Angelic Communication
Notea
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ANGEL CHART
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As I mentioned in The Practical Psychic's Littlo
Black Book, most of Neal's work is genuine. He believes in
the reality of psychic phenomena, and uses it on a daily
basis to help himself and others. His love and concern for
his clients is genuine, and obvious. This is one of the main
reasons he has been so successful.
Everyone is different. If any of the material in this
section makes you uncomfortable, don't do it. There are
plenty of effects in this book that you might prefer to use.
That's fine. What Neal does is entirely dependent on the
situation and circumstances. He believes that if you're
succeeding with the "real stuff," there's no need for
trickery. However, if you're failing, you have a backup.
In this chapter, we'll look at some of the genuine
things Neal does to help his clients, friends, and the
people he meets everywhere he goes.
LETTING GO OF A PROBLEM
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there are. You can fill the balloon up with them, if you
wish. After you've put all your problems into the balloon,
blow it up, and attach a piece of string to it. Let it go, and
watch it float up into the air. Watch until it's almost out of
sight. At that point, when it's about to disappear, the
balloon will explode, and all the negativity that you put into
the balloon will be absorbed by the universe. You'll be left
free of all negativity.
"Remember, you can do this as often as you wish.
There's no need to carry baggage and negativity around
with you any more. Simply put it into a balloon, and
release it."
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THE BLESSING
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COOCL\18100
Neal and I hope you've enjoyed this book, and have
found a number of experiments that you'll enjoy presenting
to your audiences and clients. Neal is happy that you've
taken this journey with him.
It's unlikely that Neal will write another book, as he
believes in his real psychic work and wants to spend more
time pursuing this path. In this book, Neal has given you
both options. Secretly, he hopes you'll take the real path,
as he did. If you're not comfortable doing this, he hopes
you'll make good use of the other effects in this book. Neal
says: "If you open your intuition, you'll see how much
information the universe has to offer and give to you,
because you are a loving child of the universe. Go for it!"
Neal also asks that you do not copy or pirate this
book. This book is very special, and he realizes only a few
people will really appreciate it. Those few people are the
ones who bought it, which is why the print run was
deliberately kept low. If you copy this book, you'll receive
bad karma. Neal is a strong believer in karma, and does
not wish bad karma on anyone.
Neal and I hope you'll treasure this book.
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Neal Scryer is the pseudonym of a well-known New York
psychic entertainer. He has achieved considerable fame and
success using the ideas and secrets in this book. Neal's first
book, The Practical Psychic's little Black Book, caused a
sensation in the psychic world when it was published in early
2011. Almost everyone who bought that book immediately
asked to be put on the waiting list for the next one.
BROOKFIELD PRESS