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  • Yokoyama Masaru's "Otouto Mitai na Sonzai

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    Kop Buks
    74 views2 pages
    This piano solo composition titled "Like a Little Brother" was composed by Yokoyama Masaru and transcribed by Doran Oon. The piece is meant to be played freely without strict adherence to the musical score, using the pedal extensively. It is dedicated to the composer's "Kaori" and focuses on the melodic quality of tintinnabulation.

    Original Description:

    composed by Yokoyama masaru one of the ost's of shigetsu wa kimi no uso or your lie in april

    Original Title

    Otouto Mitai Na Sonzai Piano Solo

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    This piano solo composition titled "Like a Little Brother" was composed by Yokoyama Masaru and transcribed by Doran Oon. The piece is meant to be played freely without strict adherence to the musical score, using the pedal extensively. It is dedicated to the composer's "Kaori" and focuses on the melodic quality of tintinnabulation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    74 views2 pages

    Yokoyama Masaru's "Otouto Mitai na Sonzai

    Uploaded by

    Kop Buks
    This piano solo composition titled "Like a Little Brother" was composed by Yokoyama Masaru and transcribed by Doran Oon. The piece is meant to be played freely without strict adherence to the musical score, using the pedal extensively. It is dedicated to the composer's "Kaori" and focuses on the melodic quality of tintinnabulation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Otouto Mitai na Sonzai ~ Piano Solo

    Composed by Yokoyama Masaru


    Transcribed by Doran Oon
     = 132

          
                              
        
                      

    7
        
    
      
                
         
      

            
          

    13
        
       
            
       
              

         
        

    20     

                          
            
      
        
          
              
        

    26
              
                       
      

      
            
              
    33
           
                  
     
             
        
            

    44
               
       

        
       
       
    The beauty of this piece lies in its tintinnabulation.
    Use the pedal as much as possible.
    Feel free to ignore the score.

    Dedicated to my Kaori.

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