@) NOUNG BAND Belwin ROBERT W. SMITH (ASCAP) INSTRUMENTATION 1 Conductor 2 Baritone WORLD PARTS 8 C Flute 2. Baritone Treble Clef 4 Horn in E 2 Oboe 4 Tuba 3. Trombone in Bb Bass Clef 4 |st Bb Clarinet 3. Mallet Percussion (Xylophone, 3 Trombone in Bb Treble Clef 4° Ind B> Clarinet Chimes, Bells) 2 Baritone in Bb Bass Clef 2 Bb Bass Clarinet 1 Timpani (Tune: D, B.A, F) 2 Tuba in B Bass Clef 2 Bassoon 4 Percussion | (Snare Drum, 2_Tuba in & Treble Clef 5 BsAlto Saxophone Bass Drum, Mark Tree or 2 Tuba in Bb Bass Clef 2 BrTenor Saxophone Wind Chimes, Ship's Bell, 2 Tuba in Bb Treble Clef 2B Baritone Saxophone Hi-Hat Cymbals, Congas) 4 Ist Bb Trumpet. 4 Percussion Il (Suspended 4 2nd B! Trumpet ‘Cymbal, Crash Cymbals, 4° Horn in F ‘Ocean Drum, Multiple 4 Trombone Water Jugs, Cabasa, Brake Drum)\ PROGRAM NOTES From the rst ime two steamboats met and passed eachother on the Misisippi River pilots and owners have competed to see whose bat was the fastest Perhaps ‘the most famous ofthese races occurred inthe summer of 1870 between te Robert E Lee and the Nate In ne of 1870, the Nothez made a record-breaking run from New Orleans S.Loul in 3 days 71 hours 58 minutes. Captain Leathers and the Notchez were lauded a the fastest onthe grea river. Captain Jon W. Cannon cf the Rebar E Lea decided thatthe success ofthe Noth could not go unanswered. Wile wal ing forthe Notcer to return to New Orleans, he readied his great steamboa forthe race by stripping er of excess weight and declining all passengers and cago, Captain Leathers of the Netchez welcomed th challenge. Howeverhe refused ca ightn his land. Oo the lst dy f June 1870, the two boats lft New Orleans and raced up the river with the Notches carrying pusengers and full ergo load Captain Carnon had arranged for barges a be fatad slongide the Robert Leet _llevate docking forthe retulng process. In order to sayin the race, the Natchez was ferced to do the same in response “The race continued with each bout padding furiously up the river Along the routs, a thick fog setled over the imouty tricky ever PHotng the great steamboats through the constantly changng rver raqurad vali. Thus, the two boats trot ther bors toa stands wating for nature's permision to continue the race.As the fog ted, te race ensued onthe fia ig t0 St Lous The Robert Lee was victorious, arriving in St. Louisa ful & hours 25 minutes ahead ofthe Notch, "The Great Steamboat Race" by Robert W. Smith draws upon tis historic even 3 is inspiration. From the padle wheels churning the muddy water tothe melo ious callope on the Robert E Lee, de composition brings the sounds and irensty ofthe great race tothe concert stage. you listen carefly, you may sven be able to har the gret ships throtting down a the fog set in ony to resuve the rae in final push co the fish ne, The Raber Lee, with is eallope singing churns ahead ofthe Nate In ee fal moments, ving the grest Missi River peace sence NOTES TO THE CONDUCTOR “The opening two measures shouldbe as bright and joyous as posible. Inzontast, measure 3 should set the tone forthe slow and muddy Misissppl River, The solo quotes are based on "Waiting for the Robert E Lee” which vas brought to publc attention through performances by Al Jolson. These quoter should allude to’a Disland style. However, please do noc swing the eighth notes. The race took place a ane where the seeds of zz were just forming Yu may wish to think more in a Scott Jpln ragdme for syste inspiraton Beginning in measure 10, our steamboats are readying forthe great race.The sound of the rivers created using an ocean drum (eee percussion notes for options). The clarinet eril shouldbe rather lay to emulate the sound ofthe slow-moving river The futes create the sound ofthe steam whistle through 2 «vist nto three parts wile rolling the instrument to bend the pitch fat. “The race begins in measure 20 as the sounds ofthe paddle wheel besa to churn.You may wish to stage the water jugs throughout the hall to create a surround-sound effect. Thelr careful placement wil leave the audience fing asf they were on the boat Measure 25 begins the long accelerando as the _great ships throttle to full power up the river. Careful attention should be given to the balance of the bell cones versus the inal sounds ofthe callope effect at measure 28 The accelerando continues to measure 37 asthe race tempo Is established. Pease fea fre to adjust this culminating tempo to the abies ofthe band ‘The "Waiting fr the Robert E Loo” quotes return at measure 49.Apain, lease do not swing the eighth notes asthe melody pastes from hornslsaxophones to trumpets and finally tothe upper woodwinds. However, at measure 56 | have scored an eight-bar true Dixieland statement ofthe classic song At this Point. t would be appropriate co swing the eighths for this section, providing a greater contrast as we mave back to the original thematie environment in measure 64 “The muted trumpets and saxophones provide an interesting effect begining n measure BI. Please take great care o balince the cwo sections along the lines of the crescendo/decrescendo. The intent is a Doppler-like musial effec, which will actualy cash harmonically with the rest of the ensemble wile fading in measures 83-85 ‘Our ships begin to throttle down for the fog in measure 97.The clarinet and trombone duets and tubs solo should be bluesy yet par of the larger Ftardando leading to the final sound of the foghorn in measure 103.The voal effects during this section are intended to emulate the sounds of escaping steam as the huge engines come to rest, Please note the breath mark ir measure 102 for the tuba soloist. For the developing tuba payer you may wish to use one soloist in measures 102-103 and then use ancther with 2 ful breath to ply the final low . “Tho tampo and rac resumes beginning in measure 106.The tension ofthe race comes to futon beginning in measure (19, Please ensure thatthe dynamic shaping ofthe ascending nes leads to the ral alletando begining in measure 131.As the ralentando unfolds, the intensity should continue to grow in both, ‘he winds and percussion “The race tempo returns 2t measure 137 asthe sounds of the Robert E Lees callope fas into the distance. As the callope gure ends, the audience should be left with the sounds of the paddle whos (water jugs). The water jugs shouldbe deleted ene by one to create the sound ofthe steamboat churning into the dlsance.As each player leaves the accented fre he or she should swirl che water quiet inthe jug, creating the sounds ofthe river shoreline in peace- ful silence. That swirkng efect ean then bs diminished and released together upon your eve. PERCUSSION NOTES Using pase ug partly filed with water creates the paddle whee effec: | suggest using as many players as posible on this part Each player can hold two Jugs in each hand fa seandaed gallon mvilcjg with a handle used You may also wish to add afew smal ball bearing to each jg to amply the desired ec “The percussion section should practice both a shaking and a swirling techrique to create the sounds ofthe paddle wheels andthe river shoreline. Depending (on avaiable personnel | suggest adding percussionists throughout the hall with wate” jugs. your pereusionats are careuly positioned, he audience wl fee asf they were on the deck ofthe steamboat withthe sound of water allarcund them. personnel allows, he ocean drum at measure 10 can be replaced andlor doubled with the swirling effect fr a more realiste acouste environment ‘The sounds of the padile wheols were particularly challenging inthe cretion of chs piece. extend a sincere thank-you to Stuart Brownley in Melbourne, Australia for his assistance | had the great fortune of atending 2 music fil in Melbourne in August 2002. During one ofthe breaks between perform ances, unre’ percussion eechnique with a water bot created ee sound | had been Searching fr. n adtion | hank Bryden Atwater, a talented and ged friend and percussionist who was present during the rehearsals forthe premiere of the piece. Through hs assistance and experimentation, we were able {9 finalize the water efec ina concert hall enirenment. Fray | extend a sincere thankyou to Dron ML. Long for hs suggestion to write a composition based fon chs historic event | hope you, your ensemble. and your audence fhd"The Great Seeamboat Race" to be a rewarding experience. | firmly believe that music i at its mast effec ‘ive when it connects withthe performer ard audience at mulpe levels Suaring the story ofthe great race and the writen musial effects tat resuted from its inspiration wil enhance the experience fo al Best wishes for a wonderful performance! Robert W. Smith‘CONDUCTOR THE GREAT STEAMBOAT RACE By ROBERT W. SMITH (ASCAP) Slonty 3-92 Bright J= 160 eee cate t r Bb Chasis Bh Bae Clarinet, Bassoon Alt Saxophone Bs Tenor Saxophone Basione Sxophone Busy (straight sights Sale (Ope Phnge me) >, BS Trumpets Hoon in F “Trombone Toba Mate Percussion (topo, Chimes, Bel) Timpani Percuton (sure rom Ba Da, Mat ond Ce Ships Bel Har ya, = Gongs) ecu serene Cb cca ys Sen Bs, Sfp Wat fags Cann su. crn ‘Brake Drum) ' 2 Mark tee Wind Ces) sp. * FE ——=F os “4 Lata Cymbals ing unless eters ated. (9 208 BELWD\AUIL PUBLISHING CORP ASCAP) “Alt Righee Adiilsered ty WARNER BROS. PUBLICATIONS US. INC.A. ob, ac. Be AS San, Bor So. Tos. Tubs Na Pere Ting. Perc. Pere. ler” (rege) $90 of Conor? a Bluey” (sige eles) ‘Solo (Opt Plunge ue) oct aa Ben Asan TS Bar Sox Ha, Th Toba Tino, Peet Pere Steamboat while de, a coneetr 3 Selo (Op Plange us) Sole8, aa Ase TS, a Six, Hn Bar, ‘Tua Timp, ee. ee Conder = a ‘Water Jugs (as many as pessible) Tho a= Fconcur \ Ops Pice (osbleFite) go cacel poe poco a | ob. y ce, | 2 Bet tone) Bc. tp (Bett snes) Asm (Bet tones) Sax, | ip i (elt oes) | fr. = | << | accel poco poco (Bet ones) . wo i Tt (elt one) | 2 (elt ones) Bn —<—$————— Betton) de | oP (elt ions) i] ar | (elt oes) i Tuba SI | a t Mle Per, { Timp. | Par. | ‘Bo: po | | Pee. Itconto 6 (Bi tacet poco apace} fealige) AL (caliopeh ob, v fcaliope) ‘ie + 7 fcallopes | vw Ba te Ba Asm (Bet oes) Ts. te Bar, Sax — 69 (cece, poco a poco) Y Tes 1 Ha Ton. Tbs Mt Pee, Timp. are.t Pert49132 (acest) A. 08, cs Ba. TS v Bsr Sax v 2-132 aceek) Ba, Tuba Mt, Pere. Ti. Pere Perc. =oy 8 ct Ba. Asan TS, ar Sax. Ta Mt Pere. Ti, Pert Pere. Contutor-8A om. ct Bc. Te The Tus Pee Ting. Pere. Per. tt ete02, ce Bc. Asis ToS at Sax ‘he. Tho, ‘Tee Mic Pere Tine. Pe constr -10Conde =I A aa Asam Ts Bar Sax v | Epistetana Tos. v | “Tbe Mi, Pee Time, Pere Pae.thon, Be. AS. Tse ar Sox Hi, ‘Toba Mt, Pee Tine,Conductor 13 A. oe, te ac. Asa 80 Ten, ta Pers, Timp. Pere. Pare.AT contest ) \ Bieri #. oe aa, Asm oo Bar Sax, F Kean’ DMyseri lo Hn Toa Timp, Ship's Be Pet sonoso81¢| 4Contactar -15 A. oe ac. Se 1S, Bar. Sx, pe. Ha, ‘Tbs Mit Pere Timp, ere. omoenicoF, ct aa. Tse, Bor. So, Th. ‘Tabs Pere. Tip, Pere Contin 16 —_B om. ct. Ba. 8m ae Sax as Ta Mic Pers. Timp, Pet ‘Conductor-17AL cs Be sm, Tata Mi Pas. Timp, Pera Pere. nowmoac Concur 18 xCConcctr 18 ——_. @ Ce A. te aa Aso TS Bar San Te Tuba Timp, Pee Pee. a sup mYCondon -20 (bo Slowly A. on. aa. As TS Bar Sox, ‘Tata Mr Pere. Timp. ‘i af are Wer Suge {estan posi) Poel0b, ct Ba. TS, Bar Sa Ts. Ho, Tata Tie. Pere.t ‘poaenn0sc. contr 24 hy (calope a hs atone) P atone) 5 alone ? (cations) 2 (ooliope) oil in P allope) a (callopes PConductor 22 on, ct Bet Ban. TS Bar Sx, Te. Tuba Mi Fes Timp, Porat Pere sowsoacconstr 28 (CS) mensing = 08 is Bc. 5 Bar Sox y —= vw | Cv) taing ——— * Ts. Hn, Ton Tube Mt, Fes Tine, esc. Pere.Condor: 24 Bol Asa. TS, Bar So, Ths. Tobe Pere Tip. Pere 1 Porton, cu aa. Ta Bat Sax , Tuba Mt Poe Ting. Perc. | F term |p Perth “ot ot wl 2 sou ‘i SS OoConductor 26 mF] ating int he stance J= 160 aS - = 2 (caltioped A. —r7 ai, | elope) on, =F Y cm 2| aa. Ba Ase 7.8 ar clone) Sax $= in pocoa pce [EBT Fading into the sistance J=160 The | tn Ten. ber, Tes Mic Pee Timp, Pec. Perth a ie ba ass pa aston, os, Bc Asa TS Bar Soe Mo ese, Timp, Pere.Conde 28 Pada! fades > ze, B, poten rooms) Fi. Oh na Ase. oo Paddewhee fader Toes. Toba Mt Pee. Tin, Pare. ‘ams ae 6 ue us vit omer obs ase e eeeTHE GREAT STEAMBOAT RACE C FLUTE By ROBERT W. SMITH (ASCAP) Bright! J= 160 > > Ses 2 Slowly 1=92 > Steamboat whistle AV bg f mf ‘accel. poco a poco Opt. Pice. (double Flute) 6 Ee + = [28] (accel. poco a poco) (calliope) ae ae 132 accel.) A ed che © With intensity! 3> 6 =i LLoat Too = Te “a? "Sse." Slowly teatope) bys due eee ate te te fis ere = 2 / - vo S s os co ca << mn [537] Fading into the distance J =160 o (calliope) = ie fhe Ace ithe.THE GREAT STEAMBOAT RACE OBOE By ROBERT W. SMITH (ASCAP) Bright! J= 160 Slowly 1=92 eee . a oh at nema Seam — f = =e ritard. accel, poco a poco (28 we atone CS 2S mf 4=132 (accel) pss = + PS a et eee eto ee neOboe - 3 LD rar Fa. = Fading into the distance J= 160 calope : e “ae —— = 43=s =< SS yt dim. poco a poco == i —THE GREAT STEAMBOAT RACE Ist Bb CLARINET By ROBERT W, SMITH (ASCAP) Slowly J=92 “Bluesy” (straight eighths) Solo > 4. ae ae ener ee one pat =—_= a : ; oo STS we ee ees (20) /=88 > — OF rita FA $ [28] (accel. poco a poco) (calliope) J r tS if fs SF == mf 1=132 (accel) s+3-3 §-6-6 5-48-6666 A 8 tH et a = aIst Clarinet - 2 NE —— (@) Mysterious >[st Clarinet -3 Suet > div Spoken wr inf bluesy rita. (patempo ‘S588." (caltiope) div. ‘molto rall. [137] Fading into the distance J = 160 > (calliope) & div. dim, poco a poco (dim.) Pp “aaa.”THE GREAT STEAMBOAT RACE 2nd Br CLARINET By ROBERT W. SMITH (ASCAP) Bright! J= 160 Slowly J=92 . 2 ceel poco « poco (20) 4=88 a 3 (calliope) == —S ae —— a VIN-MILLS FUBLISHING CORP. (ASCAP)2nd Clarinet - 2 (Tis) Building 8 —: of to ral “o> > as [137] Fading into the distance J = 160 ‘calliope) vo ree eee roe Se ee i ee ia Sf dim. pocoapoco ; spate ; a | ew (dim) “asa.”THE GREAT STEAMBOAT RACE BS BASS CLARINET By ROBERT W. SMITH (ASCAP) Bright! J= 160 Slowly J=92 accel. poco a poco .25(Bell tones) 26 n » a 8 sa ee ————— fp = : = )wimintensig Jet jy 2 160 3‘Bass Clarinet - 2 Dixieland “a » Mysterious \ nf : ° —=" S 4 tp —$<$—=_— ritard.Bass Clarinet - 3 Slowly Ss : ; : fp —— fo —— ‘a tempo (calliope) P f = = SS = = = ‘ading into the distance J = 160 (calliope) be $p ———<—$$—$$———- dim. poco a pocoTHE GREAT STEAMBOAT RACE BASSOON By ROBERT W. SMITH (ASCAP) Bright! J=160 Slowly J=92 >> a T >_> Ss S39 ad’ f :»————— sF— ritard. 7 accel. poco a poco (Belt tones) J= 132 (accel.) J=160 ve. te a > fp ————————— §p@ 3 GAWith intensity? (calliope) (© 2005 BELWIN-MILLS PUBLISHING CORP (ASCAP) a aBassoon - 2 f fp —————$———— ff ritara.Bassoon - 3 Slowly Play : Ca iS P —— == fp ——— ‘a tempo (caltiope) nee = z = = [137] Fading into the distance J = 160 (callipe) dim, poco a poco (dim)THE GREAT STEAMBOAT RACE E> ALTO SAXOPHONE By ROBERT W. SMITH (ASCAP) Bright! J= 160 Slowly J=92 5 et a > > > > So z t =f a " ritard. te eee (Belt ones) 15132 (accel) wee aw SIT Je SSS SSS (©2003 BELWIN-MILLS PUBLISHING CORP (ASCAP) I ser a ariel orp geal a‘Alto Saxophone -2 fp $$ ff ritare. Slowly 7 ‘p a a aAlto Saxophone - 3 (caltiope) P _> Je midel-d = . 7 = 8 oo =a a Building ———— 3 : = (137) Fading into the distance J = 160 (callie)THE GREAT STEAMBOAT RACE Bb TENOR SAXOPHONE By ROBERT W. SMITH (ASCAP) Slowly 1=92 Bright! J=160 5 es 7 ——— oi 7 os [10] 7 accel. poco a poco 7 a7) oe 4 _ (Bell tones) 6 —— Se = of = a ef f Sp Dimysterious ff (ILLS °UBLISHIING CORP (ASCAP)Tenor Saxophone - 2 J fp ‘a tempo Fading into the distance 4= 160 & (caltiope) dim. poco a poco pp “Haaa...”THE GREAT STEAMBOAT RACE ‘Eb BARITONE SAXOPHONE By ROBERT W. SMITH (ASCAP) Bright! J= 160 Slowly J=92 S . _ 5 v= = a5 mp S wf [Bo] J=s8 accel. poco a poco 4 a es) 6. oa ritard. [@) Mysterious » =the “ff Soxcnn (©2003 BELWIN-MILLS 2UBLISHING CORP (ASCAP) “All Rights Administered by WARNER BROS. PUBLICATIONS U.S. INC.Baritone Saxophone - 2 Spoken af tnesy ‘Sie: Tuba Solo Slowly Play Te Pp ===. (2. = fp (calliope) SP — oP : —= mp tH Lf molto ral. Fading into the distance J= 160 (caltiope) = a r “fp ———————_ faim. pocoapoco 5 Spoken a (dim.) “Pinas.”THE GREAT STEAMBOAT RACE Ist Bs TRUMPET. By ROBERT W. SMITH (ASCAP) Bright! 1= 160 Slowly J see y viel “Bluesy” (straight eighths) Solo (Opt. Plunger mute) ee te — + ey BS ar accel. poco a poco [8] (accel, poco a poco) 4 2 (Bell tones) > 2Ist Trumpet - 2 St, Mute 7 4 a. [69] Mysterious 106] —= atempo = = eo (119 Buitaing a> SSS SSS om, “HHaaa..” ”THE GREAT STEAMBOAT RACE 2nd Bb TRUMPET By ROBERT W. SMITH (ASCAP) Bright! J=160 Slowly J=92 > 5 ool 1 ot — = — wr c " ritard. accel. poco a poco ex 4 2 (Belltones)___D fp [41] With intensity! (49) 8 [57] Dixietana SS Se = of2nd Trurspet - 2 Mysterious. 1 4 St Mute e wns. ao rr Pp —==_arempo fp "Sess, re tes AS a i > = 2 ‘molto rallTHE GREAT STEAMBOAT RACE HORN in F By ROBERT W. SMITH (ASCAP) Bright! J= 160 Slowly J=92 5 = 7 (20) s=88 i ® > tL ritard. p——f Gs} accel. poco a poco (Bell tones) fp ————— fp J=132 (accel) > —= 3 3 a 36 2 —————-f=_—§- With intensity! J=160 Gad) With jntensiy s on = —= Mysterious > fp ——__——— (© 2003 BELWIN-MILLS PUBLISHING CORP.(ASCAP) ‘All Rights Administered by WARNER BROS. PUBLICATIONS US. INC.Horn inF -2 = 8 > pf titan aie? Slowly ea 5 ‘sss. P > a> > Fading into the distance J= 160 s 8 SpokenTHE GREAT STEAMBOAT RACE ‘TROMBONE By ROBERT W. SMITH (ASCAP) Bright! J =160 Slowly J=92 2 3 235-58 3 =p —————————" “Bluesy” (straight eighths) Solo (Opt. Plunger mute) oy te div, tutti 2 nf * 77> ——p Solp (Opt, Plugger ate iP Omg Piper td s i” i ra 7” nf’ div, a accel. poco a poco ritard, > (Bell ones) ES fp % 2 = = ~ fp $$ ————— Sp pS 4132 (accel) > > rn PP —————"fp@—§- as 160 3 ‘With intensity! : _ va %——* 4 & > fs ‘ 3, fp — > 7 > ‘fp ——— (sth pos.) div, i, of (© 2003 BELWIN-MILLS PUBLISHING CORP.(ASCAP) [All Righe Admiaisered by WARNER BROS. PUBLICATIONS U.S. INC.‘Trombone - 2 7 = ‘ ‘ s == (63) div. Mysteric ae . nae ]Momerow tf ° “fp ——_————— _ a > 8 Spoken a ae ie ca “tp —————— or oeTHE GREAT STEAMBOAT RACE BARITONE Treble Clef By ROBERT W. SMITH (ASCAP) Bright! J 160 Slowly 1=92 5 4 —— eT i) % — =e # Claes i i = a i ritard. f accel. poco a poco 2 (Bell tones) z 2oe. Be tp J=132 (accel) J=160 3 [65] Mysterious 6 = — IN MILLS PUBLISHING CORP (ASCAP) N-MILLS PUBLISHING CORF.(ASCAP)Baritone T.C. -2 Cue: Hn Slowly Spoken 2 Phy cf > "Han "Ss, ? ofp ‘a tempo ile i> 11 fp . yp —— Ff (19) Buitaing ene ——- aS ae so f i <= fp fp fp IS ie 3 S SS L ‘molto rall rading into the distance J = 160 ‘Sep Bsn “Thana.”THE GREAT STEAMBOAT RACE BARITONE By ROBERT W. SMITH (ASCAP) Bright! 1=160 Slowly J= 92 accel. poco a poco (Bell tones) Ls) Ss Sp J=132 cel J=160 ene 3 ED =3-——— os S = —S =" yp (6) Mysterious >>> > 6 == = -—— ——= i =F 79 (© 2003 BELWIN-AMILLS FUBLISHING CORP. (ASCAP) “AML Righe adhered by WARNER BROS. PUBLICATIONS U.S. INC.f “ ° fp ——— ff rita. 7 Slowly ma) _Spoken 2 Play os ® co tr te tr 1 “Han.” "Ses." ‘P —= fp == a tempo > ; 4__ > co te 1 76 i Te fp fp Sf Building > > > > > yr f Se ofp ftp — "fp > > > 1% ‘molto ral [137] Fading into the distance J = 160 a > 8 Spoken a cy We 17 fp ————— oaTHE GREAT STEAMBOAT RACE TUBA By ROBERT W. SMITH (ASCAP) Slowly J=92 accel. poco a poco 4 (Belttones) <7 eae baw (© 2003 BELWIN-MILLS PUBLISHING CORP.(ASCAP) bp gatatpeitepprenegiocneh JEEETuba - 2 —= pa ss o—— (6) Mysterious 7 16» 7 a zs ge? f 5 = —— se aE Q—_p——_— Solo Slowly oy ec ae a Res anf bluesy z = = zs s = s DL fp —— Fading into the distance J= 160 De pe Bs Spoken in Lo < LFTHE GREAT STEAMBOAT RACE ‘TIMPANI By ROBERT W, SMITH (ASCAP) Bright! J= 160 (DBP A.) Slowly J=92 T 7 > Se = 7 7 or ‘accel. poco a poco 4 > “fp ——= J= 132 (accel.) (© 2003 RELWIN MILLS PUBLISHING CORP (ASCAP) ‘All Rights Admninistered by WARNER BROS. PUBLICATIONS U.S. INC.ark i —= p»§ "VF Building > > ae ‘=f ———— Bi val ‘molto rall. Fading into the distance J=160 gyTHE GREAT STEAMBOAT RACE PERCUSSION I (Snare Drum, Bass Drum, Mark Tree By ROBERT W. SMITH (ASCAP) ot Wind Chimes, Ship's Bell, Hi-Hat Cymbals, Congas) Slowly J=92 Mark Tree (Wind Chimes) Ship's Bell 'P cresc. poco a poco J=132 (accel.) J=160 Hi-Hat > [i] With intensity! * Lot all Cymbals rng unless otherwise noted. aed et eeePercussion I -2THE GREAT STEAMBOAT RACE PERCUSSION It (Suspended Cymbal, By ROBERT W. SMITH (ASCAP) Crash Cymbals, Ocean Drum, Multiple Water Jugs, Cabasa, Brake Drum) Bright! J= 160 Slowly J=92 5 a4 ms: _ ocr —— ‘ Susp. Cym. in 4 a (Ocean Drum 2 4 4 4 2 4 Sad t —t [20] J=88 ‘Water Jugs (as many as possible) SS accel poco a poco we Ty je *—|—# t y TOT, [23] eer Sn AT eee i Pp Pp 4J=132 (accel) J= 160 With intensity! ALOT TT, oo, np 7k ts - » o wf TA, GL ST ST. EFEEEPE cove Ls a it RY R By NEN ‘Susp. Cym. (scrape) mp ——————_— Let all Cymbals ring unless otherwise noted. JIN-MILLS PUBLISHING CORP. (ASCAP)Percussion II - 2 ES} Mysterious ‘Water Jugs (as many as possible) 3} tS a 4 . | Cabasa . of . Cy) t f ‘ / | 2 ™ 1% 6 > f mw HH : ! ® vv 0 a a ® O) it 7 —|+—*x— ol t f ® * * * a Slow Cr. Cyms, jowly dt —— | ~ ~f —§ - » — cmd. yobs * aPercussion I - 3 ‘Water Jugs us i ite 1 ’ Pp = mf atempo serape Pe : ; ama? R rR a mp f [19] Building ® im ts ts ow —_—_=F tt | i | — mo mp 72 = agp TP a ps Fading into the distance J= 1 fater Jugs mo Too oo, fe spe : os » ?—= dim. poco a poco Por PR Prrrn ¥ ! ¥ \ y: 40(dim.) wt 1a i ,W WH, S 1 - 1 oH a acamy & he 7 ‘fading into distance swirl water in jug into the final releaseTHE GREAT STEAMBOAT RACE MALLET PERCUSSION By ROBERT W. SMITH (ASCAP) (%ylophone, Chimes, Bells) Bright! J=160 Slowly J=92 Xyl 6 [28] (accel. poco a poco) 2 eo mp (calliope) 4=132 (accel) J=160 = = = = = = 2: 2 mf (@) Mysterious Oh 8 4 Bells -_ e CS ——== = = st = a = 7 tee ——— es a Se 7S a [WIN MILLS PUBLISHING CORP (ASCAP)Mallet Percussion -2 Slowly (p atempo ding into the distance J= 160 im SF — dim. poco a poco dim) PP “Hoa,”Percussion 1-3 Slowly > > > > a > > > Building Sp > ee ios Sear DL ‘molto all. [137] Fading into the distance J = 160 a 9 "> ‘7 ———= woos