act one 1 2a, 2b. 2e. 9 10. i 12. 12a, 13. 14, Musical Numbers page Opening - Sally, Lucy, Snoopy, Schroeder & Linus with Charlie Brown .... : 5 “You're a Good Man, Charlie Brown” - Sally, Lucy, Schroeder, C. Brown & Lins von... 8 Good Man Playoff - Orchestra 2B Before Lunch Hour - Orchestra 2B After Lunch Hour - Charlie Brown, Sally, Snoopy & Lins...» 4 “Schroeder” - Lucy... 25 Quick Changes ~ Spaghetti - Orchestra. 28 “Snoopy” - Snoopy with [offstage] Sally de Lucy .......r 29 Quick Changes ~Moon - Orchestra .ssssocsssssssessssneessennnss 36 “My Blanket and Me” - Linus with Sally, Lucy, C. Brown, Schroeder & Snoopy .. After Blanket - Orchestra. . 47 Queen Lucy ~ Melodrama - Orchestra with Lucy : 48 Quick Changes —Coathanger - Orchestra with Sally j.scossssessesess 50 “The Kite” - Charlie Brown... 51 (Quick Changes ~ Valentines - Orchestra... : 37 Before Doctor — Lucy Opens Shop - Orchestra... ; 58 “The Doctor Is In” - Charlie Brown é& Lucy Quick Change ~Iee Cream - Orchestra, Quick Changes ~ Att - Orchestra, “Beethoven Day” (§) - Schroeder & Company Beethoven Day Playoff - Orchestra....sssscccsssseeeessseeens a ca Rabbit Chasing - Pantomime [Quick Changes - The Wall] - Orch. with Sally dé Snoopy... 78 “The Book Report” - Lucy, Schroeder, Charlie Brown & Linus with Sally & Snoopy 83 BRP Cotene‘Musical Numbers (continued ) 4 act two. 15. The Red Baron — Melodrama - Orchestra & Snoopy with [offstage] Sally. 102 16. “My New Philosophy” (§) - Sally with Schroeder ee 109 16a, Before Baseball - Orchestra, 15 i 17. “The Baseball Game” - Charlie Brown & Company ... 116 i. 17a, After Baseball - Orchestea....sseceseessessnsnese 128 17b. Quick Changes — Crabbiness Survey - Orchestra 129 Ve, Quick Change — A Loving Little Brother - Orchestra 18. “Glee Club Rehearsal” - Sally, Lucy, Charlie Brown, Linus, Schroeder & Snoopy. 18a, Quick Changes — Snoopy - Orchestra ....cccsossesssssseseee 19. “Litle Known Facts” - Lucy with Linus & Charlie Brown, 20. “Suppertime” - Snoopy with C. Brown & {offstage} Sally, Lucy, Schroeder & Linus ......... 146 20a. Night Scene ~ Underscore ~ Orchestra eosisesssseres 21, “Happiness” - Full Company a Eesels ; 22. Bows - Full Company ss... 163 22a, Exit Music - Orchestra. eeanel (8) Mase and Lyrics by Andrew LippaCast and Vocal Ranges SALLY BROWN LUCY VAN PRLT. sNoory SCHROEDER (CHARLIE BROWN, LINUS VAN PELT Instrumentation: 1 ‘Reed — Flute, Clainet and Aito Saxophone. [also doubling: Piccolo, Soprano Recorder, Soprano Saxophone and optional Kazoo} 1 Violin and Viola. [also doubling: Alto Recorder, Kazoo and Tambourine] 1. Bass —seoustie and eletric instruments. {also doubling: Tenor Recorder and Kazoo] 1 Percussion trap set and mallet instruments ("Kat" percussion synthesizer) ‘rep set salle instraments ‘Snare Drom, BellsGlockenspiel Bass Dri Vibraphone ‘Small Tom-om, Xylophone Floor‘Tem-Tom Chirees Jungle Drums Grotale Hi-Hat Cymbals ‘Timpani various suspended Cymbals ‘Triangle crash French Horm splash bce ade ‘Wood Block Cow Bell @ sizes) ‘Tambourine (mounted) ‘Triangle Slide Whistle Siren Whistle Dueck Quack Sandpaper Blocks Mark Tree Bell Tree Kevo 1 PisnovPartur flso doubling: Keyboard Synthesizer and Ka700) * fsynthesizerregistations include: Celeste, Gospel Organ, Harmonium, Ballpark Organ, Hieetre Pano, Pender Rhodes, Tremolo Strings, solo Cello, Trumgels and French Horas} Sound Effects Bus Hom Schoo! Bel ite crash ‘Alem Clock Crack of Bat king Baseball ‘Buplane Engine oer Aiplane Engine putering toward silence Machinegea rapide ‘Opening Set Two: Loud wartime battle sounds— explosions, airplane engine, ses, mechinegin fre, ee (CBR- Fave ConcerOpening (Sally, Lucy, Snoopy, Schroeder & Linus with Charlie Brown) ‘Gue:(As the house ight di out on he ‘fll drop front show curtain, music in.) NOTE: The stage remains in darkness throughout this number. Grandly Light spots eack character for their spoken dialogue only] “aS s~ Oa cuvn. tne, a a Som Toy a)(Cue to end fermata: C. BROWN: 6 2 Operag ae = 7 bi You're a good man, Char-lie Brown, You're @ Vina Po. ALL [20] uey [including SALLY) Char-lie Brown, (Char ~lie Brown) You're the Kind of re-mind - er we vie f Ce to conine: SCHROEDER ~~ ‘Tauarve! at his consistency, ALL. You have hu - mil-i-ty, no-bil- sense of hon - or That is (RRs CantarOpening (Cue to continue: SNOOPY: 7 LLINUS: I think Charie ‘id comes home from school. Brown has nice hands. hy unis SALLY TUCY ver - y rate You're a SNOOPY - SCHROEDER vais. [dialogue] © [dialogue] a Cue 19 continue: LUCY: Tiable to see fora ong while, ALL a ALL prince, anda prince could be king, vaso [dialogue] a oe © (a tight ttuminates Charlie Brown's face a stage center) 132] tempo (=180) Monologues C. BROWN: Some gs wake op o ‘good You're a good (Cue 10 continue: C. BROWN: ©. BROWN: How can anything vamp *. ad the sun's 80 Bright ‘go wrong on day like this? {dialogue} a. fre. em tty ‘Attacca (CBR Ps CineNo. 2 “You’re a Good Man, Charlie Brown” (Sally, Lucy, Snoopy, Schroeder, Charlie Brown & Linus) Cue: (Antacca from No. 1 Opening.) [ay Eek nih mong deat COMPANY aonb) c.BROWN ‘Bright march (J=160) T'm late! oF SPX alarm eook {Votre < a oo STUTA oom FP Eas] 1p 7 = oF OF [10] ALL [except C. BROWN] (Woof!) You're a good man, Charlie Brown. You're the kind of re-mind - er we Vn. nf’ Bs, BD, Pro. GH coin abit) (CR ana Contacte2- "Yee Gan Min Cae Brow 9 ‘You have hu - mil-i-ty, no-bil-i-ty and a sense of hon or That is: say ‘on U8 ‘© LUCY ver-y rare in -| deed, ‘You're a |good man, Char-lie |Browa, SNOOPY - SCHROEDER ssoory Sse | “Linus ca ver-y rae in - deed! (Woof!) You're a good man, —Char-lie Brown. ALL [except C. BROWN] = — = G— — I i = SSS 7 can ae Led know you will go ver-y far Yes, it's hard to be-lieve,Al- most CBR- Pan Contactar10 <3 Yona God Man, Cote Bo [sano] fright’ -ning to conceive, What a | good man ISNISCALL] ‘SCHROEDER oi = oh fright’ -ning to con-ceive, What a good man + you — are. You are kind. You are ‘© [SNOOPY tacet] Kind 10 all i-maly And ev’ eva. Po imp (anit heart of gold you be lieve what you'se told. Ey’ ~ ry sim- gle sol - i-ta- cy heart of gold you be - lieve what you're told. CBR: Pine ContecAY Get Man, Che Bova i SALLY. 4] Lucy : You | brave “SCHROEDER LINUS You brave ly face You're 1,va Sy cheer - ful through the You're |thought - ful, brave and |cour - te-ous. And youl i a 7 + cheer = ful through the You're thought - ful, brave and_cour_-te-ous. Ege eee reese EE [42] ALL {except C. BROWN] al~so have some faults But for the mo=ment Ie’s just say: That you're a good man, Char-lie ro, vim a, ona[ALL except C. BROWN] pn Brown, prince, and a prince could be king. aes Va Ato, Pro. heart such as yours You could 0 - pen an-y doors, You could SALLY ‘LUCY thing. ‘You could be | king, Char - lie Brown, You could SNOOPY - SCHROEDER ‘© LINDS thing. You could be king, Char - lie Brown, You could N80 ee Vane (CBR Pine Cnticce6a Good Max, Cae roe” 1B. Abit faster 4 CHARLIE BROWN [52] Ev'-ry-bod - y says to me: [SAMUI king! You're a good—man, Char - lie Brown.— [SNSCALI} aa ‘king! You're a good man, E You're good man, Char - lie Brown. You're a good— ian, Char - lie Brown.— Vapi& 1 otra en Mon Ct ee [60] i ee ze SSS SS ° ? AIT need is ove — more ty Gotta get that Kiet fly— Gata — = i z o + And Pm not the kind. of 168] ic. nRown) ‘Won - der why they stop to say: saan. guy Who gives up eas - ily T You're a goodman, Char - lie Bro\ ‘You're @ goodman, Char - lie Brown — 8.298 esi}| Vo Got, Chae Brow 15 | Nev-er liked. me an - y-way. i You're & good_ man, Char - lie Brown.— You're ¢ good— man, Char - lie Brown. (761 | c.neown) | “Try-ing not to rock. the boat | Ae Pro 7 a goodman? Yes, But I con-fess,— 1 don’t know what they mean.— I want to evn. Fro. veo “Te ED om Fra SHS (CR- Pan Conder16 -9-"Yoe Gan Ma, Coe Brore™ [84] (c.Brown) 2 ie a Be. 4 eb) IC. BROWN} lic a-wake— at night With ques tions in my ear OTHERS nev-er sleep. Oooh, loud and deep. want to join the dance, Oooh, CCAR: Pano Contre-10- "Yan a Good At, Cat Brow” 7 Char - lie Brown... Char - tie Brown, [98] (SAMU] —_evncotevace good man, Char-lie Brown, You're a |good man, Char- lie} Brown, susc, You're a good man, Char = lic Brown! LINUS You're a good man, Char-lie Brown. — = tt Lucy SALLY SAJLU. Get onthe bus! Don’t wan-na be ate for school! That's right! SCHRORDER ANUS SN/SCALL Get on the bust Go a-head, get onthe bus, Char-lie Brown! ‘That's right! ‘na Pro (bse) i18 "Yee Goad Man, Chat Brow SNOOPY (Woot!) ‘ALL [109] oleae ‘There they go a- gain, SNOOPY [ALLexcept good Char-lie Brown. You're the Kind CBG SN] fect Don’t know what they mean, Tm not good, need. — You have hu - mil-i-ty, no-bil-i-ty And a sense ie ae [ALL except CB.&SNJ of re-mind - er we of hhon-or That is nortea Gos Ma, hale Bows” 9 (117) sort of 8, Pre, Or 0s 0. bacbos C.BROWN T don’t un-der - stand. SALLY 7 LUCY Brown, You're a SNOOPY - SCHROEDER prince, and a prince could be | king! LINUS Brown, You're a prince, and 2 prince could be king! With a to => = wv -EaR- Fi Conte2 13 -"Mo'e Gos Ma,Caterome™ SALLY LUCY hheart such as yours you could o-pen an-y doors, You could Ab, i SNOOPY- SCHROEDER ‘You could go out and do LINUs heart ‘such as yours you could o-pen an-y doors, You could Ab, ‘You couldbe ee — 7 ed “Noth -ing lasts— for-ev = [SAU fo king, Char-lie Brown, You could be | king! You could be [SNISCLL) ae You could be Vou Pro, Pro. 8 53, Bo. sat Or. ha neo Re ym hie voll (CBR Piano Conese1a" Goody, Cat Bowe” 2 {C. BROWN] “Atl good things— must end." mem-or - ized that phrase by OTHERS Be-lieve it! pro, .e, 008 en (Pade Oym. cont sgh And you were born for this part When do the good15a God Ma, Chie re 2 SNOOPY, oe —— Oh,—— you're @ good [C. BROWN] ce start? SCHROEDER - LUCY You're a good. man, Char - tie Brown! LINUS - SALLY You're a good Brave-ly fac-ing adver - si = Oh, you're a good man, Char - lie Brown! BeHee sc. : Te. ‘You're a good|_ man, + ic Brownt Char ~ tie Brown! You're a good— man, Char - lie Brown! Al-ways kind to an- i - mals! = | (CAR io Condectar Applause, — segueNo. 2a Good Man Playoff ug pts see rom, (Orchestra) Good an Gi Brown) (180) vn Erie ‘SALLY: This is my port -ithappened. a ~ [dialogue] 23° Segue No. 2b sxe fh. Before Lunch Hour Cue: Gn appase, (Orchestee) ug fide ns BROWN *) | . = apa “Stcouse, sometimes momings | | SALLY cl, Spool: = cement ~ || (=160) eer banc bap): ik Inch Sine “PIT ST a © Gio mp EBs, Pro. ttli 24 |SFX: schoo! bol No. 2c After Lunch Hour (C. Brown, Sally, Snoopy & Linus) (choo! bel Ob, well (music in) one sore Tvch hour over with, Only 2.863 to go. (Cue: C, BROWN: I wonder ‘Why she never looks at me, (d=180) mo. omg tad: Boa == mp EB. [5] c.BROWN, All 1 need Dre hatte et os) i Tm not_ the kind of guy Who gives up eas = iy sent Ato er le SALLY, SNOOPY & LINUS beeuiane (aK Plane Cae Segue25 No. 3 “Schroeder” Cue: (Segue from No. 2c After Lach Hout) Adagio sostemuto (4~01) Sicdove suonare tutto questo pezzo deliatisimamente esenga sori (Lucy) ko OTT [6] _vwev =i D’-ya know some - thing else?2 ae my dream That Vd par-ties he'd play some-thing nice - like A = pril Show - ets.” fussieh sais Zz. SS SE 5 z = = = 7 be = sure You could play some-thing nice like “A - pril Show = - ers, or evs n “Fre + ve Jac - ques.”asset a Just i-mag - ine, mar ~ ried? Wouldn't you like that if some - day we two should get mar ~ ried? (Cights come down xia ao cho ndup elsewhere a Segue\ 28 No. 4 Quick Changes — Spaghetti (SALLY & LINUS enter ~ dialogue) ( stra) Cue: SALLY: We had spghe at oor tons thee ties this week Ea | > Swing eighths (120) ee ey lc Lise st Wdialogue] a A fee a Me on Earner: (anvateoracre Bp [8S nett ato “i fe ee Sie onte SALLY fA Ado eantabile 1-18) cae ying eehiths {dll seemed s fate a a5 » \ a fi [dialogue] a re wtrsnee (LINUS rans past with a ball, chased by LUCY.) a LUCY: ak here wih ta bal ac ou) — music Ce toto INU tp \ feng hs thumb) Cue o continue: LINUS Tibi Aj sopoene [15] nsx Fn tosing my favor (A Beate \ ‘Beethoven ia it nice vamp emt hing Bt Sm) Pro, a S (Lights out) [dialogue] [dialogue] a i re ae ¢ nr. MONLY eng Ocis LUCK, Cm eS mom ae (epee yrs nlbieLigcone pon SNOOPY out bebe be [ying contenadly on top of hs doghouse = dialogue continues) ¥ Hatin ond) 1] ga ee Kgl Oh i 19] ae ba ba t Segue23 No.5 “Snoopy” (Snoopy with [offstage} Sally and Lucy) (Cue: (Segue from No.4 Quick Changes -Spaghet) paieas BI SNooPY They like me. I. think they're mp—= nf oes Va. £8 nanranis q Js- n't it re-mark-a-ble How things wn out so Andante con moto (#428) (CaR- Pano Corderx O10) ISNOOPY] a Pleas - ant day, o be-neath my head. <=> Fee, ibe, re. (CBR- Pana Conderserateh my car ev -ry day ee, (boet00r8) ‘With their sharp lit-tle claws, tr Lit- tle birds Which are u~ su-al -ly cold, 3 Bring me bones, come to cheer me, ‘poco a poco crese.[SNOOPY] ‘And some-times there are so man-y ‘That I can hard-ly stand it. 25 Reraionsty a> [tempo di Paso Doblé} Pro, Ve (cusdonBs) know ev’ -1y now and then what I wan-na (CaR- Pha Cotte ‘qe: 88 0H fe Poort) va cotavoce fierce jun- gle Peo nfeo. » (59) SALLY (ofase an - i-mal crouched on the limb of, tree! La la lala, La la la, ark ve Shuaee Bete snoory La la I, La la Ia Lalalal, La Ja la, La Ja Ja La la Td stay vor-y ver-y still TL I see a victim come. I'd wait know-ing ver-y well ev'-ty sec-ond Poo. Tanb.7 - ss Ve, cata ec6 counts And then like the fierce jun - gle crea-ture Tam, I would P re cn-6-"Senpy" Sporn YE os Ta, Be SNOOPY: You know, Tnever realized it [dialogue] a 195] sxoory Let me see, asso far down he groans For here HO gq yum “Andante con moto Oh, that’s right, the pret-ty sky. = FP poe Paraiso (R-Fane Cndaei, Pn (art) be-neath my head. Fi, Vbes, Pro, dictated36 -se-steny" SNOOPY: I wonder if [sNOoPy] > ibwill sow tonight. aii Segue No. 5a Quick Changes - Moon (Orchestra) (C. BROWN enters, SNOOPY remains ‘stage on top hi doghouse ~ dialogue) (Cue: C. BROWN: Think I'D just walle... Fae ae ence ete seas ue 0 continue: SNOOPY! There's just so litle hope of advancement. (LUCYIC. BROWN Solemn [3] Even eighths (=120) dialogue) a [diatogue)| f= ce a poz. Cueto continue: to conte: 'SNOOPYS:.. could not be less interested Foe sing hina \ (nase in “LUCY sneaks in, grabs [5] Moderate to 120) pee ae TINUS" blake & tars off again) imeteceay lon doghouse dialogue) a Stee = cease se * = nf Po Bs. le som gp Pata i Mn anata Ear eee eof (CAR- Pos Conte\y 2+ Quek Changs Mann 37 \, | ue co continue: LUCY: (exiting) gt it! got itt (LINUS gives chase. The doghouse moves offstage with SNOOPY.) h [10] ven eights } TFipipipome @ eocteomg DOF | COT (SCHROEDER crosses carrying a san reading “Only 1 more dat Beethoven's Birhdey.”) Ho, Van Pre 8D (SNOOPY pulls SALLY aero withthe umprope nls teh) [18] ALLY crowes jumping rope. C.BROWN crosses on role states) Fi Le a, Poo. 2,80, Pro camrom) | sé es t (The sofa moves onstage with LUICY hiding om i withthe blanket, and LINUS following.) eo. e ss a. ebro), Ato, Pro, 8. in t i 4 (LINUS grabs one end ofthe blanket — a ug-of war follows. Music abruptly stops.)38 “My Blanket and Me” (Linus with Sally, Lucy, C. Brown, Schroeder & Snoopy) (Cue: LINDS: ... sooth talking and some fast ation. Freely (51-73) ae Got you back 2 ~'gain. pone [silent] gently ng [9] A tempo (128) De-light-ful Hl id = [silend) Tightly swung nS<2 Bnkt on 8 quinusy goto O07) la la la la bot ES La de da de =~ 8. 7 oda = a — 5 LINUS: Sucking your thurb without a blanket js ike eating cone withoat ice cream! eure Octaye? Gent on My -blan - ket and a (LINUS dances offstage with the blanket as SALLY, LUCY, waterfall ‘SCHROEDER, CHARLIE BROWN & SNOOPY enler) Ste ana (Ge. tcet) one i40 5 My nko Me [31] Tango LUCY: Gays, gays, come ere! You gotta see this! (LINUS fangos onstage withthe blanket) ota, Pra, _ oS i 7 om J mi on 7 Cue o continue: a Bee (Floor 7-1 ‘LUCY: ... with theit blankets (LINUSISALLYILUCY ~diologue) LINUS: Whaddya meen? LINUS AD [40] co - zy sane - m-ar - y But it's far | COR- Pan Conscnr(48) sim - ple dem - m3 walk a - way V0, P00, on- stra - and leave My nt and Me" tion Of my in - it Though . 1 “know CBR- Pave Consenor de-pend - ent sta - ¢ you won't be-lieve F tion I ' i, 70 41 will just2 delicato LINUS: (grabs the blanket and clutches if 0 hin): Don tevet Tetme co that aguin, eS. tom, TH. 5 My Make Me ? Way Yes, Pll ye F (ndependence is too much (LINUS runs “Jor Linus he screams’) the blanket) “Aarmgggha!” a LUCY: You're a hopeless case, Linus, oft (ALL exeprLINUS exit) LINUS: (calling ater them): thong Teould do it. T actually thought T could doit26M Bier ane Me 43 (LINUS shuts his eyes arid imagines world where he and his Blanket can be together In peace. The blanket magically rises and oins him in the dance, The whole gang, ever SNOOPY, eventually enter his fantasy wih their ov blankets, and Join inthe dance.) (e)- ate 7 FV, Pro 2 te [72] | seceo, in four Pro. (480) 3 Bere, | (BRP Covtuee 184.01 toe27-year Fs “a srReheatl plano bgock W.B. hyn food pane fen ino eevee esa) ir i swoodsiock OF Ba. ch 4 z of (SCHROEDER enters.) (SALLY enters) [102] Steady and plodding poset man can ieoed (apenas a es ee ee ae ‘ i Speen haar a ia _ (C.BROWN enters) (LUCY enters) 3a 37, Building, swing eighths pa cs (LHP aie tuba 199) J ee onsen8M Rik me ME 4s [112] Wit Blankets ftempo primo} (SNOOPY eners) poets, Nn, : Slower, swing tout! (120) a [124] straight eighths, tempo primo vn, oc. —— whmp —crese46 9 y Bt ne 8, Ore weiss Lucy 33 oye HES my Blan Ket... And ac ‘GaK-Pan Cntaese10-*sty Bankes 0 (SNOOPY de LUCY exit)’ (SALLY exis) (C.BROWN exis) SALLY C.BROWN, SCHROEDER | { © ert cron Ta —"-~ (SCHROEDER exits) \ ” Applause — segue No. 6a After Blanket (Orchestra) Cue: Applause ~ segue from No. 6°My Blanket ad Me") | BR Pano Condaeoe48 No.7 Queen Lucy — Melodrama (Orchestra with Lucy) cue: LUCY: Vintend tobe a een Cueto conte: LUCY, » and Vive wet pse en dope contre) [2] IMaestoso, ma non troppo] A _94Pt0 —=— - Pro [dialogue] mf |f A sessilis, i 1 seep i 3 3 Cueto fade ou LIND xi of posse Sih you enid ever ooo 8 gz, —s (silence) LINUS:T'm soery Lucy, but i's tue (silence, then’) \aitopue 7 (Cueto continue: LUCY: and in the summertime, (musi in, dialogue continwes) —_.2 Quen Ly Melodrama 9 ——., ao HGS: 20st Cate: CY Wat do, EAE Ee opt Cue: LUCY: 1s andeoerate, fr ° (music in, dialogue continues.) as rm, Pro She ic = = na = e Zz (Cue: LUCY: (musi in) 1's usually usta matter 122] Faster © es Sp fs, Po ‘ee we t stop: LINUS: think 1 i ean Ue renee tothe set, Cue: LUCY: (music i ue: LUCY: Lil boy myself Rata levi Ct eset, Tkaow what Vi do. I'Tean't “queendom. (ase ont) LINUS: Good pif sci.va a P Cue: LUCY: (must in) Yes, PWay myself 2 queendom [29] = va. tect fra} 50 -Queen Leey- Mebane [33] = 2 2 =e 3 3 | 2 a es « camp in the woods, And the Sheriff was guest at their din-ner and all. But be nck ee Lib. 7 |' 9 EF df oD wrig-gled a-way and he sound-ed the call And his) men rushed in and the CLvn Pre ge 72 paco allarg. cs rubato ean [a tempo} hesttatingly Lucy The fe cme88 coat LUCY: (nfermata, counts words [51] Vivo ‘eighteen through twenty-three) roe. qucy) a oth - er peo-ple’s maine ec. vn LINUS: (monologue) In exarnining «wok seh 8 Peter RADDA [54] Religionsly 80) aE — 7 wey r 5 rr (LINUS) ...conficting roles as farmer and lomsanitaran. (C. BROWN begins fo sing, LINUS continues monologue) Secularly (6132) Coen CHR Pina Casnor<7 Te skeet" 39 1671 ppowngy CUS: cme) Peter Rais essed om est start wit ~ ing now It could Vn. tam alpen ofbow (ruber a, seared et") up = set my think ing which is am, vn fresh start to - mor-row, and it’s not due till Wednes-day. have all of Tues-day un - less some - thing should hap - pen, Why does Ccun- Piano Conde~The ook kept” (75) tc.prowny should be out - side play - ing this al - ways hap-pen? 1 —— work best un ~ der pres~sure, and there'll fresh air and sun-shine, I be lots of pres-sure, if if 1 start weit - ing now start writ - ing now. But Sere (aR: Pi Contrnot up = set omy thinking which is [86] la tempo) Ving Lucy no good at all. The name of the Rab - bit was Pe - out ~ = ter | Twen-ty- Pediial PS roumfil ae PoE B eee four, TWen-ty-five, Twen-ty-six, ‘Twen-ty-seven, Twen-ty - cight, Twen-ty-nine, [90] Tempo (4-106) SCHROEDER Down’ came the staff on his head, smash! And Ro-bin fell Tike a sack full of mA na)| 9 | tse) ‘The Sher- iff [98] scarower then an = Just a (Bet Tes row flew ——. 10--Toepodk Repo” him for dead, Ah! But he was laughed and be Teft ‘Thir-ty - sev-en, Thir-ty eight, Thir-ty-nine, For-ty! for the fight —— in, a sign (bet Tse) Ne Tooked like the Sher Al But not for =m iff could win, pe ceemen de et1--Te Boa Rep long. © can. Pras HH Who mun a lot, As you can tell From the sto-ry (2s, Oe ct) Which this re - port (SALLY & SNOOPY oross with a butterfly ner contining thelr rabbit chase.) Be, SALLY & SNOOPY Rab bits, rab bits, rab bits, rab - bits, rab ~ bits, Pro. Vn molto crese. (BRP Contacte has - ing wat rab - bits, 93oe 12 te Beokepa™ tu 8] Grandioso (128) eS SSS ¥ eee ee atey pet ww wie tank Ope fi, fps = = — peas garg eee ve wr : BE Se SH —?t Fr F Rt FP a . veg’-ta-bles in the gre = ett en qual - ivy in just__ two —— 7 Such as car rots, and spin - ach, and on = ions, And15-"TheBask Regn” 95 [126] = —— eS 7 SS SS FS = let - tuce, and tur - nips, and pars - ley, And ok - ra, and they + spire to make life ta-toes, as par-a-gus, caul-i - flow-er, shu - barb and chives, —— so man-y ways? Trea | (CBR: Ps Cotte96 14 Rec Rae LLINUS: Not to mention the extreme pressure exerted on him By his ‘deoply rooted sively with Flopey, Mopsy ard Cottontail, Lucy Pe-ter SCHROEDER The a a ee ee et ee poco all sfp_ molto ores. ie : [137] Vivo @=104) Rab- bit is this. stu pid book a - bout a stupid rab - bit who steals SALLY & SNOOPY (Appearing from behind the Wall, they join the singing.) rab - bit chas - ing, name of the book a= bout which oy not real- ly rest-ed, It could start writ - ing now when I'm Linus What drove an oth = er - wise mor - al rub + bit [137] Vivo (4-164) (vn catnscrnoeveR™) = —— (canine Cotaeaeing! Chas bit,” “Peter Rab (CBR Pana Connor Sev-en-ty = five, Sev-en-ty-six, Sev-en-ty- Rab - bits, rab = bits, All__for one, ev) — ry Oh, So - G-o - log-i-cal vn Wee fey sukmp "crest. poco a poco! 98 6" Book Rep : Eigh -ty, Bigh-ty ~ one, Eigh-ty - two, | first thing af - ter din-ner Pl start, pli ca-tions, Fam’-ly pres - sure, sim= ple plot. And they were ver - ver-y, ver-y, ver-y, ver-y, ver-y hap-py to be optonat ) ———— "sya 2, 2. at =e¢ \OWonm ge 19" Bosk Rept” ” w. ‘Ninety-four, Nine-ty-five. ‘The ver-y, ver-y, ver SCHROEDER [157] A tempo (4-104) END w. Pe- tor Rab-bit, Pe - ter Rab-bit, SALLY & SNOOPY Rab - sith, Pe-ter Rab-bit was ‘comowin * F | RORY "| book re-port oatPe-ee Rab = bik” Sst set anus A ~ men. gn $0 - ci- o-log - i-cal : °°" TST] A tempo G-101) 0 Bie P,ww. 1, sa SN uw. Pe - ter Rab - bit, & Pe = ter Rab - bit, Pe - ter = "TeBoak Report” @ Pe - ter Rab - bit, bit! Ro_- bin Hood, Rab - bit. Pe - ter-Rab- bil, Pe - ter Rab - bit, Reb - = - Pe - ter Rab - bit Rab bit, rab - bit, rab - bit, Rab - bit, Rab - bit, rab - bit, rab - bit, rab - bit, rab - bit, a} ~ Rabbit, rab - bit, rab - bit qanie Sym) uti == 7 (can Pa Contr19-*The Book Rapa 101 Slower Fab - bit, rab bit, rab - bit, rab - bit, rab bit, rab - bit, Pe-ter ab -it,_rab- bit, rab - bi 7 comrown PO“ , ‘SCHROEDER have-n't even ‘start-ed yet! Pe- tet rab bit, rab bit, rab - bit, rab - bit, erese. BP (s0.000 bit! ‘A tempo [move fewer vd FE EERE End of Act One1 / act tw No/15 The Red Baron - Melodrama / (Orchestra & Snoopy with [offstage] Sally) (Cue: (Wartinne sound effects—esplosions, crplane engines, sirens, gunfire, et. ‘The sound volume diminishes and jades ous under the opening measures of music) [2] SNOOPY te dcoveraton op of his doghouse) | en, pin pay cute no diva re psc) | V spc P seTonpse SNOOPY: Here's the World War I fying sce high over Prance in his Sopwith Camel, [10] Gently heroic cL 9eva PP! ese sacous B, Drs Tamst bring him down! _—— — >} — qer?ercor|r ‘cor’ereerThe Red ana Melon 103 (SNOOPY:) Suddenly a i em, PS" BO gfe suhmp ‘The Red Baron has spotted me, BP eceatiaaeaeeeeaae oH | nal (Gms ¥ . Nyshh, Nyabh, Nyahil [23]. copes Mh, 40fT) 4,7, iT ff, fi JT Bs.08. ¥ a Ungrma (acy gh fying cs ‘You can'thitme! ever say Nyahh, Nya) I jst... [music in = 128] rat this fog! 1's bad enovgh a om stint Foor 11986 am. supa (CBR? Pina Constr104 .-TaeRed ama Midetane (SNOOPYS ... tohave to fight dhe Red Baron without having to fy in weather Like this = — TY] Allright,Red Baron! Where ae you! You can" thie forever! CL, Va. Pa, Fide Sn 35,8. Pro yell [37] Soaring & relaxed SALLY (offivage - unidentified female voice) , i Bs, (mafetraton snp. Cy. ust) SNOOPY: Ah, the sun has broken through ... Tean see the woods of Montsec below ...4 Tee Bon Mone 105 ‘1, va, Pr, : = : > SNOOPY: Gn coeur) and wa tha? SRG nl te) [AT tee ote [ve got you this time, Red Baron! 5% Mactnegun rap feof ues sNoory Aaugh! f or [54] SNOOPY: He's diving down out ofthe sun! °F, Va, Pri Ride ym, = ores s aS ae 0S She Plo a Proves, C3 2 Yf Se eee eee eee tireirr rene (CBR Pin Conte Ba ate FeThe Ret laca Meads (SNOOPY:) He's wicked me aguin! ve got to run! 106 Come on, Sopwith Camel, eee } © tet’s go! GoCamal, go! @ om (RR -Fen Conde6-The Ref Bu Meodame 107 SNOOPY: [can’t shake him! He's ridding my plane wits bullets! SALLY (afage) (Reh piano play ca ise SE prevent] Bee rf 86 TT eon (SNOOPY. Curse you and your kine! a 3 (SNOOPY:) Curse the b (CBR Tas Cottert <1 Thee Ram Medotam GbE 22 3) aizbs cic s- cava, ep ‘ 3 3 7 st, (Cran (Fide oym. rt) (erat Tn) oe o = Se aaa! eS ‘spatwrgantroses, [85] SNOOPY: Here's the World War flying ace I a 2 s0.t ote = [89] <_ back at the acrodrome in France, be i exhgusted and yethe does not sleep, for one thought continues to bum in bis mind | z > ; Someday, someday (in fermata) TU get you, Red Baron! [Blackout109 “My New Philosophy” (Sally with Schroeder) (Cue: SALLY: (discovering) “Why are yoo telling me?” Llike it! (Music in.) ‘Cueto conrinue: SALLY: (repeating) ‘Moderately bright swing four (J=204) “Why are you telling me?” TD (Cue 10 stop: SALLY: Tats good BI vamp ailosophy: “Why are you tling me?” ayy SALLY (voice lst tine) 55, Or. tne(tnihoeanS.0) My new phi - Ios-o - phy. The teach-er gave a “D"___on home ~ work.} 110 2M New Pinoy" 1) [SALLY] 7 —— She said, “Miss Sal-ly Brown,— Your grades are go-ing down! could have told her, phi-los - 0- phy! ® ODI et latest) CePeteche does, Gasherself) Tm she, Look see. A Dr 2 Pro. Va, Pro SALLY: (in formata, as herself) ‘Wel, why are you telling me? [26] (as the teacher) SALLY that's my new phi - Ios - 0 ~ phy! (R-Pio Conte| | | | | 5M New Es” m1 SCHROEDER SALLY: Why we you telling me? SALLY ‘That's your new phi - tos-o - phy? My new phi - ——= Z Pe mI Ae ely ue cone Dialogue ~ stop vamp on cue: SCHROEDER: SALLY: ‘That's your new philosophy, bub? SALLY: Yes. Ttnein—"No! Just like a bus-y bee, SE Vettaa My New Pop (44) tsa When life’s a diz-zy maze, va, ut F On al-ter-nat-ing days,— T choose FFP * : ? aes — SCHROEDER SALLY ‘SCHROEDER: Sally! iff’ -rent phrase: — My new phi-los - o-phy! Your new phi-los - o-phy? 7 [53] scHRoxDeR Some phi-los - 0-phies ocr Cece" are sim-ple: “Man does not live by bread a-lone."_. 5 Ty EO ope Hane 7 ? : ex ————— a SS ° Some phi-los - 0-phies arc clear: “Leave your mes-sage at the SS SSS : fas ? t ? 75M ew rg” 13 [6 porn sound of the tone.” Some phi- los - o~phies pick and choose Vena fot r bev 5~ ‘SCHROEDER De-cid - ing what gocs in it Some take a_—‘ife - time, ie7 ES of i Dilek vary ous Cueto continue: SALLY. SALLY vamp SERED ERT a adit Gt win) SH emia: SALLY: o 2 [72] _ Stride time Roe SALLY It’s like a guar-an - tee AP (aR. Pana Contiosei 14 6 "My Nena [SALLY And things are = sure to. be— Be, SALLY: “Oh, yesh? That's what you tink! yy are you telling me?” “No!” = “Tcan't stand it!” il Po. 8eAto af ki H As AY cat. puancondator b212 My New Pilato” us SALLY: You know, someone has sad tel we soould Dialogue (LUCY passing by) stop vanip on cue: live each day a if it were the last ay of ou life, BUCY: .. Help mel Thisis te ast day!! Asugh! Prost vamp %. SALLY: Cleany, some phil aren't fr all people, (She thinks for a beatlight bulb, Music in) SALLY And that’s my new phi - los-o- phyl. , we map Applause — segue No. 16a Before Baseball (Orchestra) (Cue: (Applause ~ segue from No. 16 “My New Philosophy”) ‘Tempo di Balt Park ‘Bal PakOgan sob © SF start sloivly — accel. poco a poco (the scene changes toa ballpark. BROWN enters. Music out for dialogue.) (R- Po Cone16. jo. 17 “The Baseball Game” (Charlie Brown & Company) (Cue: C, BROWN: .. atleast a bllion-to-one chance, ‘ALL OTHERS: Yeaht... C. BROWN: Come on, Dictated i ‘CHARLIE BROWN Gim-me aT! Gim-me an“E!” Gim-me an“A!” Gim-me aa"M!" What'-ve you got? @ cama [8] Fast march (d-168) like the best team — hue y I | ee | i"The ta ne 47 in the ver-y lit-e we'll be big o,__————- Gi 0, rs. @.0, HY big league base - ball SLseEEEEaaE all we have to _ do, ig win just CA be ‘ = Pre | Poke aie Ya | fone more game. CCAR Pine Concerus 3--me Basta Gare G=t68) BROWN: DearPen Pa... 421 c.nnown You'll nev-er guess — —___f f mp — a1 “ Ge tows) hap -pened to - day. can [50] = = SSS SS eo SSS | game. BS was the man - ag-er,Schroed - er wascatch - er And all t | l i t {| t | The Baat Gane! us ot — of the team was the same as al-ways But some - how or oth-er dis~as (Ge os) ‘Tempo l* ter struck — by TF a Baseball Game Pantomime ie eon BROWN: Hite up They hue) 159] —— —o oa ah eh ALL: (adit) “Hey, Batter, Batter! (te) Or ce carte Conant120 5 Te Be O 175) i (C.BROWN tiroms'the pitch) yy Shr achat (ad lib, following trajectory of the ball) 2 = — b- Gr Fs LUCY: got! LINUS:TGet iti SCHROEDER: Tgot it! SNOOPY: Woof woot woot! —~ Same : pea — aaa t 7 A 1 Ge Grain Oy y- on (Phey al rn nto the infield aed slam into Charlie Brown) en aoe ae & geo, tears leaves th field Sc Wt mean? e.tazor) (CER Fi Coniston6." Baa ane 12 03) c.aeown Three balls, two strikes, Pro HH T pitched my curve, — but some-how he hit it [101] “Lasey? T hol - tered, “It's com - £ er ing tight to you!” She caught 2 (CaR. Pane Conderm2 the Btn Gane [C.BROWN) Fs ‘Then dropped it. I don't think i's good for a team’s __mor-ale——_To covets Pro, by [109] ‘Snoop - y helped out oS bit-ing 2 nun-ner And catch-ing the ball in his teeth, poe wy SI a Li- nus caught flies from a third sto-ry win-dow By hold-ing his blan-ket_ be - Comm ae Comdctr<8 "Te Ba Gane 123 (117) 3s Yes, we had for - ti- mde, No one could ar - gue with a3 nf fone run would win ‘us the cj fo tid tea ate iglat (Ory [C. BROWN) 3 ae 7 sates escrito Ammer 7 Go Char: lie Broyn, Char-lie Brown, Cha Je brn There is pul volt ‘Tempo I? Whisper chorus 1125) sa smuscas TUCY: WoC. BROWN A sight, Browa, wet lttind yout like the best team Which is our team ! ! (Bs, ot) (LUCY) mean this kid can't pitch He pitches like my grandmother, Charlie Brown, Now all you have to dois bess down, We will show you we're the best tearm se js bear dom—and when ou gto ti watch for my sgl, Go, ash? entnay tne O41] ver-y lite league this welll be With the big league base emcees t * Pie Pri tr 410-1 Bsa Gane” 125 Broadening SALLY ada LUCY stars. SNOOPY SCHROEDER LINUS star. cunt. GF er sant? GT # # oe ours!t A (80d SALLY whispered echo [a tempo] PEE be [159] Waltz G60) C.BROWN Ati Two men were on, with two outs. And = me with one. a. P quasi music box Vos (CBR Pho Conte126 11 Tie Bet Cae [c. BROWN] 20. OTHERS whispered ‘One strike! One strike! [175] Growing in intensity know.—_____ Fim-ly vowed I would win it for cog adn ve vm steps $T"12-"Tee Bama Ga” 17 (ALL except CB. exit) [C. BROWN] a shoul-dered my bat and I swung. Dear ommmns "*¥t8°~inhl (psn erally ae [183] Stower [C.BROWN) Pen Pal, I'm told where you live Real - ly quite Would you please send di - ree-tions on how I can<13-“To aal Gane” 128 [195] [C. BROWN] ad libitum Your friend, este, ve. Pp (No. 17a \ After Baseball a iM j (Orchestra) cue: Canpaase ee from No, 17 he Baseball Game”) ep. 0 ‘Moderate four maf (SCHROEDER & LUCY enter.) — [dialogue]ne No. 17b Quick Changes — Crabbiness Survey ue: (shouting to offstas 10 Was eared ‘Cue to continue: LUCY: ...filled | Beats aay? he How Syl" ame an) Sih he low of clteacaes ‘Swing cighths (LUCY aoe fag rer th lipard ond pec : (OWN enters wt SNOOPY msc o Pro. See mrs wth mt) ey OnE, Wg >. [dlialogue) ‘ie <7 co (van. taco ad Cueto continue: LUCY: 0 ast | (SALLY enter, ass crver rondo es euveys gt ound TECH sip her lou) (LINUS enters) Ty o.Pe. a. [dialogue] 2.0m Om No. 17¢ Quick Change - A Loving Little Brother I (Orchestra) Cue: LINUS: Every now andthe Tsay the right thing. (music in.) Moderately HUCY RLINUS ettogetier) (ore tcat) (BR- Pina Constr130 No. 18 “Glee Club Rehearsal” (Sally, Lucy, Charte Brown, Linus, Shrocder & Snoopy) Cue: SCHROEDER: (ows “Con apc, The GROUP responds in “uz bt each vith Sis own idea he pc, SCHRODER css them off and sys) Resets Ada con blo. Moderately slow (d-120) SALLY & LUCY Oh, give me a home where the buf - fa-lo roam, Where the deer and the C.BROWN & LINUS Oh, give me a home where the buf - fa-lo roam, Where the deer and the like a PTA Mother pre-sale rigid harmonic rhythm oblivious to meance] 6H Eee le P ‘oui Bs plz ala 0 ond nV pt at Pare at bar 8 4 _ SALLY an - te = lope Lucy an-t6-lope play. Give me_ my _pen-cil. | C.BROWN an - te = lope | LaNusGe Cab Re - And the And the on your life. day. If you don’t tell me what you told Lu - cy T'm just going to scream! Give me that pen - cil you block - head! BL132 9. "Gle Ch Real Give me my pencil! promise not to tell her! ..play. Where the deer and the Where the deer andthe Not un - til you play, What-'re you try-ing to do, Sti-fle my fiee-dom of4-"Gke cub Rees 133 ag - ing Give me my pen - ill are not cloud not (CBR. Pana Conese134 s-"0ieeChb Rebel” [33] (SALLY victoriousty holds up the pencil.) sa. ‘What pen - cil? Ob, give me a land where the— av, On, give me a land where the where the day. on, (LINUS discovers his pencils missing) give me a land uy, day, No! ~ Give me @— Give me that pen - cil! ‘SCHROEDER: Si 5 lf with vigor SA Li-tms, it just is-n’t fair! Flows_ sniff with vigor + sure-ly down. ww. — sand, Flows ei - sure-ly down. sf with vigor the ca. Flows lei - sure - gf with vigor y— lei - sure-ly— down the down Flows— lei - sure = aiff with vigor yy jena AP“ = SS a Fe a a stream. grace-ful white swan goes | a eaeeeeaCECeE w. 6 Se I j = = sa. cE stream. (Whispering o LINUS) ‘grace-ful white swan gocs_. stream, (Why did you take Sal-ly’s pencil?) Where the graceful white swan goes— (LINUS stomps offtage in desperation) Arguh! Be, pe. cot. He said you were.136 <7 Rene” An en-ig-mal Boy, that makes’ me... An en-ig-ma! [ ee An en-ig-ma? SNOOPY (SALLY stomps offstage) SA What a ter-ri-ble thing to call, a... Wha’s an en - ig-ma? Nev-er mind! ww cr."Clee Reba” 137 (oC.BROWN) 5 wy, (What's an en-ig-ma?) an - te - Go SNOOPY) 3 (What's an en-ig- ma?) play. (ononoDy) 3 a —— = What's an en,..? CUCY exits) Hey, he's still got_ my pen-cil! (C.BROWN exits) a cu = Where sel-dom is heard a dis - cour - aging word, SCHRONDER dimin. poco a poco R- Pino Ce138 9 lee cera [SCHROEDER] (SNOOPY blows ‘SCHROEDER a kiss) a skies are not cloud- yall day. sNoorY (Howl!) — = a Ul * Applause — segue No. 18a Quick Changes - Snoopy (Orchestra) Cue: (Applause ~ segue front No, 18 “Ges Cub Reheat” Swing four —— Poo, eHAt0 af nt rae of Es Fide Oym., Feat H-H time Fhe OF Per Gry Cue to continue: SNOOPY: Probably ‘ght after the invention of cookies. ‘Quickly tsi |g axa nite —— \ Get contnue: SNOOPY: ast sas Doitches tn exasperation. Music in ad Segue) Groovy four Gospel Ore. Alo 200 a (aiatoguel | Prien [dialogue B28, ee Segue139 No. 19 “Little Known Facts” (Lucy with Charlie Brown & Linus) (Cue: (Segue from No, 18a Quick Changes ~ Snoopy.) ‘Medium bounce, very dry (#144) =~ cumem 2 5, 2 (LINUS enters followed by CHARLIE BROWN) s “oem (©. BROWN; Hi Linus, Where are you going? LINUS: Lucy's teaching me, Charlie Brown She says a sister is responsible for the education of her litle brother so sho's teaching me, Boy is she itellegest. LUCY: (entering) Come along; Linus Pro,vn repeat ad lib, sip (C1, 86,0%, wet) (ast time) 185,80140 2. Le Kaowa it 1161, tuers Its called a fir tree | be - ou 8,80, HH ame ccausg, it gives us fur, Lucy ‘win-ter-time, This is an 2 Seba P Is ver-y little, But it will grow up 89,80. HH tne aR Fan ConditLite Room Pas 14 - You can tell how old it is by count-ing its = LINUS: Gosh, Lucy, that’ fascinating SSS C. BROWN: Now wait a minute, Lucy. I don’t mean to interfere but, = And way up [48] there, Those fluff-y lit - tle white things, Those are clouds, Peceareearae TT vam. 3) i ees eee eeeaee eee : i 2 Tid Bs. bc, Om, [Ax They make the wind blow. And way down there, ‘Those ti-ny lit-tlerrr 1 (LUCY) black things, = t ft (es beat Book Cue 1 continue: LINUS Is that 0? CBROWN: Ob, good eet. [66] TLUCY: That’sright They un szound .. repeat ad ib (ase timey F 28s, 8D. Lucy [72] ‘And this thing here, It’s called a S BV, Pro. =< They grow all o-ver, and no_one seems to know =—Just ony eae+ 5-"L ie Keown lit tle thing like that Gives so bird? 1s called an ea-gle, comm, ae? e ed ir, Ve “3 much waster, GSS D'ya see that But since it’s ace hhas_an-oth-er name, And on Christ - mas and ‘Thanks - giv e en ©. BROWN: Lucy, how can you say that! I'm sorry but just ‘can't stand ily by and listen to your wild.48 6. aon es nwo fmm ers. And when it's cold And win-ter is up- on by be B ——— + ae A e 5 84 C. BROWN: Now, Lucy, Tw tn wang Just like the flow - ers, ‘The snow comes up, 2 eee & y past / i (catogu contin rue LICY.. so cones spt LINUS: Lay, why i Cae Browa bana. eC EBROWN: Oh, 3004 sel! (sit upstage of tree) Gucin eninne! LUCY: Coe ons i / | repeat ad ib. al a | a a i d ee a Pre [diatogue} AY an mf |% | re) | 82,80, Pe | 6 (Fan Condor: Lt kapwe aoe” 4s [122] atempo LUCY ' Clouds can make the wind blow. Bugs can make the grass grow. vn, Pr, ‘These are lit tle known facts that a ene coer you know!.146 (Cue: (Segue from No, 19 “Lite Known Facts,” Musi 20 “Suppertime” (Snoopy with Charlie Brown and Gospel Chorus [offstage]: Sally, Lucy, Schroeder & Linus) Lights up reveal SNOOPY on top of Ms doghouse.) SNOOPY: My stomach clock just went off Slow, tedious vamp (1=48) Va, sf ost 2 e mp {arouse Bea ono (Cue to end vamp: SNOOPY: hut th bloschod bone of... (C. BROWN enters with Snoopy's supper dis.) ‘Dialogue cue to continue ©. BROWN: .. whole ‘mint with yoar suppe a [dialogue] a I) ssoopr Quasi rectative & = = se SS Sup-per- time? Sup per-time! Be-hold__ The brim-ning bowl of meat and ‘meal. Which is brought forth to ease our hun-ger. a) aa (BR Pano Conde2 specie 17 C.BROWN: Okay, there's no need fora big production. Jost getdown off that sweet. Which has been sent to slake our thirst oe freee pee o 113) xy ‘Swing fourVer'y cool (é=152) Reber ino pay High Hat os oly if nds ae potent.) SNOOPY ® Doo doo doo— doo. doo doo. Ws oy CR. Pann Crdsoe148 Serer” p71 {SNOOPY] wv ‘supper - time. sup - per - time. = {RAL Pano py harmonic eae tong ba 32, for rebel oly. sup - sup - sup-per-time, __ver-y best time of ¥ sup = per - time And when Bs, Dee tno e far a- way? ‘ Ba.0m ‘ean. Pica Candee[43] stop time Bring on Bring on the ba-con and ‘Sup per, sup - per, sup - per (51) Brighter Sopp fll me up "Cause it’s sup per 9 (Whistle)— io yee he Be, (Pre. HH)0 5 “sugeinn” [sNoory] Da-doo- m-ba-dah, za-doo-buh ya-ba doo ba. Sup-per-time,— {59] Vaudeville a Ai 5 ey re mir Oz doo doo doot oot. (Ren, po. play coef dase pres [67] Stop time6 "Super 151 Bring on the bar-rel and roll me home,— *Cause it's sup - pe a Sup-per, sup-per, sup-per. a su-per pep-per upper. be = A (SNOOPY mimes drum solo) Da bh Su-per duper sup-per- get 179] Win-ter-time's nice with the ice and snow,— Sum-mher-time's nice with al place to go. Pro. (nto) Bele gam wo i uf Poco a poco cresc. (con Fan Cotacteaz 1 Suppcins ,_(SNOOPY) Bed - time, 0-ver-time, half - time too, But they just can’t hold a candle Pro poco rit 5 [87] “Jolson” 20) — Sup - per - time!. P ~ | Pmoto rt len) 3 fm (ie, poo. play nei Geel depeoet ing on the hamburg, bring on the bun, Vengo [95] 2152) 4 pe $= ==: ft JE Pap -py’s litle pup-py loves we153, ‘Sup-per, sup-per, sup-per, a A z= berm te Su-per pep-per up-per. Sup - per,— su-per du-per sup-per ~ Fast gospel two (=144) Y pass ee ws = : Aru “Gospel chorus” nee! SCHROEDER & LINUS (offcge) SALLY & LUCY (ofiage) eae ‘ Sup=per = timel— at £ Ta po pape eicmptomn, ee pr BERET [Drums set tempo] YnAa onTanbctrine Backbeat bar 128,154 (SNOOPY) o [SALUISCALLI Whoo! Yeah, Bring on the meat! | Sup-per-time!— Sup-per-time!— Sup-per-time!— mT 19] G0 to church Oh! Yeah! Sup-per- time!10. "Spee 155 ‘ Bring on the food. Bring on, bring on the soup dish! Sup - per = time! it (Cue to stop vamp: C. BROWN: Now eut that out! pi GT Bring on, bring on the bam-burg! —_["i4riing nprovconn] ] . No Ita Scie 06 | G7 . C_BROWN: Why Stow (d=a12) can't you eal your SNOOPY ‘meal guielly and " [62 ‘calmly like any & £ ‘other normal doe? = SNOOPY: (very softh) ‘So what's wrong with making Sup - pen mealtime’ a Joyous occasion? ra t= 79 = =t 3 O aiatoguey | eeie -a1tepet * big ritard (stoorY [eadents] Blackout, ‘time! eee Pad Dre, wig mort, Tar veto hak Cy, po ba wt” a Gaaanea 3 aro. : a = S ro uv Vere No. 20a Night Scene - Underscore oe i (Orchestra) | Cue: (Applause ~ segue from No, 20 “Sugpestime.” Music in. Lights up on a drop of start ight sky.) | (LUCY & LINUS emrer—dialogue) At cue: LUCY: linking on and of. SCHROEDER & SALLY enter) (SNOOPY clinbs ono his doghouse ~ dialogue) Ga mtesne' LINUS:.-ovecbere to gtacioserlodk, Cue fo continte: SNOOPY::..exstiy What needed. | ib é Coo Sao j SRA Modertto (=120) ‘ieee, pio wae = a [vniVa,, Bs, eet) b (C.BROWN enters dialogue) r Senn mt a 4.4 Ped aes) SSS] | ate Seam157 “Happiness” (Full Company) (Cue: (Segue from No. Ba Night Scene Underscore. Lights come up today) ‘CBROWN: lcbasn't been such a bad Gay afterall ‘Moderato (4-120) Hap-pi-ness i find-ing a pen-cil, SCHROEDER ‘BROWN SNOOPY Linus = Piz-za with sau-sage, Tell-ing the time. LINUs ae Hap-pi-ness is. Tearn-ing to ver=y first time. whis tle, ‘Tying your shoe for the138 2 tapi" [SALLY C.BROWN play - in’ the drum in your own va, school band. Le nd Know-ing a sec - ret, peso) epee) SCHROEDER CROWN | climb -ing a tree. Hap-pi-ness _ is Bets3 tapes 139 SCHROEDER - five dif’-rent cray-ons, Catch-ing a firefly, Setting him free. re J is e ae eS fae Pr z =F r—? F [29] c.prown ge a Hap-pi-noss is be-ing a-lone ev'ry now and then. And Bey Okan ye igre ee eee ee pete la Smee RT a fier lee ws nae = iP Caen 0079 F Pr r hap «pi ness com = ing home re = 4 8M ccmown Hap- pi-ness ey ten o On eeRE) op ran Coticee160 4. tape! Yooe ) (C.BROWN) 1 i i -pi-nes is am-y- and Day-time and night too. For — Hap-pi i is : y-one a Bee a ee. a. oe — a2 Ww aoe ter ts Ss S| ee ze lines sod == Hap-pi-ness hav-ing a sis ~ ter, Get-ting a - long, o. ar oF (can -Pina Candtr MF ; | |[54] SALLY & LUCY Hap-pi-ness is | sing - SNOOPY, SCHROEDER, C. BROWN & LINUS ——3—— Hap - pi - ness is sing - ing {Ove taco Va tn day is through, And | hap -pi-ness is hhap - pi-ness Hap-pi-ness tn e t (om Stage ing, =I those who those who sing -ing to - goth - er when to-geth- er when day sing, Hap - pi- ness is sing with you. Mom-ing and eve - ning, mom-ing and eve - ning, —— im fea12 6 SALLY oo Lucy Day-time and night - time | too.—_____|__ [MEN] SNOOPY & C.BROWN| 7 i SCHROEDER & LINUS | Day-time and nigh - time “too a a oe bo [C.BROWN} an y-thing oe. i Thats Toved sete PHY (General exit) a, Vn kop cet bar 72) (Bs. opt facet they bar 78) > Fr ie eee wee ara “f e_F ‘You're good man, Charlie Brown! (CR - Piano Conductor e . Segue YorksNo. 22 Cue: (Segue fromNo.21 “Heppiness.") Solid four (4=120) 163 Bows (Full Company) (COMPANY cites and bows to applause.) 4 (cER- Pin Cotiesemom-ing and eve - ning, —-Day-time and night - time SNOOPY 100. SALLY LUCY 00. For | hap-pi-ness SCHROEDER ‘BROWN & LINUS zs foes ese eeeerereceee fap-pi-ness, 2 fis CBR Pn Conse(28) Charlie Brown groovefest sNooPy Hap = pi-ness— is SALLY & LINUS LUCY Bom 165 that’s 4 Oh, you're a good Hap - pi-ness Hap-pi-mess isan ice you, You're a good man, Charlie Brown groovefest vn ee (OR- Pine Conder166 Bom Oh, cs yy thing, saat) Hap-pi-ness is iLusse. Char - lie Brown! Oh, you're a good man, Hap - pi- ness Char - lie Brown!No. 22a Exit Music (Orchestra) Cues (Segue from No. 21 Bows.) Groovefest Ve Seah 167198 asi | (em pyc = | Sebmestoeey (CBR Pinto Conese(Ry. mod pao. phy ca if rte ae ree] ef | aay Breety rat Z B,D. ti (inten Tab. an) be[54] ‘Alo, Gasper. e vamp [four times] ‘opr 0 ne jo bd ara big ritard oosor0 CCAR Pine Conder