(pees ‘superiative natural phenomend or areas of exceptional natural beauty ang esthetic importance” ‘example representing major stages of Earth’s history, including the record ‘on-going geological processes in the development of landforns, or ding example represening ‘significant on-going ecological and. biological the evolution and development of terrestrial, fresh water, coastal and marine ¥y conseration ol mest important end significant natural habitats for in Including those containing threatened species of outstanding univers of view of science or conservation” “as a World Heritage Site provides prima facie evidence thet such a ected cersisct to the Law of War, under theGeneva . > CULTURAL OBJECTS AND OF PLACES OF WORSHIP. ‘of the Hague Convention for the Protection of Culturalba bs } | It E—— oF = ie pt can ib bin jm ia rock fairkir m % Bhim betka, Mireepur, furchmarhi eaRaE Hie Pile polleiy af Sraes valley tials alhaDal Vege alii a U8 acl or oni + due wok eee Lnoun a Polvo glyps — S aehaeaeee Hadpaliial, we a . 8 ae “rnore “ommon da pans aio dancing scents 2 Lia coven in 1987 ae ane archaeolege 8 ehardo:) Pian ety 4 Spmicds He Galea littuc ee. tos of wile, mle inact a age animals Mike bisor, shina, Higes naan SaaSa jen mally ras OF ee: ” Cralolittug : ri ee sin eg fre ard) phat & bo thie : Gus, ThasBhord .pasnltigs on the wall of daige a OE + word ninialans deuved from Labi ‘doa nung alelaiiled ard very * i i aS Jka entewdld on a very amali stelle, on paper , palo leaf, doth, glact ele * ti mot about the ing ao the Lavth of cabal that Aifferdcatis from amall posi, + She Conpesiion perspec and colour ane a important as in “~ pen ee 3 ; + finiciiee S ld do wilh svce : < ccoclliom: ‘Teaches)+ AINTA PRINTING S “pial Dies aig on the wal of Phe weaves ~ Fealinw: 2 brpuessin 4 emotions Haougl. hand! potlinss 2B Haialylu differnt for cack pomale one ity animale and brrels we shawn wi “oes we Fresco paintings re-on wet plaster alle re esig Pp » Vat Tempera r ome , , iultke ories having Buoldhis Influare ® flume: Ja mos en Oppesit of axe ee ante Mukti + BAGH PAINTINGS Jame as /Y ay esa seg 029. Sears "8072027 saccesuee TINGS VASSAL PRIN + SITANUA gr Byte’ ee p Td is Yewman, ond) Neastrbo: Ue ~ Gnilialuie by Ma : ; : Phan: eT a 7 Bagh, andl Hants = Techoeyps ongley FLORA PRINTING S opm- Race Fes i Mera forgo Van, myl - Shu. 4 acnpbhrobionce of pray ae (pertiaclarly ™ hae E MINA TORE - ALENT PALA StHOOL OF PANITINGS — : «Hetty Tanase a ~ Thome ts baddhiat. - Pxuclid o pal Leh o> pape, is dri yinalid jin Hwaol and Gujarag hejzstban) ‘ ~ Thame: Tain anol Vairhnay - eating, : * Mincalios paints a9 eh hana“Ais foe + primals sand Hird ssppegen led a toys Hadl Zactin, Pesudn. os well 00 European Influsna 9 Uaeof biilleant lolows i Meaney wns casing’ ip Vanitly of themes (Cexipl seligious Phemes) F Uae of foreigplaning chan : ~iamaniiblening. Lechregue, dnolt, Hhis Fechnigu, Tt nde ya yl mo 2 pair ron Poin p Mhduo lammad 3) Mar Aactol Me iinet- | Alba» ‘tbe we apt ill were deolopedl i pe pipe 4 Mans o stly a pip of Yas alsa Wrilon ib tek Kasthara of HitherPings awe claorall Pitigio |» Mey tniniale paintinge = tio hemalf an ails anol had his oun votsbay |) Zante - ated Han scor- | Paatlng bra. cok * ae + Moukena-do-pygaza. 9) Shah Johan a g fold Ailes ead bright colours tn painlirge Redueid liveliness. (artificial and! Unnateadl de ty arn saffscrcs) b Peneit poioting 0 waspiabashiiaarge - Olraged ps ct2gion off Bihar i : - ‘sa Aogko ant Léng-ont ¢ the mabofanpada) = ato called Snatarpasinhioger (sralee mblef altoays, parcacal | igs ao 07 benesof file arc! papas a . ATUL PHOTOSTAT 66214, Near Agrawai Swecis. Opposit of‘allt modap due » wealesn ning nol: fr for felon wae Called Raphael tah fat Hin > tadyans Pain "gs - : | © eggs - He single coltars Falun: ¢y Darshan ? Acaafentpthorm s Leallcace pacatings. 0 Cel Med th harmed 0 Spinal in magesep. 0 if int gt an ts | an an abshack for” : Jefee alana. belizen, lize‘ond Colour Heb Havseins themes Parconificalici of Kormance fuente: motif: HorceINDIAN PAINTINGS INDIAN PAINTINGS ATUL PHOTOSTatr 642/4, Near AgrawatMUGHAL ies of illustrative paintin=: " “Garland-of Razes'-depicting various Indian misical modes. Ragas. They stand « rf. poctry and classical music in medieval India, the amall Ragamala pain and are today rained > personified by a colour, mood. a verse deseribi also.clucidateS.the Season and the time of day and night in which a particular caga i to by sung: and finally most gs also demarcate the specific Hindu deities ati: with the raza. ike Bhairava or Bhairavi to Shiva, Sri to Devi ete. The paimings depict not just the Rit so their ives. (ragénis), (Neir humerous sons (ragaputra) and daughters (rugayputr?). a story of a hero and Inthese puis"”3 <4. heroine (nay ah andi na 2s presént in the Ragamala are Bhairava, Dipika, Sri, Malkaunsa, Meh and meant to be sung during the six seasons of the year. Summer, monsoon, autumn early winter, winter and 5 The six principal Hindola and theseJANGARH SCH HOOL BUNDI SCHOOL Bani-thani AHARI STYLE -, MADUL BANLPALNTINGSecu ae ZNDIAN AvsiE — Be whe ferrt one who heard Hit nowtalodion Ca manage fom fod) Jumbre was the fist Msizian . ial 4 Pate iaidal all i caine Yi i ferred an ibis: past J dacriffices * Se Kegueda ard « _ ATUL PHOTOSTAT 62/4, Near Agrawot Sweets, Opposit of Ax Bani ATM, Mukherjee Noge Doth.’ 10999 M. 95752670"lat se Mai if oe Ie ace tbe 2 ae : ; a ome: es cas Hence Honea E hirde 2 > Cdawa Raga. : lontathe S noles ) Shadawa baga. Enola ue > Sampara, tape: Toole.G bef fill 3.1518 bab Neale Aaohlio Hyp} 52 Gros Al SE wk cca a Lie Saal in Jeortal’ haa /b beat’ of Inte Music ee Lael osHills, Yolen Pllawed | aothun Fade— . a mb . in proper form andl et - I tk tak a siow and aber ory 4 motion whit, Sa 4 Pie free pope ilitn)