the left hand plays an ostinato figure consisting of six notes.

The other six

gradually appear in the right hand.

here the important thing, to my mind, is to clearly separate these two layers. What
the left hand plays is actually motionless.

True, the duration of final notes changes. but the figure itself always remain the
same.

In contrast, the figures in the right hand change constanstly.

First we hear three notes, then an expansion, then the next expansion,
and finally the maximum followed by a variant of the opening figure.

the piece ends with a coda thath pushes forward and soar s upwards in register.