m Act II. A lonely spot on the shores of the Nineio On the left, a two.story house almost in rains, the frost of ‘whieh, open to the spectator, sb rustic inn oF tovards the stroct iv = door a in the background, behind towors of Mantua. Night Wigoletto, in great agitation, on the ‘vated by a table polishing his belt, uncenseious of what 1s spoken outside. N15. “La donna é mobile.,, Prelude, Recitative and Canzone. Adagio. (d = 66) parapet; beyond, the parafueile in te house, me Sterier Rigelats vita, Rigeetto. cues. fo fa mol Tove him! E Vem? Sdmpro. Pure tompoa gua-nirnoOho le-coin-tet ‘Thou lovsthim? —Alvays.Still to love him is mere in-fat-u - ation, Riguat > ot Fowe-yo cor di den-nal. Aufl videjn- fa mel Manga-vrai ven-dot-tap An wndbebeart of “woman! base len! ‘Thousmy child, shalt yet have ~ Gilde, Rigelett Gil-da” Pie-tusmio padre! Eve (u cor-ta_fos-siclfel ti tra-dis so, Ta me-rest vengetnceNayrather pity. And if Tcouliiconvincetheethathe ts worthless wouldstthoustil then Rigoletto. Nigoletto Cireds ner towards the houre Gilda. te look through a fissure in the wall), Nol 80... ma Ur ma-do-ra. E-gli?” Si. Eb-ben osser-va dunque. Perhaps. An, he does iove me'Lovethee?Yea. Come here and look within there, mp173 (The Duke disguised as a cevalry ‘elfiger, entre the inn) ea. Rigo. Allegro.cd = 12) no in uo-mo vo-do. Per yo-cvat-ten- di. ‘Aman is entring. Observehim close-l. aa Gide Gotarting>. Duta (to Sparatucile Sparatucll. puke. ‘Ah pa-dre thi-ol” Duc co- #0, © to-oto Oh, dearest futher! Comeserve me’ di rect Iy igeetto. Sparatucile stanza 6 del_Gh—o,..(Son qvo-eii} evel do ofu-iD COhfl bal wer ~ partment, andsome winehere.CTis thus he Seeks ad - ventures) TA. gallant bi - nod stranger!) uke. te ~ ba dome} no-bi-fe quel piuma‘al Yen-tey musta dao ecn-te Piume in ie igh summer wind Wiy-ward-ly phaying,Neeroneway swayingdi pen sie-ro. Sem Bach ?o" | taping Toure eun a ma-l Taushenrt of le ggia-dro womaniied Beey way Yi £0, bendeihy s PD — inpiantogin vi so, mlen-zo - gne-ro Woo'who “de. ponders On joy" cho fa domna > Sperdetht Yesjheart-of mp P ao Aa Sa Guilphimesl wn-ioy muta @ao~ genio Ev-‘ry way bendeth, e— di pen - sier, Woe whode~ pend-etn On—joy She spends, “> Zz SS ae, Sgow a pts a e— di_ pen site, on— joy~ She spends. AAA95 BE sempre Wei suff da, chi te con - fi - da Sorrowund I-low her smiling, Fondbeurte be — guiling, mill edutejl co ie liceap- yer o Pasco as — Seting! I her Ge Mowing, @hi Su qiel—se- 0 nen fi-baa - more! Eecdoama’d —mo- bil Nojeyworth rowing "hnthere bat wowing. Yewheart¢"wo-ann PP = pp leggero qustninmanl vento, muta ac. om to e¥ di pom - sien, Ev~ ry way bendeth, — Woewhe de-pend-eth On-jay she syends, PpSop who Tae" pends e— di_ pon- sier! on jog The eponds. PP: le with a flask of wine and two glasses, which be places on the tele th = ~ =. the hilt of his Long iword he knotks on the ceiling twice Atthin wi his Tong i ok a irl, Arocced 6 a Gypey, comes bound above. The Duke nurs to embrace her, town the stops from rahe eludes him ‘bi Sparafucile. Tl _vo- Yourmiwe with finer de - 6 Shall 'T spare him,(Sparatucite gous off behind the 17 house, toward the river.) ar - di torne- 1 Topraacom-pi wait but my return before you end N016. “Un di, se ben rammentomi.y, ‘Quarter nto in the ateetMAEASin and the Duke on the ground floor “Aliegroc(0 veo) bu . geben ram-men - to-miy if 1 re-mem > berwell, Oh _———_~_ be - fay din - con- tre fair_-_estitwas 1 met fuir_-_estitowns a ei gine te “ig Be eggs ety peer cou t get thee; sap = Biche Pal - Io sol fe questal - mi smile ____is'e'er_be- fore Tho satinMaddalena, in- i-qde!™ Ah, ah, ven-altrg ap-pres ‘The traitor! Ha hay empty proves ta scor - da for - S¢a-desso? Haun arial si-guo- ri-no da ve-ro ee ee Bott we ye > ‘Ab pa dre mi - ot Ondeares: fe — ther! no. utierd Dake Grying to embrace ner). La-scia-te-mi, stor - di-to. You're hold-erthen po - ‘un most sone Th che tr _Say,_why this be te Maddalen cao Slia shggio. coldness? Wint _nonen: W380,T gil shg-ger - ta chiv-do-si ad gau © mel Pa- ‘Think Mot ofaught but ‘pleasure now; My fair-est, I live to Si ‘col canto ‘akes her hand) fa Wel a ma-no can — ‘That hand soso, oh ive pleasethee, — —=—_ |p ‘Sin brut-ta. Tankquo! Pan frightful. Thetraitor! 0, m0. ‘Ab-trac - ela-mi. mybear?s delight. Nay? may, 4 4 P —= ‘Signor Pin-dif - fe- rente, vi pia-ce eanno - Try softerhearts tomoveshen,All trifling I with- bro Madman! —Caughing) "amor ar- den- te. Tmmad with low;tten. gg va a Eo es pe180 vovaile ie je To-ln Wiltthos be-ore ‘x -witness?Gronialiy) Kodo fi wep sar ‘mma-bite fi - 1” oferinee hy tna itn Indeea teres Hee ee Tee oe oe ———— 1 ni- quo tra- di tort Madéetena._Obheavnst am _ betray! Ne wlio la pa ~ rola ute wit moo'te-tore Mt “witeess? tienes! ‘K ma-bi-te fi Higa 4o,Gityy, wo has heard al Inthat indbed heres Tron i basta an- cor? non ti basta an- this thy neartpersuade? will is uy heart per ai quo tra di Ohhewn Tam be ‘Ne “voglio la pa = rv-lal ne voglio Ia pi - ro-lay ne voglio la pa~ wine moute-nve Mt ‘winesvwitineteare le witedwnteion tite fe elivolal ‘a-ma-bicle fi gloat a-ma-vi-fe fl — fitness! inthat indeedtherdsfitness! in that indeedthere’s ‘@ non ti asta an-cor? non 11 basta an’ wurthisayneart fersmde? wilthstaynenrt per SE > = =181 7 ia w tness? Andante. _ liue-lal ‘Rela feglia del-Ta- mo ~ Sohia vo fitness! Phirest daughter of the Grae ~ 1, thy Andante. (6. _——_. son do" yen Hh nos con un detain det - to sol tu humble stave, im plore thre Withone ‘tensderword to joy. re ~ = pp dolee, = puo = i Je mie pe- ne, le mie pe-ne con-so - lar. Vienie cxgtgte—_MevBad the pangs, the pangs of tn re-guit—ed love. or ny, p ~ Sets ast il fre - quente palpi — tary con un ‘Thee T treasure [all 4 - bore, Withone= >=, pe dotteyindet fo sol fu puo - i Je mie pe- ne, lo mle po-necon-so- tender word to joy re - store___me,Endthe pangs, thepargs of un-requit -ed Ab! co-S) pdr-ler da- as An!_to speak’ of love thus Ahtabt ri-do ben di _co - re,ch® tai ba-ie costan _po-co; Duke, I_appre-ciate you right-Iy, Allyousay is but to flatter? Tar. we wre, . 6 have fa ene yt quan-t» weal f-sth glo-co,el onde -tc, appt - Win P mast aia Rew an SE Soe fondo? Ry a me fn-fa-me hou “i- tol Words like these to” me_ were spokent "Ta-ei, il plan-o-re non va ~ Silence, thy fears wil not "a= vail183 SS = a = ~ c@ cor ta - false, myheart is = ty per an- Son a¥-ver - 2a,bel “i-gno- - uve, SEPFVOGMY gentle Woo - en Con with @ kind 1e5 ta - ch toh ipian-ge-renenva - thee, si = _lence, silen¢e,thy tears will not a-vail _—————_, » —= ———_ ——— ~ seit nom stop plar, ne, 0, = _" “for otis“? “sro, ak) aby ai “in ad un si - mi-lescherza - - oe, mio bel "Gainst thy sweet and emp-ty noth ~ ings, "T know po i word end the pangs of ee ml, —n0, m0, on vail thee, n0, 0, 0989pe-ne con-so- lar. Bel- fa fi - glia del Pe - mo - lun re.quit - ed love, Fairest daugh-ter of the Grac fe -li = ce is____ “faith > teas, Ablahtri-do ten di co -reychdtai ba-ie costan _po- co, T apprt-crate you rightly, Allgou say is butt latter? ——— schia = wo son de’vex-zi tuo - 1 thy num - ble slave, im- ploreal gail o- stro gio - 00, mol cre - de - (oy eb ap-proz- ling to thik how min-y’ Yet your ten-der” tale will eens SS di = to, abi Ab —._ == Songavver-zaybel signo-fe, ad un si ~ mi- le scher T amproof,my gen-tle woo-er Gainstthy sweetand empty, Fam procfny gen tiew dettogin det-to sol tu puo ~ a Ie tender word to joy ro - store. a =a sei - mess toLf ee — 0, non sceppiar. In - fe-li - ceco - re, cor tra = tis’ all in vain, He isfalee, myheast, myhenrt, is = re. Abtah! —ahlah! ri - : - ings, haya, —hashay 1 pe-ne, le mie pe-ne con-so- lar. Ant pangsthe pangs of un-reguit-ed 10Vs, ak, with PR, con voce cupa Tacke mia sa-Fa Ia ‘Toustustshus himandfor- é ‘sela non for bliss do ai cor, —'must_tiveh, ra la ven-det-ta daf-fret - him, Thy a ven-ger Twillpia strove, di cor, — mast laugh, te-eye ma sa- le thou mist chen him and for - ce -€ > di con, — most_lauch, ne con the pangs: =ra la ven-det- ta @af-fret him, thy a-ven-ger Twill188 re, in = ce cor tra = strove, for he is false, my heart is ah! ah! ri-do ben di co- re, che tai 1 gp=pre-ci= ate you rightly, all you say is _but_to My om or an cuish se the tar, 3, pron ~ sta prove. The strength to —_ —~ ben to, per ‘m-o = sci non scoppiar, no, —n0,n0,n0, no, ken, ah, in vain for blise 1 strove, ah) "in pocoquanto val-ga jl vo-stro giocamecredete,soapprezzar, si, flatterjah, I laugh #9 think how many yetyourtendortalemay move, yor frequen-fe pal - pl-ter, ab, ekeaeare ail” berepia - strove, Zar, ah, thy aoth-1ngs,yes, ni, pangs, dove, 989 Sonnq_avver- za, del si- gno-ro, ad 180 SL. un fh roof, tle woo-er, \ainst th ~ while scher = sweet _and_emp-ty prol- Io Tol=mi na vow to 2 io ev ey pow ‘rol - le fil- mi - ev = 'ry pow’ that ralea a go! tf con voce cupa ache nin seh show Sa Site hi and for =190 — sein aon = ken, ab in vain for bliss — fo ai con, —_aust laugh, det - ~ = to sol tw ten= = - = dor word re ne cue > - =a la ven- det-ta duf- fret - get_____ him, thy a - veng-er 1 ae —_ a Th ia strove, ta - che la thoa shalt shun tim and for -s01 ‘sein non for Hise con = S0- pangs of = re la ven-det-ta daf- fret — him,thy a - ven-ger I will ST Po pla - Fe, strove, for do ah! ah! ri- do bendi co - re, che tai laugh, Uo ap~pre= ci = ate you right fyy all you Tar vie Noes iors * Ay ogi tars al, pron - prove, the strength ot —~s92 = to, per ‘scla non ken, ah, for bi po- cos quanto val gajl vo - stro gioco, mel cre - de - te, s¢_ap-prez ~ flatter, I must laugh to think how man-y "yet your tender tale will _Siatcten e-quen - te pal — trea - sue all plar, Ro, 0, NERO, no, 20,n0, strove, any” in vain fo zr, 85h, _move, yes, tar, ah sh, vie ove, ah, yess end aS SD fo sa - prol-lo ful-mi-anar, 10 saprol-lo ful-mi- that I vow to ev'ry powhevry powrthatrulesa - Q ¢ tfe- ll - ce cor tra - di- to, per ango - scianonscop- he is false, my heart is bro-ken, ab, in vain for bliss 1 = stro i - Cosi ap-prez~ tink mun = ¥. you yet_ will de co = Feil pal of wn = fe = quit ta-cice mia sa - ri Ia cu-ra la ven-det-ta daf-fret - thou must shun him and for get him,hy a-venger I will pian, in- fe- li - ce cor tra di-to. per ango - scianonsccp- strove, he is false, my heart is tro-len,ah, in vain for Bliss T a co ~ Fei pangs un = fe ta-cke mia sa - ra In cu-ra In vensdet-tu daf-fret ~ thou must shun him and for - get himthy a-venger I will194 plar, scop-piar, strove, for bliss, @ apprezza- zar.il vostro gio - ¢osv_apprez-zar,—— il vo-stro gioco: smove,ah,| must laugh to think how many yetyour tendertale will move, tar, vieni, vie-ni, ‘oh end che pangs,195 N17. “Modi ritorna a easa.,, Recit. Reeit. igotet afo dit m8 = FO pren-di, un de Mark me! be-takethee homeward, there disguise thee as a rm striero, uv — ua we — ate vi il che Tappre — ste ‘youth © per Vere find a steed, and with all con-venient speed fly hence un- to Gilda Rigoletto. Gilda, Rie. parti, sa-rorv' Foon, and Tw pur do-man.Or ve- ni - te. Im-pos-si-bil.Tremo. Val ‘meet thee there-Fly thouwith me.Now 1 cannot.Pa-ther! Go! (Chie Duke ard Madéalens roman Gefirns wih Syarafveles soucting 4) aiking, eughing and detakings Fanon hie : vos so 2 = Rigoleti. (This Recitative must be sung without the usual eppogginturas) z Ven-ti scudi, hai tu det-to?. Ee- co-ne die~ MIwas to be for twen-ty pieces, half psid be ~ fore-t do-po Topra il the rest to fol=tow mossSpar, __Rigolette Festo. Ri qui ri- ma-ne? Si. Alla mezza - rot-te ri-tor-ne-10. Non after. Here are the first ten. Good. At themidnight hour I willeomeagain. Thou ever etre ye & = = Rigolgito. cafe. Kgettar-fo nel fumebastajosolo. No,no, ilvolfar 10 stesso. Si-al needst not. Icanthrowhim a-lone into the river. No,no, Imyself must dothat.Comethen say who =e =e ete. exit) rome? Voi sa-per anchejl mio? Bogli’ De-lit.to, Pucni-cton son i - 0. is he? Wouldst thos know, too,vho I-am?Hismame is Guilt andmine is swift A~ tone-ment. hePWeeddst thou know; ooywho 1 2 La tem-po-cta f vi- ei-na’.pitiacu-rafiala We shall soonhave a tempest,Thenightis getting ‘Tempol lena (escaping from him, Duke (izing her) le - na!” A - spet-ta-te... mio fra-tel - lo aal Stay, be cautious, forhere comes my 15969)197 Dake. Maddalena, sk vie-ne... Che importa? brother. Whetmatter? TENOR. (Behind the scenes, SEP (iene) Chorus. Sparatucile (re-entering the howe). to Sparatveits E plo-ve-rh fra po-co. Tan-to ‘And ®ain will fall in torrents. All. the Here 1 will (asidoto the Duke. (Ah no, par (Thou must not Sparntucite, we rai in scu-de-ri-a.. al-Tin-ferno... o- ve vor-ra-i! Oh grazie! stay, leave me a-fone now,make thy ex-it, go to the devil How gracious! 958198 wet stay here) puke (to Maddnles). _Sparatucile (aie o Matdelins (ge Du. Gon tal tem-fo?) (on ven-ti scu = ai do-ro) Benfe~ Goud re- fuse me?) CTis. twenty gold = en pitemen) Sir, T A = takes light end goes toward the Inder) Tice doffrinviu-nn stanza, se a vol pla-ce, to-nto avoder i pray you, thkeshel-terin my chamber, ‘is atyour ser-viee; if you persmit,til (Whispers a word to Maddslenaand follews Sparstucjle). mo: Eb-ben! 50-0 con te.. pre-sto.. ve - dia-mo. show you. Lead on! (I'l soon re-turn.)Come then, conduct me. ———S Adagiy con forza Po-ve-ro gio-vin! gra-rio-so _tan-to! Oh, shall he perish? would T could save him! = va ‘= 5 ‘Tempo I PpDuta on the upper floor. Divo, qual not - te que-tal” Si dormesLlarfan- Heaven, what dread ~ ful thunder! Ax o- per Sparatul Buo-na_not-te. Si-gnonvi guar-di Jd-di - ‘You may go now. Good sir, may heaven guard (The Duke takes off his hat and sword.) Duke. freve son-Ho dor-miam..stanco son Oneshorthourl will sleep, I am quite ae A Allegretto. = 12) La donna mo-bi-le quelplumaal ven-to, mu-ta dac- Plume in the summer wind Way-vard-ly play-ing, Neerore way200 em- 0 @ al pen - sie swaying, Enehwhimo - bey-ing, (gradually falling asleep @ Te donne voman, Néerone way swaying, eachwhimod— yes, all mu-te dae-cen-t0 e— dl pen- sler.. ‘woe who de- pend-eh on joy she spents, sempre piit'allarg. # = ators. Ole? re penslor. muta @nc.cen-tae di pen. Palnn-bilajin to-r0 co. talgiow- ‘he spendssvevho de-pentson joy she Soyoungandso getlewoudhenderhad = Spar ——_ eo not- to! Oh si, vensi scu-di ne da di pro- dot - to. Sol vea=ti? son sought us! Yes,he’swell © - nough,twenty piec-es he’s -brought us. But twenty? how 988201 Sparatucte. pa ve-te- va atl Hesworthmorethan that. My dagger’ go fetch me, =~ (Maddalens sscends the stairs and gazes on the Dube), va quick, ‘tis get-ting Tate. N9 18.“Somiglia un, Apollo.,, Recitative, Tio sd Storm vith boots a sands All legro. ( 6a) spurs. She comes slowly forward towards ‘Ah pit non ra-giorno... Amor mi tra-sci-nal.. mlopa - éreper- For levelssake 1 linger, oh father,for-giveme, I ean rot 9 = ~~ Piano. ightning) word on thetable) Qual ot-te dor- or - Fel. ‘Oh nightfell of _hor-ror, icind the sone, eh clone] S| ——— ert oaths) “ hurden202 a piacere looking through the crevice) Dio.che seta - dra! a will be my fate? ‘Who spoke then? Maddalena, So- Fra-tél lo? (groping his way to a cupboard) Hes My brother— ‘Aldiavol ten va.. Be silent,and wait. Tempo I. Maddalena. rmiglia.un A - polo quelgio-vi-te.. fo Ta-mo.. el mis-ma..ti = po fair ai A= polzlo he pleases me, T teve him, he love me, he trust pit fuswe!= dia= mot Per- che? 1 tet bin per—ish? For what? Gida (stoning. hele =lo! Ob heavaen! 5 fucile_ (hrowing her a sack), En-tressoi tugA- twill holdyour A= a Rattop-pa quel sec-co— I wantyou to mend this py GlPoLlo,skoza - to da me, gettar dovral fia ~ m pol-lowhenborsetohisfate,thebed of the riv - er. & (ightsing) ve-do! Ep-pure it da- satuin Wertnot for the mon-y, —— oF ser-ban-do-lja vi - te Oh could I per- suado thee— fa sto) - ta. n= 21 Ob hear me; ere = do. dare do. 16959 <= 208 Linfer - no qui ‘Aden of as. —44 sal-var= {1 seom= T know thouwouldst Dif-fi - et *Tis mera than —— i ste-inun pro - Te lan will make all mat- teraDe seu-di gia die- ci dal god- do ne a-ve- Sis ‘The balf of the price has been paid theo al - read —— Oh Neamt Pre co. grai-ini pid tar-diil ve-dra-f.. (o-ei-at- I Ineiundhbsck wii Gre—sent Jiy brag the Ye > uin=der) Kilt tim, and_th ‘een = to! io a - dre, for rere gy ya tert a a a aoe aa aoa o Thus ro-thing you twen- ty. yougainas in - tend - ed. Do > tr Vexcl= der quer Tez 20, to-der 1" mur-der Tose, while my heart is at ” rest. ob bola cho dia- vol di- ce — ati Ta Ia dro son hunch ~ back? hhast thoa fost thy sens - es? Dost thinkme @" ‘stio-mo, id me, TF ecwunters 208 Son for seen tan di to ual al tro ell= fakeme fora ban dit? dst thow ‘ev 3 dame fu tra-di - tod Mi pa ga que- to cheat my em =ploy = er? ‘The nunch-back has Madd Sparafucie fe-de- Ie ma-vra. AH gra-ria por «-s0 © duo-pq char to him Til be true, This youththou mustspareme. Tvepromisd to = Fi _“Sparatucite, ot fo_8-des-so! Oh buo-aa fi gliuo-lat. Gil_scu-di_per= ere cape tnee, On trse.mariea — Suaigcentiveeitioveme Whe (hasan) —__——__|ine ep Gia-mo.0E vert. La-veia fa revs” Sal-ver-lo dob- bia-mo,eal-var-lo dcb- money! ‘Tis true. T” must kill him- Ah no, thou must spare himymy brother, oh Din-mo. Sepria drab-bia il mez-zo In notte tl spirehiinfif Some one should en ter + Te = Ciun=ga,per es so mor-rh” & bu-in Ih notte, il clel (opp ine" “for tty fa-vrite shall “die. In pightstch as ths” ev"¥y Sense ok > be = > Ciettnizg, 0 PP To.nes-sw=Tiaque-st-=ta da qui pas-se - a,” Ohqual tencta - fhand= eto wencdver will venture our gr No come sigh, Oh = = 2207 Yer Tin gra, tol.Mocrh reve mlo pa dret.Ok cle «Tor found ity In si = lence and darkness to save him Tana a we Bim and Ta not as this Sparatucile cab -biall mez fone should en "heavy rain and continued lighthing) a ‘oh. nigh, of. pol-ra ner-se OA ‘con- found no wan = derTTT oh nigh, oh come nuh, m6. Drie chabbie no qui glun—ra.per es hen f Chorus, ‘woleet thunder. the ighinang eases)(Another dock strikes the (A slosie trikes) PP. 1 Maddstens in toons {t= ton -Ai, fra telto. Sparatucile Then wait,oh my brether. ‘An-cor cé mez-20-ra. ‘Theresstill half an hour. Chotplanke tal don= at Nea lai What, yon stranger weep-ing? Can 140 ‘Ah seglialmigamore di-ven-ne ru-bel-10, io vo'perla su-a get-ter la mia Anaito'he's for =gotten the faith he has sworame,Forhim I will de, for I tove him for Spantucie Si plo-chia? Feil Whosknocking? MTs by Sfodvasder andi (Gilda knocks again) Madtalena. Sparatucie Sipic-chia,ti di-co. E stra-no!.. Chi Yes,yes,some ores knocking. A. stranger—who by Pf erander ndlighring paE —~~— _ohes Madtalera. Sparatuite (earching in the cupboard at ‘AT-quan-toat-ten-de te. nynot. A stranger belated. ‘A guest un ~ex-pected. Su spic-ca - ti, pre-sto, fu To - pracomyi"taza-neTou-na vi~tacon al - tra sal~ Molwinstow iththodcedsrothfrnadie ce-teted Thole ofthiestrangermy ove wile aes ignining es P Sparatuce. be = ue... son pron- fo,quel-lu-seio Gi-schiu- di, fia altro gli do what Ive promisiytho' bad I re- fleet - edyThe sting of my Bee ie F a £ > > Gide. = seu-di mi pre- me Sal- var" Ab! pres.saal. la mor- fe, fi gio. vane, conscience meer would have bravil. Ob hesv re mereplby thee Tm pre- = _ _ os50 - nolOh ciel, per que-glem-pi ti chisg-go per-do. no! tect - ed,For-give me the love that my heart has en-slavill Fa

have savsmake hastemake haste Sitar Wwe ae pomo,gd= Toe io Ah nabawuilt fo who Ke Promsdbut had Tre oe btning thunder Rrra) 2 > io - ma, ~—per-do = nay ive them, oh heay = en SIR de wom, fe pe with the deed, make frste Schin-diy pi Wal-tro git seu — Tlected,the sting of my con-sci mi pre'= me sal — vary eb bene, S sce Teer would have bravil,TIl” do wha Ive promoquel-in-sclo di schivdijpila Glal-togi scu-di mi pre-me sal - Jromisdjtut had re ~ flected,ihe sting of my con-scieace | neer would have genet = f rathe Of g this siran yar, ah si gi seu-di mi bravid; no, ne, fhe Sting of my Sal - ein ~ ave 3 Iife of = this stran, = ‘sal far, ial = tro gli seu, — Tae, onder —— would have bravi,— (lightning’atd thunder ceese) ta con al - tra’ sal - ae ogee My gery _Tove— will have Say Mite 2° GP this tran di mi pre- me sal. tan, pli chal =~ tro gli seu fo,'T fer weld have brwd,——— fhe Sting ay om = Dette gt PYa > 2 Gilda knocks again) ingsfor fa con - = di mi pre-me sal - var. science I meer would have brava. LP inundorsniiving) BP loro perio - na is it thus T ie, fn - tract. in. tra Come in! Thoert wel (Sparafucle places hinself behind the door, with « dagger; Maddalena cpens, then runs fo shut the —_eo—_ Lightning thunder)(thunder)thuader) woo oPNO 19. “Della vendetta alfin giunge listante!,, a Recitativ Rigoltto alore, closely wrapped in his mantle, comes for ward from the back of the stage. The violence ‘of the storm gradually abates, There are still few flashew of lightning, ad thunder inthe distance. in giun-ge Vi-stan—tel datrenata di Ta Blesthour of vengeance,! at last see theedawning! Af-ter long years of Piano. ‘spet_to di vi-vo san- gi le-gri-mie plangendo.sot_to Ia larva delbat- ter the tears wrung frombit-terness of spirit, hid’neuth the jester's galling. Goxamining the hove) 7m jonarati.. Schlv=60-Ab non tTen-pogie asi Cisiuieg 4 ya The doorway is fastendlThedeed is not yet Allegro(d sa) ~~ ye * ‘Shicten- da. Vil wait here Qualnot-te Giini- sie- ro! U- aw temyostain cle-lol in terrayn 0-mi- ‘Ohtho mysterious darkness! Shroudwiththy sw ful thunders the decd thet she 5000220 —_ ‘Oh come jn-ve-ro qui gran-de mi sento!. Thoughts of a fa-turoonce morerise with-in me! Swwv ter veyy TZ —f knocks at the coor) Sparafucile (gous within ané returns drag. fucle. _Mgolette about toenter) gine a sack)- vot fet ud-mnght, Chie lay Son i - 0 E quaspentoit vo- Who's there? Thou know'st me. Here T bring Youyour Rigolat Sparatuc (igol tho give hima pursed struosno! On gioola’ Un lu me!. Un Iu re" 01 faatanro, Lesti al-ion -F dali ger foe man! Thank heaven!a there To see what?No,pay the money. Quickly wellthrow him in the ae) _— Rigolstto Sparatucl tiam. Nodastbiosolo. Come Ti pin ce Gui men attagit si to_pitia-van-tle pr phofondg3 § seam. No, I will dothat Bet at yourpleasure flere the tide is shallow, youll findit deeper further Ba. a Ra Ba * gor go. Prestochealcannon vi sor-pren-da.. Buo-na not — downward.Hasten,et no onehere sur-prise you. Now good night,Rigolet at mor ag there! —_pow'rlessthe’s dead!Ah,1 must jm-Por-tal , © ben das-sot Kc] SU0l SpFO- Ai iwere fol-ly! “tis he surety! I feel his spurshere ‘O-ra miguardi.o Looken me now, y2 = muon dol Que-si=un tu = fo ~ ney a ten-tep quo stor cour-tiers! Look here, and” trem-blel fa buffoon is mon-nrck! EI sta sot-tosmict pie dit E des-so! oh gio - ia’ Yes; my foot is up - on him! I hold sheethox "ty — rant! mtlea® ET =Ta par = Tal calls me? Abyshe hears mel ben sodoJa ter hearts only trea Fo fa" thert be Gaal mi - ate-rol.. Fa. tal se-ereti sel tu fe - ri - tar. how wert thou” wound-ed? f.Pigs. aay (pointing to hor heart) yal. jai smi pia hi tha col- t aT Bey Baath tai Andante Fo.milguar-da, mh-srol tan. Par ln-par~ lacmi, — figliadi - eyes, on my an~ gel, up-on "me, Speuioh spenk” to me, whobath be pe Tal per-do- ther, oh ask fer-giney is att Than allargunpoce ma tel be = o- di - fo, Tin fi glia... 0 mio plore theet Fa ther dearest, bless thy daughter, and for- — valor ote pasa Lun pa-dre.. Las give her! From ATo per vol eto wel i Rigoletto. ahrspeak” not of in - dew. mw dy 1 ings Slay 7 thou © — om © Bless Gilda. tna sa Ge =, vin - adel ~ Tl Rime an ee aie” NAT “tte “déino, Im sclanml non &, Tone,n0,a0,leavemenot fone arta mh. Peno per vol pre - ghe- er towel - come me pro ghe-rdy per vol pre= ghe= There ___ we wait, myfa. ther, for No, lasciazmi non di. hon 10-riF AAh’z0 no, leave me aot, live, my child! g f — tee oS se tin- vo- Th qui sol, ‘Canst thou leaveme “a-lore, a oT *281 al.. per-to = torgivey my be te - co mor-rd!.. ‘oh mia fi = glia! fov'd, five — for me. a mi non dei. oh my Gil oh my child, leave me not! dolee "a ‘o! Las-su in ciel, Tas-si in ciel * hinFromyonder sky, Fromyon-dor sky there "we 2 Thon mo-nir.. No, la-sdarminon di. Ivesmy ebstd — we me not in des-ps —h232 2 a Allegro.¢d = nay —— ba > ‘AK, Ie male-di-aio Ah! Ttvas-a'fethercursed eee tine om (Tears his bir, and fils swooning on the body of hie chil) 989 End of the Opera.