YWYiiy NOG ia. laid ad COLT =Ieportant Mote The arrangements in this collection are also adaptable for piano accordion, popular piano, | guitar, saxophone, trumpet, clarinet and other instruments since all arrangements have the melody and chord symbols (in addition to the ukulele diagrams), THE PUBLISHERUKULELE IKE (CLIFF EDWARDS) collection for the UKULELE Contents THE ABA DABA HONEYMOON [AN AFFAIR TO REMEMBER . ‘APRIL LOVE ATLAST . CABIN IN THE SKY COQuerte ‘A FADED SUMMER LOVE FRIENDLY PERSUASION 1 LOVE YOU . | MARRIED AN ANGEL 1 SAW STARS IT HAPPENED IN MONTEREY I'VE GOT A FEELIN’ YOU'RE FOOUN' JUST FRIENDS MAIRZY DOATS: RAINBOW. ‘SHANGRL-LA SO RARE .... SPRING IS HERE SWEETIE PIE : : THANK YOU FOR A LOVELY EVENING THERE GOES MY HEART TRY A LITTLE TENDERNESS WHEN THE SAINTS GO MARCHING ON THE WHIFFENPOOF SONG wee WHILE WE DANCED AT THE MARDI GRAS WHISPERING . ‘THE WHOLE WORLD IS SINGING MY SONG YES, MY DARLING DAUGHTER YOU'RE A SWEETHEART YO sass © Copyright 1958 MILLER MUSIC CORPORATION 1540 BROADWAY © NEW YORK 36, .N. ¥. 50 36 38 24 46 16 22 44 28 18 56 32 30 2 10 26 34 60 54 a2 64 40 58 20 62 43 52How To Hold The Ukulele Thave seen attempts, and I have made attempts to explain the holding of the ukulele by verbal expressions. I have always found these lacking in substance. This time I believe I have hie the method by the pictorial representations made on this page. {In this picture to the right, we are hold ing the ukulele (tuned in “D") for the "G Teh” chord, Fist, aote the general position of the instrument, resting ia the crook of the right arm, and supported by the thumb and fingers of the left. The fingers ofthe playing hand are slimost at right engles to the neck of the instaw rent, the thumb well in back. The thumb fof the right hand is about to make 2 down stroke The “A 7th” chord is being played here, The hand is now tomed as far ts possible in alignment with the neck of the uke, co that the second finger (see following page — Fingers) is easly placed over the first. Here too, note the position of the cight hand, held in readiness for strumming. Note that the nail of the index finger is against the fist string, and ia this way it will be drawn actors the four strings ia a wick, steady flick Here is the “C° Major chord, ia which all four stsings are brovght into play ‘The feature of this picture is the pos tion of the fest finger, (index) holding down two strings at one time, See how it is bent at the frst joint to make a fat surface, and to allow the other Fingers fre play across the finger board ‘The tight hand is in position for an ‘up or etura stroke, This time the Achy cushion of the finger is brought into contact with the strings “These are three fair examples of how to make use of different postions of the hand in relation to the finger board to play certain type chords. Also, aote the slope ofthe uke, and the looseness in which it isheld Note: — This page, and the facing one, have been borrowed from "Hank's One Hour Course in Ukulele Paying‘How To Use The Ukulele—— ‘TUNE THE UKE. If you know music, tne it as indicated ia the “Tuning Diagram’ (Tune Ukulele) at the beginning of each song. If you don't know music, hum the fist four notes of “Say I€ With Music” and make the second string cortespond with ‘Say thied with “le, fourth with "With’ and fest with "Mus? YOUR FINGERS will be designated as follows: the index finger of your left hand is the middle finger is "2" and so ‘3’ and “4. The thumb is not used ia playing, THE DIAGRAMMATIC METHOD is simply this: Hold the uke ia front of you, strings facing you. Then compare with this litle diagram Strings - 49 2 4 atthe left. The vertical lines are the stings, 4, 3, 2 and 1. The horizontal lines represent the fees, 1, 2, 3. et The numbers below the diageams indicate which fingers are to be used on each string. When a dot appears fon the vertical line (28 in song below), place the finger designated by the umber below the diagram firmly upon that string, just a tile re- moved from the desired fret. More than one dot s0 appeating means that s0 many fingers must be put in position simultaneously. The slanting lines after the diagrams indicate the number of beats (counts) that the chord is to be played GETTING A SOUND is not very difficult. Employ the index finger of your right hand to do the strumming, Refer to the cortect postions portrayed on the facing page. Draw your finger down, quickly and firmly, over the four strings (using the nail of the fnger), Do this toa steady time of one, two, three, four, and we ae all ready to PLAY THIS DITTy. Frets— maj mas Dr maj ave Ue PF) a oa TT Da Agnes roe a to me back ay Bon-aleto me, ut med aa Wrasse back, bring ack, Obl bring beck my Boole to mo4 From the 20th Century-Fox CinemaScope Production“ APRIL LOVE” - April Love Lyric by Music by PAUL FRANCIS WEBSTER SAMMY FAIN © : sane tere = \ some GH Be Hoss 7 yor saat gate Moderately A -— pril, Love is for the ver - ¥ Dmz c AF / 4 4 ST 4444 2840 3244 7 / ooo4 2340 young, Ev - ‘rystar’s a wish-ing star that shines for c pat o_o 3 vir ee yy FER hey 77 v1 En’// s rato aid {444 2310 3244 you. A - pril Love is all thesev- en won - ders, Cm G GT J J / SIL SST ozad gaat 2040 0204 2810 One lit-tle kiss can tell youthis is true, © Conyright 1957, 1958 Twentat Century Musi Corporation, New York, M. ¥ Invernational Copyright Secured oN pase in USAA - pril day to grow the Gn o7 R 3] Te EE 7 7 7 7 tse4 Aaa eat G Bedim will sud - den-ly bring D7 TH ys flow - ers for her Dm7 G7 inst bow rr} 477 Ty 4444 2840 pril Love can slip right thru your AT in - gers, So shes the one, dont os a2t4 ozs 7 4 ST a2it G7 y Hy + show-ers, 2310 her run @ G7 Wee 7 2810 gait SIL SLSR6 An Affair To Remember (Our Love Affair) Lyric by HAROLD ADAMSONand LEO McCAREY From the 20th Century-Fox Cinema Scope Production “AN AFFAIR TO REMEMBER” Music by HARRY WARREN ‘Tune Ukulel . Sm aul 3g AD mB O/// WOs/s ares tana att Moderately Sait Our love af - fair is a won - drous thing, ‘That Gm C7 F + ¢ Ara fH # | [ S/S Im / s/s 4/47 44/47 | 1024 124d Regt Te - joice in re- mem - ber - ing. Our a ast 7 y Heyy, Gey yy neta oats love was born with our first em-brace, © And a Daz G7 Gm? 9 c7 A 4/7 4/7 4/7 ass 1448 2840 is24 1243 424th page was torn out of time © Copyright 1957, 1958 Twentith Century Music Corzcation, New York, N. Rights throughout the word eonaled by Leo Fat, Inc New Yor, N.Y, Interntional Copyright Secured ‘All Rights Reservd inclucing Public Performance For Profit ‘Any errangement or edoptation of this composition without the consent ofthe owner ison infingement of copyicht and space, ‘Made in USA, Our ir Fain c cm ff + Hyyy BR yyy Be vyvyy Ey love af- fair, may it al - ways be cm pro FA IT sees ss 1024 feat o10z 4/ D7 ooo4 flame to burn throughe - ter - mi - ty. So, Gm Bhdim Am7 Fdim + ¢ + ¢ 4/7 4/47 H 4/7 4/7 1024 1324 oait 1324 take my hand with a fer - vent — pray'r, ‘That Gm gb Am? De Dz-9 aH 4/44 S470 4/7 47 ig24 44t4 0244 ozot o1oz may live love af - fair my yy sy ss 1024 share a tnd we may oe ge 4 Pa vir ees HEA ys teaa gaat aaet to re-mem - ber, Our ber.8 So Rare Words by BMusic by JACK SHARPE JERRY HERST © Gaim G7 c Tune Ukutete ne Urulel f aS AD PF B [ft a Lt 47 4 ST 4/7 sath o1oz zat Moderately So Rare, Youre like the frargrance of blossoms fair — Br Ab7 7 © aa rx] QO 4 ss 4/1 4ST 41 42 gata 2344 sett ‘Sweet as abreath of air— Fresh with the morn-ing dew- Dm? Gt GHC Cain G7 c < = fa + £ +4 +heH ¢ + rono/ LIT VIS eisagis gait | 0102 2ats aati — So Rare_ Youre like the spar-Kle of old cham-pagne, Eb7 AbZ or r= chide ineel - lo - phane Gould = ut compare to Yor © Da? Gr ; a JIL LLL TS tH / g2ad saat 2344 ‘You are per - feo - tion youre my i - Invernational Copyeant Sere Thi Rights Reserved including Public Peformance For Profitc Dm7 G7 tt frzx] E i Q/v/ 7/7 7a v7 4/4 7 Baas sat asta gaat de - Baz 0000 G9 a of angels sing-ing the A - ve Ma-ri - a, Foryourean ET Amz Pras / 7 / 7 7 1442 ozs2 1324 oztt an- gel, —Ibreatheand G7 ic 4/ 1222 asia s2it live you, With ev-ry beat of theheart that I Caim G7 a ¢ 47 SS Ss oto2 2844 give you So Rare, This is a heav-en onearth We share_ 7 AbT Ca a 1 a J//OO 4 Ss 4//TO 4 ss Bait rer 2at4 2344 — Car-ing the way we eare— Ours is a loveSoRare_ Gr GH) «(We ¢ 1 4/4 ST a HH ¢ Hey HER SIL LTP? ets aoia sett10 Shangri-La Lyric by Musio by CARL SIGMAN MATT MALNECK and ROBERT MAXWELL tune Uimete eee So Powel FA fa Hy ~,, HH,,, HAs 7, sant nn toes Slowly with much expression Your kiss-es take me to Shan-gri - F Dm m7, 4/47 4/7 4ST 1324 1824 2234 144 ia24 La, Eachkissis mag - ie that makes my lit-tle a7 F AbT. FH 4/7 SS4 S447 4/7 1208 2284 asia world a Shan-gri - La, A land of blue-birds and Dbmaj.7 by R Bhmaj.7 4/7 4// Ve sss 4/7 zeit 1208 2284 faze foun-tains and noth-ing to do, But cling to an © Copyright 1948, 1954, 1956, 1958 Rosbine Mule Corporation, New York, N.Y.ut Eg Gm7. c7 + ee + ? 4/74 JS /S7 pire 7 siz is24 248 22st an - gel that looks like you. And when you Dm? Gm Gm7 7-9 FE TH ¢€ 3 + He re xx) TO s/s 7 4/7 ¢/ CEs / 4/47 4a foz4 1324 1824 2284 i hold me, how warm you are, Be mine, my Dmz Gut, ght cm6 a Heyy 7s Gy v7 ct 1324 1208 ottd 4/7 dar - ling, and spend your lifewith me in Shan-gri - La, D7 Gm7 Gb7 aS + 4/7 1/4 Ss fs 4 LT ooot 1324 1208 For an - y-where you are is. Shan- gri -12 Rainbow Words and Music by RUSS HAMILTON c ‘Tune Ukulele scx) AD FEB t 4 47s 4/47 SST ait 2810 3 Moderately Im sav - ing my = mon- ey to buy you a 4 LSS 4 S447 4S 7 7 Rain - bow, A Rain - bow to fit on your c Kr a 4 ar ne a 44 4s gait aaa fin - — Aft - er Ive gone and 447 sf ar a a a a a bought you the Rain - bow rn go {© Copyright 1957, 1958 Robins Musle Corporation, Lt, Landon rights forthe Unites States of Avaric, iy terrtres and posession, Cardo, Mexico, Cuba ond the ates ot Corto! tr uth Arne controled by Robins Music Corporation, New York,NY toterntional Copyright Secured ‘Moca in USA. ad13 or oc oF a 3 f yy ys S/S 7 vio ito gait aeat out and. TH buy_ you the “moon. 4/7 4ST 44 Ts 47 — When we go walk-ing side by side in the Dm7. G7 a 4// Tos {ttt 2g40 a 4 — moon - light, Well count the stars- as 4 4 7 7 1 S44 4/47 go stroll - ing 4 Ss 4S 7 / 4ST 2234 g244 may - beone day— well ownthose beau-ti-ful di - a - monds—like the teardrops from. your c od F S44 SLT is 4 7s i244 2284 eyes. —______ You know how I feel on Guz 7 Got ote ft fo ie + + a Wy s/s 4 ss i f24a22a4 4324 4244 2284 7 1824 ‘mo-ment like this,— ‘When hand in hand when we remi - nisee;_ Your c Dm7 G7 +H fe 7 47 1/7 4/44 4 7 Bait attt 2810 eyes seem to glowwhen you whis - per low— Oh! I really love you. c G7 c7 4 fs 4 S47 4 44S 2810 to buy you a Rain- bow, A Rain - bow c = 4S 7 / 4S S44 SSS to fit on your fin - — ger, 4 4 SLT 7 SST =, and Aft - er Tve gone ought you the G7 S447 f 4/7 7 2840 _— Th go out______ and T____ buy you the moon.. - TC F € G7 ‘ 3 4 Tes f + ¢ [ / / 47 SLL SPR Bait 2284 said aa10 24d Ym16 From William Wyler's “FRIENDLY PERSUASION” An Allied Artists Picture Friendly Persuasion Iprie by (Thee I Love) Music by PAUL FRANCIS WEBSTER DIMITRI TIOMKIN c Dm7 Go c ‘Tune Ukulele B ae Tt + f + AD FB Heyy, / ae y HHy vy Slowly 8244 tit fez2 gaat Thee I love. ‘More than the mead-ows so green andstill, | More than the mul-ber-ries on —thehill, More than the buds on the [ SSL SSA tH vv BBY EV sy By 1324 4244 2234 —3— 2234 Arms havel, strong as theoak for this 06 - ea - sion; {© Conyight 1956, 1998 Leo Feit Ine, New York, N.Y "a Rights ReuervedIntding Pubic Pettrmance Fo tit _ etAMT AT FH A 7 $024 84202148 to kiss theetoo, in Friend - ly c Dmz 411 tad sion, Thee is mine, though I. doxt kno Fr 2234 =F Thee pleasures me in a hun - dredways, So put on your bon-net, your Em Dm a = cape and your glove and come with me, For thee T Te ‘2.6oe) 18 It Happened In Monterey Words by Music by | MABEL WAYNE BILLY ROSE ‘Tune Ukulele D7 rt me a HH 4/4 4 ss 474 47 2010 ozo ooot 4 Moderately Jt Hap-pened In Mon-ter-ey a long time a - go, 1 be D7 ¢ 47 47 47/ 4/7 met her in Mon - ter-ey, in old Mex-i - co. Stars_andsteel gui - tars and lus-cious lips— as red as Dz Am? D7 fs 47s 7 / 0004 oatt 0004 wine, Broke some-bod- y's heart, and Tima - (© Copyright 1930 (Renewed 1958) Leo Fit ne, New York,NY, Internotional Copyright Secured ‘lthout the consent of the owner tn infringement of copyright19 & tee 7 s 4 47 f 47 2010 Oz04 0001 2010 In Mon-ter-ey, with- fraid_ that it was mine, It Hap-pened D9 D7 D9 D7 I-56 47s 47 47 o204 0004 oz04 0004 / 1802 out think- ing twice, I left her and threw a-way the BT ET 4 7 4/7 Ss 4 ST 0400 2223 key to par-a - dise, My —in- dis - creet heart AT. De D7 ste Oss 4 ST 47 47 0248 oz01 ooo4 longs for the sweet-heart that I left in old Mon-ter- re br "3. @ 4s JS SR20 ; : ‘Whispering Words and Music by JOHN SCHONBERGER RICHARD COBURN VINCENT ROSE ‘Tune Ukulele AD FEB SI4 4 44 said o100 Moderately S44 S447 Whis - per-ingwhile you cud-dle near me, c fs Hoss s sess 7/7 47 att omat Whis - per-ing so no one can hear me D7 a nt a ooot 2310 4/4 4447 Bach ——Lit-tle whis-per seems to cheer me c Gaim Dm7 G7 Dm7 G+7 rats S44 ST 7a f / 7 gait ofoz2 ittt 2310 «dtd 2ate I know its true Theres no one dear, but you, Youre © Copyright 1920 (Renewed 1948}, 1998 Mller Musi Corporation, New York, N.Y. International Copyright Secured Mods in USA "Al Rights Reserved including Public Peformance For Profit [Any errngement er adaptation ofthis cmporition without the consent of the ower sen infeingement of copysaht24 c Bz ni | Boys +, ys sy SIC ITT saat o100 Whis - per-ing why youll nev-er leave me | 1 | i i 444 44 ST I 47 Whis - per-ing why youll nev-er grieve D7 vs os 4 B 44 44 4 4 7 47 Whis - per - ing that I love22 Lyric ty HARLAN THOMPSON I Love You From the Musical Production“LITTLE JESSE JAMES” Music by HARRY ARCHER F F6 F tue ture a AD FEB ¢ + + Hoyyy By sy V1 aA ast reer omst past : ‘Moderately = 1 Love You, 1 Love An z at LITT 77 th orst anat tats that 1 can Is You, o8 He yy LITT ove You, 1 Love You The ont ce F cr ftee Fr tee HB, HA 7 HH yy a, same old words Tm say - ing in the same old way. I {© Copyright 1923 (Renewed 1951), 1958 Leo Fest, te, New York, N.Y,23 FL a Am Fr S17 ty, By) Bie Rest soit oat 2284 You, I Love ‘You. Three words that are di - vine, ——___ And Db7 F ae yrs yrs BAe ign Fest o204 now, my dear, Im wait - ing to hear le D7 Gm _ The words that make you TF om V2. a ‘ SIL TT y HE sss sss er tet gaat24 Coquette Lyric by Music by GUS KAHN CARMEN LOMBARDO ‘and JOHNNY GREEN rose vrutete EZ Bhaim BT mor AD FEB + 1 4/44 40° S H 4 S47 atta 1824 1324 ‘Moderately —: — ‘Tell me why you keep fool-ing, Lit - tle Co - quette>_ 4/444 SL4A4 4 4 ST _ ‘Mak-ing fun of the ones who love you. BbT Eb Bbdim _Bb7 ff ee ¢ si ys ys 7 Hy yy 1324 440 I fe24 (324 — Break-ing hearts youare rul- ing, _Lit-tle Co-quette_ 44/4 4444 4 4 4 =I — True hearts ten-der-lydream-ing of /—-you, —__ {© Copyright 1928 (Renewed 1956), 1958 Leo Fett, Inc, New Yotk, N. ¥. Internationa! Copyeignt Sacred Mode in USA. ‘Any orongement or adaptation of this composition without the consent of the ownes son inelgem25 fell in love with ET Ab 3 4ItT 444 4 47k 2 _ Some day youll fall in love as 1 FZ 4/447 you. May - be Bb+7 Eb fr ¢ lyyy, oo 4444 1 = ing, And when 4/4 4-4 S44 1442 = some-one you love will 4/44 7 4 —s— youre all Ae 4 Youll know _Lit - tle a - lone i924 with Coquette, I ‘2b26 From the Musical Comedy “I MARRIED AN ANGEL” Spring Is Here Words by Music by LORENZ HART RICHARD RODGERS Gaim 6 Gaim Tene Ukulele Se AD PRB Ht + ; 4/1 4/// Vos / 4324 2040 1324 2010 . Slowly (with expression) Spring Is Here! Why = does- nit my heart go Daim Daim danc-ing? Spring Is Here! Why is- nt the waltz en- D7 G 4/7 SSS S447 4/7 ooo 2040 Bast trane - ing? No de-sire,. No am-bi- tion leads e Em me, May - be its be - cause no - bod - y {© Conyright 1928, 1958 Robbing Musle Carporotion, New York, N.Y. leterntional Copyright Secures micron Made in USA. etSpring Gaim Daim caK} 7 7 4 Sd 4/7 SSS 1824 2040 1924 0004 Why doesitthebreesede - light me? Stars ap- pent, Daim Dz 4/7 a an nA 0004 2040 1324 ss Why does-nt the night in -vite me? May - be it's be-cause no-bod-y AT D7 Bm Em Am? D7 4 vA 2210 02414 0004 loves me, Spring Is Here, I Te D7 2. L777 47 SSS SLSR 7 204 ooo8 2040 hear! hear!a I Saw Stars by | MAURICE SIGLER AL GOODHART and AL HOFFMAN c_ Chitin a7 c_ chaim o7 Tune Unutete Done Ft 8 i Cos 7 4/1 / 7 4/7 gait iga4 2910 auth i824 2810 Slow (with expression) 1 Saw Stars, Theard a bird - ie sing so cr F Fo c © Th TF jacx He t ¢ /// 7 7 / / 411 s2tt apa; S424 S244 gait sweet, so sweet, The mo-ment I fell for you. Chdim G7 c Chdim G7 f 1 { HORS 4/ / S/T / Hy ys : fe2a’ 2810 vait tee zeto I Saw Stars, T heard an an- gel say,“Wake C7 F Fm Cc GtT c AB v7 7 HA, 2284 8424 / 4/1 agia aRid t gaat 124d up! Wake up!” Your won-der-fuldream came true.” A. © Copyright 1934. Metio-Golowyn-Mayer Ine, New York, N.Y. Copyright exigned 1934 to Rebbins Wusie Cororation, New York, N.Y, "@ Coovign 1958 Robbins Mase Corporatian, New Yerk, NV. International Copyright Secured "Al Rights Reterved Including Public Peformance For Profit Any arrangement or adoptation of this composition without the cansnt of the ownar Ison infringement of copyright Made in USA,Em HH 44 7 new born feel-ing had me reel-ing, I said to my-self,“Where am q Em AT AT ere] + J S47 Ss 7s 2eto’ oats oats 1p" Its all so ha-zy, may sound era - zy, There Cc Chaim G7 ¢ 7 HE, GRD ER, EE, ott o2438 O1td 2840 3244 f324 2940 4/7 was-nt a star inthe sky. Still, 1 Saw Stars, Chaim ar or Fo Em 3 «fT Ae a + AT t + tee] | f 4 4S 7s /// (Hvyoos | Sait 1324 2340 4244 east gant Theard a bird - ie sing so sweet, 50 sweet, ‘The © G7 T_¢ GT . fs cy + ¢ + J J o/s 7 Ss? mo-ment I fell for you. you,80 Mairzy Doats Words and.Music by MILTON DRAKE "AL HOFFMAN JERRY LIVINGSTON ‘Tune Ukulele Gaim nee AD FEBULL 4 47 / / zest o108 Moderately ‘ = i Mair-zy Doatsand do-zydoats and lid- dle lam-zy div - ey A Gm7 oT F C7 F + is 3 + + ¢ . 7 7 // Ey 7 / tea tett ast taiizast 37 kid-dle-y div-ey too,would-n't you? Caim Yes! Gm7 ‘Mair-zy Doatsand do-zy doats and lid- dle lam-zy div- ey A kid-dle-y div - ey too, would- rit F Cm FT Cm7 ET EET EH $3 4/7 / + / f 7 Rast sit fare 4444 1442 you? If the words sound queer, and fun-ny to yourear, a {© cooyight 1942, 1958 Miller Muse Corporation, New York, N.Y International Cooytight Secured Zit Rights Reserved nehudng Public Performance For Prot Mode In USA.Bb Dm7 a1 47 4 SST 7 £ 4444 2840 tle bit jum-bled and jiv- ey, Sing “Mares eat oats and does eat oats and lit - tle lambs eat Dor at c mt cr o 7 17 y HH, / Hi 7 get % seit“ taas fant L / / / / wea . dee *: & + = SSS] == Mair - zy Doats and do - zydoats and lid- dle lam ~ zy div-ey A oz gE Caim Gm7 oT g 7 7 i324 read azs4 1244 2284 kid - dle - y div - ey too,would- n't you?° Just Friends Lyric by Music by SAM M. LEWIS JOHN KLENNER G7 c cm ‘Tune Ukulele a AD IB 7 4/4 S77 4 Ws //7 2B10 0 -gatd sida Moderately, with feeling Just Friends —___ lov-ers no more. G BIT SIS WHSSS SS 7 7 4/7 2040 1iiz — Just Friends but not like be - fore—— Am? A 4/17 4 S47 _ To think ofwhat weve been and not_— to kiss. a - Em AT Ag D7 aa 7 Y adusss 2210 0248 2248 gainseems like pre - tend - ing It is- xt the end - © Copyright 1931. Metro-Goldwya-Mayer Ine, New York, N.Y Copyright renewo! 1959 Retina Music Crportion, New York, N. ¥. © Copyright 1958 Robbine Muse Corporotion, New York, W, Interotionl Copyright Secured Made in USA ‘ll Rights Reterved Including Publi Performance For Profit ‘Any onongement or adaptation of this eompesion without the consent of the owner i on inkingemant of cpytightfr + R310 said — Two friends. 4/4 4474 4 33 cm SIL StL 7 Hy, A aiid oF, drift-ing a - part EW Two 4/44 S440 friends but one brok - en heart We Am? br Am arr Are / 47 47 oztt ooo1 “ oa8s 0100 loved, we laughed, we cried and sud. - den-ly — love and were Just 4/7 2010 Friends. G7 2310 Just 1 2 Gg HE yy, SSS? 2040 Friends,a4 ‘Tone Ukulele lonenrent AD FRB Moderately Sweet-ie | D7 ooo4 Sweetie Pie c om 7 / / gest gait Pie, Am7 oeit i hon - ey, Lit-tle bit 0004 ooot / sad and a Am7 / ozit Lit-tle bit Am? aS + oett lit - tle By JOHN JACOB LOEB Am? f oztt vA ooot su - gar, lit - tle bit i D7 D+ J £004 G SIL SAL 4 SAIS SSS TS bit funny, You are c cm aS ff jr) Ho i /oO0s gait ait 2040 Pie. Amz. Pio, ———___ Sweet-ie Am? D7 ‘Sweet-ie my: ‘Am? D7 f / / vA 7 oats ooot oatt 0004 oztt ooot naugh - ty, Lit - tle bit Lit-tle bit good and lit- tle bit Am? D7 D+ G 7 7 4 7 SIL SAL TS ' ooot oatt Ooot 1004 | 2010 t Sweet-ie proud anda lit-tle bit haugh-tyStill youre my. f ‘ Me! esered inci Puc Perlman For Pot— 85 E7 a SAS4 S444 TOS SS SASF SF 447 itia Pie, Dont you sigh, _______ Howthe time is gon-na Am E7 Am : Pe 4/17 S47 fly, "TUL I meet - cha’ with the preach - er byeand bye. D7 c cm D7 Amz D7 c 7 ry y fey ey Gey vy Gy iy oot g2i4 Siti 0004 OR44 ooot gs2tt 4/ — Sweet - ie Pie ___________ Put yourwee head up-on my Am Daim Am az pes GF vcd > 1, HR, 7 yy, oes tava” oat” tite © cast ores shoul - der,Wait un-til you get a lit-tlebit old-er, Youllbe my. D7 G_ Gaim D7. 2G ir + ¢ 4/47 / f 4/7 SIL SSS 0004 2010 1324 0004 2010 — Sweet-ie Pie, Sweetie Pie,386 From the 20th Century-Fox Picture“ORCHESTRA WIVES” At Last Lyric by Music by MACK GORDON HARRY WARREN c Am D7 G7 D7 c Am oF & + 7 tf 0 7 4 S214 0284 4444 R310 14414 324t OSE Slow (with feeling) At Last. my love. hascome a - long, ————__ Dm? a ¢ Am Der mg ar rt 4 tt +t4 + t 7 7 Hoy Tet oo tt yat0 Sti o28t fait © 2248 esto _ My lone - ly daysare 0 - ver and life. is like a © or 6 ke mr Ge Dm - 3 fH 7 HG | t t at vere cet, HRY HEHE, t sett rato’ sett oxae titi, goto tH, the skies arbove are © Am Dmz cl Am a ft + + errr is S 7 7 veri rB10 seit ost = | blue, My heart- waswrappedin clo - ver Daz Fos G7 Cm oro Fo 7 t Cty vey 7 tn gts ge10 Sati ster’ seit‘ 2atoietd = the night looked at you {© Copyright 1942, 1958 Twentieth Century Music Corporation, New York, N.¥. Right throughout the world contaled Dy Leo Fes, om Yrs Nv Internationa Copyright secured "Al Rights Resecved Including Public Performance For Prait T found a ‘Any ertngement or edopttion of his compasitan wttaut the consent ofthe owner i an infringement of copyrightf 2310 dream that I can speak | seit Adream that oza4 ° G can eall 87 100 my own, I found a thrill to press my cheek to, A Amz D7 G7. Cam Dm G7 mz + +] ¢ erx3 +1] ee 7Onss/ 7 yauuvy tT z340 Sait oes «itd 2340 ft4t thrill T'venev-er known, You c Am Dmz & FG +H OG cast Dm? ++ 2810 smiled ___ And here- weare in wee tC G7 7 and then— c the spell was Am ct + f 7 Bad 7 Oo one D/// SSP — For you aremine At Last. At Last.38 From the Musival Play“CABIN IN THE SKY” Cabin In The Sky Iprie by Music by JOHN LATOUCHE VERNON DUKE Tune Unulete Ez FAT Br 4 AD RB +4 4 H 7 4 4 2010 1442 1208 0100 Moderately ‘Theres a lit-- tle Cab - in In The Sky ba - by for me and for you I feel that its true some- Am7 D7 7 Am Faz + 4/7 7 f 4 1/7 7 7 2040 Ozt1 0001 2010 i412 0881 1208 how. Gat you see that Cab-in In The Cm sky ba-by an a - cre ortwo of heav- en-ly blue to © Copyright 1940, 1958 aller Music Corporation, New York, N.Y.4/44 S44 SF 4/47 plow. — We will be oh so gay, eat fried Em7 Ay Em? az " + ¢ 4 ik} | 47 / | zeta O218 2214 o2ts chick - en ev-ry day asthe an-gels go sail - ing | D7_ Daim D7. @ 7 7 4/7 / 4 0001 1824 o004 2040° 1442 O84 1208 AAs g ‘That is why my heart is fly - ing BY Am Am? bz T aa + | S/S 4/7 To / / 0100 tite ost high ba - by ‘cause I knowweéllhavea Cab - in In The ce D7 .40 The Whiffenpoof Song Revision by (Baa! Baa! Baa!) » RUDY VALLEE MEADE MINNIGERODE GEORGE S.POMEROY ‘TOD B. GALLOWAY 5 © Cain G7 Tune Ukulele era 3 € A D PE B + 77 7 7H / ett 1324 2840 Slowly (with expression) Were poor lit- tle lambs who have lost our Dm or c aH yee tess yr HE S07 oad 2310 gaat | | | way, Baa! Baa! Baal We're | Cadi fury 4S 4 47s 4ST lit - tle black sheep who have gone a - stray: c Am H iH yrrorere Hess rere ys gait ozet | (© Copyright 1936, 1958 Millar Music Corporation, New York, N.Y | "Al Rights Reserved Including Public Performance For Prat ‘Any errangement or adaptation of this composition without the consent ofthe owner i an infringement of copyright |41 Dm7 az qf yer HAs ys rer By 7 444 2840 song - sters off on a spree, Doomed from here to e - ter - mi - ty; Lord haveid Try A Little Tenderness by HARRY WOODS JIMMY CAMPBELL REG. CONNELLY Tune Ukulele <. Daz G7 moore Le AD FiBt 4 4 TF f os 7 sat itt 2340 Wo-men do get wea - ry D7, 7 7 4 4/7 ooo Wear-ing the same shab-by dress, And when she’s Wea-ry, Dmz, 7c c ot + ¢ ¢ 1 4 7 41d c 7 Ss tad zat gett 1444 2340 324d Try A LittleTenvder - ness___ You know shes waiting, Dm7 G7 c Gm AT 4/7 Just an-tic-i- pat - ing Things she may nev - er pos- sess, v7 pet oc aR Gf 4 OS oe fo ¢ yo HH 7 HH yyy boot HH ito sent Whileshes with-out them, Try A Little Ten-der - ness. (© Copyright 1932, 1958 for oll Counties by Campbell, Connelly & Co, Ltd, Landon, England ‘Copyright renewel 1960 Comavel, Connelly & Co.,Ltd, London, Eagan Rights for Unted Stoter ond Conds contains by ROBBINS MUSIC CORPORATION, New York, N.¥, International Copyright Secured sade fo USA, |43 cr Fr co + yey EB yrs 4/7 {ett east = Ifs not just sen-ti-men - tal, She has hergriefand Dm7 mG Dm7 & 4// GO sss oz43 stat 4/7 7 o2ts care, And a word ____ that’s softand gen - tle, Makesit eas -i-er to c Dm7, G7 gaia rere 2840 bear, Youwon't re-gret it, ‘Wo-men don't for-get it, c Gm AZ D7 bres s 7 1/7 LE 7 4 7s gant 1024 o243 ooot Love is their whole hap-pi - ness, It’s all so eas-y Dat gat 3 4 Hy so boyy, thy JIL ITP reerl ze10 sett {444 2810 3244 o Try A Little Tender ~ ness. ness,44 From the Musical Comedy“I MARRIED AN ANGEL” I Married An Angel Words by Music ty LORENZ HART RICHARD RODGERS Tune Ukulele £ CT £ Sui, C7. F a f i = AD FEB ¢ $¢ eee t ceyonsonsys, / / S/T zest ett aeat tae4 tent zest Moderately Have you heard I Mar-ried An An gel, Gm7 cz FE Gm c7 a 3 é In / 7 7 7 sg24° fadt 2234 0004 tozd igtt 2284 Im sure thatthe change -ll be aiw- fly good for me. 7 FE m7 or FE a 3 Ss 3 + ¢ - ye 7OOy Govss 7 7 DS // fait 2284 fea feet Have you heard An an-gel I mar - ried, cz E Gm oF é im 3 é tte + to / 7 os 7 47 4/7 {924 1244 2284 0004 1024 1244 2231 Toheav-en shes car- riedthis fel-lowwitha _ kiss, © Copyright 1996, 1958 Robbins Mune Corsration, Now York, N.Y. All Rights Reserved inelusing Public Prtormoncs For Petit Any strongement or adaptation of hi composition withaut the conan ef the owner sn inffingement of copyioht45 Dm7 c Dm7 G7 c f ; & 4 ae ert oH an 1] ¢ Tos 7 [ / 4 so 44/ She is sweet and gen - tle, strange, omz E7. Fr o7 7 3 3 ¢ ¢ 7 s/t 4/7 4/7 zeai 2840 4adt When Imsen-ti - men-tal, She loves me like an an - gel. F F Gm7, or t An - gel, This beau - ti- ful change -’ll be I j i cz LE a 2k + 3 +H a | 47s In / 4 47? } 1244 2234 fant 2234 aw - filly good for me. me.ad A Faded Summer Love Words and Music by PHIL BAXTER c B7 c ‘Tune Ukulele eH AD Fee ie T 7 47 4 sd / 47 gaat 0100 gait Moderately Leaves come tumbling down, Round my head, Some of '‘themare brown, AT. AYT D7. G7 7 4 oss peel 4 40 ote’ oot BH Some are red; Beau-ti-ful to see, But. To-fimna-ing me Cc AbT G7 c 3 + a S 7 447 7 47 of A Fad-ed Sum-mer Love. Sway-ing high a-bove ores : 7 4S 7 4 in the trees, They wereso in love with the breeze,— G7 Cc AT G7 e a8 f 47 4 S47 # ooo4 zeta 4 gad gata 2844 r A ee Now the au-tumnwind brings tothemtheend of A Fad-edSum-mer Love © ceoyigh 90 U0 FEST, ne, New Yr, N¥. {© Cooyight 1958 Leo Feist, Inc, New York, N.Y. eer SPENT Rights Reserved tncluding Puble Performance For Pro| Im G7 Uike the poor leaves that swayed with, the breeze, f tried hard to please, Sum-mer morn-ing dew AT AY + 7 Osi” oot ¢ Then swept me off my feet. c turns to frost, Leaves that once were new D7, G7 7 47 4 47 Pay the cost, Bean-ti-ful_to see, But __re- mind-ing me © ayer nse ar ie + (E as 3 t 7 4 f 7 SP? sett gaia 2ai4 dati 2ata gait of A Fad - ed Sum-; —, mer Loves =48 Yes, My Darling Daughter Words and Music by JACK LAWRENCE ‘Tune Ukulele Tt AD FEB S44 444 2210 0100 ‘Moderately Moth - er, may I go out danc-ing? Yes, ‘My Dar - ling Em SSL 4 F446 44 4 2240 Daugh - ter.— Moth - er, may I try ro- mane - ing? Em @ 0400 2240 2040 er What iftheres & Yes, My Dar-ling Daugh - te D7 G BT S47 7 44 7 vA 7 ooo 2040 0100 moon, ma-ma dar-ling, And it's shin-ing on— the wa - ter, i © Copyright 1999, 1940, 1958 Leo Feist, ne, New York, N.Y. Interntional Copyright Secured Mode in USA, Thi Rights Reserved Including Pubic Perormence Fer Protit Any erangement of adepotion of this composition witht the consent of the owner ison infringement of copyight ee et49 rn a A a 4 Ss 7 2210 0100 Moth - er, must I keep on danc-ing? Yes, My Dar - ling 77 4S Ts 447 f 2040 Dangh - ter... What if héll pro - pose, ma-ma dar - ling, G Em FA Fa | f S 4 7 1/ SSF | ooo 2040 2240 When thenight is grow - ing short - er? Moth - er, whatshould Em, 2.Em 4 S47 0400 2210 4ST SIT bemy answer? Yes, © MyDar-ling Daugh - ter Daugh - ter—50 The Aba Daba Honeymoon ,, ARTHUR FIELDS and ‘WALTER DONOVAN , Ebt cm _Eb+ Eo Bt om Eb Tune Urutete Sa ae + oo, Ap ree ¢ T Tt ; 4144 2440 sft 2440 4444 2tt0 Bhat tite Moderately, “Ab-a, dab-a, dab-a, dab-a, © dab- a, dab-a, dab,” Said the \ b. ‘cm Eb: 444 4 4444 2110 git 2110 Chimpie to the Monk, “Bab-a, dab-a, dab-a, dab-a, Eb Eb+ Gm Eb Bb7 ia + H + 1 4S SS SSL 1f44 2440 sit siia 324 dab- a, dab-a, dab? Saidthe Mon - key to the Chimp. Bb 44 440-4 LF 4 44 iata Allnight longtheyd chatter a- way, All day long they were ¥7 Bb7 Bhim Yof setters, rorre Hs i tie ieee ta24 hap-py and gay,— Swing-ing and sing-ing intheir hun - ky,ton-key © Cooyight 1914 (Renewed 1942), 1998 Leo Feet, Ine, New York, N.Y. Interntional Copyright Secure Mode in USA ‘Any enangement or adaptation ofthis composition withaut the canaent of the owner tn inffingement of copyright —51 Bb & Ebt cm Eb+ Eb E+ Cm Eb & f $¢ a + + : 44f a teea {144 2440 S444 2440 1444 2440 staatieg way. a a 4447 “Monk, T love but you?” “Ab-a, dab-a, dab-a, dab- a, dab-a,dab-a, dab; means ‘ez 7 4 fs 10 “Bab-a, dab-a, dab? in ete 444s "pon ~ key - talk, means'Chimp, I 44 4 fF 47 o saat SA44 291034412810 8144 love you 447 Then the Ebdim too” D7 Eb oot fit bij ba-boon,one night in June,He mar -ried them,and i ae ay wr 7 tH oy + 12 24s 1324 / ab-a, dab-a hon - ey - By ver - y soonThey went up-on their rizEb BT — 2; H L 447 tia 77 RZ moon. 477 SSL? moon.Music by JIMMY McHUGH Gaim Youre Slowly with expression A. Sweet - heart 52 You're A Swee' Lyriv ty HAROLD ADAMSON B7 te + S/T foto ot00 Am7 Dz 7 / ooo4 oaid 204 D7 © G_ Gaim i € t t 4/47 / ooo4 seit 2040 fae4 If there ev - er B7 S47 0 0400 plete dream, Life without c G_ Gaim carn 4/7 co ooot S241 2040 1924 You are ev My search was 4/7 you D7 ooo4 such ‘ry sweet dream come true. Gaim 70 2040 sett ige4 was an in-com- G 4/7 4/7 2040 blind one {© Copyright 1997, 1958 Univeral Music Corporation, New York, N.Y. Rights treugheut the work! controled by Robbins Music Corportion, New York, N. ¥ iteretiong COPY Rights Reserved Including Public Pesformance Fr Prot ‘Any erongement or adptotion of hs eonpaition without the consent of the owner ean infringement of copyright Wade in USA53 And I was all at sea, I nev - er thought 1d D7 Seti 2040 fse4 Youre ‘A. Sweet - heart if there ev - er \ D7 c Gaim | H ican) 1 S447 / 4ST | ooot sett 2040 tad oot q oe , q was one, If there ev - er was ono its f i es { D7 2 e 4/44 S74 S44 SSS? 2040 ooo z0t0 | ] | i - |54 There Goes My Heart Lyric by Music by BENNY DAVIS ABNER SILVER a 7 Sen | ADRES | + ¢ | aqhyy sss/s s7 tos 4 47 | iat aero’ atte | Moderately ‘There Goes My, Heart, there goes the one I love; — Bb cma RT a 44 4 7 S44 74 , 4 44s feat rite gaat There goes the en Ss was-nit wor - thy of; “There goes my hap - pi-ness, it could - nt cnt gt cot ruKI fd yer or ey yrs pyres fs24 fait stat There goes some-bod - y else_____ in place of me. © Copyright 1984, 1058 Leo Feist, Ine, New York, N.Y. Ioteratinal Copyright Secure Made in USA "al Rights Reserva Including Pubic Performance For Profi ‘Any enangement ot adoptaton of tis ompeation without the consent tthe one is fn infringement of copyright rtBb ET cx) tts 1hi2ated an rn 28 ZIT TE 4 — I had my chanee, but. Fm G7 44 STS 7 by!) There Goes My. Heart 2310 she never thought that {Sh Bb om Ebm6 4/7 Cosy ss ot 1208 ite 10 — Good-bye ro - manee,. it could nt cmt e fa it’s all 7 4/7 and 55 last B some-how, — at reer) {142 1208 here am TB I. ‘There Goes My OL Be58 I’ve Got A Feelin’ You're Foolin’ Lyric by Music by ARTHUR FREED NACIO HERB BROWN Tune Ukulele =e a AD mie 4 SF S444 4:64 4 4 2010 Moderately (with feeling) TveGot A Feel-in'Youre Fool - in’ I've got a feel-in' youre D7 4 Fs 4 7s 47 good hav-in’ fun_ Ti get a go by when you are done AT bz G Amz? D7. G / / 4 7¢ 0218" Oo0t 2010 Oz41 0001 2010 fool - in’ with me. IveGot A Feel-in’ You're 44 S444 44 4 7s 47 Fool = in’ Tyegot a no-tion it's make - be - lieve. ‘az ‘Dz / / 47 ooot opt I think youre laugh-in’ right up your sleeve fool - {© Copyright 1938. Metro-Goldeyre Moyer Ine, New York, N. ¥ Copyright singed 1938 fo, Robbins Mosie Corporation, New York, N.Y. ‘@ Cooynaht 1958 Rbbins Music Corporation, New Yark, N.Y. International Cpyright Secured ‘AI Rights Reserved Incluing Public Performance For Profit ‘Any erongement ot adepttion of nis composition without the consent of the owner ison infingement of eyright Made in USA87 Fiz 4 Ss 4 4 SS g while you are giv - ing Life is worth, liv - in Adim Fi} / 4 7s mo-ments of par - a-dise— Youre such a stand-out AT D Ddim, Dz. f / 7 4S 47 2138 _~ 0008 1824 0004 — Was it just you Caim by chance we spoke of ‘That love, the won or did60 Thank You For A Lovely Evening Lyric by ‘Music by DOROTHY FIELDS: JIMMY McHUGH Ebdim ben ‘Tune Ukulele < ai pez, GT. FE mm 4 Prat = t / 7 f S44 444 4 Slowly (with expression) Thank — You. For ALove-ly Eve - ning ‘You were so D9 D7 G7 c He 7 4 7s f ozo4 ooo 2340 gat zato — mar - yel-ous You were so sweet © Ebdim = Dm7 GT c Pry at SSS S44 7 oo / 7 / 7 att ofoe” f444 qeio” sett Thank — you for the love-ly flow - ers. ‘That lit-tle pg G7 c FA i f F 4/44 S444 ozo 0001 2310 sett thought of yours made it com - plete_________ It seemed to - © Coorright 1934 Metzo-Goldwyn-Mayer Inc, New Yor, N.Y, Copyright essigned 1934 to Robbins Music Corsorotion, New York, N.¥ (© Conyright 1958 Rasbine Music Corporation, New York, N'Y. International Gopyright secures Mode in USA. ‘All Rights Reserved Including Public Performance Foe Profit ‘Any erongement or edoptation of tis composition without the consent ofthe onre an infringement of copyright A61 GtT c Dm? +H / 7 STS 7 17 / ooot 2314 said {444 2840 night round a-boute - lev - en— I knew that heav- en was © by c + ¢ yuo 7 t 47 7 gait ooo4 2344 saat mine And in ab - so-lute - ly thrilled, dear, That goodnight v7. 7 cc Bhim = Dm tag vA S/T / or) / 7 2010 0001 2840 gett ofoz f44t kiss was di- vine Thank You For A Love-ly rd 4 7 4 S47 oz04 0008 2440 SS S44 7 ri Eve - ning Tt was so won - der-ful be - ing with a ers 1 z + ¢ a a nh f [ a Bait 2310 a2 it you. you,62 The Whole World Is Singing My Song Ipric by Music by MANN CURTIS vic MIZZy c Cmaj.7 Tune Ukulele ADF B roy 77 yir7 BA? SLT g210 oad said Slowly (with feeling) im The Whole World Is_—sSing-ing My Song, But c Gm AT Dm a 6S * +14 4ST 1 / S S44 44S satt fo24 o248 o44t I sing it on - Ty to. you, The Dm G7 Caim say sess get’ ttt 4 S44 SSF ——s—. ° 102 whole world. is hum-ming a - long, ____ “T Gr ct © ff TF Re 477 4/7 SIS 4440 2810 2t40 seit love you, I love you, I do? You © Copyright 1946, 1958 Robbins Music Corporation, New York, N. ¥. Intervtional Copyright Secured Mage in USA ‘il Rights Reserved Including Public Performance For Prot ‘Any arrangement or adoptetion of hs compesiion without the cnsent af the cuner ion infringement of copyright63 Dmé E7_ By ET ET ie ot ere ee tty 3 oo 4S 4 7 Aazziisa t102 1442 1442 put my dreams to music, I learnedhow a song could Am D7 Diy D7 Dm or + 4/7 7 4/// TWDss 7 oz34 0004 12440004 otis = start, I gavethe world the music, But I gave you my Go Gt © Comaj.7 3 + ¢ Tn//s 444 SSS 4 S47 1222 2140 Bett 2240 heart. The Whole World Is Sing - ing My Song,— Az Fm ca 3 ¢ 447 4S 4s 4/0 ozts of44 s424 2510 _ But tm al-ways sing it to Le or 1 V / SSL SSR gait 2840 gett64 From the M-G-M Release“THE SEVEN HILLS OF ROME” When The Saints Go Marching On Adapted by From an old Spiritual Davis Seikon "arranged ty GEORGE STOLL cise £2 cr tency she ‘ come f H ¢ it t 1S i SS 7s 4 ¢ 4 tet peat taut Brightly Oh,When The Saints (04, When The Saints) Go Mareh - ing cz Bb F a fa t H 444 4S 4 4 7 S47 On, (GoMarch-ing On) OhWhenThe Saints Go March - ing Gm cz, rR ET 4/4/ ¢S// 7 Tevoey ooy 4 22a tat 1924 1248 num - ber, When The Saints Go Mareh - ing res 7, EE oe + 3 1 4/44 S47 f TO / S/S SSS? 2234 faat 223i On. Oh,When The on. © Coprright 1958 Mero-Goldweyn-Mayer Inc, New York, N.Y: International Copyright Secured 7 "Made in USA, ‘AI Rights Reserved Including Pubic Pertrmonce For Profit ‘Any errangenent or adaptation af this composition without the consent ofthe ewne: ion infringement of captightSONGS FOR THE UKULELE (with Words) eee een eee ea] mbols and Diegrom of Chords with Fingering indicated. Important Mote: the arrangements in this collec- | tion are also adaptable for piano accordion, guitar, 5 popular piano, saxophone, trumpet, clerine! ond other | instruments since all arrangements have the melody and chord symbols (in addition to the ukulele diagrams). Contents RAIN WHAT CAN I SAY AFTER | SAY I'M SORRY | PARADISE DOWN AMONG THE SHELTERING PALMS | SHOULD | I'M SITTING ON TOP OF THE WORLD i STUMBLING WASHINGTON AND LEE SWING | ELMER'S TUNE CHATTANOOGA CHOO CHOO PEGGY O'NEIL I'M IN THE MOOD FOR LOVE JOHNSON RAG DO YOU EVER THINK OF ME A-TISKET A-TASKET IN A LITTLE SPANISH TOWN. 1 WANT MY MAMA SEEMS LIKE OLD TIMES DOODLE DOO DOO AROUND THE CORNER SWEET AND LOVELY LOVELY HULA HANDS if I'M NOBODY'S BABY ‘ALL-AMERICAN. GIRL | ( FEATHER YOUR NEST THAT OLD FEELING ' | DON'T KNOW WHY (I Just Do) WABASH BLUES | NEVER KNEW (I Could Love Anybody) TIGER RAG i HAWAIIAN WAR CHANT (Ta-Hu-Wa-Hu-Wai) HOLD ME UST PRICE 75¢ WNULS.A, $eCollection for the UKULELE (with words) In answer to the mounting popularity of the Ukulele we offer this unusual folio. Includes complete Ukulele instruction with Melody, Chord Symbols and Diagram of Chords with Fingering indicated. Contains original arrangements of 32 famous copyrights, with words, by the world re- knowned radio ond television star Cliff Edwards, Mert UKE IS BACK BIGGER THAN EVER”. better known as “Ukulele Ike". é1 00 1. 3,99, DIANE 'M_ALWAYS CHASING RAINBOWS HONEY TOOT, TOOT, TOOTSIE! (Good-bye) SUNDAY ILL SEE YOU IN MY DREAMS RAMONA VM SORRY | MADE YOU CRY JUNE NIGHT DARKTOWN STRUTTERS’ BALL AT SUNDOWN WHEN YOU WORE A TULIP DON'T BLAME ME JUST YOU, JUST ME OVER THE RAINBOW SINGIN’ IN THE RAIN SWINGIN’ DOWN THE LANE YOU WERE MEANT FOR ME ALL | DO IS DREAM OF YOU EVERYTHING | HAVE IS YOURS FIVE FOOT TWO, EYES OF BLUE JEANNINE (I Dream Of Lilac Time) MY LITTLE GRASS SHACK THE MOON 15 LOW PEG O' MY HEART ONCE IN A WHILE | CRIED FOR YOU SLEEPY TIME GAL LINGER AWHILE NO, NO, NORA CHARMAINE JA-DA