Tommy Emmanuel Best of Tommy Emmanuel PDF

TOMMY EMMANUEL COP
Photography by Sara Corwin
Music transcriptions by Pete Billmann
ISBN-13: 978-1-4234-3175-6
ISBN-10: 1-4234-3175-8
HAL # LEONARD^
C O R P O R A T I O N
7 7 7 7 W . BLUEMOUND RD. P . O . B o x 1 3 8 1 9 MILWAUKEE, W l 5 3 2 1 3
For all works contained herein:

TOMMY EMMANUEL
6 Blue Moon
12 Can't Get Enough
30 Classical Gas
45 Countrywide
55 Determination
68 Guitar Boogie Shuffle
82 Hearts Grow Fonder
83 The Hunt
101 Initiation
108 The Journey
118 Stevie's Blues
128 Up From Down Under
140 GUITAB NOTATION LEGEND

from Dare to Be Different
Blue Moon
W o r d s by Lorenz Hart
Music by Richard R o d g e r s
0 (3 i
Moderately J = 135 ( Л = J J 1 )
*C Am F G С Am
Gtr. 1 (acous.)
(
1 — 1
н?—
-ш—-— 3—
—> 1
p-
T J1 - t — I
r LJ г
p
г F f г Т - Г 1
г
™f sim.
w/ fingers
-T jн — 1 1 1
A 3 2
= r2-fl 2
3
-2
-3
в—
в 2 - 3 —
0
2 6
2
2
•e- 3 Ц — 2 —з —3
•Chord symbols reflect basic harmony.
F G7 ^ С Am F G
Л * j ? j ^ j1 I i i J > J T —И > 1
a _
f <Г r
; LJ Г Г г «г г и
1 1
1 0 о ? 1н в
0 -2 2 8
з a —- э -2
e 2 2 -в 0 2
1 2 3 з Ч 2 3
D7sus4 D\>1 Am G6 E7/G#
4 ± J> J j
i n
г г
г "г zj f Г f F f г ?
H 3 5 3 3- -e 1 e e-
F7
Am ^ Am/G D7/F# г-3—i С Am
•i J—i m n tJ M *
3 1
——Щ ' \ 1 '
J1 J — J J J 1
«i _ з ^ д ? _ _ tg 'Г r f r '
Г Г «Г L _ f F Г
e—i—e 8 1 e 1 1 з — - 1 1 1 - M
2 2 2 2 2 l В 2
2 0 0 1 1 -r2 2
e —3 2 8
3 2 2 8 1 1 L
3
F G7 С Am F D7sus4 Db7
riH—j—* i — ^ — I ^ ^ '—* J) | 7 • J • J J 7 *
4= ' = » =
Г г г J Г г г f F г r Y
3 3 1 3 5 3 3 1
2
3
9
3
-3
л
8 2 8
J
2
i2 *
5 4
e
1 e 8 3 4 8
С Am F G6 E7/G# Am Am/G
«
Н — « Н
ч ч 1? . - M J1 J j t ^ - r J 4 4
r f i H
' О г г f г г fг г
г ? Г T >
8 1 8 8 |-в
i i = 3 8 3 — 1 1
8 2 2 1 \ 2 2
3 2 8 о j 2 г 0
3 М 2 3 4 э э 1
D7/F# r — j —i F7 С Am С
J*J J J J i— 4 fi—r? - * 4 :
if
fr-Д 3 _ _ _ \ > i _ i = k *
T L _ T f Г r f f r Г T i
ж—i з 1 1 1 H * 8 1 1 2
\2r 2 2 2 2 -8 8 8
W
2
8
2 8 1
1
1
1
L
-2
-3 2
2
8
3
о 0 » 1 :
5
Fm6 D/F# Gm6 G6
f Г " t M U г г Г f f f f Г г г
1 i
-3 3-
н f- Н
tml Bb7 Eb
up-.,] ^ J J I.J J J «на-*J

т г ь
t*-
г
I*"
Г
ж
Г
ж
Г Г
—
Е_Г
—
F V г г г т
ж 1 1
W в в —1 1 1 1 1^3 3 3 3
1 3
3 3 2 2 В В 1 —6 5 3
3 3 L-H " 6
G D/F# G7 С Am
I^T-J J - Ь , лЬ т ^ ,t ,
в(ф ЫЧ* — %г ъ±—'-Л
^ —
J
* > i J
F г
Щг let ring 1
Т г Г Г
>-
— в з
0
в 1 j в
3
= 6 3
5
в
3
4
в
3 в
4 —3 2 в
3 2 з
F ^ D7sus4 Dl>7 С Am F6 G6 E7/G#
Г ^ J J ч « ^ :h
1 j
•
?
1
i
• J J nJ J —
" f F ^ r
V Г Г г г f f г *г
1 — 3 3 £^2—г 3 ? 1 1 0 1 0 э ж
2 £ —
5 4 -з 2 е
1 в 3 1Ц 2 3 4
Am Am/G F7 Bbmaj7 С Am
. J J> J J> . т J J . a.
g =Й
5
? г f 7
г 3
г г !L J T
j
Г 5
f Г " м
11) . . . , : 1 4 4 -ч
\ \ :
i 2„ 22 22 2» 2
в 1г
г
1
-в
-3 2
' ' • 1 1 1
F G7 С Am F G7
1 h * 1 » 1- ,J У J> IT J ? J * ^ ^ П
1 li> 1 9 3 ' i 'i*
?
F f F и Г Г Г г Г f г^Ъ 3
1
П
23 В
3 j-2 2 23
9
Ъ3
1 2 3 В 2 -3 2 И
3 Ц 2
8
шС Am F D7sus4 Dl>7 С Am
г
„Г^ 7 > г- 1 1 - л
I? ^ > 1 У } - |
' Г Г f f r f г т Г г f F
^—3—5 3
J - ^ —
I
(3) 3
з 2 e -3 2 8
3 1 3
F6 v G6 E7/G# Am Am/G F7
r* —7—hi
M i' J j j j 1
J \>iU
г f F T г г T T г г F; f
0 8 = i
=& 1 э e
1 1 1 1 4
г
1 2 3 4
-9 8
2 2
3
2
4
26
М
В
1
1
1
1
1 1
С Abl3 G7b9 _ С Am
.1- > I.LI j 1 N л Л

U - . П i. 1
t Г Г г — 1
Ч Г F F F ' г г т J
Г
1
8 s i i ; 12 i =
3 2 3
4
4 4
3
3 3 3 ; .*
3 1
D7sus4 D\>1 Am G6 E7/G#

j —
I 3-
A
г г — T f г г т Г Т
г
4 = t
Fm6 D/Ftt Gm6 G6 С
t m .j ,J J J j 7 g-
0-
u
f Г г » i r f г г г 1 г Г Г Г г f
1
ев
2
1
8
2
—1
. a
2
'
3 4
8
»
0
i= 1
0
1
0
2
0
в 2 3 3 -3 3 2 2 В
L-H 1 2 2 3 3 3
Fm6 D/F# Gm6 G6 С Fm7 в\>7
JWJ 1
T J - J J 1
Г Г З 7
j
w w ^ 5_
F »f г Г Г Г Г Г [ _ Г
г
J i J
I S
$ | * l i = : 1 1 ^ 1 1 з 3 ^
96 9
3 3
^ 1 1 1 1 1 ^ 3 —
о
1 1 i 2 3 4 В ^ 3
-з з в
з 1 6—1
1 2 3 3
2 2
з з l
E\> G D/F# FSUS2

*
Л ' л
Щ &
- J J J — - т ф- • ф " ' ф^ ф ф •
J 3 g J
т Ч i и J — -
^ Г Г U г * «г 1
*т т
' 1 /е/ ring -
з — -Н 3 3
в в з з 1 1 1
Ф 3 3 0 2 2 -в в В в о
6 5 3
51
6
3
5 3 2
i 8
1
2 8 S 1
*T = Thumb on 6th string
Em7 Ebl3/Bb Dbl3/Ab
Ф- ф-
N 1 r t l ~ n I г Н Р
л.
w
л.
"I т
И i i i \
1
î 9 i 3 1 i F ^Т т
1
w W
t
т
=
I Н i i i i
1 з — 1 |
3
3 3 1 Ь 6 В 6
x 8 i 8 i 8
в в—в—в в 8 = € 4 4 4 4 4
•> 1 jj \ » \ — в —1 3 3 3 3 3
1 в в—в—в в 8 8 8 1 8 = 4 4 4 4 4
10
CI Ami F D7sus4 Dl?7 С Am
F6 G6 E7/G# Am Am/G D7(no3rd) F
j j1 j J J j J1
Tr
r>— : н J JS =!
8 i i J '- » = I 1
Г ? г • f f F
>
L_T
fl 4 n n 0
U 1 - 8 з — I I — 1 1 1 1 3 1
/Э\ 2П 2П 2 2 2 2
А A
\3/ -8 1
1 2 —3 4 1 * , 0 1
Gil с: Dni7 D#'°7 C/E C5
•Ф
чР
J J } У =5=
; r - j
с г — Г ~- f
1
2
1
2
e
1
1
ft
I > g 8 tt)^ = j
3 3 2
5 —6 * 7 3
3
from Can't Get Enough
Can't Get Enough

By Tommy Emmanuel and Randy Goodrum
0
Moderately J = 126
N.C. *G9 Ebmaj7 Dll
>-
Gtr. 2 (acous.)
a (Kbyd. & percussion)
f
= V
/
T я
1 0
Y
A к
Э
Л
Э
n
В
Gtr. 1 (elec.)
- = i -Л> - N . К > > > Is - I

^—J-—j-—J—I -Л 2 — J 1
p * >-
mp
w/ clean tone & chorus
P.M. 1
•T
л 5 5 5 5 5
ъ
•Chord symbols reflect overall harmony.
G9 Ebmaj7
Copyright © 1997 UNIVERSAL MUSIC PUBLISHING PTY. LTD., TOMMY EMMANUEL MUSIC, CHRIS GILBEY PTY. LTD. and MIGHTY GOOD MUSIC
All Rights for MIGHTY GOOD MUSIC in Central America and South America ex. Brazil Controlled and Administered by UNIVERSAL MUSICA, INC.
All Rights for TOMMY EMMANUEL MUSIC and CHRIS GILBEY PTY. LTD. in the world
ex. U.S. and Canada Controlled and Administered by UNIVERSAL MUSIC PTY. LTD.
All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All n : _ U i . n I i I I I Г-» : : *
в
Dll G9
А П Я Т 1 Cj^1 — я—-d
С Г ~ 7 M
let ring 1
1/2
з ^ (5)—3 ^
3
5—3 ^—^
5
1 § 5 3 4
5 ^ — 5
^
7—5 5—
5 4 3^1 7
It - Л J
Ь ' t i f 7 mâ f
1/2
5
Л— ж
I
Ь * ' J
5—
Ebmaj7 Dll
G9 Ebmaj7
P.M.-
Gtr. 1 tacet Gtr. 3 tacet
Gtr. 2
w/ pick & fingers -
Щ 8 6 6- 8 8X10 ^ * 8 7 8 7- -5 3-
«-^W (W 8 8—t®^
-9 9 7 9 7 5 4-
Riff A
Gtr.3 Gtr. 4 (acous.)
I M
f
w/ pick & fingers
0 0 Г О Г э О
л А 7 п 7 е j
к э э / 9 г 9 4
О
D7 Em7 Am7 G/B С D7 Am7
w/ pick & fingers-

i i f Г Г *f I f
-Н
m
/е/ ring - -
з 5 3- -5 s^T- -8 7 8 ^ 7 5—6—5 3-
-^5 4 5 -9 9 7 -9 5- -4 т^9-
End Riff A
$ i Ч+Ьж ф
Л $
3 5 3 5 BX7 8 8 7 8У10 8^7 5 6 5 3-
4 5 7- -9 9 7 5 4-
14
Gmaj7 C/F Ebmaj7 Dll
Gtr.2
i
t
let ring - rake 1 1
-8 7 8 rr^—
-49)-
-ЛЬ-
•Played behind the beat.
С
Gtr. 5 tacet
Dll G9
•1С
Ebmaj7 Dll
Gtr. 4: w/Riff A
Am7 G/B D7 Em7 Am7 G/B С D7 Am7

Gtr. 2 — -
w/pick & fingers let ring -
8 8 7 8 7 5 3 a^S Ъ/1 -8—8- 8X10 8X7 5 6-5-

-9—9—7—9 7 5 4 a^7 -9—9- 9/11 -9^7—5
Gmaj7 C/F Ebmaj7 Dll
D
Gtr. 3 tacet
Cm7 F7 Bm7
Gtr. 2
t j f ' V f ili J J J г
i * , V ^ , " H ^ f e l ^
W
Harm. -
.
/ef ring -
3
5 j
7 tÎ
^
= ji
8 §
7 3
5 £4
2
4
3 7
Е7 Amaj7 Gmaj7 Fmaj7
Gtr. 2 tacet
G9 Ebmaj7 Dll
Gtr.3
1/2 1/2
-n-
-i3 (13) 11
Gtr. 2
1 =
5
Gtr. 1
i) - = ]1 - > » ьП =*=] | -
- - - -
J " " l
.
- > 1
P.M. P.M. - -
1/2 1/2
-5 r^ 5-
G9 Ebmaj7 Dll
Gtr. 3
P.M. 1 P.M.- P.M.
5 5 5 8 5 5
7
Gtr. 1
Hi
Щ—2—J J F - 2—JЛ *J F I
KJJ—> 1-
P.M. 1 P.M. - ч 1/2 P.M. 1 1/2
5—5 5—5 5 5 5—
0 Gtrs. 1 & 3 tacet

Gtr. 4: w/ Riff A
Am7 G/B D7 Em7 Am7 G/B
Gtr. 5
гт
f ' f f f L L P |fLCi ^ f у It U ^
w/ pick & fingers
8 6 7 8 7 5 3 [-3—5 8 3 5 5^7 8 8 7 атЧв

0 0 7 0 7 Ч А л /Ч А с . 0 О 7 л / ЛЛ
Я 9 / 9 ( Э 4 As Э 4 Э SX / 9 9 t %f 11
Gtr. 5 tacet
С D7 Am7 Gmaj7 C/F Ebmaj7

Gtr. 2
ffl^fEirir г r r-r r r г Г г Г Г
w/ pick & fingers - - H let ring
8 8^7 5 6 5 -3-
-9^7 5
Gtr.3
HQ
Gtr. 3 tacet
Dll
Cm7 F7 Bm7 E7
Amaj7 Gmaj7 Fmaj7 Ebmaj7
4П
G
Gtr. 2 tacet
A\>9 Fbmaj7 Ebll
Gtr. 1 tacet
Gtr. 3 tacet
Ebll Bbm7 Ab/c
Gtr 5
- k ^ V ж -ft A. -m- www* ww*ww - •
> - f P f f г г ^ Г f |Г . г „л, г г . г ^ f
t a A t www* WWWWV ^ лл
у Э II э / g
1Z It
19 у
0 у/ э
0 1С
19 f/•N' A
» ii/14
11/1J
1П О in А • /1П
11 1U f л 0 1U 0 Ь/ 1U
11 •а 111
1П 111
1П
11
Db Eb7 Fm7 Bbm7 Cm7 Db Eb7 Bbm7
Abmaj7 Db/Gb Fbmaj7 Ebll
its - Г
^ ^ 7 I ^ Г - Г
* * 7 I I
l
4 8 [—9 И И—9—8—9—8—j
4 4 * 9 — m ^ 9 9 9 9
on
8va
н
A9
Gtr. 5 8va 1 loco
Gtr. 5 tacet
Fmaj7 Ell
А9
Fmaj7 Ell
Gtr. 1 tacet
Bm7 A/Ctt D E7 F#m7 Bm7 A/C#
£ # 4s
Gtrs. 2 & 4
g g ^ g f »
• • 9 ш -1- —
m
w/ pick & fingers -
tt- M O - —9— —9—— —5 r~5 7 —5 7

^ w- 10 — 9 — —m/42
11 11 n 11 n
a 7 с ./7 с 7 T vÔ 11 11 n
a
11 11 9 11 f D BX f D f 7/^ SI 11 11 11/ 1J
Gtr. 5
1 - - ff-f f 1- f f — 5
if
2 ^ L J ^ —
delay off
5 5
5 5 -5 7
S
Gtr. 5 tacet
Fmaj7 Ell A9
8va 1 loco
ft'T If f ГТ = =
mp z i z i z z i z z i z ^ = = = ^ — — —
17 pf7 17~ —==

? 5
Gtr. 1
vvwvvvvwwwwvvvvvwvvvvvvvvvvvvv
p
w/ fingers
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv /ef ring - -
r\
oo
Fmaj7 Ell
— =
Gtr. 1
— T
7 7 7 7 7 7 7 7
f л
t l l t l l l l III
1П III
1П 1111
0 111
1П 111
1П 111
1П 1111
n ЛЬ
l t tУ
/
5 5 5 5 5 5 5 5 I—в 8 8 8 8 8 8 8
Gtr. 2 A9 Fmaj7
Gtr. 1 tacet
Ell
24
Gtr. 2 tacet
Ell A9
Fmaj7 Ell
26
Fmaj7 Ell
Begin fade
А9
и (ТО—
ПО,*
p f , v • у I ^ J . н j t 7
>
5 &
& 7- Ь 7
i—i - — I i — ^ - h 1 - H I 1 1 1
*—
ь
- 1 —A —1—ЦЕ J
P.M. ч
7 X X X X 5 7 X X 7 x — x — 5
6 7 5 7 X X & T 7
28
А9
loco
Svfl--i
» ,. w w w w v w v w w v w v
J»/ J - . - 1 f > P
ft' J *
f
и %и ли iи A
и
(14)
Fade out
у 7
г
а
"Ч
л
7
а
г
7
С J 7
С У 7
X / / 1 1 1
W в «И 5—-— —1
8 5
77 Я6
>ъ —
7
I'll* I J
{Н^—
9 6—Э~ 6
7
V V V V 7 7 у у у л А
X X 7 5 7 Л Д А Л # / Л Л Л ' ' ' •
5—7 — 7 8—7—s—7
from Classical Gas
Classical Gas
Music by Mason Williams
s Free time
**Am(add9) Fadd#4
*Gtr. 1
•Orchestra arr. for gtr.

••Chord symbols reflect overall harmony.
Em Fmajl3 Dm7 Cmaj7/E
ГоГ« ^
m X T v ^ ^ ^ ^ T J ^ |тХ
8 i 3
1
i—
+ft 1н
H i
i -3
1—
:l i o° 4
1-
-e
4
-9
i и 1
Gm7 Asus2 Am
© 1967,1968 Weems Music Co.

© Renewed 1995,1996 Weems Music Co.
G/B Fadd#4/A Esus4
Am(add9)
ггГггГ
Harm.H
¥
let ring - let ring -
tt 1i
e
1i
e — e — « 1 — e ,
1 1 1
A A л л *
4 4 4
2L
n n
II 0
Gtr. 1 tacet
Am G G/F# Em Am
3 3
И I J J J J r , =f
. d
1 i i J j t i r b .
у J
> . - • . p
U
.
s j j
>
! 4
* f ir 3 1
mp /
let ring throughout 1
^ e— a— e— 1—
. 0 1 ^ 1 — 6 h—ft li =: 1—о 1—e 1—о •—
—2 2 — e — -в— i-ft—— 2 — 0 — 2 2— 2 2 2 1
2 0 0 Г2 2 r^ 2 1—
В Г2 п-в 1—
3 2 L-fl t-e e . i
Am G/B С F D/F# G E7 F#m7l>5 E7b9
В
Moderately J = 162
Gtr. 2 tacet
Am7 D7 Am7 D7
Gtr. 3 (elec.)
£
/
w/ dist.
V»V»V*VVVVV*V*VVV*V*WVVV*VVVVVV*V*VV*%VVVVVVVV^ vvv*vvv*%vvvvv*vvvv*vvvvvv**v*wv»%*v»v»vv%%
«- 47- 47
Gtr. 4 (elec.)
llj 1 l \\Г7 i 1 j j w^
7 7
J J J J 7 J J J r J '
tnf
w/ dist.
PM - - - - -- -1 pM _ __
1
5 5 5 5
7 7 7 5 5 4 4 4 5 5 4 -7 7 7 7 5 4
Am7 D7
8va 1
vvvvvvwvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvwvvvv
Gtrs. 3 & 4 tacet
G Bbmaj7 Bm7b5
Gtr. 2
~m _ r
/
let ring 1 let ring 1 let ring 1 let ring - -H let ring •
-8 1-
E7 N.C.
з
I
letring- let ring -
-e e-
- 3 — a-
-3 1 o-
§ Am G/F# Em
Gtr. 2
P Г i==3 m
is
let ring 1 let ring -
H 0 0 1 1—0-
-2 0 2-
-9 fr-
Gtr.4
j i U i i i ^ ^ J i ¥TT§
юр ж ж ж ж
P.M.
-5 5 5 5 5 5 L
-3 а £ -в 6 0 е-
Ат G/F# Em
Ш f г ij т
I?
—1 e в 1 1—в—
2 0 0
e о 2
—(в) -в
L-3 2 в
1 j. J j ^ — j j j j J j ^ ^ i U — r i ^
DM _ _ _
-5 5 5 3 4 "-5 5 5 5 5 5 ^З 3 3 2- -0 0-
Gtr. 4 tacet
Am G/B С F D/F# G E
М Н и ф 1- « > j > ; > *s=j 1 ^

m — ^ —
> ' f
3 f
^ 7
"b Ф '
T
e 1 2 — 3 4 5 7
1-е 0 1 — 3
0 2 0 2 2 0 2 2 4
2 4 6
0 2 3
1 2 3
» ь 4 f
~9 ~9^ ж
P.M. - - 1
о a e
H a l f - t i m e feel
Am7 D Am7 D
N.C. Am7 D
т. .
s 1 гаг
p
I - * f y > Г Т П f - I г п р г * * Ы
Г 1 Я
^
J tit*
1 u J / J 1 1
U - L T - j i '
let ring 1
С 1 ^ г В 7 5 5 2 г
3 — 1 — в — ^ 0
2 0 ^ 1 « =
з—4 0
0 = 0 2 1—
Bbmaj7 Bm7l>5
fm — г -
let ring 1 let ring 1 let ring 1 let ring - -4 let ring •
-0 1-
oл
Fm6
ы m
-e e- -e 3-
End half-time feel

Fm6 С Eb Ab 15l> Alb
Л.
+ *
)
ft Г ьН
0
r
f Ф
rfh 7
i 3
U' #
P r >
/е/ ring 1 leir ring -
1 1 fl fl 1 3 3 € —4 4 3 4
вЬ D
t
let ring - - 4 let ring 1 let ring - -4 let ring 1 let ring - - H let ring - - 4 let ring - - H let ring 1
— -M- -W-
-w- - t t " -12-
-и-
-12- -H-
-W-
ОС
Е7 E5
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
£
loco
m Ш
P.S.
wvw%%wvwvwwvvwvwvwwwwv»wv»% vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
-4W tt-
E
Half-time feel
Gtr. 3 tacet
Am G/F# Em
Gtr. 2
JL
P r ' p I_= ¥
e
/е/ ring - /ef ring -
-t^V-
H ft- H 1—ft- -i—ft-
-2 e 2-
Am G G/F# Em
>•
-
>-
л.
—
f—3 L.H J > ' i7 §' j -9

J
=>
Ф- . и
p
>-
e 1
T
г—
>
A
И
1—ft
2— — 2 — - e 1
8 I -= t \ = i =
3
г 54
\
0— г
1 ———2—-J 3
Am7 D Am7 D
36
N.C. Am7 D
G С F Bbmaj7 Bm7b5
С Fm6 С
1 t ш ш К Г
1
iij i г г ^ •ф
' L Г-LJ
let ring 1
О 0 гН- f е
— 1 1 -5 5 5 в
— е — о в в ] ] 1 5
2 2 5
— з э 3 3
1
End half-time feel

Fm6 С Eb Ab Eb Ab
в1> G A D
T r "
/е/ ring 1 let ring - - H let ring - - H let ring 1 let ring - - H let ring - - 4 let ring 1 let ring -
46- 42-
46- 46- 42-
41- 4*-
46- 42- 44-
40-
(3
Gtr. 2 tacet
E Am6/E E°7
Gtr. 3 wvwvwvwwwvvvwwvwwvvv wwwvwvwvvwwwwww
Г |Г
i
wvwwwvvwwwvvvvwwwvw vwwwwwwwvwvwwvw
46- 46 *7 19 10- 17 (17) 4=h
47- 40- 40-
46- 47 17- -47 17-
Am6/E
ш Y~7f f
Ш 1/2
46- 46- 49 KttF -rt 46)- 47-

47-
49 tt-
Am6/E
a
1/2
47-
J" -to 46)- 44 16 Я-
47 47- 47—*7—17-
46 16 14- 43- 40-
E°7
8vo
Am6/E E
8va-
i
Half-time feel
E C D9 E
8va !
С D69 E
ОЛ
End half-time feel
Gtr. 3 tacet
Cmaj7 Dadd9/F#
wvvwvwwvvyvwwvwwv
Г\
-pp
w/ bar 1
rit.
/ 7
H
A tempo
Am G G/F# Em
Gtr. 2
11 j j I j J I j
r ё ё
J - j ; J J ~'
/ef ring -
? Й f 1
e 1 e — -0 0
2 0 0 2 Q 2 8 2
n
II ft
II 9i
L-a 2 0
Am G G/F# Em
Gtr. 2
dr= ^
ij J jj j i i P J 9 —
let ring
2 #? i
r^N ^
(2) 0 2 0 2 2 -i—0 0 1 1-е— 0 о
0 2 0 2 2 2 0 0 2
0 0 L-3 2
Gtr. 4
I
hrwww^H* — ^ ^
PM
5 5 5 5 5 5 5 L-3 2 0
40
Gtr. 4 tacet
p—
&
11
J > г - i
T
1 7
3
\
>
j T
f—f
8
4 5 7
3 1 1 3 8 =
2 0 2 2 6 2 2 4
2 4 6
6 — 2 3
1 2 3
1
J
w
i~w £ ==
P.M. 1
0 8 e 6 5 —
Half-time feel
Am7 D Am7 D
8va 1
N
Gtr. 2 ^
Г »: f
let ring 1 /ef ring - - 4 fer ring 1
? 5
} T 5 5 2 3 2 - 6 6 Г§ „ 5 2
3 5 8
5 2 2 -5 2
a — 6
A n
0 и
N.C. Am7 D
, f f Г f~ff Г loco
I
w%%wwwvww»vwvvwvv»v»wvwv
-26 M 17- -17-
-26- -19
-20=
Gtr. 2
| n i «J J '.= £p Gtr. 4
divisi let ring
/ef ring 1
•P.M. -
-2—1—6- -6 7 5- -Э 2—6 6-
-3—1 0-
-2—6-
-3—4—6-
-6 2-
* Applies to Gtr. 4 only.
Л1
Gtr. 3 tacet
G С F Bbmaj7 Bm7b5
E
l|m i
iГ "f |
r r r — 1 I— J
let iring ~ _ _ 1
I
- let ring • H let ring — i1
H let ring - •
A n л К 7f
Kit 0 U 4 Э и
n
«1 о
L
a f 9
s Gtr. 4 tacet
Am(add9) A7
Gtr. 2
Dm/A В/А
Dm/A
iff ( ^ f f |r
1/2
^ « — ~ — «
1& 1П
1U
( fi
7
n8 J 7/
a J 7
У 5 *
{f n
II
Gtr. 4 tacet
A
В/А
X Г ПГЙгь*^ г г Г1 Г1 Г г г , г г 1н f ff г
р ' 1 [ TJrtf г Г 1 u j иг г г 5 5 5 5
7 1W 7— 1 Г 7 7 lP? 7—|
7 7 7 7 7 7 7 7
8 ^ — 8 8 ^ — 8 8 ^ — 8 8 ^ — 8
9 8 9 9 8 9 9 8 9 9 8 9
вЬ/А Am G F
Gtr. 2 U j £ T >
1 j. j> .j. fo
A Tpbf-L f - £= f t f-
г7t 1 1
T LfrfT tL r гГ 1 и 1 1Г \f Jm ^ г 1f 1Г T ^ - r - 1
1 — и — У
J 5 5 5
mp /
6 6
6 io~6
6 6
6- -pW
7 8 ^—
87 7 8 7^ —
87
7 s
! j
Gtr. 3
I . J
- = i
* •
—
fl Ц
1 к 1 L
^
5—5—1 i 8 =j=
7—7—
J
G Am G Am N.C. \
л 1 J U J
- ' Г )
к
Г)S 1
к 1 к 1
J „1 1 1 i i ^
v
Id I >
I I >
h i
>
; >
1
I U r =*=*
>-
5 5 5
—Pi *— 2 2 2 0 I g I7 87
$1 Э-
§ i 1 I :- 2-8
7
3
—к—i к—1 1 1 - Л J i 11II
[i i i i i- -' 111 *
1
-Д-;— •— д!'" д. -^г •
> > > >
IB- ^t ^ 7
> > >
2 2 2
(?) S j - 7
5
7
5
7
5
5
3 L
7
и —
8 8 8
44
Countrywide
s By Tommy Emmanuel
Moderately J = 103
N.C. *Am
Gtr. 3 (acous.)
m m
f i T7-
w/ fingers
let ring throughout
•Л f- -Л f-
-o x-
Riff A End Riff A
Gtr. 1 (acous.) **Gtrs. 1 & 2 (acous.)
Й
m m m M
r r ^ T7-
mf
w/fingers
w/f,n*ers let ring throughout
-Л 1- 4 fr-
-2r
-0 Hh
-fl 3-
•Chord symbols reflect implied harmony.
**Gtr. 2: w/ fingers, played mf. Composite arrangement
Gtrs. 1 & 2: w/Riff A

Am G
Gtr. 3
Г2
J ~ 1 —1 = 3
Sj ' j
" *
>•
+ У j
' =: * L
1
2
1
о
- л 1
2
t 1
2
1
2
-1-
2 2 2 2
1 0 • ' . ' 0 S
В
Am G Am
Gtr. 3
m M=t
f
0— 0 1— о — - — С 1 — 11 0
2 0 0 2 — a - 2
2
fl - 2
Riff В
Gtr. 1
m m=
F = = 4 = S = j
у 1
=
-9 •
?
f 1 1
— 2 2 — 2 2
1 2 2i 2 0 2
0
0
- 0
0
- 2 2
=±=i - o
fr 3
RiffBl
Gtr. 2
*
=±= R = *
= 4 =
w
-J щ
; J J
-9
-9
1- 1 11 1 0 — * 1
— 2 2 — 2 2 — 0 — & 2 2 —
2 2 2 2 0 0 2 2
1 0
0 =
- f l
0 L-3 з 0 =
Copyright© 1998 UNIVERSAL M U S I C PUBLISHING PTY. LTD.

All Rights in the United States and Canada Controlledjmd Administered by UNIVERSAL - P O L Y G R A M INTERNATIONAL PUBLISHING, INC.
G Am
С G/B G Am Em
Gtr. 3
I —
Ф2 г ' P
J. r
1 v*'
-0
~9
8
1 3 — 3 1 e 3 8
°
:
r-B
1 2 8
3 -2 -e
3 •-8
Riff С
*Gtrs. 1 & 2
I , j P n — 1 f3 HH
•
d J , t "9 HH
— e
1 1 — 1
8 0 0 — 0 2 8 8
*>
0 2 2 2
3 t 0 -fl 1 11
3 L-e 6 3
•Composite arrangement
Am G F Em Am
Gtrs. 1 & 2: w/ Riffs В & В1
Am
Gtr. 3
$ J J J •' с
n n 1 Л It 1 1 Л '
U U 1 U II 1 1 и
2 2 9
с Л
U 9с
£О
n о
U £
G Am
l i f T ^ U - L J '' Г г r r r=j J J J J -
0
о—e—i—e e— 1 3 1 1—e
2 2 0 2
2
— о -2
Gtrs. 1 & 2: w/ Riff С (1st 4 meas.)
С G/B G Arn Em
-Jr—Jr. : " m ш _ _ 0 ......... Г 1 l . 1 i

§ j. P v Г p 1' J r
j
J J J
F
(I
II
1 3 3 1 0 6 1 3 0
a 2 2 2 8 ^
a^ i
3 -2 о
3 1-0
Af
Am G F Em Am
С
A6 Baddll/A
E3: a
PlfiJ I. r T m
-5 2 5- -5 2- 4 4-
4 4-
RiffD End Riff D
7
wi
л О л
и л
С С 4 4
9
Ч
£
9
4с 9
С С9
А А
чл
л А
С С 9
С 9
С
л л 4 4 п
0П п и II V
П 0
G6 Dadd9/F#
1 и и > 5 4 4 СПЧ /
> 5о по <3
4 04 л
4
0 > о о
• 4Л 4Л А 1 г о
4 4 ' 9А 9
П А
> иП ! V II 4
;VЛ 1 Л «
л
R — i — 1 f=3-iп J1 1 J• ! =— т ^ J 1
4=^ чй ; У
о 1 <1 о
О о о1 О о
л 4
4 А С
4
А
U АII II п
и л
II 0
и п
и
э 3 L-3 э 8 —2 2 L-2 2
Gtrs. 1 &2:w/ Riff D
A6 Baddll/A
Gtr. 3
f#¥= h p h - Г 1' г r
I * ff^f
f Г
й
J
j
J 1
— 2 г * в в
5 5 2 5 2 4 4 4
5
г =
4 4
2 2 2 4 4
0 * 0
0 L
F6 Bm7b5 E7
Г я p 4 J . J b ,
р 1 I n j ; м J ^ C J
H
-* X-
= H =
Rhy. Fig. 1 End Rhy. Fig.

Gtrs. 1 & 2
I'M j - j - n ^ ^ - d - — - h — ? *
Г 4 $ d У j * * jС
J : j J
№ ^ i ^
H 1-
Gtr.l
Рфи*
3 0
3 i ?
\ \ i g
0 3 4
M j. J , L - | - s
" 1
Ш
I
9
11
?
2
i
. = J
Gtr. 3 Am
m
Щ f
-ею 1 f- н f-
-e e 2-
G Am
г | 1 ^ =f u =
h H
3 = i
if л
Г 1 1
1
~9
2
e 1 e e— 1 1 e 1
8 0
& 2 В 2
2 2 L-3
Gtrs. 1 & 2 : w/Riff С
с G/B Gr Am .
, i . l F . >
V ш W * л
r
j d j J
P F * p i
1 &
о
M 3 3 0 ^ 2 0 1 3 0
-fl
-2 0
t-3 -2 -e
L
3
To Coda -0-
Em Am
Gtr. 4 (acous.)
Г 7 р г f
mf
С D a /НП T e
к Э 0 8/1U
Э 7
Gtr. 3
vwwvvwww
4
r f O
fl 1П
A fl л A 4 7 < /А 0 1U
Z 0 ^ 4 Э / 7/Я
к/ 7
8/ /
8
E
Gtrs. 1 & 2: w/RiffD
Gtr. 4 tacet
F Em Am A6
f T f f f . ffT [¥ =
1
is '
« 1 0 ^ 12 ^ 1 0 8 7 8 (8)-^
— f T f г r ~ iГ Г " " i 1
д^ - = ii f y * r —
ft j 1 — ' 1
8 8 2 2
tt 8 tfl (18)^^ 5 2
Baddll/A
Gtrs. 1 & 2 : w/RiffE
G6 Dadd9/F#
- r - f г M • J я
¥
[": f 1
u 4 '1
M. • f
У j
- J 1 k 1
I
8 8 H
э
u
3
4
3
4
3
«= 2
8
8
4
и
8 =
is = -2 Lg
Gtrs. 1 & 2 : w/RiffD
A6 Baddll/A
f # ¥ = —•—J * Ш -
г л ttf V- ^ ttf—
^ К ^ L j P Y J L r м
2
5
2 -2 fl
4
—в 4
2 5 « 5 2
2 — 4 —4 4
4 4
8 1 -8 fr fr
Г
Gtrs. 1 & 2: w/ Rhy. Fig. 1
F6 Bm7b5 E7
Ц^: Г J — — p — r — i — f f — r T —
• / ^ J
' " >•
3 j i >j^ "зг —
g : ' ' ' -9
в 6
—з x x a x
:;S 3
= « = ' . ' x
— ^
i X X - 4 - !
4k —2 X X 2 X
H в
Gtr. 3
—1—B-
-x—x- -3 1 3 1—e-
M -3 2 B-
-3 2 B-
Gtrs. 1 & 2
I Ж JZX Ш 1/4
/3IV -3 3 3
л —2 2 1
ji a— .
\ 2
n . J 1
Am
rit.
19 liT 19 îft Л 7 A с 7 о in
AC 111 1С III 0 Г 0 10/ С о Э t 0 III
A Э 0
Ц с
Э #7
8 7—В—7 7 flft'i ' *

in
111 й
0 1ft
111 4IIJ Л К 7 0ft 111
1ft
7t
4 Э / 9
7
»
Gtrs. 1 & 2
| i i i j lj Я j j l_[ j i j Ij i _[ I f
• ж ж ж
rit.
2
з
8
i 2
I I
2
I
2
I - 2
1
2
2
-B В
1 в 0
= 3
Gtr. 4 tacet Free time
Fmaj7 Em7
E
A tempo
Gtrs. 1 & 2: w/ Riff A (till fade)
Begin fade
G
Am G
m m m * * if } , 'f . }
m 7 5 T-
т-5
-5
—3
—3
—4
5
5
5
7
7
7 -5
j j
4
;
7
j
5 |8
X
J
3
Am G
3
f=F= Q > J |
§ 3 3
3
r
Lp* • щ
J J 1 Ji'
P.M. -
a^Tô * -8—
^
5—
^
0 5
8 5- 7 —7—4—В 5 ^ ^ 6
7 5—7—5—В
—7
fr -3 7—
5
Am G
fr-f .Г..Г..1* If - ^ •f л
V8 J—1—1— • i — >
J J L
/—I
* 1 г м
P.M. 1 ' . ' ,
-9—to
5- 0 7 0 : ^ 5
С 1
4 5 =dF 5 7 5 ' Б . 1
4 5
t
Fade out
from Determination
Determination By Tommy Emmanuel
s r-il
Moderately J = 94 ( J J J J = J 3 J 3 )
ril
*D7sus4
Gtr. 1 (clean)
(Elec. percussion) g
^ 7 J
irf
•Chord symbols reflect overall harmony.
^ 7 y-^ ?
X 10
Ml
Copyright ©2000 UNIVERSAL MUSIC PUBLISHING PTY. LTD.

All Rinht« in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
D7sus4 A7sus4 A7 D7sus4
It*"' ' v c ^ r J i Ц ' LLl C j j ^ ÎHTJI

P.M. - -
slight P.M. H
6"
7—5—7 5 7 (7) 5 -7—5—7—5—7—(7) 5 ^
*V5 3 -t^r 7 5—7 3
5- 5-
kh,
(jfo " f H-Г 7
У £ > — I I" I ' " =
у Г 1
Ь ^
У Г 7
у
T P ? f i 1
«
13
*2
10 10 10 10
13 13 13 13
12 12 12 12
я42 ц12 li—« *2—12
G7sus4 G7 BL>7sus4 A7SUS4 D7SUS4
G7sus4 G7 D7sus4
л » .—^ .—^ . ^ Г " . h. - .
Д Tig » hm f ж f f m,J) L c, > ^ ' IMP \ ""
" hJ 9
"r J
1 Ф
-»
^ ^
с -»
^ ^
e 7 U
_ ^
7 e 7 в 7 R ^ A
7 Э 7 5 7 j a q • y7 О R 5 7t
С t 0 f Df 9 г л ^y v
0
• VXD
к О 3Л f d э Э в
• VNO W
К ГЧ'! ЧJ • S "/7/
if «1
J
, f f j
-43 «
10 10 10 10
13 13 13 13
-Ч Ц
" г а Ц
12 12 12 12 -12 П
A7sus4 A7 D7sus4 G7sus4 G7
-3- loco
ш
rake ^
P.H.
1/4
X
В
co^ e
IOJ 0
^
7
f
ч
4 7
O r
^ ч
4 7
Of
ч
0
^
' л ' ^ J1 У и—
(Tl В NO <J / \0 J 0 J J 5 VDJ О
4
Э 4
3 40
Pitch: В
10 10 10 10 ^ю n 10 10 10 10
13 13 13 13 13 13 13 13
12 12 12 12 -лг П 12 12 12 12 ^2-
С
Bl>7sus4 A7sus4 D7sus4 G7
У " ^ T J - I " iij j j ' I' ^ J L J H f
6 6 6 6 6 6 6
5 5 5 6 5 5 5 5
5—3 3 5 3 5 4 4 4 5 4 4 4 4
5—5
G7 D7 Е7
G7sus4 G7 D7sus4 A7sus4 A7

D7sus4 G7sus4 G7 Bb7sus4 A7sus4
К
D7sus4 D7sus4 G7
ft ^ J J j j J
Г ГЩ^ 1
1/4
^
*V5 3 —- 5 3 3 (3)
J 1 =
5—3 5 - •— 5 5
J?<t|| - 1
10
4« i
4 1g 10 10
il 8 « ~
Gtr. 1 tacet
D7sus4 A7sus4 A7
Bb7sus4 A7SUS4 D7sus4
F
G7 D7
G7 D7
й
rtll . ^ V n - , h - ^ r
/ l l
l T J h J J J J * J J J f J J /Ир Г
6
1/2 1/2 1/2 1/2
igs ^ мч^ in fl й"^ fflt A r-—-

It Ut^ 1U 10 0 0 VO^ 0 ^ lc У
7—5 7 5 7 5— — 6^— 5 5 5 6 5 5 6^ 5 ^ П
8 8 8 8—5^3^12
f " f f f t_!r
1/2
fl
О О fl О A / \\
V V Y / 1 7
л л л у \ 1 s
Э 9 Э 0 5 ID^ О V
Л
с с
с
Э 9 9
G7 D7
Gtr. 1 tacet
E7 A7
G
C/D Bb/A C/D Dsus4/A

Gtr. 2
C/D Bb/A C/D

3
frii 7
J J "J-
P.M. 1
J
- U j j T g
^ °
Ife,^ ^ J J^Jv .Jv
—
3 3 5 5 3
5 5 5 — ^ 5 5 (5) (5)
*43 1
H
„ D7sus4 G7 D7
2
1/4 1 hold bend
-6 F -8 m—6 8- -5=
-6—7—5- 7—7- -47)-
-3—5^7-
-5 3 5-
IS
Id й
10 ~ й
Id ~ й10 IS
Id И
Id 18
Id Ц
Id
19 19 19 19 19 19 19 19
It 1С I t It lc lc lc 11
ЛЛ
Pitch: G
•Depress string behind nut & vibrato.
10 10 10 10 10 10 10 10
12 12 12 12 12 12 12 12
I
D7sus4 G7sus4 G7 D7sus4
л — ^ ч л ^ ^ л
7 t Ч С "» С А 4 ^ к 7 4 7 4 7 4 А
7 5 7 Э 7 U) Э ' о 1 O f Of \f/ О
- ••• в\5 3 9 1 <9 9 9/ / В
• Чл4О 1О
. / 7 4 1 : 4 1 и/7
-• 5 9 J
A7sus4 A7 D7sus4 G7sus4 G7
a
8
/оч
\d/
e
d
„v /
7f 7 4 7 в 7 к / « ч^ ^ ^ /
'*" x i 9 / 9 f 9
я a s 7/ • v 4 4 . / 7 1 4 4 .
9 u - l \ оt / / v
л 0 x 9 j 9/ / 0 9 j 9
э j 9
i j rm- "i j ) f F f f i
-^W 10 10 10 1
13
12 13 13 11
12 12
г м
12 12 12 12
Bb7sus4 A7sus4 D7sus4 Bl?7sus4 A7sus4
иD7sus4 D7 G7sus4 G7 D7sus4 D7
I j ' » Г.1" i- - r g j j' • i

P.M. 1
"^^frSk, . . . . _. . . . _
«>-6 9-7^7 (DV
-5 3
5- X
• , ^ —si 4.—JSU—^
P " 7 * ' y
' ' 1 f у Г 7 у г 7 у Г 7 у г 7
ч
43 ц 12 12 if 12 1 1 ii 4 f =
г* л
G7sus4 G7 D7sus4 D7 G7sus4 G7
л
D7sus4 D7 G7sus4 G7
D7sus4 D7 G7sus4 G7
D7sus4 D7 G7sus4 G7 D7sus4 D7
G7sus4 G7 D7sus4 D7
r
13
J ' T
w те те
Jv
w-
13 10 -J2 10 13X15 15-
13 12 10 12 10-
^2 12-
i m
-ю- -13—Ц—Ц—Ц
-13—13—13—13
12 12—12—12
Begin fade
G7sus4 G7 D7sus4 D7
ц
11
Id
19
\L
ц—tfl—to—to
11
Id
19
1С
11
10
19
U
11
10
19
1С
11
10
19
1С
to
11
10
19
1С
11
10
19
1С
to—to—
11
10
19
1С
я
13
4
lcA
я —
13
4A
1С" - -
G7sus4 G7 D7sus4 D7
Fade out
G7sus4 G7 D7sus4 D7
t t t t
> > > > > >
p . f , f r r r r r
ft r
И
g ~ g - II
- 1
- 1 1
— 1
£
F ' I'
w/ pick & fingers -

P.M. 1/2 l
-лг « S i/12
n^X
40-
- t o -
-42
П
« to
to to« «
to to
-42
П
to
to-
to-
^2-
4 i i t i i
to ™
19 17
11
1С
C7
Guitar Boogie Shuffle

By Arthur Smith
E
Fast Shuffle J = 210 ( П = J )
**E
Riff A
*Gtrs. 1 & 2 (clean)
- j
-J- -J
~9 ^ TJ ^ J1
f
w/ slapback delay
p
D
Г.1*1. 1
_ _|
J
F
"A
-A -2 2
2 2 4 2 2 2 2
ъ L-e В—^4 4 - 4 4 3 4
•Composite arrangement **Chord symbols reflect implied harmony.
E7 A7
5
j j j j j J j
-В 2 0 — 2 2 4 2
2 2 2 4 2 4 4 2 4 2— -В 0 УА 4
0 ^4 4 3 4
B7 E7
Gtr. 1
r^^ttr ш
1 л
$ " J JJJ J J Ji V
raiке 1
>
1/2
3 ( 3) ^ в
*
^ 0 8 X
2 2 4 4 4 4 -2 4 2 0 0 2 -х
^4 4 2
Gtr. 2
•y ' V и ^
-9
S
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^ о—e
2 2 4 4 4 4 —2 4 2 В В 2
^4 4 2 L-e
Copyright © 1946,1959 Shapiro, Bernstein & Co., Inc., New York

Copyrights Renewed
International Copyright Secured All Rights Reserved
Е
i M J"T~I
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P.M. 1
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3 2 0 2 I
2 -2 2 —
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3 — L -0 ^4 4 3 4
rnk м = f l l l l * ,
I - Г З J J J g="" J
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P.M. 1
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-0 4 ..... a j
El А7
Gtrs. 1 & 2
J j j J У j j j
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"J J — J д ^ ^
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p. M . - - - \
2 2 2 4 2
2 2 2 4 4 -5 5 4 4 2 2 2 —- 0 0 3 4
0 ^4 4 3 4
B7
Gtr. 1
J J J J >JjJ nJ J i I j J ^ 4 ^ J ^ g lj L j ' ~ 'в

rake-H 174 1/4
3 0-
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в
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= Г~1 J j i # J =: Г Ц J j J j f i
Ж Ж ^ ^ "5w
steady gliss. D \>f
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2 0 ^ "v
2- С2> -^16 — t ^ n
2 3 4 2 3 4— 2 3 4 2—3—4—
-e В в—В -в—в в—в
ЩИ з з з з
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DX/I
2 2
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А7
Gtrs. 1 & 2
3 3
5 3
= = = = =
т г -
J
J j itJ jjj,J »J
Рм - - • p JÎ _ _
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^^ 2—3—4 2—3—4—-B
2—3—4 2—3—4—
2—3—4 2 — 3 — 4 — —0 В В—В
а а а. —о— 0 -Я А- ..
с
Gtr. 2 tacet
E7
A7
B7
E
Г 4 I -9 t ^ w j
^ V 2 — ^ ^ 2 ^ 2
0-— o - о — о — 0 0 —
0 0 4 4- -Ml 0 4 4 L-0 0 4 4
A7 E
Gtr. 1
( & ¥ » j j j j —
9
Ч У
^9 ^
P.M.
8
^r- 0 — 8
и и ч 4
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Gtr. 2
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9 >- '_[ _[ i i l|J > 1
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^ 4 j 4 i ^ J ;
D X/f
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— 0 0 0 0 1^2 : ^ 2
0 0 4 4 —0 0 4 4 0 0 —
A A J il
В5 А5
№у
( • ) -F- ( • )
£ 1 ^ jpl i 5 1 i 3 1
grad. release 1
I Г5- г i f r
"i 1/2
Г
-9 * 9 9 9- 45Э 0-
-0 0 1-
-0 0 4 4-
J -J J J J- ^ ^
P.M.-
n n 1 1 А
и Л и и Л и Л иА иЛ Л
и П
и
II II 1 1 L L и L L L С £
A A A A
70
D
G5 F5 E
A7
%wvwwwvw
I -Ф ф
ш
Ф-
±
1/2
vwvwwvww
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-8 0 SA 4- -2 2 4 2-
4-
P.M.-
4
P.M.-
4 J * * * * *
1/2
-2 2 4 2- -4 4 (4) 2-
-B О У A 4- -4 2- -2 2 4 4-
-0 0 s'A 4-
g
8 — 8
' 4 ^ 2 2 8 -2 2 4 4 4 4 -2 2 8 8 2
4 Â 3 2
End Riff B1
1 1 1
ft" J J i J1 J J i j J. J. J. J. J J. J.
d xif _ _ _ _ _ _ i
i
2 2
4 4 2 2 8 -2 2 4 4 5 5 4 4 -2 2 8 8 2
^ ^4 3 2
Е7 E7sus4 Е7
tr*
hp I»- •#• P-p- г I0* 0
1 w
I0*0 1
# ' » ' » J, f }•• Щ

release
tr*
у r - T - - T - T - T - T - r
-8 to- tfl tfl tfl te ttJ HI №
-er>-
А7 Е
Gtr. 2 tacet
B7
В ^"tp 1£ "ftp fr 4 P £ i 'ftp

w/ pick & fingers -
8 r
i 8 I f -в 2-
-7 8 9-
l ^ b 6 7-
hk
F
E7
Gtr. 2
1 П P Ш
-9 8 7-
8-
-6 7 8 9-
Gtr. 1
с е л 4 л
Э 9 4 0 лл
о Ч л Ч. ft ft Jl
4 ч
0
с С с 4 Э D 0 R
О 7
1
£
Г f Л г г if * t r y ? f | Ш Л л M
-9 9- лг 19—9 16- 12 14
-10- -40- -47- 17 11 12
-40-
-5 5- 8 6 5 -12 12-
-44- -44 14- 12 14Х
12 13
-43-
В7 Е
ш Gtrs. 1 & 2 : w / R i f f s B & B l
Е
A7 E
№ - =
r =
B7 G5 F5
Gtr. 1
1 i = i = r l — ^ t d h t —
r j j « [ ji,J J i i 1
К J H g f b f
3 3 3
^ ^ В 0 в
г^З з з з
тН Зт-Ч -4 4 4
В—8 W ^ 2
2—2—4—4 4 — 4 —- 2 — 2 — 0 — 0
^ — 0 — 3 — 2 — -в 1
Gtr. 2
Ш j-R-1
§ — J J I J^J J J i 1
p _ 1
—1
2—2—4—4—5—5—4—4— -2—2—0—0 2
^4 3 — 1 -3—3—3—3—3—3—3—3-J Ц—1—1—1—1—1—1—1—1
Gtrs. 1 & 2: w/Riff А

E El
Gtr. 3 (clean)
о
9 9У — 9 — ^
те
19
1С
те 19
1С
11
11
11
11
л)—
ГГТ7 —•—.
— 19
1С
19
1С
A7 E
Gtrs. 2 & 3 tacet
B7 A7 N.C.
* : jS : ,A s r r —
1
* - 1
M r*2
414л 1С n ~~
9
414Л 19
lc 11
TT —
Gtr. 1
r n ^ j — 1
J
— K l H 1 J 1
^ J V llj i J
let гщ rit.
4 В В В —— 0 В ^ ^
2 3 2 —в в—
^4 2 о—1
2 4 2 В --2 В В
4
Gtr. 2
-ПА > =
У J J i • J J J чw-
i i j j j j 4 4
D \Я J
T
rit.
r.ivi.
2 2 4 4 5 5 4 4 —2—2—a—a 1
4 4 2 2 —в
Free time
B7/F#
Gtr. 1
. л * .
g i J J з
1
: 11
1
L
—2 :
rH
4 2 4 2 В 2 В X
3 l_2
A tempo
El
Gtr. 2
•> •> >»:
Jtfi
7 r-7 n^F 7 7^=

—9 —9—9—
? ? = 34 •—7 7 7^=
—9 9
? f = 7 7^=
i
г г
4) В L-9
Gtr. 1 X _
£
щщ
V > ||
\
:
! 8
\ri п a : л
f Ж -6
TT ¥•
1 81 ==!
siЛ
-2 2
\В i i i =
1 = i L
-B—в—в
н
Gtrs. 1 & 2: w/Riff В
E
Rhy. Fig. 1
Gtr. 3
Ы
-12- -42-
-42-
-42-
3i=
A7
Jp
42 -42-
42/ -41-
B7 A7
End Rhy. Fig. 1
ilhhf » - =1 ff—i
1 £ 7
^
r ^ i
*
* -
14
14
i-42
—12
-12
12
9
11
12—
9 —
H —
— • Г
и и —
г
•Tied to beat 1 on all recalls.
Gtr. 1
. 3 _
hm -P-
3 Я /Г~-—^ v — 1 J
V J J i Ji|J j J J ^ ^ * * ~9
\ 1/2
3 в — ^
г 42)-B 2 В ^
2 2 — 6 — A
2—2—4 4 5—5 4 4 —2—2—В—В—^^—2 1—В—^v-
3—4 3 — 2 —— в Э—В-1
Gtr. 2
Щ Ц ... ^ ^
s J J J JilJ J J i —; / - J - -J-
-9 • Tr
PM
r.M. i
2—2—4 4 5—5 4 4 - 2 — 2 — В — В — ^ 2
3 — 2 — —6—В—В—В—В В В В—'L - e 6 — в — в — В В-^9 7 —
л ОС
Gtr. 3: w/ Rhy. Fig. 1
Gtr. 2: w/ Riff В1 (1 st 6 meas.)
Gtr. 1 >- ^ ^
Mb »T Г Г I
-О)—в-
-3 2 8 2 о—f-
-2 B- -2 2 6 5 6-
-2 4 4-
-3 4-
A7
ft'"
J Jr, j " Ц - Г
Г r r-'f [ y p p p p p p p p p p p
—1—
3 3 3 3 3 3 3 3 Ш
ring - -
к e /7 A
O
A
U
A
U
A
U
A
U
A
O
A
U
A
Q
A
Q
A
Q
A
Q
A
U
^
' v a a / / A A A A A A Q
4 4—6—4—6 6 Уд -9—9—9—9—9—9—9—9—9—9—9—9— 8 8 8 8 8 8 8 A 1 O 8 D 8O 8^ 7
E B7
Gtr. 1 ^ ^ ^
r L' ^ П Г Н 'fJ
'
let ring 1
* =4Ц * iЦ * L r 1
ц - J >J J ' z ^ j
\!2 1/4
(7Э
fl _ _ -8 _ _ 8 _ -8 _ 3^ 8
3 2—8 3 2—8 3 2—8 3 2 8 2—
2— 2 2— 2
Gtr. 2
рщ J J j j ^ j i j j j j ^ j j p p
P.M.
-2 2-
-2 2 4 4- -4 4 2 2- -2 2 4 4 5 5 4 4-
-9 0-^4 4- ^ 4 -
A7
1=Г t^f v!i/ff'-r

hold
1 bend
5— (7)
-fl—2—8 о—1- -4 6 4- -6 4-
-2 8-
-A 8-
3 ^ 4
—2 2 2 2 2 2—
-2 2 8 8- -2 2 4 4- -4 2-
-УА 3 2- -8 0 ^ 4 4-
Gtrs. 1 &2: w/RiffBl
Gtr. 3: w/ Rhy. Fig. 1 (till fade)
A7
Ztegm fade
B7 A7 E
Gtrs. 1 & 2
rtVr 11 I I I
т j j J J.и J J J ^ ^ * ^ ^ ё
JJJ J J
J J '
PM
^^^
2
2—2—4—4 5 5 4 — 4 — —2 2 0 6 2 2 2 4—4— 4 4 2 2
41 0 ^ 4 — 4
:
^4 3 2— ^4
P.M.
-2—2- -0—8-
-2—2—4—4- _4—^—2—2 ^ ^—2— -2 2—4—4- -4—4—2—2 2-
-fl—0-^4—4- 3—4 -9—9—7^4—4-
A7 E
у j j J i i J J j j .
1
J> J^J _
2 2 4 4 -5 5 4 4 2 2 2 2
0 0 s'4 4 4 2 2 4 4
4
Fade out
B7 A7
• J M | I I I 1
-MP ф ф
Щ) -J- -J- - J. j j J. J
PM - - i
2 2
4 4 2 2 -2 2 4 4 5 5 4 4 -2 2 0 0 2
4 4 3 2
Hearts Grow Fonder By Tommy Emmanuel

/ /
Fsus2/C G Asus2 A Dadd9/E E Bm7
34 1
C#m7
3
Dm7
4
*
23
Ell
E
E
234
G5
1121
Esus4
231
E/A
и 13121
Dadd9/A
»4fr '5fr 7fr
13121 13121 13111 2 34 234 21 423
Moderately slow J = 83
Asus2 A E/A D/A D6/A
Rhy. Fig. 1
7
*Gtr. 1 (acous.)
1 4 i
mp
let ring throughout
4
-e
-e
1
о—B-
1
о—e-
1
t1= r1 ^
-X
X
rh
X-
-3—3—3
-4 4 4 4
3—3-
4-
2 2 2 2 2- ^ X- -4 4 4 4-
fi: -9 0 0 0 0 8 e- X- -8 В 0 fr- -e—e-
*Two gtrs. arr. for one.
Gtr. 2 (elec.)
Ш
w/ clean tone & slap-back delay
P.M. throughout
X 2 2 2 X X —- г 2 2 X * X X X X—X—
-A
ъ
Rhy. Fig. 1A
Gtr. 3 (elec.)
r,
w/ clean tone
P.M. P.M. 1
I
A
4
j
6
у
6
j
4
6
j
—4
а4 з4 =
ъ
Copyright ©2001 UNIVERSAL MUSIC PUBLISHING PTY. LTD.

All Rights in the United States and Canada Controlled and Administered bv UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING INH
Dm/A Dm6/A Bm7 C#m7 Dm7 Ell
в
Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times)
Gtr. 2 tacet
Gtr. 4 (elec.) к
flujf ^Jf Г ... - — V ш -
^ —-
'F ^ # F ^ ^ * ' "
wf
w/ dist. P.M. P.M. 1
A . 7 e
/ \ ^ ^
1 5
(5) 7 ^ ^
6 7
D / 7F 7/ \t) fi— D A 4A D
R
ЛЛ
G5 Ell Aadd9 A3
i
Gtr'4 . W J* - 1 .
jf L , 4 *f \ Г — p i* — — 'F # — ^ m m —
P.M. 1 P.M.
, /а a 7 e
is* 9 9 / Э
Э
e с D Oe
e 7 7 7 R'— A A A
D / # # D 4 0
7
/

G5 Ell Aadd9
Gtr. 3
Щ-
п mJ и j
P.M.-
-6 4 fr-
0-
Rhy. Fig. 2 End Rhy. Fig. 2
(cont. in slashes)
H 0—I '
7
7 i — — н —7 i — i
i4 8
. . .
:
. — a . -a
7
—-9
7
9
Gtr. 5 (elec.)
I
w/ slight dist.
Gtr. 3 tacet
2nd time, Gtr. 6 tacet
Fsus2/C
j m / л m m r ~ n - r m ;
Gtr. 4 %
I simile on repeat
p
Р.М.--Ч
i
-6-^ ^
7X9 7—(7) (7) 5 5 8X7—(7)—9- 7X9
Gtr.5
Asus2
r m r ~ n - h
-9 my- -14 n (12)X —9—Ifl—9-

-44- 10 10 10^3 1fl=
-14-
-лг—9—н-
l«fe m
let ring -
. . . . . . 3 3
n I I
и I1
iIв1
ft
0
r n г п - т m
1 1/2
-8—10 10 12~ -Л 12X10 10 1.8^8 8 8 fl^7 7 7 8—10^ 12

(W-e 8- -X X X X X X X X-
- t t - 7^9 9X7 7 7 ^ 5 5 5 5^4 4 4 5 7 fl-
1 =" 1
•3 -•'r*
a
To Coda -
Dadd9/E Bm7 C#m7 Dm7 Ell
r~n / i ; ~n n ) J ; )
8va -
a t
ioX12 12X14 -14- -Ifl- -17-
-*—X- x X
т/9 9X11 -4fl W
-и-
D
Gtr. 5 tacet
loco
Gtr. 4 к
li'll" , r f ' l V r
Ф' т u-j к - г Г 1 l 't= , ' 1
%ww P.M. 1 P.M. P.M.

i 0 A 7 4
7 9 9 / a /C\ "f - .
с
Э сЭ e
Э 7 ^ ^
ft 7/
0 7/ 7/ WJ 0£ 4 4 0fi
U
n

Е
Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times) Gtr. 4 tacet
A it _ _ _ £ ЁиАл. ^
i j P M ^ i Г Г Г Т . г г ^ f Г ¥ г 1
1
1Л 1Л 4П 4А J (? _ 0 7
- ^ ^ 1Z 14 г л 14 14 1Z 1Z У Э Т И /
1П
10 1П
1U 11) 12-^14
10 11 Л ц М Ч
13Х1С m
1U 1*
12 1П
1U 1П
111 119с
Л 11 0
у 11 11
11
DS.alCoda
Gtr. 1: w/Rhy. Fig. 2
G5 Ell Aadd9
ф-Coda
Е Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1 1/2 times)

Gtr. 5 tacet

loco
Gtr. 4 к
Г EJ"
P.M.- P.M.
7 9 9 f Э
с с е
3 э э i у n
ft г7 7/ 7/ Г71 fiN. j
D UJ 0 4j 0e
7
г
i&r r f =|
r" r r r 7
Г т Г Г Г Г r 1
Р.М. н
; ,n ^ *
J 5 5 -!tX7 9 «
^ 7 6 fl 4 6 7
¥-C- T » Г
Ш
P.M.- P.M. P.M. - - ч
7 9 9 f J
с с с Сеч 7 -- - it
vDJ 1 ' ^ с
7 7 ft 4
6
0 /7 / / 0 4 44
7
/
G5 Ell G5 E Ell G5 Esus4
Gtr. ,гл~п пт)) ттпт)) rtrmrrnm
Р.м.н 1
-r^v- 10 9 10 12 9 10 9 г
3 2 3 5 ^ -42 2- 3 2 3
4X6 7 6 ^2 (2)/ 7-
Gtr.3
£ 3 Иг
7-
7-
7-
7-
А E/A Dadd9/A E/A
Rhy. Fig. 3
r m m r m , n ,
vvvvvvvvvvvvvvvvvvwvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv^
it
£ £ i
1/2
*VVVVV4*%V»VVVVVVVV*VVVV*VV*VVVV%V**^
47)—5 5 (5ЭХ
Rhy. Fig. ЗА
№ ~П t Щ Ш
p.M. -
-4 4 4 4 4- -2 2 2 4 4 4 4 4 4-
-9 6 6 6 6 6- -4 4 4 6 6 6 6 6 6-
A E/A Bm7 C#m7 Dm7 Ell

End Rhy. Fig. 3
m , >~rm n m J л r~n r~n

<yt i ШШ
1/2 P.M. 1 P.M. -
-7 5-
-7
ф
&
6 5-
End Rhy. Fig. ЗА
ftfc A Ш
P.M.-
U w
с ч a r
- 3 5 6 7
6 6 6 4 - 2 4 5 7
7 7 7 6 - 4 6 7 7
- 2 4 5 7
Gtrs. 1 & 3: w/ Rhy. Figs. 3 & ЗА (till fade) Gtr. 6 tacet

A E/A Dadd9/A E/A A E/A
Gtr. 4 VWWVWVWWWV* -p. VVVUW VWVVWWWVWVVV V -Ф-
p 4
P.M. - н P.M. 1/2 Ml
vwwvwvwwww
- t t - 14 _ 12
Bm7 C#m7 Dm7 Ell A E/A
Dadd9/A E/A A E/A
Gtr. 6 tacet
Dadd9/A E/A A E/A
/
Begin fade
Dadd9/A E/A A E/A

8va 1
Gtr. 6 tacet
Dadd9/A E/A A E/A
Fade out
f H f f f Г fi l | p ,
wvvwvw
P
p 1
L 1 J - Г т 'Г Г Г Г г Г ^ J [J J
semi- P.M. 1
I 1/2 harm' 1/4
10
15 Уf ^ * V
/t
llj^ 12 Ut^ 1U
11) '- ^^ V^ //
9
П—- 7 O
с t7 t 7O в Э
e 7
7 7 /
7/ 0 fi 0 С 4 4
Q9
from Classical Gas
The HuntBy Tommy Emmanuel
Gtr. 1: Drop D tuning:

(low to high) D-A-D-G-B-E
a Moderately fast J = 163

*D Dsus2 F/D G/D
Rhy. Fig. 1
Gtr. 1 (acous.)
(Crowd noise)
ntf
let ring throughout
-2—fl г 0
8 88 88
£ i I i i i i i 1i м 11 M «=*=*=*
Dsus2 Csus2 G/B
End Rhy. Fig. 1
— 9
—0 m m m m m * m
л M[ л[ л[ л. л. м. л[ M л лt 3 3 л. # # uч ^ л.
•Ф •Ф -Ф- -Ф- -Ф- •# •Ф •Ф 5c Ж
-0 > >
>
в г 0 8 a
-3 3 3 3 3 3 3 3
8 i i i 8 i i 8 i 8 1 = -- f2l 2e 2e 2e 9e 0e 6
*
0e
I 1 8 8 8 8 1 8 1 8 4 = -fl 0 3 2

D Dsus2 F/D G/D Dsus2 Csus2 G/B
Riff A
Gtr. 1
—
1 i гн F TJ 1 Г Р i Г 1 ~ \ j :
*щ
Г Ц M л-ф J iZ?
— ^
J У 4
j
— •
1У4
—
T Л л. у к
4
3
/
3- 3
•Ф
> it-
2 2 2
a
= t = 2 2 8 \ 2
8 8 2 4 4 2 8 8 6
M M ' = e8 8 8
Copyright © 2 0 0 2 U N I V E R S A L M U S I C P U B L I S H I N G P T Y . L T D . , T O M M Y E M M A N U E L M U S I C a n d C H R I S G I L B E Y P T Y . L T D .
— — ' kw i imiv/CQQAI . РП1 Y f t R A M INTERNATIONAL PUBLISHING, INC.
Csus2 G/B
End Riff A
1 — • P 1 " 1 h 4 — ^
лL
s
+
л M
•Ф
О J J
4
j• i J
^ +
M
-Ш
Л
-Ф
л
-Ф
л
4 i
>
•Ф •Ф s -Ф -Фt 40
^ ^ з
2 2 —2 2 2 2 8 8 8 8
0 0 8 8 2^ ^ 4 e 4 2 8 2 4
8 j! 8 8 8
1
t S i =
L-fl e — e — e
» Gtr. 1: w/Riff A
2nd time, Gtr. 2 tacet
D Csus2 G/B
ToCoda2-ф-
Bbsus2 F8(no3rd)
D Csus2 G/B
г j J—^—J—J H
i — •
j
i * • • 1
1
9 mf ' ' 4—§—
r-2 2
1
2 X—N 0 -1 2 8 0 1 8
0 2 4 4 2 В -9 0 X 0 ;•
1
8 8 8 8 = 3 2
2.
Dsus2
j— j j •
j* fl1 <} <} \ J ГТ 1 1
t mf
\A 9 9 9 9 ^LJy • 9 9 9 9 9 * у + 9
-Ш
>
>
Л 2 2 2 2 8 2 2 2 1! ? 2 ^ 8
Hj 8 8 8 8 2 4 4 2 8 -5 8 8 8 8 8 2 4 4 2 8
To Coda 1 -ф-
С
Half-time feel
Gtr. 2 (elec.) С
h =
I / 3-
w/ dist.
4 С
О Э
С с
Э 9
»
RiffB
Gtr. 1 8va -| loco
I 3 3 | 3 | | | | 8
1 3 =
8 8 8 8 8 8 8 8 8 2
8 —3
G/B Bb6 F/A

А7 A7/Ctt Dm F/D G/D
Фт
vwwwvwwwwww
ts>
e s
1/2
-6 5-
-8 6 5 8-
EndRiffB Rhy. Fig. 2
* 1
W H ь—
N f:
"J
H
J s yd d * r i P' p- J
4i
w/ pick & fingers 1
8 0 $ 8 1 -2
I 2 2 2 2
8
18
; 7
3
-8 8 8 8 8 8 6 0
8 8 2 2 4
Bb/D Dm C/D Bb/D A/D Bb/D C/D Dm
jft ^ r r i £ £ l
llf f M
1/2 P.M.-
3 5 3 I 3
-6 5 6 8- -6 6-
Г
j j j j
-3 f-
-8 8-
End half-time feel
F/D G/D Bb/D
U-Y ff f m Лк
1/2 1/2
- i — T - tr
J"
4 f # #
т г и п щ
-a e — 7 — 7 -
Ij 18e — fо — 1e -
-2 2 2 2- -2—2—2 2—2-
7—7- -2 2 2 2-
-e -e—о—e-
IIII -fl—e-
вЬ/А A ВЬ/А A Bb/A A

8va 1
. -K
-0-' loco
IH г • |Г Г 1r
f t -1
1/2
1 ? — e m — r e — -гЧТ *7 Г•47 П
li Ш ) = = М
End Rhy. Fig.:
Ihtfi JbJIJ J>

"1 1 i - 1 1 1 i '1 i r l ij i i l l l — 1
-—2 2 2 3 2 2 2 3 2 -2 2 2 2 2
-2 2 — 2 — 2 2
—2 2—2—1 2 2 — 2 — 3 2 -2 2 2 2 2
—В 0 В—в—в в—в—в—в -в В—В—В—В
[Г I
Dm Dm Bb Dm Dm Bb A
Rhy. Fig. ЗА End Rhy. Fig. ЗА
ij i A I i ^'Щ wPPf
:
'
7
5 3
5
3 5
7
5 3
5
3
3
1
2
В
7
5 3
5
3 5
7
5 Э 8 ? 1 =
П н#— nj fb4 П —w
t|J
— —
5 ? И Н
1 В 1— * § 1 —
; 3 3 1° з i = з 1 ? а г
' 2 В 2 2 В 2i —
л
и п
и ® 3 2 л
и п
и ° — 1 — ? — Н
3 3 1 в з
—э i—в—4
[Г
D.S. al Coda 1
(take 2nd ending)
Asus4
9
£
с л
U
§
$ 77*
i f steady gliss.
==44-
«- -42- -42-
-44- -4fl-
-ф-Coda 1
D
Gtr. 1: w/Riff В
Gtr. 2 с G/B вЬб
J f 4 hi: - —P
rq^T — —
go ff . 5 = ; ; з —
Я Г ^ '
С С С
^ v w v w w w w ^ w
с с • УЯ
0
о
О
а
0
9 9
E e e 7 7 7 7 1
Э
с Э Э # / / / 1
9

A7 A7/C# Dm F/D G/D
, Х^ТГ^^^Ч VWWWWWV U0. ^ ^
h T Г Г Г ^ Г ''Г г г if Г f Г Г Г П ft Г
1 J 1 1 3- 1
1/2
^ — ^ W W W W W W
о 7
0 /
1 П — О Й 1П V
1U VIU^ 0 0 10 X
1П
10 О
9 7/ 1Л
10 1П
10 1П
10 110
Л V
X
Bb/D Dm C/D Bb/D A/D Bb/D C/D Dm F/D G/D
\lh Ь
Г f T T V ^ iг у f f Пi f F г г r r r .
ty1 i i i i 1 5 1
1 1
з 1/2
6 5 ( 5 ) ^ 5/""N— 5 ^ 7
—6— -8 6 5 6 6 —6 6 6 8
Bb/D А Bb/A
^ - 8va
iîiff br f 4 f f Г -g^lO 1 г
!
t? , , . , , ,
steady gliss. \/2
(6Э 6 8 6 6 (-5 rr—его «
A Bb/A . A Bb/A А
8va 1
Gtr. 1: w/ Rhy. Fig. 3(1 1/2 times)

Gtr. 2: w/ Rhy. Fig. ЗА
Dm С Dm С Bb A Dm С Dm С Bb A
Gtr. 2 Dm Dm Bb Gm Gm6
P S
m
с « x
Г 7/ 0 8
s
с a 7
d o /
4 7 0
a / о
D.S.S. al Coda 2
E
Gtr. 1: w/Riff A
Asus4 D Csus2 G/B
Л / ^
m
I fdbk.
/8
ч) cat fflV—^
C V»J7 —
QQ
-ф-Coda 2
Dsus2
\ ^ ^ г — Г 1 f г г 1
# i — — i I . - * **={
9 9 9 9 9 9 d d 9 d J
3
-3 3 3 3 3 3 3 3 3—
2 2 2 2 0 "—^ -2 2 2 2 2 2 2 2 2
0 S 6 0 2 4 — 4 2 — о —J 9 9 9 0 9 9 0 0
Bbsus2 F§(no3rd)
E
Gtr. 1: w/Rhy. Fig. 1
№
D Dsus2 F/D G/D Dsus2 Csus2 G/B
• ' i
Dsus2 D5
Gtr. 11 _ _
N
VJIT.
^ j
^ j; • """ ^ ^ л
|
-ф
> " ^ ^ > >
1 -a
!« a
2 -2
1 I
Л ЛЛ
from Up From Down Under
Initiation
By Tommy Emmanuel
s Moderately slow J = 88
N.C. *E5
(Perc.) ^ Gtr- 1 (acous.)
^ 4 4 4 4 'l4 4 4 4 * 4 4 4 '
PP
w/ fingers
•T
A
в e e о e L-e e e e e e e e
D/E
у =
г г г г г г г г г г г г г г г г г г г г г г г г
irf
Harm.
*w/ delay
let ring throughout
7
7
7
—i ^
2—4
В 0 8 8 8 8 8 8 L-в 8 8 8 8 8 8 8 1-8 8 8—8 8 8 8 8
•Set for quarter-note regeneration w/ 2 repeats.
E5 Em7 A/E B7/E
Г Г г г г г г г г г г г г г г г г г г г г г г г
Ег п
N ч Л
л » -1 , J ~ f s
т п
8 8
ж § —
W 45 9
8 8 8 8 8 8 6 8 L-e 8 8 8 8 6 8 8 L-e е 8 8 8 8 8 8 "
Copyright© 1988 UNIVERSAL MUSIC PUBLISHING PTY. LTD.

All RinhtQ in the United States and Canada Controlled and Administered bv UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
в
Em D/E Em D/E
А. i f s
Г Г г r L_L_T_J Г г г г г г г г г г г г г г г г
Ф
ш
-т—8 7- "7 8 8-
-т-9-
-т—9 7-
-8 8 8 8 8 8—8 fr- -8 8 8 8 8 8—8 8- Г -8 8 8 8 8 8-
Em D/E Em
-i
0
г г г г г г г г г г г г г г г г г г г г г г гг
8- 5 / 7 ^ 5
9- 5 / 7 ^ 5
-8 8 8 8 8 8 8 8- -8 8 8 8 8 8—8 8- -fl 8 8 8 8 8-8 8-
В7/Е Em D/E
$ г г г г "Iг г г гГ г| гГ г г г г г г г г г г г г гг
7-
-"7—8 fr-
-т—9-
т—9 7-
-8 8 8 8 8 8 8 8- -8 8 8 8 8 8—8 8- -8 8 8 8 8 8—8 8-
Егп D/E Em
tSf £• s i й
Г Г г г г г г г г г г г г г г г г г г г г г гг
;7 9I ]7
- 1
= f fw it 0
= 7-i
l
а о о о n n—n a —A n о n о a—о л-. .. . —a n о о- A .... a . a a
D/E Em В7/Е
т i
Г Г г г г г г г г г г г LZ Е_Г г г г гг г гг
Em В7/Е Em
J А
j - - — - J- — Ш ^ h
i— j — f 1 г8- ^ —
г г г г г г г г Г Г Г Г •г г г г г г г г г г г г
1*\ 5 -5
-4
4
2
4
2
5
4 2
В
W
* 5
4 -5 4 4 5
В 8 0 6 в -— в — В — в — L - в — В — В В —* — в — в — в — 1 - е — в — в — в — в в в — в "
ш
Аш/Е Вт/Е С/Е
N J. -Ь— IS 1 J J =j= * 1a4 *j3 У

« — *
Г^^Ь
* === т-
\ т
г
Г Г
ш
Г'
—Ш. Я—— I I
г г г г F г г г L _ r L _ r
Г Г Г Г i
1 2 4
з 4-
5
5 2
В
4 4 5
1 §—
В в 0 0 0 0 0 0 L-e 0 6 0 В в В В в в 6 в
Em(add9) Em9 B7/E
Л J J J ^
г г г г г г г г Г Г Г Г Г Г Г Г Г Г Г Г Г Г Г '
=&'Л
-7
--8 8
Ф и И 7 В
7
в —
fr в — в — в — * — в — в — в — — в — в — в — в — в — в — в — в — - з — в — в — в — В — В — В
Е5 Em
т ' О ^
^
1
4 +
и
г' г г г г г г ' г г г г г г г г г г г г г г г г
7 1
/вi 7
0 ;;
7 9
1
в — в — в в — в в — в - в — в — в — в — в — в — в — в — L -в В — В — В В—в—в в —
•1Л1
и
Em D/E Em D/E
А
(!) =
1I I
-0—8- - 0 — 0 - 0 -0—0-
Em D/E Em
1 ig
,—, г 7 0 7
m ?—8—о— r
M i — 7 — ?t t
У - 7—9 7 т-9 5
n и п а. л. ..—о—о а а а о а о а—о -о —о. п и а о—. -а а а
В7/Е Em В7/Е Em В7/Е Em
h
•I мг
b_
J- -J Jtj-J1 I \ is,
г г г г г г г г г г г г г г г г г г г г и г
3—Г 2 3 8
I 8 =— 1
1 5
П
*
5
5/
0 в
1 0 о о—о о о И—8 8 8 6 8 8 8 8— -8 6 8 8 8 8 8
Eadd9 F#mll/E Eadd9 ]
rft-^r ~ ..uA* **J « LL5 . L. .. «у .J ^

— ' 1
г г г г г г г г г г г г г г г г г г г г г г
ffl— — э
Ы—h
_ ! . J
5 ' I - 8
1
4 —5
1 r
i
Н 85 4 4
о 8 8 8 8 8 L -8 8 8 8 8 8 8 6 —8 8 8 8 8 8 8 8
104
Am/E B/E B7/E Em
v .
h N
Г Г Г Г Г Г Г I г г г г г г г г г г г г г г г г
2- -3 5-
-ю-
-41- -42-
+5-
- 0 — в — о — о — в — о е- -е—в в — в — в — в в о- -в в в в в в в о-
Етб
I ЦЁ
42/
- 0 — о — в — в — в — в — в — о - - о — в — в — в — в — в — в — о - - о — о — в — в — в — в — в — а -
F/E Ет9 В7/Е Ет
Е Ж
Г Г Г Г г г г г г г г г г г г г г г г г г г г
-7 в-
- о — в — в — в — в — в — в — 6 - -0——0 0 0 0 0 0 0- - 0 — о — о — о — о — о — о -
и
Ет D/E Ет D/E
-i в
Л
W 7—в
7—9 7
7
; i9
7
0
; 8 ?
n n n n n n n п а а а л а л а п a n n a n o n п
Ет D/E Em
I ^ J
в
Г Г г г г г г г г г
12 ^ 7
В7/Е Em D/E
i в
Г г г г г г г г г г г г г г г г г г г г г г г г
—г—"N
-w-
о о -&—е-
Еш D/E Em
Pi П 7 1 - г Г 1
Г Гг г г г г г г г г г г г г г г г г г г г г г
7- - t t -
~~т 8 8- 7-
-7—9-
-8—8- -8—8- -8—8-
D/E Em В7/Е
f n n r ^ feH — ^ ^ — h
J+я. Ш' '1
г г г г г г г г г г г г г г г г
г г г г г г г г
г
7 5 5 4- 4
_ . .. 2 2
t 9 7 5 5 4 4
it8 8 8 8 8 8—8 ; i j =L-e

8 8 8 8 8-8 8 8 L-8 8 6 8 8 8 8 8
Em В7/Е Em F#m7add6/E N.C.
1Ф * 9
Ш*
У b
*'
J |
1
Д П
J
^ J
.
<
h
1
г г г г г г г г г г г г г г г г г *
— ^ 1-е
f*\ 5 5 4 4 5 4 *
г 4 4 2 2 ^ 4 2 *
W 5 5 4 4 5 4 X
4
8 8—8 8 8 8 8 8 L-8—6 8 8 8 8 8 8—L-8
0
4 и
-*
- 1 - 1
ф - 4
III»-
III»-
II*-
III»-.
Г Г Г
Harm.
7
7
7
e о e о в e e 0 Ln в в в в — 0 в 0 —
ш t
t
Еш7
III 1
III 1
Щ
§
iii»-
iii»-
iii»-
iii»-.
iii»-
III»-
iii»-
ill»-,
Harm. Harm.
«
Р\ « g
* те
w п 5
в в в е в е о е L-e 0 8 8 8 8 8 8
•Applies to gtr. only. Pitch: В
' i
h
iii»-
9 - - - - - - - = = 1
iii»-
iii»-
ni»-.
iii»-
iii»-
iii»-
Г Г Г Г Г Г Г Г
Harm.
1 11
_ _
8 — 2
8 8 8 8 8 8 8 8 L-e e в 8 в в в в 1
Fade out
(Perc.)
•г
- -а
Г г г гггг г г г г г г г г г
II
8
(&
8 8 —— 8 8 8 8 8 8
2
L-e е в в в в в в — 1 II
л
from The Journey
The Journey
By Tommy Emmanuel and David Hirschfelder
Drop D tuning:
(low to high) D-A-D-G-B-E
s Moderately J = 117 ( П = J J>)

*D5
Gtr. 1 (clean)
(Elec. percussion & didjeridoo)
3
i mp * < p
Harm.
**w/ delay
P.S.
12 / ' ( W -
B-
•Chord symbol reflects overall harmony. **Set for quarter-note regeneration w/ 3 repeats.
***Vol. swell
•J P L - -1 > > . f v - L ^ - ^ , . 1 > =1

T у ' ' * V ' '
mp
P.S. 1
n
II
X V H J^ X v ^ x ^ ^ x ^ ^
В
+ Dm7
•ф
п и а 1
m m *
D \/f .
0 Э 0 в 3 в
в в э в в L
в в э в в
В 3 5 3 -fl 3 5 3
tChord symbols reflect implied harmony.
^ =: J: ^ ^J ^ ^ J: А hj-g ' j j / j j j ^ i
P.M. - ч
let ring 1
в—з в в—3 в в—3 в

в в—3 в в в в—3 в в в в—3 в в
В 3—5 3—JL-fl з—5 э - JL-e э—5 з_1
Copyright© 1993 UNIVERSAL MUSIC PUBLISHING PTY. LTD., TOMMY EMMANUEL MUSIC, CHRIS GILBEY PTY. LTD. and DEERFIELD PROD. PTY. LTD.
All Rights for UNIVERSAL MUSIC PUBLISHING PTY. LTD., TOMMY EMMANUEL MUSIC and CHRIS GILBEY PTY. LTD. in the
United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights for DEERFIELD PROD. PTY. LTD. in the United States and Canada Controlled and Administered by
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
ift ли r->:_i_i_ r-> i ii 1 i— i-k _ •
J
. | Шш * 3 * — I | p J
3
J
—— I I p -j 3
S
. iJ 4 J J 4 4 4 4 4 -Ф
. -J. ё
' mp
P.M [
A 4 Л n
II J4 I)
II A
II 49
< 1)
II
II J II n n ч n n n n 1 n II
0
u
fl
II fl
II 1
<э n
II n
II U J U U II II II II
0 3—5 3—1—8 3—5 3 — L-в 3—5 3—1
Gtr. 1 tacet
Gadd4
Gtr. 2 (clean)
Gtr. 2 tacet
Dm7
Gtr. 2 - ж
lit Г Г г Г Г r - f I f f f _ T
— = 1
y L i j - L p -
3 0 tt
6 6 *3 те
5 ь у те те—
„ , Fill 1 End Fill 1

Gtr. 1
3 3
— h i Л — j — p в — h i Л — I — p -j , з
=: ^ J: ^ * J: 4 Л 4
P.M. 1 irf
о—з e e—з e
8 В—3 0 6 0 в—з о . , о ,
5 5 5 5 L-e 3—5 3 - J•-0 3—& 3—
Gtr. 1 tacet
Gadd4
Gtr. 2
m m m
rrf
-43-
-5 5- -5 5- -5 5-
Gtr.3
<1 с -— 7
4 9 1
Gtr. 1: w/ Fill 1 Gtrs. 2 & 3 tacet

Dm7
Gtr. 2
3—5 3-
С
Gtr. 1 tacet
Gtr. l D5 D5
С G/B D5
Gtr. 2
SY 1 ^
л n 9 J n
4 U С U 4 4 0
С G/B F5 G5
т г
9
n L n
и II
Gtr. 4 tacet
D5 С G/B
Gtr. 3
г г . . г ' у - J-
P/ string noise
1П нп^Ч 11 m/19 19 Я
1U IIU-'N 0 10X 1С 1& 0
о
D5 G G/B
8va-
Gtr. 2 Sva--
loco
m
P.S.
i i i
-w- (17Г^ 15 i t ^ r^t?—— 17"^ СГУ)—tt-
15
••Bounce pick off
strings rapidly.
Gtr. 5 (dist.)
j д TOT
e л ^1
9 4 ^
J 9 wJ —- о с
•Vol. swells
D5 С G/B
8va --
J ' ^ v»v**vv*vvv*vvv*vv*vv*v*v»vv
£
- f f - -w № 15
Gtr. 5 tacet
F5 G5
8va
Gtr. 3
F5 G5
i
Gtr. 3
loco
steady gliss. P.S.
1T\10 W
7 / ^ 1 4 -WV7-
Gtr. 6 (dist.)
Gtr. 3 tacet
Dm
UUS. J ОСи
3
5 3
r - f t f \ j Л П r j - J r i l r , J - t l = Г Н r f I У J |
J J J J J
• X X X щ V j ^ ^ X
f h
P.M. p.M.-H P.]М . - Ч P.M. - н p.M.-H р.м.-ч
3 — 2
2 — 2 — 3 — 2 — 3 3 — 2 2
— 2 — 3 — * ; — 2 — 3 5 — X — 3 — 5 X —- 5 — X f 3 2 — 3 — J l—2—3—5—X—3—5
& 4 — s
•Composit e arrangement
| Ф Н r f j f l l r , _ T f 1=1 - и r f i r h i J * Ф J ц - j J ^ J
J
X J x! J i J i X
J J
V
3 — 2 3 — 2
— 2 — Э — 2 — 3 3 — 2 2 2 — 3 — 2 — 3 3 — 2
fr Я — 2 — a — * • — 2 — 3 — 5 — X — 3 — 5 X —- 5 X !
444
Gtrs. 5 & 6
Fm
л ОС
wvvwvv ^ ^
\l\l\l\r
Г f Г Г f j 9 f Ii f f m f foffrr.
J j =2 ^ j
wvwwv
«-^2 «-42
«—14 «-44 14-^3 «—14 «—14 14—«
« « «-43 12 « 15 « 15 -45 15 13
u- -45
r h п ^ П ш Т Ь I"j
J J
3 з 3 з
vvwwvv vww vwvvwv

R 4 f> ч
0 9 с 0 9
с
9 e
0 с De
3 e
0 к9 Э с
9 с
0 с
9 е
0 е
0 с —
D —•—
О
0 fi
0 с
9 е
0 с
9 ft
0 о
0 с
0 о
0 8
7/ 8
A Bb/A E\>/A F/A
л ОС
G/B D5
8va- 8va
vwwvwwwww
loco
/2Л
« r^P
J
- t t - -w-
-14—15 14—15-
G С G/B F5
8va
л ОС
G5
8va
E
Gtr. 3 tacet
л ,4
Gtr.
D 5
-|J J д
г 'T
mp
О i ^Л A It
с £ U 4 U
Dm7
Gtr. 4
J — ;
P - — = = — — ^
2 2
Gtr. 1
3 3
i , ^ , , — I I I ^ i • ^
•Ф
f i ^ t ^ f f f f F — ; ^ ^ ^
P
D
e—э e В—3 в В—3 в

e e—э в e в в—3 в в * В—3 в „ , в „
в 3—5 э — 1-В 3—5 3 — 1-В 3—5 3—
Gtr. 4 tacet
18\ /(18)\ /(16) -ею-

-42)-
-1/2 -1/2
•Vol. swell
Riff A End Riff A
3
P.M.- P.M.-
0 Э -9 3- 0 3
-0—3 0- -0 3 0- -0—3 0-
-3—5 3- -3—5 3- -3—5 3-
Begin fade
Gtr. 1: w/Riff A (2 times)
8va-
Gtr. 3 v V V V V v v v v v v v v . . loco
i string
w/bar- noise
-l
v v v v v v v v v v v v v
19 (19) (19) (19) (19) I (19) (19) (19) (19) (19) (19) (19) (10) (19) (19)
-JPht
Fade out
from Determination
Stevie's Blues
By Tommy Emmanuel
s Moderately J = 129 ( Л = J } )
N.C. G5
Gtr. 1 (slight dist.)
ьЫЬ
A5 G5 E
i W т л , j r y m i Ш -
let ring - H
1/4
-В—5—з—4—0- -в—5—з—4—a-
/1\ 2X4 3 2 0 4- 3 2 0
А С D С A E A7
i p y e T t ^ f e*
i ^ J J d t i m fer ring 1
1/4 1/4
2 2 5 7 5 2 ^ 3
0—5 i 4—0
о — — 1 f ,
2 2 5 7 5 2 rÂ 3—2—0
2
0
2 5
3
7
5 0
5
3
2
0
0 — —0
I 0 3
J i 2
3
7 0 —
B7#9 A7
"p f Гh JTf1 - >

bm * bm L "TV
^ J
J J
3 3
1/4 /er ring - -H let ring 1 let ring -H /ef ring ~ -\ /е/ ring 1
3 3 3—(3W 0 — a 5—0
2 2 2— ^ 3 3 3 2— 3 0 ^ — ^
X * * 3—2—0 2 2 2 2 ^ 3 —2—0—1—
X X X 1 2 0—2 2—
—2 2 2 0 2—
Copyright© 1993 UNIVERSAL MUSIC PUBLISHING PTY. LTD.

All Dinhtc in fh* I initori statp* and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
в
Е Е А Е
1-РиЛ М М М , R3-,
• >• 3 5 = 4 — 5 3 5 = —
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Copyright© 1989 UNIVERSAL MUSIC PUBLISHING PTY. LTD., CHRIS GILBEY PTY. LTD. and EMI SONGS AUSTRALIA
All Rights for UNIVERSAL MUSIC PUBLISHING PTY. LTD. and CHRIS GILBEY PTY. LTD. in the United States and Canada
Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights for EMI SONGS AUSTRALIA in the United States and Canada Controlled and Administered by EMI BLACKWOOD MUSIC INC.
л ОС All Riahts Reserved Used hv Pprmi«.Qinn
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Begin fade
Fade out
Guitar Notation Legend
Guitar music can be notated three different ways: on a musical staff, in tablature, and in rhythm slashes.
D D E G
rm-)Л
RHYTHM SLASHES are written above the open 3fr
staff. Strum chords in the rhythm indicated.
Use the chord diagrams found at the top of
the first page of the transcription for the
appropriate chord voicings. Round Notes:
noteheads indicate single notes.
Си
f!
в
д
THE MUSICAL STAFF shows pitches and
rhythms and is divided by bar lines into
measures. Pitches are named after the first Strings:
seven letters of the alphabet. high e
T \
z.
Hi
TABLATURE graphically represents the
1 '
guitar fingerboard. Each horizontal line
-e
represents a string, and each number low
represents a fret. 4th string, 2nd fret 1st & 2nd strings open D chord
open, played together
Definitions for Special Guitar Notation

HALF-STEP BEND: Strike the note and bend WHOLE-STEP BEND: Strike the note and GRACE NOTE BEND: Strike the note and SLIGHT (MICROTONE) BEND: Strike the
up 1/2 step. bend up one step. immediately bend up as indicated. note and bend up 1/4 step.
t
1/2 1/2 1/4
J_
Ф
ft: ft: ft: В
BEND AND RELEASE: Strike the note and PRE-BEND: Bend the note as indicated, PRE-BEND AND RELEASE: Bend the note UNISON BEND: Strike the two notes
bend up as indicated, then release back to then strike it. as indicated. Strike it and release the bend simultaneously and bend the lower note up
the original note. Only the first note is back to the original note. to the pitch of the higher.
struck.
m Ф
1/2
-9
в- ft: fi- ft:

VIBRATO: The string is vibrated by rapidly WIDE VIBRATO: The pitch is varied to a HAMMER-ON: Strike the first (lower) note PULL-OFF: Place both fingers on the notes
bending and releasing the note with the greater degree by vibrating with the fretting with one finger, then sound the higher note to be sounded. Strike the first note and
fretting hand. hand. (on the same string) with another finger by without picking, pull the finger off to sound
fretting it without picking. the second (lower) note.
v w w w w v w v w
vwwvwvwvwvwv^w
# w w v w w w w v %
- t t -
ft: B-
LEGATO SLIDE: Strike the first note and SHIFT SLIDE: Same as legato slide, except TRILL: Very rapidly alternate between the TAPPING: Hammer ("tap") the fret
then slide the same fret-hand finger up or the second note is struck. notes indicated by continuously hammering indicated with the pick-hand index or
down to the second note. The second note on and pulling off. middle finger and pull off to the note
is not struck. fretted by the fret hand.
"NATURAL HARMONIC: Strike the note PINCH HARMONIC: The note is fretted HARP HARMONIC: The note is fretted normally PICK SCRAPE: The edge of the pick is
while the fret-hand lightly touches the normally and a harmonic is produced by and a harmonic is produced by gently resting the rubbed down (or up) the string, producing
string directly over the fret indicated. adding the edge of the thumb or the tip of pick hand's index finger directly above the a scratchy sound.
the index finger of the pick hand to the indicated fret (in parentheses) while the pick
normal pick attack. hand's thumb or pick assists by plucking the
appropriate string.
m
—Jf—1
P.H. HI.H. p.s.

Harm.
T
-42- 1 ,
7(19)
в-
A
n
В EL
MUFFLED STRINGS: A percussive sound is PALM MUTING: The note is partially muted RAKE: Drag the pick across the strings TREMOLO PICKING: The note is picked as
produced by laying the fret hand across the by the pick hand lightly touching the indicated with a single motion. rapidly and continuously as possible.
string(s) without depressing, and striking string(s) just before the bridge.
them with the pick hand.
m
a
P.M.-
a rake 1
#
T *
А Г
в fi: B: В —
ARPEGGIATE: Play the notes of the chord VIBRATO BAR DIVE AND RETURN: The VIBRATO BAR SCOOP: Depress the bar just VIBRATO BAR DIP: Strike the note and then
indicated by quickly rolling them from pitch of the note or chord is dropped a before striking the note, then quickly immediately drop a specified number of
bottom to top. specified number of steps (in rhythm), then release the bar. steps, then release back to the original
returned to the original pitch. pitch.
-1/2 -1/2 -1/2
V V V
m m w/ bar-
w/ bar-
-1/2 -1/2
T>
w/ bar
V V
T
S чЧ- 7
1
7 7
Л / /
чеъ
fi: B: n
D
Additional Musical Definitions

Rhy. Fig. Label used to recall a recurring
accompaniment pattern (usually chordal).
(accent) • Accentuate note (play it louder).
Riff Label used to recall composed, melodic

lines (usually single notes) which recur.
(accent) • Accentuate note with great intensity.
Fill Label used to identify a brief melodic

figure which is to be inserted into the
(staccato) • Play the note short.
arrangement.
• Downstroke Rhy. Fill A chordal version of a Fill.
Upstroke tacet Instrument is silent (drops out).
D.S. al Coda Go back to the sign (%), then play until

the measure marked "To Coda" then skip Repeat measures between signs.
to the section labelled "Coda."
D.C. al Fine Go back to the beginning of the song and When a repeated section has different
play until the measure marked "Fine" (end). ft in endings, play the first ending only the first
time and the second ending only the
second time.
NOTE: Tablature numbers in parentheses mean:

1. The note is being sustained over a system (note in standard notation is tied), or
2. The note is sustained, but a new articulation (such as a hammer-on, pull-off, slide or vibrato) begins, or
3. The note is a barely audible "ghost" note (note in standard notation is also in parentheses).
Л ЛЛ
FINGERPICKING
GUITAR BOOKS
Hone your fingerpicking skills with these great songbooks featuring solo guitar arrangements in standard notation and tablat
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17 classic favorites: Always on My Mind • By the Time I Get to Phoenix • Could I Have This
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FINGERPICKING CHILDREN'S SONGS 00699613 $7.95
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C O R P O R A T I O N
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Prices, contents and availability subject to change without notice. Visit Hal Leonard online at www.halleonard.com
PLAY THE CLASSICS
JAZZ FOLIOS FOR GUITARISTS
IL1 Щ1Н 41
BEST OF JAZZ GUITAR J JAZZ GUITAR
by WolfMarshall • Signature Licks ^ BIBLE
In this book/CD pack, Wolf Marshall provides a hands-on The one book that has all of the jazz guitar classics transcribed
analysis of 10 of the most frequendy played tunes in the note-for-note, with standard notation and tablature. Includes
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GUITAR STANDARDS l.'MUHi-
Classic Jazz Masters Series lELl JAZZ GUITAR CHORD MELODIES
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JAZZ BALLADS \m\№i
FOR FINGERSTYLE GUITAR JAZZ GUITAR PLAY-ALONG J

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00699278 Solo Guitar $17.95 The Very Thought of You • and more.
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JAZZ FOR THE ROCK GUITARIST j »
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Or
See Y o u r
Write To:
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After You've Gone • Alice in Wonderland • The Christmas

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Prices, contents and availability subject to chanae without notice.

RECORDED VERSIONS®
The Best Note-For-Note Transcriptions Available
Ш г п И В В 5 5 Д t ;; <
ALL BOOKS INCLUDE TABLATURE
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00690178 Alice in Chains-Acoustic $19-95 00692932 Jimi Hendrix - Electric Ladyland $24.95 00690878 The Raconteurs-Broken Boy Soldiers $1995
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00694933 Allman Brothers Band - Volume 2 $24.95 00690688 Incubus - A Crow Left of the Murder $19-95 00690673 Red Hot Chili Peppers - Greatest Hits $19-95
00694934 Allman Brothers Band - Volume 3 $24.95 00690457 Incubus - Make Yourself $19-95 00690852 Red Hot Chili Peppers-
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00690609 Audioslave $19-95 00690790 Iron Maiden Anthology $24.95 00690511 Django Reinhardt - Definitive Collection....$19-95
Audioslave - Out of Exile $19-95 00690730 Alan Jackson - Guitar Collection $19-95 00690779 Relient К - MMHMM $19.95
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00690489 Beatles - 1 $24.95 00690845 Eric Johnson-Bloom $19-95 00690031 Santana's Greatest Hits $19-95
00694929 Beatles - 1962-1966 $24.95 00690846 Jack Johnson and Friends - Sing-A-Longs and 00690796 Michael Schenker - Very Best of $19-95
00694930 Beatles- 1967-1970 $24.95 Lullabies for the Film Curious George $19-95 00690566 Scorpions - Best of $19-95
00694832 Beatles - For Acoustic Guitar $22.95 00690271 Robert Johnson - New Transcriptions $24.95 00690604 Bob Seger - Guitar Collection $19-95
00690110 Beatles-WhiteAlbum (Book 1) $19-95 00699131 Janis Joplin - Best of $19-95 00690803 Kennv Wayne Shepherd Band - Best of $19-95
00692385 Chuck Berry $19-95 00690427 Judas Priest-Best of $19-95 00690857 Shinedown - Us and Them $19-95
00690835 Billv Talent $19-95 00690742 The Killers- Hot Fuss $19-95 00690530 Slipknot-Iowa $19-95
00692200 Black Sabbath - 00694903 Kiss-Best of $24.95 00690733 Slipknot - Vol. 3 (The Subliminal Verses) ..$19.95
We Sold Our Soul for Rock 'N' Roll $19-95 00690780 Korn - Greatest Hits, Volume 1 $22.95 00120004 Steely Dan-Best of $24.95
00690674 blink-182 $19-95 00690834 Lamb of God-Ashes of the Wake $19-95 OO69492I Steppenwolf- Best of $22.95
00690831 blink-182 - Greatest Hits $19-95 00690875 Lamb of God - Sacrament $19.95 00690655 Mike Stern-Best of $19-95
00690491 David Bowie - Best of $19-95 00690823 Ray LaMontagne - Trouble $19.95 00690877 Stone Sour-Come What(ever) May $19-95
00690873 Breaking Benjamin - Phobia $19-95 00690679 John Lennon - Guitar Collection $19-95 00690520 Styx Guitar Collection $19-95
00690764 Breaking Benjamin - We Are Not Alone $19-95 00690781 Linkin Park - Hybrid Theory $22.95 00120081 Sublime $19-95
00690451 Jeff Buckley - Collection $24.95 00690782 LinkinPark- Meteora $22.95 00690771 SUM 41-Chuck $19-95
00690590 Eric Clapton - Anthology $29-95 00690783 Live - Best of $19-95 00690767 Switchfoot - The Beautiful Letdown $19-95
00690415 Clapton Chronicles - Best of Eric Clapton ..$18.95 00690743 Los Lonely Boys $19-95 00690830 System of a Down - Hypnotize $19-95
00690074 Eric Clapton - The Cream of Clapton $24.95 00690876 Los Lonely Boys - Sacred $19-95 00690799 System of a Down - Mezmerize $19-95
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Star, IV, Vol. 1: From Fear Through the 00690754 Marilyn Manson - Lest We Forget $19-95 00690683 Robin Trower - Bridge of Sighs $19.95
Eves of Madness $19-95 00694956 Bob Marley-Legend $19-95 00690740 Shania TWain - Guitar Collection $19-95
00690593 Coldplay - A Rush of Blood to the Head $19-95 00694945 Bob Marley- Songs of Freedom $24.95 00699191 U2 - Best of: 1980-1990 $19-95
00690838 Cream - Royal Albert Hall: 00690657 Maroon5 - Songs About Jane $19-95 00690732 U2-Best of: 1990-2000 $19-95
London Mav 2-3-5-6 2005 $22.95 00120080 Don McLean - Songbook. $19.95 00690775 U2 - How to Dismantle an Atomic Bomb ...$22.95
00690856 Creed - Greatest Hits ....$22.95 00694951 Megadeth - Rust in Peace $22.95 00690575 Steve Vai - Alive in an Ultra World $22.95
00690401 Creed - Human Clav $19-95 00690768 Megadeth - The System Has Failed $19-95 00660137 Steve Vai - Passion & Warfare $24.95
00690819 Creedence Clearwater Revival - Best of $19-95 00690505 John Mellencamp - Guitar Collection $19-95 00690116 Stevie Ray Vaughan - Guitar Collection $24.95
00690572 Steve Cropper - Soul Man $19-95 00690646 Pat Metheny - One Quiet Night $19-95 00660058 Stevie Ray Vaughan -
00690613 Crosby, Stills & Nash - Best of $19-95 00690558 Pat Metheny - Trio: 99>00 $19-95 Lightnin' Blues 1983-1987 $24.95
00690289 Deep Purple - Best of $17.95 00690040 Steve Miller Band - Young Hearts $19-95 00694835 Stevie Ray Vaughan - The Sky Is Crying $22.95
00690784 Def Leppard - Best of $19-95 00690794 Mudvayne - Lost and Found $19-95 00690015 Stevie Ray Vaughan - Texas Flood $19-95
00690347 The Doors - Anthology $22.95 00690611 Nirvana $22.95 00690772 Velvet Revolver - Contraband $22.95
00690348 The Doors - Essential Guitar Collection $16.95 00694883 Nirvana - Nevermind $19-95 00690071 Weezer (The Blue Album) $19-95
00690810 Fall Out Boy - From Under the Cork Tree . .$19-95 00690026 Nirvana - Unplugged in New York $19-95 00690447 The Who-Best of $24.95
00690664 Fleetwood Mac - Best of $19-95 00690807 The Offspring- Greatest Hits $19-95 00690589 ZZ Top Guitar Anthology $22.95
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00690808 Foo Fighters - In Your Honor $19-95 00690399 Ozzy Osbourne - Ozzman Cometh $19-95 Hill 1 it (/ill/I) •'!,'/1 \/7/>/('( •/ h. , •/>,//',':.-.• ,r,••//'• ••/.</ <7<
00690805 Robben Ford - Best of $19-95 00690866 Panic! At the Disco - 'т. '(/,','1'/\ /;/,/: УЛ./ /V,/,•,/.'/,.//</, -../'/v,/, / ' /
00694920 Free-Best of $19-95 A Fever You Can't Sweat Out $19-95
00690848 Godsmack - IV $19-95 00694855 Pearl Jam-Ten $19-95
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The Young and the Hopeless $19-95 00690661 A Perfect Circle - Thirteenth Step $19-95
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00690840 Ben Harper - Both Sides of the Gun $19-95 00690428 Pink Floyd - Dark Side of the Moon $19-95 C O R P O R A T I O N
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Blue Moon from DARE TO BE DIFFERENT
Can't Get Enough from CAN T GET ENOUGH
Classical Gas from CLASSICAL GAS
Countrywide from DARE TO BE DIFFERENT
Determination from DETERMINATION
Guitar Boogie Shuffle from DARE TO DE DIFFERENT
Hearts Grow Fonder from DARE TO BE DIFFERENT
The Hunt from CLASSICAL GAS
Initiation from DP FROM DOWN UNDER
The Journey from THE JOURNEY
Stevie's Blues from DETERMINATION
Up From Bown Under from OP FROM DOWN UNDER
UNIVERSAL
Ту
UNIVERSAL MUSIC
U.S. $19.95 ISBN-13: 978-1-4234-3175-6
PUBLISHING CROUP ISBN-10: 1-4234-3175-8
www.universalmusicpublishing.com
IIIIIIIIIMIIIIIIIIIIIIIIIIIII 5 199

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TOMMY EMMANUEL COP

Photography by Sara Corwin

Music transcriptions by Pete Billmann

For all works contained herein:

12 Can't Get Enough

68 Guitar Boogie Shuffle

82 Hearts Grow Fonder

108 The Journey

118 Stevie's Blues

128 Up From Down Under

140 GUITAB NOTATION LEGEND

D7sus4 D\>1 Am G6 E7/G#

Fm6 D/F# Gm6 G6

up-.,] ^ J J I.J J J «на-*J

F ^ D7sus4 Dl>7 С Am F6 G6 E7/G#

.1- > I.LI j 1 N л Л

D7sus4 D\>1 Am G6 E7/G#

Fm6 D/F# Gm6 G6 С Fm7 в\>7

E\> G D/F# FSUS2

Em7 Ebl3/Bb Dbl3/Ab

F6 G6 E7/G# Am Am/G D7(no3rd) F

Gil с: Dni7 D#'°7 C/E C5

Can't Get Enough

- = i -Л> - N . К > > > Is - I

Gtr. 1 tacet Gtr. 3 tacet

w/ pick & fingers -

D7 Em7 Am7 G/B С D7 Am7

w/ pick & fingers-

let ring - rake 1 1

Am7 G/B D7 Em7 Am7 G/B С D7 Am7

w/pick & fingers let ring -

8 8 7 8 7 5 3 a^S Ъ/1 -8—8- 8X10 8X7 5 6-5-

Gmaj7 C/F Ebmaj7 Dll

P.M. 1 P.M.- P.M.

0 Gtrs. 1 & 3 tacet

Am7 G/B D7 Em7 Am7 G/B

8 6 7 8 7 5 3 [-3—5 8 3 5 5^7 8 8 7 атЧв

С D7 Am7 Gmaj7 C/F Ebmaj7

Amaj7 Gmaj7 Fmaj7 Ebmaj7

A\>9 Fbmaj7 Ebll

Db Eb7 Fm7 Bbm7 Cm7 Db Eb7 Bbm7

Abmaj7 Db/Gb Fbmaj7 Ebll

Gtr. 5 tacet Gtr. 3 tacet

Bm7 A/Ctt D E7 F#m7 Bm7 A/C#

tt- M O - —9— —9—— —5 r~5 7 —5 7

17 pf7 17~ —==

•Orchestra arr. for gtr.

Em Fmajl3 Dm7 Cmaj7/E

© 1967,1968 Weems Music Co.

М Н и ф 1- « > j > ; > *s=j 1 ^

End half-time feel

f—3 L.H J > ' i7 §' j -9

End half-time feel

Gtr. 3 wvwvwvwwwvvvwwvwwvvv wwwvwvwvvwwwwww

46- 46- 49 KttF -rt 46)- 47-

let ring 1 /ef ring - - 4 fer ring 1

Gtrs. 1 & 2: w/Riff A

Copyright© 1998 UNIVERSAL M U S I C PUBLISHING PTY. LTD.

Gtrs. 1 & 2: w/ Riffs В & В1

Gtrs. 1 & 2: w/ Riff С (1st 4 meas.)

-Jr—Jr. : " m ш _ _ 0 ......... Г 1 l . 1 i

RiffD End Riff D

Rhy. Fig. 1 End Rhy. Fig.