Introduction Michael Goddard, Benjamin Halligan and Paul Hegarty ‘Such a satisiying idea ~ pose annoys ~ at once simple-to-grasp Kemet end yet capable of inflation into the most grandiose theories of subversion. But... who is there to be annoyed ant in what ways? ewes, 80 57 roo the loud lawnmower tat shatters the suburton peace tothe ntusve noe of unthinking neighbours to he unceasing eaeophony of the porindutrl metropolis oie conventional appeehended ca terms, as anirtant oh Stewart eta ocet study a se 20M) med tay frames the phenomenon fets of ‘pebams, poles and soutons In vespact of pang, pols and Rea, and args hat noise os boon ‘verocked by Green and envionment campsine's an by polices. Not the some tine noise has Knctorad ioe De dust ea t est, {2 poner pole of avecton, and nt ony Inthe aroun of reces| Spd practons of noe muse fom the Futures ear went canary rt Gf Noses’ to exponents of Japanese’ such as Merébow. Noise ‘annoy! then, to continue Reyna’ pchase ofthe Buzcacks sor, Buin Tis annoyance (tether als ponies nw forma cf leas, not eas of ‘whch are the possires of wanspession and subversen fo wich Reynots luge. Sejnd this inal daly weer. nose opens upon t 8 warty Cf ees beyond the smple consideration af whether cise pratzes ae, "ie acl eve with which we bagan i eruebyakeady a departure tom 1 meray soni apprehension of rien, sen what counts scily as nose in an wen enstonmert isnot ry rive tothe pion of he percevet butato dependent ons numb of exresori actors such as soa res,temporality and duaton. Thus the loud pary may be tolerated bate rmarigt on @ Saturday but he samo "nos sass ly to be estes wih beh ndlgnce in the ary hour fa urd morning, Sn car em 's 2 not davon fort onnar, anda eter menace fer thse subjected ‘o's nsstontwaling when i mafuncions. ad even. or especially, cifan ‘an function 35 pattlegiealagors of urban noise, however mach thai ses adore oat east tlt by the doting parents ~ and hance the etn vce athe te when fames agan to ve checkbyov st ‘hile steuld be seen but not heard nal hese instznas nase onesies cn te thveshlds of raat coca nracton a8 potently deve epency, but he ae Us very io about what nose in sani fama rely ‘Another approsh othe sori aspects frost consider it sabe sized ox, more aperopratl, unorenzed sue. Inti respect nse ‘nein asthe ‘the to bath guage a musi, considered a so many sytem fer organsing note into meaning or evan beatles of ‘expression Nisa, onthe other har, consdeted ugly end costuctve of ‘aning % nother words, functions a he csturanceorherernce of 2 ‘ening one system. nthe ey oie whch remsine a pereve er ‘would play be undersea tobe Kind of metastasis or anarchic rl ron of audo exsurences, unwanted end reason, eh mating fer a (scr thet becomes iors, The ways in which We shape ut sound ‘cape 19 what we frou, © into somthing veo hin we thy, and that ‘hetefore become an esse aspect of habitus, are eerste by mise ‘nat inruses ino cur suectve or personal or vtligia soundscape, end ‘hat cnet be organized ints way ‘andyot ths neprtve potential esd nates the nature of the postive mension of nis, that megane a muckal form ranging fom new fos of classe musi, vi je, tock, punk and hep to iota ad ‘locronic muss, fom amet to dance, hve ten aly been peeaied 235 ual and rebarbatie nse, meaning mpy that hey departed from te forms of previous system of son ogarzaton. Nise Muse set coube ‘sido represent or expan onthe tendency eve othe extent of fring {2 gerolas these cetapores nd subcslagoresindst, andes suc requtes {patina sot of eoonates fers reopion ad discussion. The subject of rote mass ie therafre beter sulted to specie sto In ston to Poise musi, samethng simi could be sid of ingustephenomens rich es naw forms of sang oF dalek, ecushy perceived by outsiders = hore ro, rave 0 rope’ languages and thar ues of erganaston and arcs lao. This nay even apy to groups of deat pecpe commuriating in sign language in pus, wha on aceasin ate suet to scnnon for so dig. ually, maybe the "nso whe hears nis, sy, inthe form fa feign langue bang used Tris qustonabe, however, whethar this account of aie os ack of eric ergata, er tha upton of another made of organantion has ot ‘Sten ped to ech vel nce that ste teil an eam ‘atonal acount frase a he Otho of norman From classical heres ‘of nformaton, sucha thi o! Crude Stamon, nce is perceived ab the ‘Shadow of er eistance to 8 algal being psseed between tv pont in ® “system oma sander ta rcsiver Ina ochneal syste of conmusieton, ‘atfog, the am st mavimce the sigarondse aio ro eta te most parfct posable vanemiseon ofthe message. Nevertheless, no tcl stom is ever parlet eh thre ae Massages fe of thor accom ring sharacteitforme of nie or merece, Ti also hangs the {rua ole of eeralogy in accounts of oie. i not tat ts empossble to concave of noise oui of ternal systema, but ther avery technical system of commarieston i acerpanid by is own charters forms of nle, fem which no completa separation, oF parecty ranemissble ‘essen, is possible ‘Wats covered ovrin his soso, however, is the geneatty a oie ide to above in ralaion to mies! and Ings neato, Far fn ‘sing mere residue of commniatenl system, nose pimary. er even Deval snd we ae eas ales ‘ens ras Michel Ses puts i we {re surounded by noiee Ard hi nis tnacingshene Wo ae inthe ses of fhe weta, we cannot does ou doo to ter roan’ Sees, 207, 126, Fer Sees, tact oe comas ble sny moaning sytem as ie ranseandtl el, ic sway nose can never be fly elite Ip {hs perpectve al hing stems thar nagensopy ao temporary escapes tern entopie nia, but escapee tht ae dete to fie by the lw of thamadmies.Inreresestneters we might thse! 2 rund, ard meaning 9 Fro ing tem the ground, but caught with ft ida ‘rr to non. More basicaly, wt ary systom necessary excludes ab fais areal ne aes ogarizaon above and bolw it that ined ts own condone of pore, hen the fortis account ofc 3s ack ‘of oranition bing ast o! damental storion, Noses Indeed sate ‘or inerfrence but ot that ofan unerguiaed chaos so muchas pats of ‘igarizaton sn othe norma epee system tat which ares refers tas the poate “hie abetact yet materialist secout of oie bing us Beck othe soc tn pits! dimension af nose, a8 so many niaerencos ame dering Systems of ogenasten, however they might be dofinod ~ whether In resten to uban and chic enronments, ding and even smagoisicsubjects, modes of sone expression. The Pe Enemy rack fag ‘he Noe’ from tha 198 au Takes latin of Mitre To od Us ack snt-aentiien a dois lscnens othe props nie (Tam tuplspen Hey. yo Chutk thee ang vate to Back, man’ /arng the note) wich In tum Ramps or escouages dissemination of thave uy’ Beck ‘sounds and miltart subjctntes(Raso statins | question ther Backes! “hoy cll tamsohes lok bt wel se thoy play ths. Such a oc! od pial mapping of nose no mae end no less than wt enue a fccompisnad nh now farous bok Nae whieh, accent Russo ed ‘Warner, modo ‘xpane tho range ff rosel to cover vital any cual Cornet (usso ana Werner 2004, a. OF preci interect to Ata wor ‘he ways in which medes of he sere ernization of nase nthe for of musi werent ony expeatery cf istrealy specie modos of power but fren promenitery 3b oie was fist ogeizd sonny, beter becoming ‘rganzed soci and potcaly “he experience of ou rsaarh orate ads credence end nuance to ‘his des of oie athe torrie sound waves bere mater. Desmingy, le the frstinstaroe, rice sous to dey ctet cite tanto of aa. athe tn presoring tof sen are reo fr exertion anc mopping at lspt rom sphissbpicalor sactlopesi rater than sine poston noise ‘Sepals contr towards is seeing pole coposte: silence tis tong ‘atthe plece of music to which the authors in ths velume tum tne ‘ad agan is sch Cope’ colebatad 433" of 1052: tha ‘sn portance ‘ing fm an erpty scl sere. Nose may represent an agouti noe {Geuzton 66 eguad above, Bu what nie 0 he, alone, Ard 80 ‘lence woue seem to reprasent& Sores of dsning absences ust ‘as role roeesais 8 senae of satiting presences, wth the Nabe Seundscape. ou ic way. seoialy oth tener are fuctating page between the two. Upon encountering noise in cul texts and ‘era the question tat suggest sal me and agen was Spy Wha, ‘han, i lence? What need to be daaced frm fh habe to och silos? Whats pots aust, and yet takon asthe sound of soncs? ‘ad vn tan, on uncocptale vet slence? Ae et sence Rael Fat ‘ooame equly contests, and ho index of a covtemeorary symbole ede: {a5 valsts commosty nthe postinauen cy, 4 the conan assur ‘prereniste for tuning! a6 an weniectlinoeratve, as dana ‘td imposed in i ours of ee But nis andne sytem o which it gasses inmate) pli, ‘hoy ar also soshete, and ths aostheic sm ne way lined to musi or ‘inc as, ready ntrmaton tao the concept ef nose is by ne eans ‘srecesariy soric one and can be equsy soles to a bitch on a page of awspre of the visual sti 2 ogni sree, a5 phenome ts, Th seric nie brit and interfere with an merce message. Euewro, incanepracy tacree soaking wo ass nurbe staons, is the shor ‘ove tat ne tao that dele coded information wih the spoken word meray lusting the clay of Tequancy. Noi aestatis, hen, can be ‘ental and vial eae, ucoveal and toning itty gal cond tons townzdssyrasinte, ‘th phenome Nevetales, the question that nose estates rises, and tat was sheay toured upon m Reyna accourt of nis ted the ging of ths Intoducton, fe that noes, a8 the suppoeed ena sy menial stam of eormuneaton is dested ~ and mt the Sigil conte evan Aesgned ~ done it stl evn funtion na subversive serce a5 reise, hast fakery boon lly domesisted as anew syst of easing? In Rend terms (1960, 56), {To contr the stats of vl on excess and extarism st bing tas ‘tings tack the ple o! decency So te hetrcans ofroise actualy ‘dntoy the owe! thay sue 1 caleba; they ar the very trot the frocers by which ubveson etymed ma cortrtsonwhizhisebsoebed a reneeal forthe eystom, ‘hiss less, toweves, he conracton that Reynalés sees it as, ocaing itin so mony antrpop gestures’ and Taity elects, than a produce pando gunertve cf numerous feof son, aasthete and even pote! fxpernentaton, Rather than 2 subveshe aly, et Reynoks dates ohn tothe ways m which engagement with nee nacosselycpons up pwc ecialor meaning jeter 1 uso teference, 0 este and curaons ater than ou Onn. Tis process, rattar than disatyng ose as a subersve paradigm, opns ts specie modes of subversion fram @restrcted systamdefed osorony to 8 genes economy, wheter anced inter of Baal’ ‘sas00 share or Sees account of mise Such mute lave and comsins of noise srompted ane ntael he event ‘igger than Words, Wider than Piutes: Noise, Alot, Pls’ held tthe Unvorsty of Sao in Summer 200, and fom which several ofthe ‘haters in thie colecien deve. Whie some ocademc papers exlred tip fos of rise music angirg ror avant-asical musics and jzz Improveaion to peychedli rock, punk an indus muses, to tha nase musics of Furaate and Krkowsk ot Fthy Tu), ethers engaged th ome of the more phlseehiesl dimensions of rose sluded thee, frexample, Inthe work of thew Ike Ate, Steve Goodman and Gibert Simondon, Sti oer presentations were conned th the soc end pale! sepcts of rice ae 2 conetuthe alert of every utban Ho, hia tere wore also engagements wth e range of sbetatis prances beyora the ste sere roging rom the fon of HP Lovecra vi the chart dplyent of nose to cg gitch astbats. These presenta tions wore accerperise by 2 evening of rise perfrmanoes, neludng the Bran roica group Simbictsrose, Polyauch (ho attacked various objects wan seca shen, Sof and The Tlsoopes int Sur. “These porormances woe enaush in Bees to nceate the muoey of eoncapons of nie and produced bth piston nd uelesant sen tons and responses in tar auctor, which nt fed ack int the event The questions raised by these erco lvls, practices and experences of reise have been expanded upan In his ealecton, aoconng to the tae subdomans of the piosooty and asthe of rm, advance brectees end the ethil and potal nansions of rise. Undevng af ‘se ates, bth thee strezone and ter rary sarlaion, re ‘uostion ofthe aflct af noe, both is capaci to actus ad ‘apres to regpond te nole, be thet on on ontlogc,eesthate soc potea! ee ‘The philosophy and aesthetics of noise In Pat One, contibutors eaine the what, he how, the where ard the nen of nage The queson What noes” sot couse carta the whole oct of using noise san arly, asic sutwershs took But in these ‘haps the vit alo begin to open up qucctons of nie 39 fuztio, ‘loeb roons, vert or aqusnoe. Paul Haga opens by king bout the qustonof noo relation ome, on indian stra mescale. Th is eiectd inthe dxaton of musa noise pieces end partormanons ‘hat rate bare to our conmranorce understandings of gustan tine Boreson, Netche, Dleum ard Guat al help formulate tho question sn tr the nose of harsh roe wan para cesponas to these Phlesopis oer ts avn theoration of me In Chapter 2, Scot Wason boks at oe sean ital processing ofan unrocvle exer caning ‘with the taught of anus’ ~ he ieapany to henndestand mus A Lcanan raining ofthis pheromenonurlgshes the hidden dese of ‘27d fr music restored ito te unsteate, become enn, Frm {Olver Secs case sud, rough rock rl. Edvard Munch ad ening at ecques Brotha of te accion, ¢ pattem oo auto unconeiaus emerges, wich the intity of music ws to stecon to # contra process of tering. In Chapter’, Brisn Masur opos up tefl of commmunicatons hac, via th entra of Fle! zane Herrena’s lt sigralbsed eewore, ‘which communication revealed to ahs eed ata ¢ moc’ than the ‘wo esters speaking (as Willan Guroughe and Ban Gain suspected Language comes to be about tress, about the sein wich commun: tation dit. The pice also signals at the dit. he sea, are tharsehes ‘ommunioston above andbelaw the mate saredspach. Langage’ “otal is reveled a cprato trough constant trator of signal ana rie, fchinfectng the cher In Crapo, Cle Mansi aes us futher i sions of cammusneaton snd eyeretes, witha song push fom Gilbert Simondon, and also the dive of Ray Basser’ tea that nei rosie, and des not need tbe a jaar of confusen ence we lok to cera faa scund practices which n tun fed societal action, Malesia tales this arte de of rose systems theory to ask whetha fond Now raise can werk as coss-scipinary too even a ‘rossi i ts nm oh hat Dok Higgins might have nuded sds of need. ‘As wl as looking at sound end rose lferming each othe, sound end ren sounds ply of one anthar endnoiee fers oe ae an open snd prada. the prospector cossna In Chote 5, Dean Lockweod hears just sucha cossing inthe writes of HP Lovecraft, hic are ven wth od sounds, mpenetble od teat fring aban tongues, and the enacng carnation of advanced ecmo.ogy fn akon estone, in const to Wilsons chap hare nis ie mobizad inmeayf 1 Knd of ees reps, for Leckvoos, Lover eos the ris cseping ever inward, Nese as gress encouraged od ete sa ‘aneoush: Th candace of he then naw presence of ron bames an ths noise of "the other is rouge it the present by ose laud Siquere Ctstintra, i his pace on haw analogue and ital mals of sound production aly wth our sense of aise (Chapter 6. The move we booome fia ora exnonad to be, the ene ve can understand te Mistry of auto tchnciogy and of our ideas of nose and musi as inteevnea. Tare Is mms edition but aw al, our terton fe can to rca ra wht is soundhoisemasic shes tecnologia ad culty modated ~ 0, infect ou todos ere only are mote type of sauncgroceaing techie. “Those bis ao in tum shaped by outa aa tecnoloealexpectatons ans dscourses ‘Allo the above attempt oadsress not just an aspect of noise, but adeross itn al its aspects while sexrovidgng tat» aleret set of paremtors uc have been selected For tht eason the chapters In Part One are‘modetngs of rose tat are far rom inecenisle, for at weir dierent ‘oproeces, expe snd mead, Audiovisual noise practices Part Too recente @ numberof tore! apeoaches tothe presence of tei in tho visual ats. Reb Gavan, Borama Haligen, Raber Wale, Felty J. Coan and Laura Wise al dcuss fm, fom the manstveom ‘Watigan, % arthouse (Waka ara Wilko) tothe ewntgarde or undo {o47d (Coiran, Gawerop- Colman, Daniel Cookney ana Gert cont Stespec arte practoas investigating term, naan wrth them ae in Cootnays ease presanting ‘ho processes of cating these Sndegs Geyrtiop and align abo consid these and peromance, J fustaton shred by she maory ofthese writes is apparent: she ‘qussten of sound in fi per, lt slne noe, salen ovrbokod or ‘rargnizes. and soos fr behind th vuln tame of aesthetic Fngot Inthe academic dacplinesassacatd wh fim. In patel dus tothe reatly recent ineratons in sound den and ound reprdaton = Innowtons ought abouts acused here, by nll Faures the Insta and that as Hallosn argues, enmataly requir spectrums of noise rater than, oF even ore xs of cages Sound an niet usc. As Colnen and Cooney uate, ivestigetngacourtes represents ‘te opportunity a overt te gin corns and sets of meanings and reocings and So enact adc! breaking ape’ of he fund evrrmant or "sti tet Ths potondal may obo seen in evidnce in he chapters at substantial discuss fim too: audomapping, aude ans, ns astets, stots, ambiguities and negation. Ir Chapter 7 Hligancontetsizes und imovatons as an atactve| “second ‘expan of crema (wher the ist whch fied, wae seco ‘with te countercutre, and dees tis om the ate 1970. But noe, for Hagan. sen freon nan ambiguous endeven seeming way —2s onotng or crcumavigsting enposibe camara demands, and ofan woking conor whats seen. Foloning Wis ine of taught, Haig ns amen glound between thelial conceptions ofthe prio pos sity of avino art an poststuetralit rough on tha ‘rreoes inage “To crams impact ofthe mage = entarced or even transforma Dy the use of ros nthe anajses mount by Wa end Wilson a both Ppesent consdeaiors of what to tis end’ might be tamed th "sound {fer rater tan ‘sound elect. In ths instance, noise erie the beak from the secorary alas mere npc attest sound tre fin = a8 orphan 2 2 ‘oaty sec ~ and may best be understood as fesblshing» second dimension to dhemo-going: ta of blagea es veal 2 neuciogial responce. Crop, Wizonsrques tat the expaence Of Ireversbe (Gaspar Noo, 2002) is Tourded upon the ways In wien ‘subaubl srics ater th pinsial sao re vwor er one of reaxaton to ancoty. She ions this experence as ‘hyseal spectators: Wison ‘hen approsees the cena afte ape szene nthe tlm regenerate the ‘mor ‘alr deste in fm suas concerig veyaursm ard vlaton the (ite and assur the therapeutic ues of Seong o revi aims In Chapter 9, Waker surveys ciamatiefenions of the contin of situs, but does rot find the tendaeg of te lots of eating orgy © Imetor of sos equivalents. Pathe he resutanthasingloss nose comes ‘oconstiute a subjective asthe rode tat reorders the werd prosersd and ibe corsdeod elton Yo sont cna. nts, Wola inbtes tothe ponesing werk of Micha Cran a5 are ilson nd Halign The image ‘fvanosopant heat =the bod tat ks ram the ean bot Ele Kime’ Come nd See (1988 and ames Mangal Coplnd i867 —rozals and pisos the celebrated image of vilonce against sing the human ‘bal sized by a razor of Un Chen Andi is Bul, Sahader Dal, 1929, In the chapters by Colman. Cooknay snd Gawrtn, the fous s more fon noise and evant or le. In Chepar 10, Cookney presents a sees of inastgatons io that wich ray be tamed the nolo of silence. The Broeeaie rata and methodology which foto, snd the ecuston of the inestigiton of nse thet is nominaly cuted inthe intutons ot ence, havate he waysin which pie se fretens asthe erey point into there unas rater thn ince) aspects ofthe overance ot pubic spheres. As with Ceokny, Gauteop (Chapter 1) alo conszars the ftice od moves of rele, of wat i ad af not dears Secale {and how this elective poston may be sean as represering = colecive paling of aesthets in he pubic sere. Noise therefore retains a potential {ren a wil to usu, and Gavavess concerns tho use of rose in avant ‘re and undergraund aa fi 38 concept! wedge tat cl nto {uesion, in phlosopal terms, assumptions about te tasdrass of the lage, the autor as eet, art and happenstance, and the tenuous but Gommnanteraogue relatonsip between sound and image that hes een ‘he pineal point of dapize forthe xampies consid in Fat To LUewse, for Colman IChaper 12), noise possesses the posites of Seaton oth aganst aad readings of works of ar but dso eganst the assured perspecties or postions of roangs of weeks of ar AS noted ‘Seauterein Pat Tuo, the pent vow’ an ‘pint susHor may be some‘wo ape. For Clnsn, ne inns to the shitin a grates nso ‘encap Sarcl an intel ~ frm the canves a he stespic Instsaion, Noise rataret en rc! expesance and generates sbjoe thy when itcomes to consieratons of at Calais model i Lee Randdos nose reporses to Raber Srithsors artworks nd her thas © tat noise fn fecon aan ines oF vance digo oo Such 8 ron of reverberation, wich shared with ookney and Gato, recosents the Imagatonct stu orpsconeopeshietment ie ethesteson Noise, ethics and politics Part Thre switches atemion to the polis, eth and soci dimensions of reise without, ‘ora that, abanderng is sethetc and phicephial ‘esonanoss whichis hardy suprising consioring that svete authors {57 ago noise pactine'sthercaes In Pat Tres tough tere i 2 SMM las ony fom sesthetes thon tomarde pracions tht interoose, na numberof carts, nie practices and ‘performances, ten 1 ‘supjecvtes,experianas andconterperry soa Whether this inthe ott of nise muss or every urban camsisterce, those chapter Wace {he riments oa potics of nso, and stow how a igeous engagement ‘ih he ate hs the pant to astern cenoeptins of he former Chapter 13, wstor by the eranyeus GagenSeMolakh, conser perfomance of mie and slrce withn and ent te corte ofthe Canterporry exsist conedieaion of al xatince, ncidng rans (gessve oecthete ones n'a high) spective yt metorait anal tet [rags together Mans szouns 3 mectnes and bur vith te est ee cpmants spective edlsm. ad eapealy the wot of Ry Basi ho fas abo engaged ecy wih nae, the chapter etulstes at exparence of sais one of ao apn the commaraton of mies yet ancher fad o mata fo eareurgon. Flowing on fam tis, n Caper Mare Therese tepns wen two ase, that of tec aa nthe opening fa Mok Barre perorrance. Thompson wos bah of hese expanenass as 2 ssnghoerd to the act plane of rie as ih ben thaoand by pos Deleuen teorats he Massun and Stn Shave. Ti = ne inode fo oes the cusctoncesly of the dfenoes betvaan evry se. gay ecived in tors of ‘gate asc ana ‘vet, and nasa muse which & 1:0 pr of amed epeene wth poste connottons, ot ast shin & art cummunty, rgung thst rage mas canst the nogtivy of rise Ino someting dered ac geneva pert wn "tet of act ‘The ogster shits inte next two chepors towards the socal and he ry, via two cron acount ofthe problemas of urban res. In Choptr 15 Saned Hye bogne his rvectgpton by stusing sol nice sean urban pheneranon, bt ora that igh pebamstio lanars ad poly mater, Compl cbaut racy naghbous, for ample, ofan go fait anycbjectve matics, suggesting the rood for acuatatve acount ot 0c noice For Hydra oie relations term, relring tothe ralaens Totwoen te sounds of forgrounded end background ett, with sound becoming porated es nlse when crosses hese boca, reducing ise forances betwoen deren spaces, in Capir 16, Khcinh White begs from smile premize ofthe rely and urmeasuriy of ban nie But tepbra loss ts avery experince ea the metaphor! nguage thats 808 to fer to rose A in Mcrae chapter, rosa’ eapasty vo wouble ounces emphasized Neen this cso pot etn bout ‘wor in dering responses tothe noe of the ‘Hales crumeors wich tive 98 much to 6 with tempor 38 sonic expecatons af sopepi loan wehavous. in hese negate resporces 1 urban ros, Whit caters ‘2 urber of metaphors of nie, angng om "aia 8 8 psn! t {ia contaminant to rose sean inv used to condemn ana marginalize tonic pracioss and pisestionrs deemed to be vang socal aves whe tthe sare te pointing Yo the act potenti of ne fr eiming sek tetris for mergingzed groups “hea hapa nthe oleton returns to question of sono and nce Frecices, in a polemical racthation ofthe work of Walter Bnyarin, Guy Detord and athe cone figures of swertihontry radical tought Broce. In Chapter 17 Brice Fussel,» member of the lagesnry Nev ase nie poup The Dad C, embraces ther than jets tho aeparent Anacteniam st worchare, guna tat ts ony by acting the pparey futmaded the elu practce can be ay al rcealbd evn ew ‘onary landove cols extend this approach to he us of rade race theory, made nthe chapters Tht new habs based precy onan sive relion withthe pat and the cumoded renders this prvecave tegument bots paradoxical ad competing.