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D1 6 1 5 HINDUSTANI MUSIC
Time : 1¼ hours] (VOCAL INSTRUMENTAL) [Maximum Marks : 100
Number of Pages in this Booklet : 16 Number of Questions in this Booklet : 50
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D-1615 !D-1615-PAPER-II! 1 P.T.O.

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 HINDUSTANI MUSIC (VOCAL/INSTRUMENTAL)
PAPER - II

Note : This paper contains fifty (50) objective type questions of two (2) marks each. All questions
are compulsory.

1. On which Shruti did Ancient Musicologists established the Swaras ?

(1) First Shruti (2) Second Shruti (3) Third Shruti (4) Last Shruti

2. Which is the variety of Gamak ?

(1) Turya (2) Matta (3) Vali (4) Rik

3. How many varieties does Varna has ?

(1) Four (2) Three (3) Fourteen (4) Seven

4. Kaul is a variety of :
(1) Raga Mala Painting (2) Instrument
(3) Musical Form (4) Dance Form

5. Depicting the Character of a Raga is known as :

(1) Kaku (2) Sthaya (3) Alankar (4) Varna

6. Which is the odd group ?

(1) Jati - Meend (2) Vadi - Samvadi
(3) Shuddha - Vikrit (4) Gamak - Andolan

7. Sadra is rendered in which Tala ?

(1) Dadra (2) Kaharwa (3) Ektala (4) Jhaptala

8. Choose the correct code of the following :

Assertion (A) : Malkauns, Bageshree and Bihag are ragas best suited for performing at night.
Reason (R) : Performing Ragas according to time is followed very strictly in Hindustani
Classical Music.
Code :
(1) (A) True (R) False (2) (A) False (R) True
(3) (A) True (R) True (4) (A) False (R) False

D-1615 !D-1615-PAPER-II! 2 Paper-II

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 çã‹ÎéSÌæÙè â´»èÌ (»æØÙ ßæÎÙ)
ÂýàÙ˜æ - II

çÙÎðüàæ Ñ §â ÂýàÙ˜æ ×ð´ ¿æâ (50) Õãé-çß·¤ËÂUèØ ÂýàÙ ãñ´Ð ÂýˆØð·¤ ÂýàÙ ·ð¤ Îô (2) ¥¢·¤ ãñ´Ð âÖè ÂýàÙ ¥çÙßæØü ãñ´Ð

1. Âýæ¿èÙ »ý´Í·¤æÚUæð´ Ùð ¥ÂÙð SßÚU 緤⠟æéçÌ ÂÚU SÍæçÂÌ ç·¤°?

(1) ÂýÍ× ŸæéçÌ (2) çmÌèØ ŸæéçÌ (3) ÌëÌèØ ŸæéçÌ (4) ¥ç‹Ì× ŸæéçÌ

2. »×·¤ ·¤æ Âý·¤æÚU ·¤æñÙ âæ ãñ?

(1) ÌêØü (2) מæ (3) ßçÜ (4) «¤·¤

3. ߇æü ·ð¤ ç·¤ÌÙð Âý·¤æÚU ãñ´?

(1) ¿æÚU (2) ÌèÙ (3) ¿æñÎã (4) âæÌ

4. ·¤æñÜ ç·¤â ·¤æ Âý·¤æÚU ãñ?

(1) ÚUæ» ×æÜæ 翘æ (2) ßæl
(3) âæ´»èçÌ·¤ çßÏæ (4) ÙëˆØ çßÏæ

5. ÚUæ» ·ð¤ ÃØç€Ìˆß ·¤æð ÎàææüÙð ·¤æð €Øæ ·¤ãÌð ãñ´?

(1) ·¤æ·é¤ (2) SÍæØ (3) ¥Ü´·¤æÚU (4) ߇æü

6. ·¤æñÙ âè ÁæðǸè çÖóæ ãñ?

(1) ÁæçÌ - ×è´ÇU (2) ßæÎè - â´ßæÎè
(3) àæéh - çß·ë¤Ì (4) »×·¤ - ¥æ´ÎæðÜÙ

7. âæÎÚUæ ç·¤â ÌæÜ ×ð´ »æØæ ÁæÌæ ãñ?

(1) ÎæÎÚUæ (2) ·¤ãÚUßæ (3) °·¤ÌæÜ (4) ÛæÂÌæÜ

8. çِÙçÜç¹Ì ·¤æ âãè ·¤æðÇU ¿éçÙ° Ñ

¥çÖ·¤ÍÙ (A) Ñ ×æÜ·¤æñ´â, Õæ»ðŸæè çÕãæ» ÚUæ» ÚUæÌ ·ð¤ â×Ø »æÙð ÕÁæÙð ¿æçã°Ð
Ì·ü¤ (R) Ñ â×Ø çâhæ´Ì ·ð¤ ¥ÙéâæÚU ÚUæ»æð´ ·¤æð ÂýÎàæüÙ ·¤ÚUÙð ·¤æ çÙØ× ÖæÚUÌèØ àææS˜æèØ â´»èÌ ×ð´ ·¤ÆUæðÚUÌæ âð
¥ÂÙæØæ ÁæÌæ ãñÐ
·ê¤ÅU Ñ
(1) (A) âãè (R) »ÜÌ (2) (A) »ÜÌ (R) âãè
(3) (A) âãè (R) âãè (4) (A) »ÜÌ (R) »ÜÌ

D-1615 !D-1615-PAPER-II! 3 Paper-II

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9. Maseetkhani Gat starts from :
(1) 12th beat (2) 13th beat (3) 9th beat (4) 5th beat

10. Which is the Adhwadarshak Swara ?

(1) Shadaj (2) Madhyam (3) Pancham (4) Dhaiwat

11. Which Raga is obtained by making Rishabh Komal in Yaman ?

(1) Puriya Dhanashri (2) Puriya Kalyan
(3) Yaman Kalyan (4) Yamani Bilawal

12. Sound Modulation is known as :

(1) Kan (2) Khatka (3) Murki (4) Kaku

13. Which is the odd group ?

(1) Ali Akbar Khan - Punjab Gharana
(2) Mushtaq Ali Khan - Seniya Gharana
(3) Faiyaz Khan - Agra Gharana
(4) Bade Gulam Ali Khan - Patiala Gharana

14. Which Raga has Vakra - Sampoorna Jati ?

(1) Bhimpalasi (2) Devgiri Bilawal (3) Chayanat (4) Abhogi

15. How many Jatis does Shruti has ?

(1) Five (2) Three (3) Ten (4) Two

16. Who gave the concept of Thaat - Rag Vargikaran ?

(1) Brahaspati (2) Bhatkhande
(3) Paluskar (4) Omkarnath Thakur

17. What was the Pen name of Bhupat Khan ?

(1) Maha Rang (2) Ram Rang (3) Man Rang (4) Sada Rang

D-1615 !D-1615-PAPER-II! 4 Paper-II

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9. ×âè̹æÙè »Ì ç·¤â ×æ˜ææ âð àæéM¤ ãæðÌè ãñ?
(1) 12 ßè´ ×æ˜ææ (2) 13 ßè´ ×æ˜ææ (3) 9 ßè´ ×æ˜ææ (4) 5 ßè´ ×æ˜ææ

10. ¥ŠßÎàæü·¤ SßÚU ·¤æñÙ âæ ãñ?

(1) áÇUÁ (2) ׊Ø× (3) ´¿× (4) ÏñßÌ

11. Ø×Ù ×ð´ «¤áÖ ·¤æð ·¤æð×Ü ·¤ÚUÙð ÂÚU ç·¤â ÚUæ» ·¤è ÂýæçŒÌ ãæðÌè ãñ?
(1) ÂêçÚUØæ Ïٟæè (2) ÂêçÚUØæ ·¤ËØæ‡æ
(3) Ø×Ù ·¤ËØæ‡æ (4) Øæ×Ùè çÕÜæßÜ

12. ŠßçÙ ·ð¤ çß·¤æÚU ·¤æð ·¤ãÌð ãñ´ Ñ

(1) ·¤‡æ (2) ¹ÅU·¤æ (3) ×é·¤èü (4) ·¤æ·é¤

13. ·¤æñÙ âè ÁæðǸè çÖóæ ãñ?

(1) ¥Üè ¥·¤ÕÚU ¹æ¡ - ´ÁæÕ ƒæÚUæÙæ
(2) ×éàÌæ·¤ ¥Üè ¹æ¡ - âðçÙØæ ƒæÚUæÙæ
(3) Èñ¤Øæ$Á ¹æ¡ - ¥æ»ÚUæ ƒæÚUæÙæ
(4) ÕǸð »éÜæ× ¥Üè ¹æ¡ - ÂçÅUØæÜæ ƒæÚUæÙæ

14. ç·¤â ÚUæ» ·¤è ÁæçÌ ß·ý¤ - âÂê‡æü ãñ?

(1) Öè×ÂÜæâè (2) Îðßç»ÚUè çÕÜæßÜ (3) ÀUæØæÙÅU (4) ¥æÖæð»è

15. ŸæéçÌ ·¤è ç·¤ÌÙè ÁæçÌØæ¡ ãñ?

(1) Âæ¡¿ (2) ÌèÙ (3) Îâ (4) Îæð

16. ÍæÅU-ÚUæ» ß»èü·¤ÚU‡æ ¥ßÏæÚU‡ææ ç·¤âÙð Îè?

(1) ÕëãSÂçÌ (2) Öæ̹‡ÇðU
(3) ÂÜéS·¤ÚU (4) ¥æð×·¤æÚU ÙæÍ ÆUæ·é¤ÚU

17. ÖêÂÌ ¹æ¡ ·¤æ ©ÂÙæ× €Øæ ãñ?

(1) ×ãæ Ú´U» (2) ÚUæ× Ú´U» (3) ×Ù Ú´U» (4) âÎæ Ú´U»

D-1615 !D-1615-PAPER-II! 5 Paper-II

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18. Kalidas Award is given by which state ?

(1) Uttar Pradesh (2) Delhi

(3) Himachal Pradesh (4) Madhya Pradesh

19. Harrivalabh Sangeet Sammelan is held at :

(1) Banaras (2) Gwalior (3) Jullundar (4) Mathura

20. ‘Ela’ is a variety of :

(1) Dhatu (2) Prabandh (3) Samgana (4) Jatigana

21. Which is not a Mishra Raga ?

(1) Miyan Ki Todi (2) Nat Bhairav

(3) Basant Bahar (4) Yamini Bilawal

22. Which Instrument was played by Waheed Khan ?

(1) Guitar (2) Israj (3) Surbahar (4) Jaltarang

23. How many Murcchanas are there in Three Gramas ?

(1) 21 (2) 28 (3) 16 (4) 30

24. Who is the Author of “Geet Govind” ?

(1) Dattil (2) Ramamatya (3) B.C. Deva (4) Jaidev

25. In Folk Tune “Heer” of Punjab, swaras of which Raga is visible ?

(1) Bhairav (2) Bhairavi (3) Sindhura (4) Kafi

D-1615 !D-1615-PAPER-II! 6 Paper-II

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18. ·¤æÜèÎæâ â×æÙ ç·¤â ÂýÎðàæ mæÚUæ çÎØæ ÁæÌæ ãñ?
(1) ©žæÚU ÂýÎðàæ (2) çÎËÜè
(3) çã×æ¿Ü ÂýÎðàæ (4) ×ŠØ ÂýÎðàæ

19. ãçÚUßËÜÖ â´»èÌ â×ðÜÙ ·¤ãæ¡ ¥æØæðçÁÌ ãæðÌæ ãñ?

(1) ÕÙæÚUâ (2) ‚ßæçÜØÚU (3) ÁÜ´ÏÚU (4) ×ÍéÚUæ

20. Ò°ðÜæÓ ç·¤â ·¤æ Âý·¤æÚU ãñ?

(1) ÏæÌé (2) ÂýÕ´Ï (3) âæ×»æÙ (4) ÁæçÌ»æÙ

21. ·¤æñÙ âæ çןæ ÚUæ» Ùãè´ ãñ?

(1) ç×Øæ¡ ·¤è ÌæðǸè (2) ÙÅU ÖñÚUß
(3) Õâ´Ì ÕãæÚU (4) Øæ×Ùè çÕÜæßÜ

22. ßãèÎ ¹æ¡ €Øæ ßæl ÕÁæÌð Íð?

(1) ç»ÅUæÚU (2) §âÚUæÁ (3) âéÚUÕãæÚU (4) ÁÜÌÚ´U»

23. ÌèÙ »ýæ×æð´ ×ð´ ·é¤Ü ç·¤ÌÙè ×ê‘ÀüUÙæ°¡ ãñ´?

(1) 21 (2) 28 (3) 16 (4) 30

24. ÒÒ»èÌ»æðçߋÎÓÓ ·ð¤ Üð¹·¤ ·¤æñÙ ãñ´?

(1) ÎçžæÜ (2) ÚUæ×æ×æˆØ (3) Õè.âè. Îðßæ (4) ÁØÎðß

25. ´ÁæÕ ·¤è Üæð·¤ ÏéÙ ÒãèÚUÓ ×ð´ ç·¤â ÚUæ» ·ð¤ SßÚU ÎçàæüÌ ãæðÌð ãñ´?
(1) ÖñÚUß (2) ÖñÚUßè (3) çâ´ÎêÚUæ (4) ·¤æȤè
D-1615 !D-1615-PAPER-II! 7 Paper-II

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26. What is the Vadi-Samvadi of Khamaj ?
(1) Ga - Ni (2) Ga - Dha (3) Ni - Ma (4) Pa - Sa

27. What is the other name of Vichitra Veena ?

(1) Tinjori Veena (2) Batta Veena (3) Rudra Veena (4) Saraswati Veena

28. Which is not the Ashrya Raga ?

(1) Kafi (2) Purvi (3) Asawari (4) Jog

29. Which is the allied Raga of Miyan Malhar ?

(1) Basant (2) Megh Malhar (3) Bahar (4) Sur Malhar

’
30. “ R R P, M D P, R G R S ” depicts which Raga ?

(1) Shree (2) Puriyadhanashree

(3) Gauri (4) Devgandhar

31. ‘upaj anga’ is meant for :

(1) Layakari (2) Tan (3) Sargam (4) Meend

32. ‘Oudgrah’, ‘Melapak’, ‘Dhruv’ and ‘Abhog’ are related to :

(1) Anibadha Gaan (2) Prabandha (3) Swarmalika (4) Sargam

33. ‘Shubhpantuvarali’ of Karnatak Music is equivalent to which Hindustani ‘Thaat’ ?

(1) Kafi (2) Kalyan (3) Todi (4) Bhairavi

34. Which of the following statement is correct ?

(1) Hindustani and Karnatak Music both have same Tal-system
(2) Javli is equivalent to ‘Thumri’
(3) ‘Tabla-sangati’ is used in Hindustani and Karnatak Music
(4) ‘Dhrupad’ is the main singing style of Karnatak Music

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26. ¹×æÁ ·¤æ ßæÎè - â´ßæÎè €Øæ ãñ?
(1) » - çÙ (2) »-Ï (3) çÙ - × (4) Â-â

27. çß翘æ ßè‡ææ ·¤æ ÎêâÚUæ Ùæ× €Øæ ãñ?

(1) çÌ´ÁæñÚUè ßè‡ææ (2) Õ^æ ßè‡ææ (3) M¤Îý ßè‡ææ (4) âÚUSßÌè ßè‡ææ

28. ·¤æñÙ âæ ¥æŸæØ ÚUæ» Ùãè´ ãñ?

(1) ·¤æȤè (2) Âêßèü (3) ¥æâæßÚUè (4) Áæð»

29. ç×Øæ¡ ×ËãæÚU ·¤æ â×ßç»ü·¤ ÚUæ» ·¤æñÙ âæ ãñ?

(1) Õâ´Ì (2) ×ðƒæ ×ËãæÚU (3) ÕãæÚU (4) âêÚU ×ËãæÚU

30. ÒÒÚðU ÚðU Â, ¼’ Ï Â, ÚðU » ÚðU âÓÓ ç·¤â ÚUæ» ·¤æð ÎàæüæÌð ãñ´?
(1) Ÿæè (2) ÂêçÚUØæÏÙæŸæè (3) »æñÚUè (4) Îðß»´ÏæÚU

31. Ò©ÂÁ ¥´»Ó âð ¥çÖÂýæØ ãñ Ñ

(1) ÜØ·¤æÚUè (2) ÌæÙ (3) âÚU»× (4) ×è´ÇU

32. Ò©Î÷»ýæãÓ Ò×ðÜæ·¤Ó, ÒÏýéßÓ ¥æñÚU Ò¥æÖæð»Ó ç·¤ââð â´Õ´çÏÌ ãñ?

(1) ¥çÙÕh »æÙ (2) ÂýÕ´Ï (3) SßÚU ×æçÜ·¤æ (4) âÚU»×

33. ·¤ÙæüÅU·¤ â´»èÌ ·¤æ ÒàæéÖ´ÌéßÚUæÜèÓ, ç·¤â çã´ÎéSÌæÙè ÒÍæÅUÓ ·ð¤ â×·¤ÿæ ãñ?
(1) ·¤æȤè (2) ·¤ËØæ‡æ (3) ÌæðǸè (4) ÖñÚUßè

34. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙ âæ ·¤ÍÙ âãè ãñ?

(1) çã‹ÎéSÌæÙè ß ·¤ÙæüÅU·¤ â´»èÌ ÎæðÙæð´ ·¤è ÌæÜ ÂhçÌ â×æÙ ãñÐ
(2) ÁæßçÜ, ÒÆéU×ÚUèÓ ·ð¤ â×·¤ÿæ ãñÐ
(3) çã‹ÎéSÌæÙè °ß´ ·¤ÙæüÅU·¤ ÎæðÙæð´ â´»èÌ ÂhçÌØæð´ ×ð´ ÒÌÕÜæ â´»çÌÓ ·¤æ ÂýØæð» ãñÐ
(4) ·¤ÙæüÅU·¤ â´»èÌ ·¤è ×éØ »æØÙ çßÏæ ÒÏýéÂÎÓ ãñÐ

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35. Which is the most important factor to sustain the ‘Gharana-system’ ?

(1) Disciples (2) Lineage

(3) Physical fitness (4) Incessant singing style of a ‘Gharana’

36. Sharafat Hussain and Latafat Hussain are related to which ‘Gharana’ ?

(1) Agra (2) Patiala (3) Lacknow (4) Delhi

37. Which ‘Gharana’ is the offshoot of Patiala Gharana ?

(1) Vishnupur (2) Shyam Chaurasi

(3) Banaras (4) Rampur

38. Which of the following treatise conforms ‘Bilawal’ as a ‘Shudha-Thaat’ ?

(1) Sangeet Makrand (2) Sangeet Ratnakar

(3) Natya Shastra (4) Radha Govind Sangeet Saar

39. Structure of ‘Shudha - swara - saptak’ of medieval period, is equivalent to which

‘Modern - Thaat’ ?

(1) Kalyan (2) Bilawal (3) Kafi (4) Khamaj

40. Which scholar has firstly elucidated an interpretative exposition on ‘shruti’ as a minute factor
of ‘swara’ ?

(1) Matang (2) Narad (3) Bharat (4) Sharang Deo

41. Select the correct group depicting the chronological order of the following ‘Granthas’ :

(1) Nardi Shiksha, Natya Shastra, Brihaddeshiya, Sangeet Ratnakar

(2) Natya Shastra, Sangeet Ratnakar, Nardi Shiksha, Brihaddeshiya

(3) Brihaddeshiya, Natya Shastra, Sangeet Ratnakar, Nardi Shiksha

(4) Natya Shastra, Nardi Shiksha, Brihaddeshiya, Sangeet Ratnakar

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35. ҃æÚUæÙæ ÂhçÌ Ó ·¤æð ·¤æØ× ÚU¹Ùð ×ð´ âÕâð ×ãˆßÂê‡æü Ìˆß ãñ Ñ
(1) çàæcØ»‡æ (2) â´ÌçÌ
(3) SßæS‰Ø (4) ƒæÚUæÙðÎæÚU »æØ·¤è ·¤è çÙÚ´UÌÚUÌæ

36. àæÚUæÈ¤Ì ãéâñÙ ¥æñÚ ÜÌæÈ¤Ì ãéâñÙ ç·¤â ҃æÚUæÙðÓ âð â´Õh ãñ?
(1) ¥æ»ÚUæ (2) ÂçÅUØæÜæ (3) ܹ٪¤ (4) ÎðãÜè

37. ·¤æñÙ âæ ҃æÚUæÙæÓ ÂçÅUØæÜæ ƒæÚUæÙð ·¤è ©Âàææ¹æ ãñ?

(1) çßc‡æéÂéÚU (2) àØæ× ¿æñÚUæâè
(3) ÕÙæÚUâ (4) ÚUæ×ÂéÚU

38. çِ٠×ð´ âð 緤⠻ý´Í ×ð´, ÒçÕÜæßÜÓ ·¤è Òàæéh ÍæÅUÓ ·ð¤ M¤Â ×ð´ Sßè·ë¤Ì ç·¤Øæ »Øæ?
(1) â´»èÌ ×·¤Ú´UÎ (2) â´»èÌ ÚUˆÙæ·¤ÚU
(3) ÙæÅK àææS˜æ (4) ÚUæÏæ »æðçß´Î â´»èÌ âæÚU

39. ׊ط¤æÜèÙ Òàæéh-SßÚU-âŒÌ·¤Ó ·¤è â´ÚU¿Ùæ, ç·¤â Ò¥æÏéçÙ·¤ ÍæÅUÓ ·ð¤ â×·¤ÿæ ãñ?
(1) ·¤ËØæ‡æ (2) çÕÜæßÜ (3) ·¤æȤè (4) ¹×æÁ

40. âßüÂýÍ×, 緤⠻ý´Í·¤æÚU Ùð, ÒSßÚUÓ ·ð¤ âêÿ×Ì× SßM¤Â ҟæéçÌÓ ÂÚU, Âý·¤æàæ ÇUæÜæ ãñ?
(1) ×Ì´» (2) ÙæÚUÎ (3) ÖÚUÌ (4) àææÚ´U» Îðß

41. çِÙçÜç¹Ì »ý´Íæð´ ·¤æð, ©Ù·ð¤ ·¤æÜ·ý¤× ·ð¤ ¥ÙéâæÚU ÎàææüÙð ßæÜð âãè â×êã ·¤æ ¿éÙæß ·¤èçÁ° Ñ
(1) ÙæÚUÎè çàæÿææ, ÙæÅK àææS˜æ, Õëãgðàæè, â´»èÌ ÚUˆÙæ·¤ÚU,
(2) ÙæÅK àææS˜æ, â´»èÌ ÚUˆÙæ·¤ÚU, ÙæÚUÎè çàæÿææ, Õëãgðàæè
(3) Õëãgðàæè, ÙæÅK àææS˜æ, â´»èÌ ÚUˆÙæ·¤ÚU, ÙæÚUÎè çàæÿææ
(4) ÙæÅK àææS˜æ, ÙæÚUÎè çàæÿææ, Õëãgðàæè, â´»èÌ ÚUˆÙæ·¤ÚU

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42. ‘Bharat Ratna’ award was conferred on Pt. Ravi Shankar in the year :
(1) 1999 (2) 2005 (3) 1995 (4) 1902

43. Zia - Fariduddin is an exponent of :

(1) Tappa
(2) Thumri
(3) Khayal
(4) Dhrupad

44. According to Solfa-Notation-System’, ‘swaras’ are known as :

(1) CDEFGAB
(2) Sa Re Ga Ma Pa Dha Ni
(3) Do Re Me Fa Sol La Si
(4) Sa Ri Re Ra Gi Ge Ga

1
45. Which sign is used to write beat according to the Western Staff Notation System ?
2

(1) (2) (3) (4)

46. ‘Jafarkhani Baaj’ is established by :

(1) Abdul Rahim (2) Abdul Halim (3) Abdul Vahid (4) Abdul Karim

47. According to Pt. Bhatkhande, the placement of ‘Shudh Re’ on the 36” wire of Veena is :
(1) 32” (2) 34” (3) 30” (4) 28”

48. What is the order of ‘swaras’ in the structure of a ‘Thaat’ ?

(1) Avrohatmaka (2) Aarohatmaka
(3) Vakra (4) Arohatmaka and Avrohatmaka both

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42. ´.ÚUçßàæ´·¤ÚU ·¤æð ÒÖæÚUÌ-ÚUˆÙÓ ¥ßæÇüU ç·¤â ßáü ×ð´ çÎØæ »Øæ?
(1) 1999 (2) 2005 (3) 1995 (4) 1902

43. ç$ÁØæ- ȤÚUèÎégèÙ ·¤æ ç·¤â çßÏæ âð â´Õh ãñ?

(1) ÅUŒÂæ
(2) ÆéU×ÚUè
(3) $¹ØæÜ
(4) ÏýéÂÎ

44. ÒâæðËȤæ SßÚU çÜÂè ÂhçÌÓ ·ð¤ ¥ÙéâæÚU, ÒSßÚUæð´Ó ·¤æð ç·¤Ù Ùæ×æð´ âð ÁæÙæ ÁæÌæ ãñ?
(1) âè ÇUè §ü °È¤ Áè ° Õè
(2) âæ ÚðU » × Â Ï Ùè
(3) ÇUæð ÚðU ×è Ȥæ âæðÜ Üæ âè
(4) âæ ÚUè ÚðU ÚUæ »è »ð »æ

1
45.
2
×æ˜ææ ·¤æð çܹÙð ·ð¤ çÜØð Âæà¿æˆØ SÅUæȤ ÙæðÅðUàæÙ ÂhçÌ ×ð´ ç·¤â 翋㠷¤æ ÂýØæð» ç·¤Øæ ÁæÌæ ãñ?

(1) (2) (3) (4)

46. ÒÁæȤÚU¹æÙè ÕæÁÓ ç·¤â·ð¤ mæÚUæ â´SÍæçÂÌ ãñ?

(1) ¥ŽÎéÜ ÚUãè× (2) ¥ŽÎéÜ ãÜè× (3) ¥ŽÎéÜ ßãèÎ (4) ¥ŽÎéÜ ·¤ÚUè×

47. 36” Ü´Õð ÌæÚU ÂÚU, ´.Öæ̹‡ÇðU Ùð, Òàæéh ÚðUÓ ·¤æð ·¤ãæ¡ SÍæçÂÌ ç·¤Øæ ãñ?
(1) 32” (2) 34” (3) 30” (4) 28”

48. ÒÍæÅUÓ ·¤è â´ÚU¿Ùæ ×ð´, ÒSßÚUæð´Ó ·¤æ ·ý¤× €Øæ ÚUãÌæ ãñ?
(1) ¥ßÚUæðãæˆ×·¤ (2) ¥æÚUæðãæˆ×·¤
(3) ß·ë¤ (4) ¥æÚUæðãæˆ×·¤ °ß´ ¥ßÚUæðãæˆ×·¤ ÎæðÙæð´
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49. What will be the singing order of swaras for bracketed (Pa), according to Bhatkhande’s
Notation system ?
(1) Pa, Dha, Ma, Pa (2) Dha, Pa, Ma, Pa
(3) Dha, Ma, Dha, Pa (4) Pa, Ma, Dha, Pa

50. Point out the common feature which is similar in Bhatkhande and Paluskar Notation system
both :
(1) Sign to show ‘Avagraha’ (2) Sign to show ‘Khali’
(3) Sign to show ‘Tali’ (4) Writing ‘Shudha swaras’ of ‘Madhya - saptak’

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49. Öæ̹‡ÇðU SßÚU çÜç ÂhçÌ ·ð¤ ¥ÙéâæÚU, ·¤æðcÆU·¤ ×ð´ çÎØð »Øð (Â) ·ð¤ »æØÙ ×ð´, SßÚUæð´ ·¤æ ·ý¤× €Øæ ÚUãð»æ?
(1) Â, Ï, ×, Â (2) Ï, Â, ×, Â
(3) Ï, ×, Ï, Â (4) Â, ×, Ï, Â,

50. Öæ̹´ÇðU ß ÂÜéS·¤ÚU ÎæðÙæð´ ·¤è SßÚU çÜç ÂhçÌØæð´ ×ð´ âæØÌæ ÎàææüÙð ßæÜð Ìˆß ·¤æð §´ç»Ì ·¤èçÁØð Ñ
(1) ҥ߻ýãÓ ÎàææüÙð ·¤æ 翋ã (2) Ò¹æÜèÓ ÎàææüÙð ·¤æ 翋ã
(3) ÒÌæÜèÓ ÎàææüÙð ·¤æ 翋ã (4) ×ŠØ âŒÌ·¤ ·ð¤ Òàæéh SßÚUæð´Ó ·¤æð çܹÙæ

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 Space For Rough Work

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