You are on page 1of 26

horn. Op. 65 STUDIES FOR THE PIANO-Bk.

1 Piano

?
Y
SCHIRMER'S LIBRARY Y
Y
OF MUSICAL CLASSICS Y
Y
Y
Y

Vol. 310 ?
?

LOESCHHORN Op. 65
Y
Y
Y
Y
Y
Y

Studies for the Piano A


t
A
Book I
A
For Beginners i
A
A
85 cents

A
A

t
A

L^^vvvvyyy^y^^^^^^^^^
11939. BY G. SCHIRHER, INC.
OREGON
RULE
CO.

i
1

U.S.A.

T
3

5
II^
^V^VM^V^^^^
HT
225 hhorn. Op. 65 STUDIES FOR THE PIANO-Bk. 1 Piano

op. 65
vo
LI r^J
SCHIRMER'S LIBRARY y
Y
OF MUSICAL CLASSICS
y
y
y

Vol. 310 T

LOESCHHORN Op. 65
y
y
y
y
y
t
A
Studies for the Piano A
A
A
Book I
A
For Beginners A
t

85 cents t
A
A
t
A
t

*^^>^>!>^^^^Z^^^
DESIGN COPYRIGHT. 1939. BY G. SCHIRMER, INC.
LIBRARY
Brigham Young University

GIFT OF

Music Teachers
Supply
/AT

5"
U
\>

SCHIRMER'S LIBRARY
Vol.
OF MUSICAL CLASSICS
I

Albert Loeschhorn
Studies for the Piano

For the Development of


Technique and Expression

Op. 65, For Beginners


Book I Library Vol 310

Book II Library Vol. 311

Book III Library Vol. 312


Complete Library Vol. 966

Op. 66, For the Intermediate Degree


Book I Library Vol. 313

Book II Library Vol. 314

Book III Library Vol. 315

Complete Library Vol. 967

Op. 67, For More Advanced Pupils


Complete Library Vol. 968

G. SCHIRMER, INC
New York
Printed In tti« U. S. A.
HAROLD a 1?^
1

6RIGHAM viSl««WHV
n

Studies for Piano.


by

A. LOESCHHORN.
Part I. For Beginners. Op. 65. Book I.

N° 1. Moderate
5^,
4 o
2 12 3 4 3
1 2 1
ri5> -a— «
'
f T " *

P '

rfTn
Piano.
J
5 13 1 4 15 1 2 1 3 1 4 15 1 5 13 1 2 1 3 14 1

t r
7( £-U h^i
i
J J J — -#—
+

J ^ J ^ 1
J* J*j -j-
0—
^y^ -J # a • • J

2 12 3 4 3 2 3
H
m
<9- TT
Z2I
22:

3
4 15 1 3 1 4 15 1 2 1 3 1 5 1 5

I Pi
* 3 2
p 1 2 3*5 3 1
4
i « 4

\l
n
'

«*— r 1
r
1

r
~f f =f=£* -\ 1

5 13 4 12 3 4 12 3 15
— ——
1 1 1

4\—
#
ti
J

J- i

J^ J J 11

J
Jj j 1
t^J^U -0 0- -# #- 0— 0—

ii p r
4
9
—— 3
P 2 12
m *
3 1
1%
v-&
4 3
p 1
2
-0-
I 2 3
w i
-4 3
^ --L
(J m
,_

3
rt 5 13 1 4 15 1 2 1 3 1 4 15 1 2 1 3 1 5 1 5

tJ
L^_U
Die ersten 8 Nummern (von denen jedc nach Be- The first S numbers (of which each may be de-
diiri'niss in zwei Lectionen petheilt werden kann) ttind rided into (wn lessons) must be played mezzo forte
zur gleichmassi^en Ausbildung* der Finder duroh- all the ivay through, for the purpose of acquiring
weg" mezzo forte zu spielen. a uniform development of the fingers.

10449 r X Printed in the U. S. A.


N° 2. Moderato
3^JU3 4 4
3 2 2^3 g 1^"~3 2 3
J^'
# » H*=F F \-L-0 <
(

5 3 a i 3 12 4 5 13 1 4 12 3 2 3 4 3 2 4
3 4 3 6-
£ ^ <g
# ~ # i ^ f iiij '

ij

-»-
* 3 1, 2 3 4 ^— 3- 4 5 ^-

P
19-
# * 0- ZZ2I
*=F
*=£ *=£ ZZI

£
2 L 2 1 3 12 4 5 13 1 4 3 2
1 1

22 ^ » ~ J. m * s ir n 1
TT

3 2 3 4 2. 4 4
F g# m
<9-=- ft * -« (9- #-=-

3 15 1 2 14 1 3 1 5 1
5 14 1
3 15 1 2 4 3 4 3 5

«
=r*#*
;
S^r* ^-^~ V ^f
? 3/-^ « 8 JLji 4 5
y~y ?=+ 221
f9- Z2I
^F
IT.
:*=£
£=£ £ i
1 1
2 1 2 1 3 15 1 5 13 1 4 3 2 4 5 2

d g « .J. ^ '
^ * *^ XE 331
P^
N9 3. Allegretto
4 *

*»•*»«
1^
2 3 ^
£M*t&
5 2 1 4 2 1 5 3 1 5 2 1 4 2 1 5 3 1

^ 1 J_ 3 3
10449
5

2
£±M 0—0-
e=m t=k +0^ £
# i
2
* — I-

4 5 3 1
i

pi T7
2 S 22
I
J,
#
I

N« 4. Allegretto

10449
15

N9 5. Andantino.

4 5
2 1

i i
3 2 1 « 8 ^6 3- 4

JJJJ'JJj

104*9
i 2 2
4 3 4 4 8 1 5 3 1
'4
3? f^

;i
4

i
3
o 5 4

1
2
? m ?
^ 4

i
i
tt

1
i

k i i
_5_

I
J2^

10*119
N° 6. Allegro moderato.

^
H i
2
1

*=» 1 gP
2
1

• • 0* itV-
5i 2

5 4 3*1 12 3 4 5 4 3 2 1 13 4 5

I ^fw
*=4
r^; i^^Tr #-*-#
PH£ ii*Jii-

5
*
1
? J 5 5 ^^
2
^
5,
1

3 2 1 5 8 1 8 5 4 * 1 4 3 12 3 4 2 1 4

£ i *=¥*=?* -0-0- ~
^
i
r^* >> ^

10149
5 S
1
51 3 1 5
2 » 1
5(2' 1
l

2 & Pi f>
I
13 4 5 4 » w 4 5 8 1

i PT^^ I

JJ7^JJjl jJJJi J ^^ +. 4. 9

N9 7. Allegro

*
1 4

s ra
15 3 2

*=jt
14

Si a
3 2 l 5 1 4

*? m 25
9-
xe

XE
IX 22: 2± xc

10 449
10

N°. 8. Allegretto.

4 4 2 S 4
4

m
2 « 8

IM £=3 * ^ ^M l^PPJ 1 4.

1
4,
«
~ ^ ? 5 4 ? Sttftg
i.
£
fc
ftfy 'g
Itt ^? 3z*
i P=£

10449
11

2^S
N? 9. Andante con moto.
5
r3/^ ^ 3
^
4

a 4
1 „

* XE f *
2sl
4 1 « ^

p^£ 4 a t£
mf */

/
#
5313 5 2 13 5 8 13 531 5313 5 31 521 531

iNii i m Irf .
5
,14
PiMt*
8«f

/
1

i
5 « „

s
„ 4,5,

m #
5 3 1 5*1
j^=
531
^ 5 2 12 4 3 1 5 3 1

521 421 531 5 3 1 4 2 1


5 3 i

A 5
•*'-i ,:.,
A ° °
5
* • -4* '

i
/ w•/ deeresc. J>

S
=S

5 8 1 5 2 i
+ M.+.
n:
3-
£

10449
12

N° 10. Allegro
5

#!Nj
5 4

•^
1
1

fefe^#
fr

m
i* -
5 *

J
J
#
i 5

3 ^
# |
4

| ;
^^ 5 ff ,

^
5
^

4 2
i.
2
yMH ,3

il I
i
0- -0-

•/,
///
£
ft

i
i •
us
m l* • P , f -

4.
;r»i
§3
fj^
» 5 * »

££^g |P£ ^^ S3

iS
1 - 2
ii 3 i^
te#
|££
i L 2^i
S S f» k* #>i «
5 jt t » •?* ms ^=^

jytif-r^
10449
/

5
% i
i
*/

2
5
>*^ ^

3
3^ ^ 7^^
I
13

N<» 11. Allegretto.

5
5^ Q -\ .» — - -\
£L s ?-»», .. 1 £ -0UT-+ *#
i t.
—*—r
&S £
:*£*
i
™f^ — w/

9^ -3 1-
jet
-a — *-
I 5 — »- -6 1-
I *—3 1-

S^ rg
5
>
2 .1 o 3
i^feg r ff..
* » #i »-»» 3 -g

m @^ 5 2
£
t
s 3— I- -S i-

i * »• I*
4

ffi
^T"
SF
5
i

jffi
—4 * 2

jjg
4 " ° *
i n
-
2 s
4 1

'II
f
??+?
m
f-

ra *-+*-

m ^ m ¥ m

4> te££E
i
*
:Mp_Mr1'W ill g SS ^2

f ^ 3-9
-3 1- I -a 1-
Ig 4 S
I04*y
14

N9 12. Allegro.

m 8
*_L
v-Nn^ 1 1
5

s lit

I £ ^ i
*
I
it
2

4 5

&
5 1

i :- # 4
Mi l *
3 1
£ i
i W/
/
>

tf
» ) fE
2 i 2 II 2 Epjl I P

*=*^

10449
15

N° 13. Allegro moderate

5131 5l«l 5 13 1 5141 5131

5 1

5 5

5 1 2 1 5 1 3 »

5 13 1 4 13 1 5 13 1 5 13 1 5 12 1

5131 5131412" 4
5 12 1 5 131 51 31 41 2 ! 5 1 4 1
5 l 3 1 5 1 3 1
J*i?1 513! 4 1 2 1

10V49
16

N° 14. Tempo di Valse.

tJ
3 s
m mm ^ u.

e 1 £££lg fc

S 4 *
« 3-
tl ±± * *

Si 3-
Mi
ir 3 l
« 1 1

2>
s cresc.

|eje
« t-*
m "*
a
I i §§1 te
I-
X~*3!—

4 1

**-
4
4, ^ 1,3 5 1^ .

#jl
i

f
IS IZ_

P
/ dec res c.

yrf^-ri 5 *-
#— -# 1 — **
IS
«L_I:

5 2 5 3 5 3 5 «* 5 3

4 1 4

* *#*g£ « ^ i
* ^ra9tf /
-
9^4
"5HT
^
3
2
5
-
£ € I

a
i
5 3
Igigl
* 5 *

10449
17

N° 15. Allegro vivace

10449
18

N° 16. Allegro

5 3 1 8 5 12 13 14 i 5 3 13 51^13141 5 5313

5 3 1 5 1 2 13141 53134231 2 5 3 4 2 12 1 2

5 3 13 2 14 1

10449
3 1197 00341 4551
^vvvvvvv>^v^y^^>x^^^
Sch rmer's Library i

of Musical Classics
? PIANO METHODS, STUDIES, AND EXERCISES
y SERIES THREE

LOESCHHORN, A. L. 1652 The same: Bk. Ill: Examples from


L. 1616 Op. 52. 20 Melodious Studies. Masterworks.
L. 966 Op. 65. Studies for the development of Technique L. 1717 Elementary Rhythmic Exercises for the
and Expression. Part I: For Beginners. Five Fingers.
Complete. L. 1675 Exercises on the Black Keys.
L.310 The
same: Bk. I.
L.311 The
same: Bk. II. PISCHNA, J.
y L. 312 The
same: Bk. III. L.792 Technical Studies. 60 Progressive Exer-
L.967 Op. 66. same: Part II: For the Intermediate
The cises. (Wolff).
Degree. Complete.
L.968 Op. 67. The same: Part III: For More Advanced
PLAIDY, L.
Pupils. Complete. L.304 Technical Studies. (Klauser). Complete.
The same: Bk.
y L. 1615 Op. 169, Universal Piano Studies. For Medium
170. Grade.
L. 1617
L. 1618 The same: Bk.
I.

II.

y L. 254 Pianoforte Technics. Daily Exercises.


RAVINA, H.
y LOW, J. L. 1515 Op. 50. Harmonious Etudes.

y L.913 Op. 281. Octave-Studies. RUBINSTEIN, A.

y MACFARREN, W. L. 791 Op. 23. 6 Etudes. (Gallico).


L. 1037 Scale and Arpeggio Manual.
SCHMITT, A.
Y MENDELSSOHN, F. L. 434 Op. 16. Preparatory Exercises. Five-Finger Ex-
y L. 1523 3 Etudes from Op. 104; Scherzo h
Capriccio.
ercises (with Appendix by A. Knecht).

Y MENOZZI, J.
SCHULZ, F. A.
L. 392 Scales and Chords in all the Major and
L.843 Metodo Teorico-Practico de Lectura Minor Keys.
Musical, sp. (Carrillo).
SCHUMANN, R.
MOSCHELES, I. L. 1727 Op. 3. Studies after Paganini's Caprices and
J L.403 Op. 70. 24 Studies. Finishing Lessons for Op. 10 6 Concert Studies after Paga-
Advanced Performers. (Pauer). sp. e. nini's Caprices (Bauer).

L.404 Op. 70. The same: Bk. I. L. 96 Op. 13. 12 Symphonic Studies. (Bauer).

J MOZKOWSKI, M. SCHWALM, R.
L. 1798 Op. 72. 15 Etudes de Virtuosite. L. 796 Daily Exercises.

NEUPERT, E. SCHYTTE, L.
L.797 12 Studies. L. 1371 Op. 108. 25 Short and Melodious Studies.

NOLLET, E. SPANUTH, A.
L.1375 Op. 43. 15 Melodious Studies. (Hughes). L. 1579 Five-Finger Exercises.
i OESTERLE, L. STAMATY, C.
L. 1154 Instructive Course of Pieces. Bk. I: L. 1136 Op. 36. Rhythmic Training for the Fingers, sp. e.
Elementary and Grade I. 48 Pieces. L. 858 Op. 37. Singing Touch and Technique. 25 Easy
L.1155 Bk. II. Grade 2. 35 Pieces. Studies for Small Hands.
L. 1156 Bk. III. Grade 3. 25 Pieces. STREABOG,
t L. 1157 Bk. IV. Grade 4. 22 Pieces.
L.
L. 478 Op. 63. 12 Very Easy and Melodious Studies.
PARLOW, E. First Degree.
L. 1251 30 Little Etudes. Easy and Attractive L.479 Op. 64. The same: Second Degree.
Studies by Burgmuller, Czerny, Parlow,
and others.
TAUSIG, C.
L.1353 Daily Studies (Ehrlich).
PHILLIP, I.
L.1611 Op. 78. 6 Octave Studies in the Form of Little
VOGT, J.
Fugues. L.965 Op. 145. 24 Octave-Studies of Medium Difficulty.

L. 1650 School of Octave-Playing. Bk. I: WIECK, F.


Exercises.
i L.1651 The same: Bk. 10 Original Studies by
II:
L. 66 Studies.

t Alkan, Chopin, Czerny, Kessler, Kreut- WOLFF, B.


zer, Mathias, Mayer, de Mereaux, L. 1099 Op. 118. 12 Short Octave- Studies.
Wolff. L.898 The Little Pischna. 48 Practice Pieces.
A-1175

t
.., G. SCH IRMER, INC., NEW YORK
M*I«N COPWIICMT, IM*. »T «. KHIUIt. IMC
3BSE

'*'-7 '.*:'V '.I.

I -V I
•J^**

C^TjriLTgJt llT^M 1

*.£' «. -~-„-S*>
--.*£'-?H
~^fc
.<»
L^L^H-
a~~3
. v. >£«:'*
IrdftSG
mtB
fris
HF! 3viCh4 **tili V
-«-
t'-.tt 1
' i

Pes ),]
-
.

f.--- i.-tv
Twasfsr-

ShSE* SB -
" ?o7*

fzf§

E
M

.. * *'V>

S3
' ";

You might also like