Professional Documents
Culture Documents
Sonza Vs Abs
Sonza Vs Abs
138051
FIRST DIVISION
DECISION
CARPIO, J.:
The Case
Before this Court is a petition for review on certiorari[1] assailing the 26 March 1999
Decision[2] of the Court of Appeals in CA-G.R. SP No. 49190 dismissing the petition filed
by Jose Y. Sonza (“SONZA”). The Court of Appeals affirmed the findings of the National
Labor Relations Commission (“NLRC”), which affirmed the Labor Arbiter’s dismissal of the
case for lack of jurisdiction.
The Facts
a. Co-host for Mel & Jay radio program, 8:00 to 10:00 a.m., Mondays to
Fridays;
b. Co-host for Mel & Jay television program, 5:30 to 7:00 p.m., Sundays.
[3]
ABS-CBN agreed to pay for SONZA’s services a monthly talent fee of P310,000 for the
first year and P317,000 for the second and third year of the Agreement. ABS-CBN would
pay the talent fees on the 10th and 25th days of the month.
On 1 April 1996, SONZA wrote a letter to ABS-CBN’s President, Eugenio Lopez III, which
reads:
We would like to call your attention to the Agreement dated May 1994
entered into by your goodself on behalf of ABS-CBN with our company
relative to our talent JOSE Y. SONZA.
As you are well aware, Mr. Sonza irrevocably resigned in view of recent events
concerning his programs and career. We consider these acts of the station
violative of the Agreement and the station as in breach thereof. In this
connection, we hereby serve notice of rescission of said Agreement at our
instance effective as of date.
(Sgd.)
JOSE Y. SONZA
President and Gen. Manager[4]
On 30 April 1996, SONZA filed a complaint against ABS-CBN before the Department of
Labor and Employment, National Capital Region in Quezon City. SONZA complained that
ABS-CBN did not pay his salaries, separation pay, service incentive leave pay, 13th
month pay, signing bonus, travel allowance and amounts due under the Employees Stock
Option Plan (“ESOP”).
On 10 July 1996, ABS-CBN filed a Motion to Dismiss on the ground that no employer-
employee relationship existed between the parties. SONZA filed an Opposition to the
motion on 19 July 1996.
Meanwhile, ABS-CBN continued to remit SONZA’s monthly talent fees through his
account at PCIBank, Quezon Avenue Branch, Quezon City. In July 1996, ABS-CBN
opened a new account with the same bank where ABS-CBN deposited SONZA’s talent
fees and other payments due him under the Agreement.
In his Order dated 2 December 1996, the Labor Arbiter[5] denied the motion to dismiss
and directed the parties to file their respective position papers. The Labor Arbiter ruled:
In this instant case, complainant for having invoked a claim that he was an
employee of respondent company until April 15, 1996 and that he was not
paid certain claims, it is sufficient enough as to confer jurisdiction over the
instant case in this Office. And as to whether or not such claim would entitle
complainant to recover upon the causes of action asserted is a matter to be
resolved only after and as a result of a hearing. Thus, the respondent’s plea
of lack of employer-employee relationship may be pleaded only as a matter of
defense. It behooves upon it the duty to prove that there really is no
employer-employee relationship between it and the complainant.
The Labor Arbiter then considered the case submitted for resolution. The parties
submitted their position papers on 24 February 1997.
On 11 March 1997, SONZA filed a Reply to Respondent’s Position Paper with Motion to
Expunge Respondent’s Annex 4 and Annex 5 from the Records. Annexes 4 and 5 are
affidavits of ABS-CBN’s witnesses Soccoro Vidanes and Rolando V. Cruz. These
witnesses stated in their affidavits that the prevailing practice in the television and
broadcast industry is to treat talents like SONZA as independent contractors.
The Labor Arbiter rendered his Decision dated 8 July 1997 dismissing the complaint for
lack of jurisdiction.[6] The pertinent parts of the decision read as follows:
xxx
While Philippine jurisprudence has not yet, with certainty, touched on the
“true nature of the contract of a talent,” it stands to reason that a “talent” as
above-described cannot be considered as an employee by reason of the
peculiar circumstances surrounding the engagement of his services.
The fact that per the May 1994 Agreement complainant was accorded some
benefits normally given to an employee is inconsequential. Whatever
benefits complainant enjoyed arose from specific agreement by the
parties and not by reason of employer-employee relationship. As
correctly put by the respondent, “All these benefits are merely talent fees and
other contractual benefits and should not be deemed as ‘salaries, wages
and/or other remuneration’ accorded to an employee, notwithstanding the
nomenclature appended to these benefits. Apropos to this is the rule that the
term or nomenclature given to a stipulated benefit is not controlling, but the
intent of the parties to the Agreement conferring such benefit.”
The fact that complainant was made subject to respondent’s Rules and
Regulations, likewise, does not detract from the absence of employer-
employee relationship. As held by the Supreme Court, “The line should be
drawn between rules that merely serve as guidelines towards the achievement
of the mutually desired result without dictating the means or methods to be
employed in attaining it, and those that control or fix the methodology and
bind or restrict the party hired to the use of such means. The first, which aim
only to promote the result, create no employer-employee relationship unlike
the second, which address both the result and the means to achieve it.”
(Insular Life Assurance Co., Ltd. vs. NLRC, et al., G.R. No. 84484, November
15, 1989).
x x x (Emphasis supplied)[7]
SONZA appealed to the NLRC. On 24 February 1998, the NLRC rendered a Decision
affirming the Labor Arbiter’s decision. SONZA filed a motion for reconsideration, which
the NLRC denied in its Resolution dated 3 July 1998.
On 6 October 1998, SONZA filed a special civil action for certiorari before the Court of
Appeals assailing the decision and resolution of the NLRC. On 26 March 1999, the Court
of Appeals rendered a Decision dismissing the case.[8]
The Court of Appeals affirmed the NLRC’s finding that no employer-employee relationship
existed between SONZA and ABS-CBN. Adopting the NLRC’s decision, the appellate
court quoted the following findings of the NLRC:
x x x the May 1994 Agreement will readily reveal that MJMDC entered into the
contract merely as an agent of complainant Sonza, the principal. By all
indication and as the law puts it, the act of the agent is the act of the
principal itself. This fact is made particularly true in this case, as admittedly
MJMDC ‘is a management company devoted exclusively to managing the
careers of Mr. Sonza and his broadcast partner, Mrs. Carmela C. Tiangco.’
(Opposition to Motion to Dismiss)
Clearly, the relations of principal and agent only accrues between complainant
Sonza and MJMDC, and not between ABS-CBN and MJMDC. This is clear from
the provisions of the May 1994 Agreement which specifically referred to
MJMDC as the ‘AGENT’. As a matter of fact, when complainant herein
unilaterally rescinded said May 1994 Agreement, it was MJMDC which issued
the notice of rescission in behalf of Mr. Sonza, who himself signed the same in
his capacity as President.
Moreover, previous contracts between Mr. Sonza and ABS-CBN reveal the
fact that historically, the parties to the said agreements are ABS-CBN and Mr.
Sonza. And it is only in the May 1994 Agreement, which is the latest
Agreement executed between ABS-CBN and Mr. Sonza, that MJMDC figured in
the said Agreement as the agent of Mr. Sonza.
It may not be amiss to state that jurisdiction over the instant controversy
indeed belongs to the regular courts, the same being in the nature of an
action for alleged breach of contractual obligation on the part of respondent-
appellee. As squarely apparent from complainant-appellant’s Position Paper,
his claims for compensation for services, ‘13th month pay’, signing bonus and
travel allowance against respondent-appellee are not based on the Labor
Code but rather on the provisions of the May 1994 Agreement, while his
claims for proceeds under Stock Purchase Agreement are based on the latter.
A portion of the Position Paper of complainant-appellant bears perusal:
The Issue
No convincing reason exists to warrant a reversal of the decision of the Court of Appeals
affirming the NLRC ruling which upheld the Labor Arbiter’s dismissal of the case for lack
of jurisdiction.
The present controversy is one of first impression. Although Philippine labor laws and
jurisprudence define clearly the elements of an employer-employee relationship, this is
the first time that the Court will resolve the nature of the relationship between a
television and radio station and one of its “talents.” There is no case law stating that a
radio and television program host is an employee of the broadcast station.
The instant case involves big names in the broadcast industry, namely Jose “Jay” Sonza,
a known television and radio personality, and ABS-CBN, one of the biggest television and
radio networks in the country.
SONZA contends that the Labor Arbiter has jurisdiction over the case because he was an
employee of ABS-CBN. On the other hand, ABS-CBN insists that the Labor Arbiter has
no jurisdiction because SONZA was an independent contractor.
ABS-CBN engaged SONZA’s services to co-host its television and radio programs
because of SONZA’s peculiar skills, talent and celebrity status. SONZA contends that the
“discretion used by respondent in specifically selecting and hiring complainant over other
broadcasters of possibly similar experience and qualification as complainant belies
respondent’s claim of independent contractorship.”
B. Payment of Wages
ABS-CBN directly paid SONZA his monthly talent fees with no part of his fees going to
MJMDC. SONZA asserts that this mode of fee payment shows that he was an employee
of ABS-CBN. SONZA also points out that ABS-CBN granted him benefits and privileges
“which he would not have enjoyed if he were truly the subject of a valid job contract.”
All the talent fees and benefits paid to SONZA were the result of negotiations that led to
the Agreement. If SONZA were ABS-CBN’s employee, there would be no need for the
parties to stipulate on benefits such as “SSS, Medicare, x x x and 13th month pay”[20]
which the law automatically incorporates into every employer-employee contract.[21]
Whatever benefits SONZA enjoyed arose from contract and not because of an employer-
employee relationship.[22]
SONZA’s talent fees, amounting to P317,000 monthly in the second and third year, are
so huge and out of the ordinary that they indicate more an independent contractual
relationship rather than an employer-employee relationship. ABS-CBN agreed to pay
SONZA such huge talent fees precisely because of SONZA’s unique skills, talent and
celebrity status not possessed by ordinary employees. Obviously, SONZA acting alone
possessed enough bargaining power to demand and receive such huge talent fees for his
services. The power to bargain talent fees way above the salary scales of ordinary
employees is a circumstance indicative, but not conclusive, of an independent contractual
relationship.
The payment of talent fees directly to SONZA and not to MJMDC does not negate the
status of SONZA as an independent contractor. The parties expressly agreed on such
mode of payment. Under the Agreement, MJMDC is the AGENT of SONZA, to whom
MJMDC would have to turn over any talent fee accruing under the Agreement.
C. Power of Dismissal
For violation of any provision of the Agreement, either party may terminate their
relationship. SONZA failed to show that ABS-CBN could terminate his services on
grounds other than breach of contract, such as retrenchment to prevent losses as
provided under labor laws.[23]
During the life of the Agreement, ABS-CBN agreed to pay SONZA’s talent fees as long as
“AGENT and Jay Sonza shall faithfully and completely perform each condition of this
Agreement.”[24] Even if it suffered severe business losses, ABS-CBN could not retrench
SONZA because ABS-CBN remained obligated to pay SONZA’s talent fees during the life
of the Agreement. This circumstance indicates an independent contractual relationship
between SONZA and ABS-CBN.
SONZA admits that even after ABS-CBN ceased broadcasting his programs, ABS-CBN
still paid him his talent fees. Plainly, ABS-CBN adhered to its undertaking in the
Agreement to continue paying SONZA’s talent fees during the remaining life of the
Agreement even if ABS-CBN cancelled SONZA’s programs through no fault of SONZA.
[25]
SONZA assails the Labor Arbiter’s interpretation of his rescission of the Agreement as an
admission that he is not an employee of ABS-CBN. The Labor Arbiter stated that “if it
were true that complainant was really an employee, he would merely resign, instead.”
SONZA did actually resign from ABS-CBN but he also, as president of MJMDC, rescinded
the Agreement. SONZA’s letter clearly bears this out.[26] However, the manner by which
SONZA terminated his relationship with ABS-CBN is immaterial. Whether SONZA
rescinded the Agreement or resigned from work does not determine his status as
employee or independent contractor.
D. Power of Control
Since there is no local precedent on whether a radio and television program host is an
employee or an independent contractor, we refer to foreign case law in analyzing the
present case. The United States Court of Appeals, First Circuit, recently held in Alberty-
Vélez v. Corporación De Puerto Rico Para La Difusión Pública (“WIPR”)[27] that a
television program host is an independent contractor. We quote the following findings of
the U.S. court:
Applying the control test to the present case, we find that SONZA is not an employee
but an independent contractor. The control test is the most important test our courts
apply in distinguishing an employee from an independent contractor.[29] This test is
based on the extent of control the hirer exercises over a worker. The greater the
supervision and control the hirer exercises, the more likely the worker is deemed an
employee. The converse holds true as well – the less control the hirer exercises, the
more likely the worker is considered an independent contractor.[30]
First, SONZA contends that ABS-CBN exercised control over the means and methods of
his work.
We find that ABS-CBN was not involved in the actual performance that produced the
finished product of SONZA’s work.[33] ABS-CBN did not instruct SONZA how to perform
his job. ABS-CBN merely reserved the right to modify the program format and airtime
schedule “for more effective programming.”[34] ABS-CBN’s sole concern was the quality
of the shows and their standing in the ratings. Clearly, ABS-CBN did not exercise control
over the means and methods of performance of SONZA’s work.
SONZA claims that ABS-CBN’s power not to broadcast his shows proves ABS-CBN’s
power over the means and methods of the performance of his work. Although ABS-CBN
did have the option not to broadcast SONZA’s show, ABS-CBN was still obligated to pay
SONZA’s talent fees... Thus, even if ABS-CBN was completely dissatisfied with the means
and methods of SONZA’s performance of his work, or even with the quality or product of
his work, ABS-CBN could not dismiss or even discipline SONZA. All that ABS-CBN could
do is not to broadcast SONZA’s show but ABS-CBN must still pay his talent fees in full.
[35]
Clearly, ABS-CBN’s right not to broadcast SONZA’s show, burdened as it was by the
obligation to continue paying in full SONZA’s talent fees, did not amount to control over
the means and methods of the performance of SONZA’s work. ABS-CBN could not
terminate or discipline SONZA even if the means and methods of performance of his work
- how he delivered his lines and appeared on television - did not meet ABS-CBN’s
approval. This proves that ABS-CBN’s control was limited only to the result of SONZA’s
work, whether to broadcast the final product or not. In either case, ABS-CBN must still
pay SONZA’s talent fees in full until the expiry of the Agreement.
In Vaughan, et al. v. Warner, et al.,[36] the United States Circuit Court of Appeals
ruled that vaudeville performers were independent contractors although the management
reserved the right to delete objectionable features in their shows. Since the management
did not have control over the manner of performance of the skills of the artists, it could
only control the result of the work by deleting objectionable features.[37]
SONZA further contends that ABS-CBN exercised control over his work by supplying all
equipment and crew. No doubt, ABS-CBN supplied the equipment, crew and airtime
needed to broadcast the “Mel & Jay” programs. However, the equipment, crew and
airtime are not the “tools and instrumentalities” SONZA needed to perform his job. What
SONZA principally needed were his talent or skills and the costumes necessary for his
appearance. [38] Even though ABS-CBN provided SONZA with the place of work and the
necessary equipment, SONZA was still an independent contractor since ABS-CBN did not
supervise and control his work. ABS-CBN’s sole concern was for SONZA to display his
talent during the airing of the programs.[39]
Second, SONZA urges us to rule that he was ABS-CBN’s employee because ABS-CBN
subjected him to its rules and standards of performance. SONZA claims that this
indicates ABS-CBN’s control “not only [over] his manner of work but also the quality of
his work.”
The Agreement stipulates that SONZA shall abide with the rules and standards of
performance “covering talents”[41] of ABS-CBN. The Agreement does not require SONZA
to comply with the rules and standards of performance prescribed for employees of ABS-
CBN. The code of conduct imposed on SONZA under the Agreement refers to the
“Television and Radio Code of the Kapisanan ng mga Broadcaster sa Pilipinas (KBP),
which has been adopted by the COMPANY (ABS-CBN) as its Code of Ethics.”[42] The KBP
code applies to broadcasters, not to employees of radio and television stations.
Broadcasters are not necessarily employees of radio and television stations. Clearly, the
rules and standards of performance referred to in the Agreement are those applicable to
talents and not to employees of ABS-CBN.
In any event, not all rules imposed by the hiring party on the hired party indicate that the
latter is an employee of the former.[43] In this case, SONZA failed to show that these
rules controlled his performance. We find that these general rules are merely guidelines
towards the achievement of the mutually desired result, which are top-rating television
and radio programs that comply with standards of the industry. We have ruled that:
Further, not every form of control that a party reserves to himself over the
conduct of the other party in relation to the services being rendered may be
accorded the effect of establishing an employer-employee relationship. The
facts of this case fall squarely with the case of Insular Life Assurance Co., Ltd.
vs. NLRC. In said case, we held that:
Logically, the line should be drawn between rules that merely serve
as guidelines towards the achievement of the mutually desired
result without dictating the means or methods to be employed in
attaining it, and those that control or fix the methodology and
bind or restrict the party hired to the use of such means. The
first, which aim only to promote the result, create no employer-
employee relationship unlike the second, which address both the
result and the means used to achieve it.[44]
The Vaughan case also held that one could still be an independent contractor although
the hirer reserved certain supervision to insure the attainment of the desired result. The
hirer, however, must not deprive the one hired from performing his services according to
his own initiative.[45]
Lastly, SONZA insists that the “exclusivity clause” in the Agreement is the most extreme
form of control which ABS-CBN exercised over him.
This argument is futile. Being an exclusive talent does not by itself mean that SONZA is
an employee of ABS-CBN. Even an independent contractor can validly provide his
services exclusively to the hiring party. In the broadcast industry, exclusivity is not
necessarily the same as control.
The hiring of exclusive talents is a widespread and accepted practice in the entertainment
industry.[46] This practice is not designed to control the means and methods of work of
the talent, but simply to protect the investment of the broadcast station. The broadcast
station normally spends substantial amounts of money, time and effort “in building up its
talents as well as the programs they appear in and thus expects that said talents remain
exclusive with the station for a commensurate period of time.”[47] Normally, a much
higher fee is paid to talents who agree to work exclusively for a particular radio or
television station. In short, the huge talent fees partially compensates for exclusivity, as
in the present case.
SONZA protests the Labor Arbiter’s finding that he is a talent of MJMDC, which
contracted out his services to ABS-CBN. The Labor Arbiter ruled that as a talent of
MJMDC, SONZA is not an employee of ABS-CBN. SONZA insists that MJMDC is a “labor-
only” contractor and ABS-CBN is his employer.
In a labor-only contract, there are three parties involved: (1) the “labor-only” contractor;
(2) the employee who is ostensibly under the employ of the “labor-only” contractor; and
(3) the principal who is deemed the real employer. Under this scheme, the “labor-only”
contractor is the agent of the principal. The law makes the principal responsible to
the employees of the “labor-only contractor” as if the principal itself directly hired or
employed the employees.[48] These circumstances are not present in this case.
There are essentially only two parties involved under the Agreement, namely, SONZA and
ABS-CBN. MJMDC merely acted as SONZA’s agent. The Agreement expressly states that
MJMDC acted as the “AGENT” of SONZA. The records do not show that MJMDC acted as
ABS-CBN’s agent. MJMDC, which stands for Mel and Jay Management and Development
Corporation, is a corporation organized and owned by SONZA and TIANGCO. The
President and General Manager of MJMDC is SONZA himself. It is absurd to hold that
MJMDC, which is owned, controlled, headed and managed by SONZA, acted as agent of
ABS-CBN in entering into the Agreement with SONZA, who himself is represented by
MJMDC. That would make MJMDC the agent of both ABS-CBN and SONZA.
SONZA argues that Policy Instruction No. 40 issued by then Minister of Labor Blas Ople
on 8 January 1979 finally settled the status of workers in the broadcast industry. Under
this policy, the types of employees in the broadcast industry are the station and program
employees.
Policy Instruction No. 40 is a mere executive issuance which does not have the force and
effect of law. There is no legal presumption that Policy Instruction No. 40 determines
SONZA’s status. A mere executive issuance cannot exclude independent contractors
from the class of service providers to the broadcast industry. The classification of
workers in the broadcast industry into only two groups under Policy Instruction No. 40 is
not binding on this Court, especially when the classification has no basis either in law or
in fact.
SONZA also faults the Labor Arbiter for admitting the affidavits of Socorro Vidanes and
Rolando Cruz without giving his counsel the opportunity to cross-examine these
witnesses. SONZA brands these witnesses as incompetent to attest on the prevailing
practice in the radio and television industry. SONZA views the affidavits of these
witnesses as misleading and irrelevant.
xxx
These verified position papers shall cover only those claims and causes of
action raised in the complaint excluding those that may have been amicably
settled, and shall be accompanied by all supporting documents including the
affidavits of their respective witnesses which shall take the place of the latter’s
direct testimony. x x x
The Labor Arbiter can decide a case based solely on the position papers and the
supporting documents without a formal trial.[51] The holding of a formal hearing or trial
is something that the parties cannot demand as a matter of right.[52] If the Labor
Arbiter is confident that he can rely on the documents before him, he cannot be faulted
for not conducting a formal trial, unless under the particular circumstances of the case,
the documents alone are insufficient. The proceedings before a Labor Arbiter are non-
litigious in nature. Subject to the requirements of due process, the technicalities of law
and the rules obtaining in the courts of law do not strictly apply in proceedings before a
Labor Arbiter.
Talents as Independent Contractors
ABS-CBN claims that there exists a prevailing practice in the broadcast and
entertainment industries to treat talents like SONZA as independent contractors. SONZA
argues that if such practice exists, it is void for violating the right of labor to security of
tenure.
The right of labor to security of tenure as guaranteed in the Constitution[53] arises only
if there is an employer-employee relationship under labor laws. Not every performance of
services for a fee creates an employer-employee relationship. To hold that every person
who renders services to another for a fee is an employee - to give meaning to the
security of tenure clause - will lead to absurd results.
Individuals with special skills, expertise or talent enjoy the freedom to offer their services
as independent contractors. The right to life and livelihood guarantees this freedom to
contract as independent contractors. The right of labor to security of tenure cannot
operate to deprive an individual, possessed with special skills, expertise and talent, of his
right to contract as an independent contractor. An individual like an artist or talent has a
right to render his services without any one controlling the means and methods by which
he performs his art or craft. This Court will not interpret the right of labor to security of
tenure to compel artists and talents to render their services only as employees. If radio
and television program hosts can render their services only as employees, the station
owners and managers can dictate to the radio and television hosts what they say in their
shows. This is not conducive to freedom of the press.
The National Internal Revenue Code (“NIRC”)[54] in relation to Republic Act No. 7716,[55]
as amended by Republic Act No. 8241,[56] treats talents, television and radio
broadcasters differently. Under the NIRC, these professionals are subject to the 10%
value-added tax (“VAT”) on services they render. Exempted from the VAT are those
under an employer-employee relationship.[57] This different tax treatment accorded to
talents and broadcasters bolters our conclusion that they are independent contractors,
provided all the basic elements of a contractual relationship are present as in this case.
SONZA seeks the recovery of allegedly unpaid talent fees, 13th month pay, separation
pay, service incentive leave, signing bonus, travel allowance, and amounts due under the
Employee Stock Option Plan. We agree with the findings of the Labor Arbiter and the
Court of Appeals that SONZA’s claims are all based on the May 1994 Agreement and
stock option plan, and not on the Labor Code. Clearly, the present case does not call
for an application of the Labor Code provisions but an interpretation and implementation
of the May 1994 Agreement. In effect, SONZA’s cause of action is for breach of contract
which is intrinsically a civil dispute cognizable by the regular courts.[58]
WHEREFORE, we DENY the petition. The assailed Decision of the Court of Appeals
dated 26 March 1999 in CA-G.R. SP No. 49190 is AFFIRMED. Costs against petitioner.
SO ORDERED.
Davide, Jr., C.J., (Chairman), Panganiban, Ynares-Santiago, and Azcuna, JJ., concur.
[2] Penned by Associate Justice Eugenio S. Labitoria with Associate Justices Jesus M.
[11] Ibid.
[12] Ibid.
[13] Ibid.
[15] Fleischer Company, Inc. v. National Labor Relations Commission, G.R. No. 121608,
26 March 2001, 355 SCRA 105; AFP Mutual Benefit Association, Inc. v. NLRC, G.R. No.
102199, 28 January 1997, 267 SCRA 47; Cathedral School of Technology v. NLRC, G.R.
No. 101438, 13 October 1992, 214 SCRA 551. See also Ignacio v. Coca-Cola Bottlers
Phils., Inc., 417 Phil. 747 (2001); Gonzales v. National Labor Relations Commission, G.R.
No. 131653, 26 March 2001, 355 SCRA 195; Sandigan Savings and Loan Bank, Inc. v.
NLRC, 324 Phil. 348 (1996); Magnolia Dairy Products Corporation v. NLRC, 322 Phil. 508
(1996).
[17] Domasig v. National Labor Relations Commission, G.R. No. 118101, 16 September
[18] De Los Santos v. NLRC, 423 Phil. 1020 (2001); Traders Royal Bank v. NLRC, 378
Phil. 1081 (1999); Aboitiz Shipping Employees Association v. National Labor Relations
Commission, G.R. No. 78711, 27 June 1990, 186 SCRA 825; Ruga v. National Labor
Relations Commission, G.R. Nos. 72654-61, 22 January 1990, 181 SCRA 266.
[19] Ibid.
[20] Paragraph 10 of the Agreement provides: “The COMPANY shall provide him with the
following benefits: SSS, Medicare, Healthcare, executive life and accident insurance, and a
13th-month pay based on an amount not lower than the amount he was receiving prior
to the effectivity of this Agreement.”
[21] Presidential Decree No. 851 (Requiring All Employers to Pay their Employees a 13th-
month Pay) for the 13th month pay; Republic Act No. 1161 (Social Security Law) for the
SSS benefits; and Republic Act No. 7875 (National Health Insurance Act of 1995) for the
Philhealth insurance.
[24] Paragraph 7 of the Agreement states: “Provided that the AGENT and Jay Sonza shall
faithfully and completely perform each condition of this Agreement for and in
consideration of the aforesaid services by the AGENT and its talent, the COMPANY agrees
to pay the AGENT for the first year of this Agreement the amount of THREE HUNDRED
TEN THOUSAND PESOS ONLY (P310,000.00) per month, payable on the 10th and 25th
of each month. For the second and third year of this Agreement, the COMPANY shall pay
the amount of THREE HUNDRED SEVENTEEN THOUSAND PESOS ONLY (P317,000.00)
per month, payable likewise on the 10th and 25th of the each month.”
Agreement through no fault of the AGENT and its talent, COMPANY agrees to pay the full
amount specified in this Agreement for the remaining period covered by this Agreement,
provided that the talent shall not render any service for or in any other radio or television
production of any person, firm, corporation or any entity competing with the COMPANY
until the expiry hereof.”
[26] The opening sentence of the second paragraph of SONZA’s letter reads:
“As you are well aware, Mr. Sonza irrevocably resigned in view of recent events
concerning his programs and career. xxx”
[29] In the United States, aside from the right of control test, there are the “economic
reality” test and the “multi-factor test.” The tests are drawn from statutes, regulations,
rules, policies, rulings, case law and the like. The “right of control” test applies under the
federal Internal Revenue Code (“IRC”). The “economic reality” test applies to the federal
Fair Labor Standards Act (“FLSA”).[29] The California Division of Labor Standards
Enforcement (“DLSE”) uses a hybrid of these two tests often referred to as the “multi-
factor test” in determining who an employee is.
Most courts in the United States have utilized the control test to determine whether one
is an employee. Under this test, a court must consider the hiring party’s right to control
the manner and means by which the product is accomplished. Among other factors
relevant to this inquiry are the skills required; the source of the instrumentalities and
tools; the location of the work; the duration of the relationship between the parties;
whether the hiring party has the right to assign additional projects to the hired party;
the extent of the hired party’s discretion over when and how long to work; the method
of payment; the hired party’s role in hiring and paying assistants; whether the work is
part of the regular business of the hiring party; whether the hiring party is in business;
the provision of employee benefits; and the tax treatment of the hired party.
(www.piercegorman.com, quoted from the article entitled “Management-side employment
law advice for the entertainment industry” with subtitle “Classification of Workers:
Independent Contractors versus Employee” by David Albert Pierce, Esq.)
[31] Paragraph 4 of the Agreement provides: “AGENT will make available Jay Sonza for
rehearsals and tapings of the Programs on the day and time set by the producer and
director of the Programs and to attend pre and post production staff meetings.”
[32] Paragraph 15 of the Agreement provides: “AGENT, talent shall not use the Programs
[33] In Zhengxing v. Nathanson, 215 F.Supp.2d 114, citing Redd v. Summers, 232
F.3d 933 (D.C. Cir.), plaintiff’s superior was not involved in the actual performance that
produced the final product.
[34] Paragraph 3 of the Agreement provides: “The COMPANY reserves the right to modify
the program format and likewise change airtime schedule for more effective
programming.”
[35] The right not to broadcast an independent contractor’s show also gives the radio
and television station protection in case it deems the contents of the show libelous.
[37] Ibid.
[38] In Zhengxing v. Nathanson, 215 F.Supp.2d 114, 5 August 2002, plaintiff was also
[39] In the Alberty case, the US Court of Appeals rejected Alberty’s contention that WIPR
provided the “equipment necessary to tape the show.” The court held there that “the
equipment necessary for Alberty to conduct her job as program host related to her
appearance on the show. Others provided equipment for filming and producing the show,
but these were not the primary tools that Alberty used to perform her particular
function.” Since Alberty provided, or obtained sponsors to provide, the costumes,
jewelry, and other image-related supplies and services necessary for her appearance, she
provided the “tools and instrumentalities” necessary for her to perform. The US Court of
Appeals added that if it accepted Alberty’s argument, independent contractors could
never work on collaborative projects because other individuals often provide the
equipment required for different aspects of the collaboration.
The Alberty case further ruled that “while ‘control’ over the manner, location, and hours
of work is often critical to the independent contractor/employee analysis, it must be
considered in light of the work performed and the industry at issue. Considering the
tasks that an actor performs, the court does not believe that the sort of control
identified by Alberty necessarily indicates employee status.”
independent contractor because she worked under minimal supervision. The U.S. court
also found that plaintiff was required to possess specialized knowledge before
commencing her position as a broadcaster.
[41] Paragraph 13 of the Agreement provides: “AGENT agrees that talent shall abide by
the rules, regulations and standards of performance of the COMPANY covering talents,
and that talent is bound to comply with the Television and Radio Code of the Kapisanan
ng mga Broadcaster sa Pilipinas (KBP), which has been adopted by the COMPANY as its
Code of Ethics. AGENT shall perform and keep all of the duties and obligations assumed
or entered by the AGENT hereunder using its best talents and abilities. Any violation of
or non-conformity with this provision by talent shall be a valid and sufficient ground for
the immediate termination of the Agreement.” (Emphasis supplied)
[42] Ibid.
[43] AFP Mutual Benefit Association, Inc. v. NLRC, G.R. No. 102199, 28 January 1997,
[44] Ibid.
[47] Ibid.
[48] The second paragraph of Article 106 of the Labor Code reads:
[50] New Rules of Procedure of the National Labor Relations Commission, as amended by
[54] Republic Act No. 8424. BIR Revenue Regulations No. 19-99 also provides the
following:
SECTION 1. Scope. — Pursuant to the provisions of Sections 244 and 108 of the
National Internal Revenue Code of 1997, in relation to Section 17 of Republic Act No.
7716, as amended by Section 11 of Republic Act 8241, these Regulations are hereby
promulgated to govern the imposition of value-added tax on sale of services by persons
engaged in the practice of profession or calling and professional services rendered by
general professional partnerships; services rendered by actors, actresses, talents,
singers and emcees, radio and television broadcasters and choreographers; musical,
radio, movie, television and stage directors; and professional athletes.
[56] Act amending Republic Act No. 7716, otherwise known as the Expanded Value-
Added Tax Law and other pertinent provisions of the National Internal Revenue Code, as
amended (December 20, 1996).
Exempt transactions. – The following shall be exempt from the value-added tax:
xxx
(o) Services rendered by individuals pursuant to an employer-employee relationship; xxx
[58] Singapore Airlines Ltd. v. Hon. Cruz, etc., et al., 207 Phil. 585 (1983).
Source : Supre m e C ourt E-Library | Date cre ate d: O ctobe r 13, 2008
This page was dynam ically ge ne rate d by the E-Library C onte nt Manage m e nt Syste m