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ADELE ADKINS, DANIEL WILSON,

FRASER SMITH & PAUL EPWORTH

TRIBUTE TO ADELE 21

CURITIBA
2016
CONDUTOR BANDA DE MÚSICA

Flautim
Flautas 1 e 2
Oboé
Clarineta Eb
Clarinetas Bb 1, 2 e 3
Clarone
Fagote
Sax Alto 1 e 2
Sax Tenor
Sax Baritono
Trompas F 1, 2 e 3
Trompetes 1, 2 e 3
Trombones 1, 2 e 3
Trombone Baixo
Euphonium C
Tuba C
Timpano, Bateria, Bells e Xylo
Base, Piano, Baixo Elétrico

Tempo: 09':37"
Tribute to Adele 21
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108
                 
A (Set
 
Fire to The Rain)

Flautim 
        
mp
            
        
   
Flauta 1,2  
mp

Oboé         
 

    
f
                   
Clarineta Eb                 
mp

Clarineta Bb 1                                      
   
    
  

 

mp

Clarinetas Bb 2, 3        

     
  
mp
    
Clarone Bb        
   

     
   

   
mf
    
       
Fagote 
f
         
Sax Alto 1, 2          
f

Sax Tenor      

    
     
f
                 
Saz Baritono
           
mf

 
                 
  
Trompete Bb 1
 
f
 
                
  
Trompetes Bb 2, 3
 
f

         
Trompa F 1
       
f

Trompas F 2, 3    

    

      
f
         
        

          
Trombone 1 
     
f
  
mf
           
Trombone 2, 3          
  
f

  

       
mf
          
Trombone Baixo     
f
   
mf
    
       
Euphonium 
f
           
Tuba C        

      

mf

         
Timpano  

      


Bateria            
mf
 
                                   
        
Bells

             


mp
          
   
Xylo   
           

mp


Dm F C Gm Dm F C Gm

                                      
 

   


       
                 
Piano

  
    
 
INTRO
Moderato q=108 A (Set
Dm
Fire to The Rain)
F C Gm
  Dm F Gm

Base       
C

                           

     
Dm F C Gm
  Dm    
C Gm
    
F

Baixo Elétrico
           
mf

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
3
                    
            
9

Picc.               

                    
mf

Fl.                       


   
mf
             
Ob. 1, 2               
     
mf
             
     
         
Eb Cl.              

                      
Cl. 1  
  

                  

               

        
Cl. 2, 3
          

  
         
         
 
B. Cl.
 
        
                  
Bsn.  

mf
    
Alto Sax.
                   

 

1, 2
mf

                    
         
Ten. Sax.
   
mf
      
B. Sax.                    
   

                       
Tpt. 1, 2       

                       
Tpt.
    

               
Hn. 1
 

             
 
    
Hn. 2, 3
   
     
              
      
Tbn. 1    
    

                      
 

   
Tbn. 2, 3

    
                  
  
   
    

B. Tbn.

 
       
 
                   
Euph.
 
  
            
 

   

  
Tba.


       
 
 
     
Timp.
   
mf

    Fill.....


                         
                          
  
Dr.

        
       
Glock.                                         

                      


            
Xyl.  

        
Dm F/A C Csus4 C Fm A¨ E¨ B¨m

                                         
   
Pno.

  
 
 
   

 
  
   

   

  
Dm F/A C Csus4 C Fm A¨ E¨ B¨m
 
J. Gtr.                               

  
Dm F/A C Csus4 C Fm A¨ E¨ B¨m
               
E. Bass
      
4

  
17                
Picc.          

 
  
   

         
Fl.        
 
               
Ob. 1, 2           
                            
              
Eb Cl.  
 
                                                                 
     
Cl. 1

 
                                                                 
     
Cl. 2, 3

  
    
          
     
   
B. Cl.
          
     
   

      
     
                                  
Bsn. 
 
           

  
      
      

 
Alto Sax.
1, 2

      
  
                  

Ten. Sax.

       
              
   
     
 
B. Sax.
           

 
Tpt. 1, 2          


Tpt.          
   
Hn. 1

                           

            

  

    
                                    
Hn. 2, 3       

     

      
                                          
Tbn. 1    
   
                                             
Tbn. 2, 3        
    
                                        
     
 
B. Tbn.

     
    

      
                                   
Euph.     

    
    
  
     
        
Tba.
             

      
Timp.
          
             
pp

                                                       


                                  
        
Dr.

  
                                                                  
     
Glock.

                            


              
Xyl.   


Fm A¨/C E¨ E¨sus4 E¨ D¨6 B¨m Fm Fm D¨6

                                                                  


     
Pno.
           
                
 
             

  
Fm A¨/C E¨ E¨sus4 E¨ D¨6 B¨m Fm Fm D¨6

J. Gtr.                                      

   
Fm A¨/C E¨ E¨sus4 E¨ D¨6 B¨m Fm Fm D¨6
            
         
E. Bass
             
  
5

      
26                               1. 
Picc.            
mp
   mf
   
    
                     
Fl.            
  
mp mf

                           


Ob. 1, 2            
mp
  
           
mf
                     
Eb Cl.          
mf mp mf

           
                                      
Cl. 1
  
mf mp

mf
             
      
 
  
       
     
 
        
Cl. 2, 3

mp mf

mf

                      
                       
 
B. Cl.

 
            
                     
Bsn.        

                     


Alto Sax.
       
          
1, 2

         
                  
Ten. Sax.        
    
 
 

                                         


B. Sax.
     

 
                                         
Tpt. 1, 2
 
 
                                  
Tpt.
      
          
            
            
         
Hn. 1

       
                     
    

  


   
Hn. 2, 3

          
            
                  
 

Tbn. 1 
     
            
               
Tbn. 2, 3         
 
            
             
B. Tbn.         
    
 
             
                  

Euph.          


                                                                          
Tba.

  
                         
Timp.
       
            
mf

                                                                     
Dr.                                                
   
     
Glock.     
                                  
        
              
              
            
Xyl.   
  


E¨sus2 E¨ E¨


 
B¨m7

       
Fm Fm Fm

                 
E¨ E¨

        
    
     
   

         
 
Pno.

       
               
         
1.
  
E¨sus2 E¨ E¨ Fm Fm E¨ E¨ B¨m7 B¨m7 Fm

           

J. Gtr.                     
     Fm     E¨
                                   E¨        E¨                  
E¨sus2 E¨ E¨ Fm B¨m7 B¨m7

Fm

E. Bass
  
6

             2.
35
                                   
Picc.        
 
                                               
Fl.       

                

Ob. 1, 2          

                                                          
Eb Cl.     

   
Cl. 1                                                            

   
                                                          
Cl. 2, 3

 
                                                            

B. Cl.

                    
  
              
  
Bsn.    
mp
                                       
                 


Alto Sax.
1, 2 


                                 
                         
Ten. Sax.

                                       
             
        
B. Sax.

         
 
Tpt. 1, 2                

Tpt.

                          

  
               
                           
Hn. 1

mp
  
Hn. 2, 3              
                  

         
mp
  
            
     

  

     


Tbn. 1 
p

            
        
 
     
Tbn. 2, 3   
    
 
p
  
                   
         


B. Tbn.   
p

                                    
  
Euph.     
mp

 
                       

                                   
Tba.

            
Timp.
   
pp

                                                                        
Dr.                                                                   
                     
Glock.                                    
                                     
mf
  
   
Xyl.
        
mf

    Fsus4 Fm

E¨sus4 E¨

    
Fm E¨ Fm B¨m B¨m

          

    
  
            
    


    
 
Pno.

                       
                                   

2.
   E¨  
Fm E¨ Fm Fsus4 Fm E¨ E¨ E¨sus4 E¨ B¨m B¨m

J. Gtr.                              
 Fm
                                                                    
E¨ Fm E¨ E¨ Fsus4 Fm E¨ E¨sus4 E¨ B¨m B¨m

E. Bass
 
7 rit. Adágio
      
  
44

         
q=58 A tempo
Picc.      
           
          
Fl.        

  
  
Solo Oboé

Ob. 1, 2            
f
           
             
Eb Cl.           
pp mf
 
               
            
Cl. 1

pp
 
               
            
Cl. 2, 3

pp
 
            
B. Cl.

mp
        
Bsn.  

      
Alto Sax.
1, 2     

    
Ten. Sax.       

     
 
B. Sax.    

 
Solo Oboé
    
Tpt. 1, 2             

 
    
  
   
Tpt.

    
Hn. 1        

 
          

Hn. 2, 3

     
Tbn. 1     

Tbn. 2, 3
    
   

   

   
B. Tbn.        

        
Euph.  


Tba.                
mp

     
          
 
Timp.
mf 3 3 3 3

        
                    
Dr.          
 
Glock.            

    
      
Xyl.
 

 
E¨ F B¨ Dm/A Gm

        

     
     


   
Pno.
    
          
q=58
rit. Adágio A tempo
   E¨  
J. Gtr.    
F B¨ Dm/A Gm

              

        


Dm/A


E¨ F Gm

E. Bass
 
mp
8
B (Someone Like You)
 
49

Picc.        



Fl.        


Ob. 1, 2        

 
Eb Cl.      

              
     
Cl. 1

                 
             
Cl. 2, 3


   
B. Cl.

     
Bsn. 

 
Solo Sax Alto
                        
Alto Sax.
1, 2   
f

Ten. Sax.      


    
B. Sax. 


Tpt. 1, 2       

Tpt.      

Hn. 1      

Hn. 2, 3      

Tbn. 1
      

Tbn. 2, 3
      

     
B. Tbn. 

     
Euph. 


Tba.
      

      
Timp.
 

                   
Dr. 

      
Glock. 


Xyl.
      

F/A

B¨ Dm/A Gm E¨

          


Pno.
 
     
    

B (Someone Like You)
  F/A E¨

J. Gtr.   
B¨ Dm/A Gm

                  


F/A
B¨ 
Dm/A

Gm

E. Bass
 
9

   
54

Picc.         
mp
    
 
Fl.     
mp
     

Ob. 1, 2     
mp
    
 
Eb Cl.     
mp

                        
                                  
Cl. 1

        
                  
Cl. 2, 3

  
  
B. Cl.

    
Bsn.  

              
Alto Sax.
                         
1, 2

Ten. Sax.       


B. Sax.
      


Tpt. 1, 2       

Tpt.       

Hn. 1       
pp

Hn. 2, 3     
 
pp
   
  
Tbn. 1 
pp

Tbn. 2, 3
       
pp

   
B. Tbn.    

    
Euph.  


Tba.
       

       
Timp.  

                       
Dr. 

 
Glock.       


Xyl.
       


B¨ Dm/A B¨ Dm/A

                            
Gm


                       
Pno.
    
    
  

  B¨ Dm/A Gm E¨ B¨ Dm/A

J. Gtr.                         

   B¨ 


Dm/A Gm E¨ Dm/A

E. Bass
 
10

 
60

Picc.            

         

Fl.  
      
  
Ob. 1, 2  

          
Eb Cl.  

                    
                         
Cl. 1

                    
                         
Cl. 2, 3


  
B. Cl.
   
     
Bsn.  

    
                                                 

Alto Sax.
1, 2

Ten. Sax.      


    
B. Sax.


     
Tpt. 1, 2 

Tpt.      

Hn. 1      

Hn. 2, 3      

Tbn. 1
      

Tbn. 2, 3
      

B. Tbn.
      

     
Euph.  


Tba.         

 
    
Timp.
 

                   
Dr. 

 
Glock.      


Xyl.
      

 Gm
            
E¨ Fadd9 Gm7 E¨ Fadd9 Gm7

               


Pno.
                      
        
    

  Gm E¨ Gm7 E¨ Fadd9 Gm7

 
Fadd9
J. Gtr.                   


  Gm    
Gm7 E¨ Gm7
E¨ 
Fadd9 Fadd9
E. Bass
 
11
C
 
65

        
Picc.  
   
  
Fl.        
   
  
Ob. 1, 2        
   
       
Eb Cl.   

             
                                  
       
Cl. 1

             
                                  
       
Cl. 2, 3

 
    
 
B. Cl.
     

          
Bsn.  
  
                       
Tutti

    
 

Alto Sax.
1, 2

                 
Ten. Sax.      
            

f
 

             
        

   
B. Sax.
  
f

  
Tpt. 1, 2         

       
Tpt.   

    
Hn. 1        
mp

 
        
   
Hn. 2, 3

    
mp
    
Tbn. 1    
mp

            
Tbn. 2, 3   
mp

B. Tbn.
      
      
mp

        
Euph.   

Tba.

     
     
 
 
Timp.          

                      
Dr.  

         
Glock.   


Xyl.          


E¨ E¨ B¨ F Gm7 E¨ B¨ F Gm7 E¨

 
Fadd9/E¨

                
                                 


       
Pno.
         
     


  


 
C
  E¨ Fadd9/E¨


 B¨ F Gm7 E¨ B¨ F Gm7 E¨

J. Gtr.                        

 
      
Fadd9/E¨ E¨ F Gm7 F Gm7 E¨
 
E¨ B¨ E¨ B¨

E. Bass
  

12

    
71

Picc.           
 
Fl. 
         

   
Ob. 1, 2           

  
Eb Cl.          

                               
                      
Cl. 1

                               
                      
Cl. 2, 3

   
  
B. Cl.
     
         
Bsn. 

                                             
Alto Sax.
    
             

1, 2
3

           
Ten. Sax.                 
         
    
  
3

            
                
         
    
B. Sax.
 3

      
Tpt. 1, 2 

Tpt.       

                     
   
Hn. 1
     
f 3

           
      

Hn. 2, 3   
     
3
f

Tbn. 1
          

             
Tbn. 2, 3

  
B. Tbn.
          

Euph.
          


Tba.
          
  
       
Timp.
 

                       
Dr. 

            

   
Glock.


  
          
Xyl.



B¨ F Gm E¨ B¨ F Gm E¨ B¨ F Gm E¨

    
               
                                         
Pno.



 






















  B¨ Gm

 
F E¨ B¨ F Gm E¨ B¨ F Gm E¨

J. Gtr.                       



F 
Gm

E¨ B¨
F 
Gm

E¨ B¨

F

Gm

E. Bass
    
13 Adágio
rit.
  
77
              
   
q=58 A tempo
Picc.       
     
  
3 3

 
               
Fl. 
     
  
3 3

          
Ob. 1, 2       
3 3
     
             
     
Eb Cl.  
3 3

                                         


                     
Cl. 1

                                       


                       
Cl. 2, 3

        
B. Cl.

                     
Bsn.
      

   
mf 3 3 3 mp
  3 3 
Alto Sax.
1, 2                        
mp
 
Ten. Sax.                       
mp 3 3
 
                       
B. Sax.
mp

3 3


Solo

Tpt. 1, 2              

Tpt.       

 3 3 
Hn. 1                        
mp

 3 
    
3
Hn. 2, 3                   
mp
                  
               
Tbn. 1 
   
3 3 3

             
mf

             
  
Tbn. 2, 3 
mf 3 3 3

         
B. Tbn.   
                    
mf
     
Euph.
    
   
mf 3 3 3

 
Tba.
       
 

  

Timp.
       
3 3 3 3

                   
 

Dr.

       
        
3 3
Glock.           
     
  
mp
  
         
Xyl.
      
mp 3 3


F/C Gm/D E¨;3 Fsus4 B¨/D E¨ F/E¨ B¨ F/A

            
       
                                          



Pno.
  

 
     
     
Adágio
rit. q=58 A tempo


F/C Gm/D E¨;3 Fsus4 B¨/D E¨ B¨ F/A
 
F/E¨

J. Gtr.                        
 
Fsus4 E¨

F/C E¨;3 B¨/D F/E¨ B¨ F/A


Gm/D

    
E. Bass
   
14

                     



83

Picc.    

                   


 
Fl.    

                     


Ob. 1, 2    

                          


Eb Cl. 

                         


Cl. 1 

                
      
    
Cl. 2, 3

   
     
B. Cl.
    
          
Bsn.
    

                     


       
   
                 
Alto Sax.
         
1, 2
f
                          
Ten. Sax.                 
f
                    
                   
B. Sax.
  
  
f

                       
Tpt. 1, 2   
                              

                                  
Tpt.
                  

                     
      
Hn. 1

    
                     

Hn. 2, 3

                     
f
    
Tbn. 1   
f

                     
Tbn. 2, 3
          
f
   
                      
B. Tbn.  
f
          
Euph.
    


Tba.
              

        
Timp.
 

                       
Dr. 

        
Glock. 


Xyl.
        


Gm E¨ B¨ F/A Gm E¨ B¨ F Gm E¨ B¨ F/A Gm E¨

    
            
    
    
                   


             
Pno.
        
          
       

  Gm E¨ B¨ F/A Gm E¨ B¨ F Gm E¨ B¨ F/A Gm E¨

J. Gtr.                             


  Gm E¨
 
B¨ F/A
 
Gm

E¨ B¨

F

Gm E¨
 B¨ F/A
 
Gm

E. Bass
  
rit. A tempo
Allegro q=120
   
15

           D
 
90

(Rolling in The Deep)
Picc.    

        

f   
   
Fl.    
        
 f   
   
Ob. 1, 2    

         

f    
Eb Cl.     

 f   
              
Cl. 1 
    
f

       
Cl. 2, 3           
f
 
  
        
  
B. Cl.
 f

mf
                  
Bsn.



          
f

mf
             
     f
      
  
      
Alto Sax.
1, 2
mf
 
f
           
             
 
Ten. Sax.
f

mf
              
       
 
B. Sax.
mf

      
                 
Tpt. 1, 2
  
 
                        
Tpt.
  

                                

 
Hn. 1
mf f

        
             
 
        
Hn. 2, 3
mf f

                                           
Tbn. 1  

mf
               
 
                             
   
Tbn. 2, 3
mf

             
                             
   
B. Tbn.
mf

                       

 

Euph.  
f f

mf


Tba.   
                         
       
f mf

   
 
             
Timp.   
     
f mf
3 3 3 
                              
Dr.                 
 f
  mf
 
Glock.                 

f   
   
Xyl.
         
f

  
  
B¨ F/A B¨ F B¨ B¨º G7/B C5(;3) C5(;3) G5(;3)

                           


                          



        f
Pno.
                               
mf
 
           
f
A tempo
rit. Allegro q=120 (Rolling in The Deep)
D C5(;3)
  B¨
F/A

B¨ B¨º G7/B

C5(;3)

G5(;3)

           


B¨ F
J. Gtr.            

  G7/B
             
   B¨ 
B¨ B¨º C5(;3) C5(;3)

B¨ G5(;3)

  
F/A F

E. Bass

f mf
    
16

             
  
97

Picc.          
mf

                              



Fl.         
    
mf

            
Ob. 1, 2             
mf

                 


Eb Cl.           
mf
                              
Cl. 1     
mf

Cl. 2, 3                                
    

    

    
mf


                       
B. Cl.

                                                                
Bsn. 

                                                          


Alto Sax.
1, 2 

Ten. Sax.                       



 

     
 
    
          

B. Sax.
                       

      


Tpt. 1, 2       
mf

Tpt.                      
mf

                      
                
Hn. 1
                      

                                  


Hn. 2, 3                
   
                     
Tbn. 1 

             

Tbn. 2, 3              

        
B. Tbn.                     

                                              
            
Euph. 

                    
Tba.
     

 
Timp.
                                
 

                             


Dr.                                                 
       
                 
   
Glock.

                              


       
Xyl.
 


B¨5(;3) G5(;3) B¨5(;3) C5(;3) G5(;3) B¨5(;3) G5(;3) B¨5(;3) A¨ B¨ Gm7

                                                       


              
Pno.
                                            
                    

 
B¨5(;3) G5(;3) G5(;3) B¨5(;3) G5(;3) B¨5(;3) A¨ B¨ Gm7
B¨5(;3) C5(;3)

J. Gtr.                             

                           
 G5(;3)
B¨5(;3) B¨5(;3) C5(;3) G5(;3) B¨5(;3) A¨ B¨ Gm7
G5(;3) B¨5(;3)

E. Bass
 
        
17

   
E   
106
           
Picc.        
sfz
        
f
          


Fl.        
sfz f
                       

Ob. 1, 2        
sfz f
                    
Eb Cl.          
sfz f

Cl. 1 
        
      
            
sfz f
             
                          
   

Cl. 2, 3

sfz f

            
          
B. Cl.

        
                              
   
Bsn.    
      
                     
   
Alto Sax.
1, 2    

               
                   
Ten. Sax.            

B. Sax.
                       

                   


           
Tpt. 1, 2  
f

Tpt.                               
            
f

              

Hn. 1               
sfz mf

                        
  
                        
  
Hn. 2, 3
sfz mf
    
   
   
Tbn. 1 
sfz mf
      
                        
      

Tbn. 2, 3

sfz mf

             
B. Tbn.            
        
                       
   
Euph.   


            
           
Tba.

 
                 

Timp.

 Fill.....
sfz mf

                                          


     
Dr.                                    
       
Glock.       
     

Xyl.           

                        
A¨ A¨ Cm B¨ A¨Œ„Š7
B¨ Gm7 G

                                        


   


   
    

Pno.

                       


           
E
 
A¨ A¨ B¨ A¨Œ„Š7
B¨ Gm7 G Cm

J. Gtr.                                 

                                         
A¨ A¨ B¨ Cm B¨ A¨Œ„Š7
Gm7 G

E. Bass
             

    
18

              

F

114

Picc.              

    
mf


              
Fl.               
mf

   
 
          
Ob. 1, 2                

    
mf
     
         

Eb Cl.                 

   
mf
  
Cl. 1         
 
                     
mf
 
Cl. 2, 3        
 
                            
mf

    
                 
B. Cl.

     
         
Bsn.                        

    
mf
       
Alto Sax.
                          
1, 2
mf
 
Ten. Sax.         
 
                            
mf

B. Sax.                       

       
Tpt. 1, 2    

                                          

       
Tpt.         
 
                                   

  
Hn. 1                                                     

 
                                                   
    
 
  
Hn. 2, 3


         

Tbn. 1        
   
                                                     
Tbn. 2, 3  
   
B. Tbn.
 
                          
  
     
           
Euph.                  
mf

    
Tba.
 
                 
 
Timp.
  
 

           

                                                               
Dr.                 
 
Glock.           

 
Xyl.           

  
                                            
A¨Œ„Š7 B¨ Cm B¨ A¨Œ„Š7 A¨Œ„Š7 B¨

  
Pno.


               
              
      
  
  

F
  A¨Œ„Š7 
B¨ Cm B¨ A¨Œ„Š7 A¨Œ„Š7 B¨

J. Gtr.                         


B¨ Cm B¨ A¨Œ„Š7 B¨

A¨Œ„Š7 A¨Œ„Š7

E. Bass
                           
       
     
19

 
122

Picc.               
      
      
    
Fl.           

           
Ob. 1, 2                
      
      
Eb Cl.              

           
Cl. 1               

    
Cl. 2, 3

                          

                       
B. Cl.               
     
  
     
Bsn.             
     
       
Alto Sax.
           
1, 2

    
Ten. Sax.

                  

                                 
B. Sax.   

                       
           
Tpt. 1, 2

                 
Tpt.                          

  
      
               

Hn. 1

mp
  
    
                         
      
 
Hn. 2, 3

        
  
mp

             
Tbn. 1 
mp
                        
Tbn. 2, 3
   
             
mp

      
B. Tbn.
   
                
      
    
              
Euph. 

                              
Tba.
        

           
Timp.  

                                                       
Dr.                       
 
                      
Glock.  


   
        
    
     
         
Xyl.
  

                         
Fm E¨

  
Fm Fm
             


  

                 
Pno.

   
                  

     
Fm Fm Fm E¨

J. Gtr.                  
          Fm  
                  
Fm

  
Fm E¨

E. Bass
     
         G      20

 
129

Picc.           
           

Fl.           

             


Ob. 1, 2          
           
Eb Cl.          

            


Cl. 1         

                                         
Cl. 2, 3      


B. Cl.                   
 

               
Bsn.
 
                       
f

                


Alto Sax.
1, 2 
      

                           
   
Ten. Sax.
  
f

                    
B. Sax. 

          
                     
              
    


Tpt. 1, 2
   

                       
                         
   
 
 
Tpt.
       
                    
Hn. 1                                  


Hn. 2, 3                                                                           

                       



Tbn. 1
 
                  
       
      
f

                                                  
Tbn. 2, 3 
f
                
B. Tbn.
   
                     
 
f

                   
Euph.
  
                 
f


Tba.
                      

      
                              
Timp.
 

                  
                  
Dr.                                     
                       
Glock.  
           
         
Xyl.   

                                                                        
D¨maj7 D¨maj7 E¨ Fm E¨ D¨maj7 D¨maj7 E¨ Fm E¨ D¨Œ„Š7

  
Pno.

   
















G
           
           

   D¨maj7 Fm E¨ D¨Œ„Š7
D¨maj7 E¨ Fm E¨ D¨maj7 D¨maj7 E¨

J. Gtr.                                      
Fm
               
E¨ E¨ D¨Œ„Š7
  
D¨maj7
  
D¨maj7 D¨maj7 E¨ Fm E¨ D¨maj7
E. Bass
 
21
           
 
138

Picc.            
  
          
   
Fl.         
    
    
     
Ob. 1, 2         
           
Eb Cl.            

      


        
   
Cl. 1    

   

                                          
Cl. 2, 3             

B. Cl.                                         
                             
          
Bsn. 
 
        
                        
Alto Sax.
    
1, 2
f
                    
              
 
           
Ten. Sax.

B. Sax.
                                     

                   
                            
 
Tpt. 1, 2   

                
          

                      
           
Tpt.
    
               
Hn. 1           
 


mf
                                       
Hn. 2, 3                
 


     
     

mf

        
Tbn. 1            
     
mf
     
      
             
Tbn. 2, 3 
mf

                  
                     

B. Tbn.  

mf
     
               
             
Euph. 
mf


Tba.
                                          

         


Timp.
             

                                                                       
Dr.                 
           
             
Glock.
  
           
   
Xyl.          

                                                                         
E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 E¨

                                                                          
D¨Œ„Š7 D¨Œ„Š7

Pno.

                   

            
  
  
                   
                   

 
D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨

J. Gtr.                                     
Fm
                                  
D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 E¨ E¨ D¨Œ„Š7 D¨Œ„Š7 E¨

  
D¨Œ„Š7

E. Bass
 
      H 
Final
         
22

 
147

Picc.            
      
       
f mf
 
     
Fl.          
f mf

        


                                  

Ob. 1, 2

      


                    
mf
  f

Eb Cl.           
f mf

         


                                  
Cl. 1
 mf
 
f

         
                                  
Cl. 2, 3             

f mf
  
B. Cl.                         
      
    

                    
mf
 
f

     
Bsn.            
    

                          
Alto Sax.
        
1, 2
mf
       


                                           
Ten. Sax.


B. Sax.
                                  
f mf

           
                                    
 
Tpt. 1, 2        

   
                                    
 

          
  
  
Tpt.
   
     
                                        
Hn. 1

 
   
Hn. 2, 3                                                 
   
                
              
Tbn. 1 
    
 
f
                     

                
Tbn. 2, 3   
f
   
                      
 
        

     
 
B. Tbn. 
   
                  
f

           


Euph.             
f

  
Tba.
                           
  
   
f mf

   
                      
   

Timp.
 

                                                         
Dr.                          

       
 
                           
Glock.
   
          
    

Xyl.           
  


                                                           
Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm Fm

                                                       
Pno.

                    

                  
        
      
 
    
   
Final
H
 
Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm
 Fm

J. Gtr.                                   
 
Fm
                          
Fm E¨ E¨ E¨

    
D¨Œ„Š7 D¨Œ„Š7 D¨Œ„Š7 Fm
  
D¨Œ„Š7

E. Bass
 
f mf
23
           
 
156

Picc.             
    
        
   
Fl.          
   
                 
Ob. 1, 2           
           
Eb Cl.            

        


        

     
Cl. 1      

                                           
Cl. 2, 3             

B. Cl.                                  
          
 
 
                           
Bsn.           

          


      
Alto Sax.
    
1, 2

                    
               
 
           
Ten. Sax.

B. Sax.
 
                                        

                 
                                
 
Tpt. 1, 2  

                                           
                
 
 
Tpt.
  
                                                                         
Hn. 1  

                                             
Hn. 2, 3                               
   
 
                       
            
Tbn. 1 
 
  
                     
Tbn. 2, 3              

   
                                   
         
B. Tbn.   

                           


            
Euph. 

  
Tba.                                     

Timp.
     
                        

                                                                        
Dr.                 
                
                 

Glock.

           


   
Xyl.          


                                                                        
Fm

                                                                           
E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ E¨

Pno.

                      
    
                
  
  
                
          

  
E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨

J. Gtr.                                       
Fm
                                       
E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 E¨ E¨

  
D¨Œ„Š7

E. Bass
 
            24

 
165

Picc.            
   
         
   
Fl.         
   
                 
Ob. 1, 2   
           
Eb Cl.            

       


        
  
Cl. 1     

  

                                          
Cl. 2, 3             

B. Cl.                                         
                                
           
Bsn. 
     
Alto Sax.
            
1, 2

               
              
 
          
Ten. Sax.

                                  
B. Sax.
 

            
                              
 
Tpt. 1, 2  

               
   


                         

          
Tpt.
    
            
Hn. 1              


Hn. 2, 3                                                                           

   
                            
          
Tbn. 1 
   
                          
          
Tbn. 2, 3 

           
       

         
 
            
B. Tbn. 
                              
          
Euph. 


Tba.
                                          

                                   


Timp.
 

                                                                       
Dr.               
                           
Glock.    
           
    
Xyl.          

         D¨Œ„Š7    E¨                                                           
Fm

                                                                          
D¨Œ„Š7 Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ E¨ D¨Œ„Š7

Pno.

                     

                   
              
              

   D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7

J. Gtr.                                      
Fm
                                    
D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 E¨ E¨ D¨Œ„Š7
D¨Œ„Š7

E. Bass
 
25
         1.2.
   
3.
 
I  
 
174

Picc.              


  
           
     
Fl.         
      
                
Ob. 1, 2     
            
Eb Cl.              

       


                     
 
Cl. 1    
 
 

                                         
Cl. 2, 3             
   
 

B. Cl.                      
                    
                        
                  
Bsn. 
                      
Alto Sax.
           
1, 2
f
           
                              
     
   
Ten. Sax.    
 

                                      
B. Sax.
 

               
                                   
 
Tpt. 1, 2   

           
                        
 
                 

        
Tpt.
     
                                                         
Hn. 1       

                                       
Hn. 2, 3           
                 
    

          
  
        
           
      
Tbn. 1 
mf 
                   
   
Tbn. 2, 3                 
mf
       
            
                        
B. Tbn. 
           
        
mf
   
Euph.                  
mf


                      

                   
Tba.

                                 


Timp.
  

                                                                        
Dr.                 
                                    
Glock.     
            
      
Xyl.         


    E¨                                                                   
 D¨Œ„Š7
Fm

                                                                           
Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ E¨

Pno.

                 

               
          
       
           
           
1.2. 3. I Fm
   D¨Œ„Š7 E¨
Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ E¨

J. Gtr.                                        
Fm
                             
E¨ Fm E¨ E¨ E¨ E¨

          
D¨Œ„Š7 D¨Œ„Š7 D¨Œ„Š7 D¨Œ„Š7 D¨Œ„Š7

E. Bass
 
       
         
26

 
183

Picc.            
   
    
         
f
     
Fl.          
f

                                      


Ob. 1, 2    
 
        
f
      
Eb Cl.            
f

         


                                   
Cl. 1

f
 
                    
Cl. 2, 3                                         


f
 
B. Cl.                                        

   
                   
             
Bsn. 
  
                       

Alto Sax.
         
1, 2

          
                                 

      
Ten. Sax.


                                 
 
B. Sax.  
f

         
                                           

Tpt. 1, 2   

   
            
   


                                        
Tpt.
    
        
                                        
Hn. 1
 


  
                 
Hn. 2, 3
                                  
      
                       
               
Tbn. 1 
      f
         
    
 

             
Tbn. 2, 3   
     
        
f
                                
B. Tbn. 
      
     f      
      

          
Euph. 
  
f

Tba.
                                        

f

  
          
                                      
Timp.
  

                                                                 
Dr.                           

                                            
Glock.    
           
    

Xyl.   
         


                                                                  
D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm
D¨Œ„Š7

                                                                     

Pno.

                    

                  
     
     
 
        
 
        

   D¨Œ„Š7  
D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm

J. Gtr.                                     

                      
        
D¨Œ„Š7 E¨ Fm E¨ E¨ E¨

     
D¨Œ„Š7 D¨Œ„Š7 D¨Œ„Š7 D¨Œ„Š7 Fm
 
D¨Œ„Š7

E. Bass
 
f
Tribute to Adele 21
Flautim
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
                
  
Moderato q=108
   

         
mp

A(Set Fireto The Rain)    


         
5

 

                       
   
11

          
mf

 
                  
17


         

        
                  
26


    
mp mf

            2.    


               
33


1.

    

                                 
rit.

39

    
A tempo

   
Adágio q=58

  
45


                 

50 B


(Someone Like You)
   
             
mp

 
  
C
          
65
    
            
3 3
A tempo


Adágio q=58

         


rit.

80

   

   


  
rit.
       
89
 

f
A tempo

 
Allegro q=120
D (Rolling in The Deep)
 
94

     

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Flautim

                          
99

   

      



103

        
mf

      E       


 
     

110  
      
     
    
sfz f

          
F

117

              
     
    
mf


124

            

   G  



132

        

                      

138
      
    

      



143

         

       

149

            
f
H        
Final



155

           
mf

       



162
  
       

      



169

            

   


1.2.
  
3.
 

175

          

I      



181

        

                            

187

           
f
Tribute to Adele 21
Flautas 1, 2
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz

      
Moderato q=108
      
                  
 
mp

A (Set Fireto The Rain)


            
     
5
     


                        
   
11

           
mf

   
                             
18

 

  
27
                                  1.  

       
mp mf

             
                 
35

   
2.

     

    


                    
rit.


40


    

 
A tempo
                
Adágio q=58 B
     
(Someone Like You)

46

      
mp

     
         

59

   

 C      rit.
  
  
             
66
   
    
3 3
A tempo

                           
Adágio q=58
81
  
 

   
                    

rit.

          

89


f


A tempo
94

Allegro q=120

D (Rolling in The Deep)

      

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Flautas 1, 2

                       
99

      

             



103

         
mf sfz f

E     

            

111  
        

       
F          

119

                    
mf

      



128

         

G          



135
   
       

                          

143

        


           

149

            
f

H        


Final

 

155

           
mf

         



163
   
         

            1.2.


 

171
  
       

 
3.
  I   

178

          

    


        

185

          
f
Tribute to Adele 21
Oboé
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108

A 
(Set Fire to The Rain)

                     
f mf

 
                                         
13


   

21
                      
      

mp

                      1.
30
   
         

 
                 

35 2. rit. Solo Oboé

          
f

  
A tempo
Adágio q=58 B 
(Someone Like You)   
    
46
   
  
mp

            

60

   

 C      rit.
  
              
66

    
3 3
A tempo
 Adágio q=58
81
        
 

                               
rit.

89


A tempo


Allegro q=120

   D 
(Rolling in The Deep)
  
93

       
f

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Oboé

99
                       
      

      



103

        
mf

      E                       



110

      
sfz f

                  


F
    
117
      
    

     

mf

         


125

  

G
       
133

       

   
          
140

         

                                           
147


     
  
H Final 
       
154

        
mf

  
          
161

         

   
          
168
   
  

   
1.2.
  
3.
 
   
175

         

I
      
181

        

                                  
187

   
   
f
Tribute to Adele 21
Clarineta Eb
Words & Music by: Adele Adkins, Daniel Wilson,
Curitiba, PR, 25 de agosto de 2016.
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz

             
Moderato q=108
     
               
mp

A (Set Fire to The Rain)


                     
 
5

              

              
   
12

            

18
                 
             

 
                        
   
25
 
    
mf mp mf

33
    1.              2.               
            

                                rit.
  
39

    

   
A tempo
46

Adágio q=58         
   
pp
mf

            
B (Someone Like You)
        
50

   
mp

           
rit.
66 C
 
                  
  
3 3
A tempo

                         
Adágio q=58
      
82

                                
  
rit.

89


f

A tempo
Allegro q=120
94
 D (Rolling in The Deep) 
    

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Clarineta Eb

            
99
              

103
            
        
mf f
sfz

E
            
              
 
       
111

 

       
         
F
119

                  
mf

128       


       

G
135         
         

143           
         
f

    


151    H Final
  
     
mf

159          
          

167         


            

174     


1.2.
 
3.
  
          

181I                          
        


187                             
        
 
f
Tribute to Adele 21
Clarineta Bb 1
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108
    
         
           
  

 

mp
A (Set Fire to The Rain)

5

       


                                                
12

 


19
      
                                                  
  mf

  
                                         
27

            
1.


                                                    
36 2.

 
A tempo
Adágio q=58
 
44 rit.

          
  
pp
49 B (Someone Like You)

       


     
53

                         
                   
58

                
                   
62

   
              
                
66 C
 
 
          
   
71

                
               
76 rit.

                         
               
A tempo
81
 
       
Adágio q=58
      

 

88 rit.

                                          
f
 
A tempo
94 Allegro q=120 D (Rolling in The Deep)

    

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Clarineta Bb 1

99
                      
     

             


103


mf sfz f

E
                                     
111

  
  

  

             
F
        
119

              
mf

                            
128

      

        


G
         
135

     

        


            
143

     

f

 H Final
   
                     
151

        
mf

            
160

   
     

          


168

   
   

        
                            
175 1.2. 3.

   

                         
I
   
181

     

            
                   
187

     
f
Tribute to Adele 21
Clarineta Bb 2
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108
    
         
           
  

 

mp
A (Set Fire to The Rain)

5

       


                                                
12

 


19
      
                                                  
  
mf

       
27

1.

             
      
     
  
 mp mf

                                             
35

    
2.



A tempo
Adágio q=58
   
rit.


43

            
                          
pp
49 B (Someone Like You)

       


     
53

                         
                   
58

                
                   
62

   
              
                
66 C
 
 
          
   
71

                
               
76 rit.

                         
               
A tempo
81 Adágio q=58
 
              

  
88 rit.

              
                            f
A tempo
94

Allegro q=120 D (Rolling in The Deep) 
     

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Clarineta Bb 2

99

                          
  


103

                 



mf f

E
                                     
111


 
    

F
       
                
119

              
mf

                                  
128



G
                 
135

    

                    


143

     
f

H Final
       
151

                    
mf

                      


160

    

               


168

    

                                  
175 1.2. 3.

      

I
                                
181

  

 
       
187

                         
  
f
Tribute to Adele 21
Clarineta Bb 3
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108
    
         
           
  

 

mp
A (Set Fire to The Rain)

5

       


                                                
12

 


19
      
                                       
         
mf
       
27 1.

        
      
     
  
     mp mf

  
35

                                                 
2.



A tempo
Adágio q=58
   
rit.

                        
43

     
  
    
pp             
49 B (Someone Like You)
       
     
53

                         
                   
58

                
                   
62

                 
                           
66 C
 
         
   
71

                
               
76 rit.

                         
               
A tempo
81 Adágio q=58
 
              

  
88 rit.

                 
                         f
A tempo
94

Allegro q=120 D (Rolling in The Deep)

     

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Clarineta Bb 3

99

                          
  

 
103

                


mf f

E
                                     
111


 
    

F
    
119

                                
mf
 


128

                                   

G
 
                
135

         


 

                    
143

         


   f

151
   H Final
                         
mf

  
160

                               

  
168

                         

                           
175

     
1.2. 3.

      


I
            
181

                     

  
       
187

                         

f
Tribute to Adele 21
Clarineta Alto Eb
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108

         
mp
              

       
A (Set Fire to The Rain)

5

                


          

12

                  
 

             

       
19

                                            
    mf

    
27

  
1.

             
  
               
 


       
35

2.

       

 
                   
A tempo


43 rit.
       
Adágio q=58
                                 
pp
B

49
       
(Someone Like You)

            

            
53
       
                         

        
58

            


62
          
               
C
                 
66

                          

                


71
   
                                  

         
rit.
      
76

                                                 


A tempo

     Adágio q=58


         
81

   

                                      
  
rit.

88

  
f

 
A tempo
94 Allegro q=120 D (Rolling in The Deep)

    

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Clarineta Alto Eb

            
99

               

103

              


mf sfz f

E
111

  
                
   

                   

F
    
                        
119

  

  
mf

                                  
128



G
                        
135

     

                          


143

 
f

H Final
      
151

                     
mf

                            


160

 

       


168

                    

                                 
175

    
1.2. 3.

 

I
                                
181

 

    
187

                                 
f
Tribute to Adele 21
Clarone Bb
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108 A (Set Fire to The Rain)
   
                       
    
mf


    
11

       
          
        


21

                
  
                     
      


28

                                 
  

 
34
 
1. 2.

        


 
rit.
 
40

                                         
A tempo
46 Adágio q=58 B (Someone Like You)


         
mp

57

  
         
66 C
  
             
    
76 A tempo
rit. Adágio q=58
        
     


85 rit.

 
             
   f
94 A tempo D

(Rolling in The Deep)
Allegro q=120
         
    
mf
100

 
     
106


     V.S.

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Clarone Bb

E
111

     
                      


F 
                      
118

 
     

   
126

                 

G

135

                                         


143

                                         
f

 
H Final

151

        
                 
mf


159

                                           


167

                                   


174 1.2. 3.

                          


I

181

                          


186
 
                            
f
Tribute to Adele 21
Fagote
Words & Music by: Adele Adkins, Daniel Wilson,
Curitiba, PR, 25 de agosto de 2016.
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108 A (Set Fire to The Rain)

          
     
f mf

13
    
                                   
 
20      
                                                   
    

27  1.
    
    

                   
    
 

36
  
2.
                      
      
mp
A tempo
42 rit. Adágio q=58

                   
 

50 B (Someone Like You)


            
  

63 C
                
  
rit.
74
                                 

 
mf 3 3 3
A tempo
82 Adágio q=58 rit.
               
     
mp
A tempo
93 Allegro q=120 D (Rolling in The Deep)

     


       

    

 

     
 
f mf f

98
                                 


103
                                               
 
110 E                     
 
                 
  
V.S.

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Fagote

F       
118
        
                   

mf

125       
     
      
     
      

f

G                        
135
  
         


143                      


         



150
                           
             


Final
155 H                          
          

163                            


           


      
171                 
        

177 1.2.            3.           
                
 

181 I           
  
         
        


187
                           
             

Tribute to Adele 21
Sax Alto 1
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz


Moderato q=108
A
      
(Set Fire to The Rain)
            
     
f mf

         
                     
13
   
  
 
   

            

23
        
      

33
       1.                   
     
2.

       

                
rit.
             
40

  

A tempo
Solo Sax Alto
Adágio q=58
45
    B (Someone Like You)
                             
            
f


                                              
55

 

 
61

                                                             

                      
C Tutti
                          
66

  

  

rit.

           
        
73

            

 
          
3

mp 3 3

A tempo
82 Adágio q=58
 

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Sax Alto 1


85                                   
rit.
 
             
f
A tempo
Allegro q=120

  
D
     
(Rolling in The Deep)
            
93

            
mf f

      
                               
100

     

 
                           
E 
    
 
       
108

  

      
   
F          
   
117

                  
mf

       


126

 

G    


      
135

  
f

143                             


       

          
      
H Final
    
152
  
 
mf

   


           
161

  

            
                   
169

   

                            
1.2. 3.
     
175
          
 
f

I          
181                 
        

                           
  
187

        
Tribute to Adele 21
Sax Alto 2
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz


Moderato q=108
A
      
(Set Fire to The Rain)
            
     
f mf

  
                                     
13

  

22
            

                
 

               1.     
               
32
 
2.

   

                 
38 rit.

     

A tempo Solo Sax Alto


45 Adágio q=58
  B (Someone Like You)

 
   

                                  
C Tutti
          
67

  

   
f

   
73

                      


3
  


rit.


77

        
3 3
            
mp

A tempo
82

Adágio q=58

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Sax Alto 2

               


rit.

                            
85
 
   
f
A tempo

 
D
           
q=120

Allegro (Rolling in The Deep)
         
93
             

mf f

      
                               
100

     

E            
                 
       

108

  

      

F         
              
116

               
mf


      
125

   

  
G
       
134

  

    
142
                 
       
f


149                             
          

      
   
H Final
    
155

  
mf

163
           
   
    

   


1.2.

      


171

   

179 
3.
           I                    
       
f


186                                 
            

Tribute to Adele 21
Sax Tenor

Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz


(Set Fire to The Rain)
Moderato q=108 A
 
    

       

   
      
f mf

 
13

                                                
 

          
                  
24

            
1.

   
 
 


  
rit.

36

                                                         
2.

 
A tempo Solo Sax Alto

 
B (Someone C Tutti          
Like You)

            
Adágio q=58
  
45

  
                
f

            
            
72 rit.

            

                    
 
3 mp
3 3
Adágio q=58 rit.
A tempo
                      
                   
81

      
f
A tempo
D (Rolling in The Deep)

Allegro q=120

93

                               


 f
          
mf

101

                                                        
    
E
                                       
110

       
 
    

F
           
       
119

                                 
  
mf

 
G
              
 
      
              
134

           

f

                     
 
                              
143

    

    
H Final
                   
               
 
153

                

                    
              
 
164

           

      
      
                              
173 1.2. 3.

  
 

 
I
                    
181

       

  
             
187

                     

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
Tribute to Adele 21
Sax Baritono
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108 A (Set Fire to The Rain)
  
                 
         
 
mf

      
              
11

     

    
                       
18

       
        

     


26

                  

32


1. 2.

          
 

                   
          
38

  
A tempo

  
rit.

Adágio q=58

   
43

        

B  C   
                       
(Someone Like You)

50

 



f

               
               
71

   



        
75 rit.

                            

mp 3 3

                   
A tempo
 
82
 
Adágio q=58
      
  
f

88
                           
rit.
  
 
   
A tempo
94 Allegro q=120 D (Rolling in The Deep)

      


mf

100

      


V.S.

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Sax Baritono

106

     

E
111

                               

F
119 
                                 
 

130 G
             
   

137

                               

143
                             

f

H Final
 
151
              
               
mf

159
              
                      

167

                                

174

                                      
1.2. 3.

181 I
                          


        
186

                   
f
Tribute to Adele 21
Trompete Bb 1

Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO


Moderato q=108
 A (Set Fire to The Rain)

              
   

f


        
8

  
 
   
      
 

13

 
                            

 
33

         
1. 2.

                    

A tempo
 
Solo Oboé

Adágio q=58
 
rit.
     
38

            

  
(Someone Like You)
50 B C rit.
  
  
A tempo
Adágio q=58

              
82 Solo

       
           

rit.
            
87

                            

D (Rolling inThe Deep)


A tempo
   
Allegro q=120
         
93

         

mf

     


105

   
f

E
                     
111
       

 
 
 
F Soli
        
118

                         
  

                
123
   
            
2 Trompete Bb 1


128

                                    




   

G
            
   
    
134

           

141
                                     
    

                  
148

 
   
     
          

H Final 
                
  
    
154

        

                              

      
161

   

                      
168
         
          

        
                               
175 1.2. 3.



  
I
             
    
 
181

        


                                  
187

    

Tribute to Adele 21
Trompete Bb 2

Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108

  A (Set Fire to The Rain)


                        
    
f

 


10

                           

  
30

    
1.

  
    
               
  

   rit.


35

          
2.
           
  
A tempo

   
B (Someone Like You) C
46 Adágio q=58 rit.

   

A tempo


Adágio q=58
82

                            
        


89 rit.

                   
   
f
A tempo

 
(Rolling in The Deep)
94 Allegro q=120 D

        
mf

E
           
108

             
           
 
f
 

F
       
116

                                 

           
122
         
        
2 Trompete Bb 2


128
            
                      


   

G
   
134
                      
     
 
 
 
 

  
141
                  
                
 
 
 

     
148

                                             

H Final
  
155

                          


   

  

  
162
                      
          
 
 
 
 

  
169

                  
            
 

 
175
                                 
1.2. 3.



  

 

I
   
181

                          
 
  
  

187
 
                                  
 
Tribute to Adele 21
Trompete Bb 3

Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108

  A (Set Fire to The Rain)


                        
    
f

 

    
10

                     
   

       
30 1.

      
               
  

   rit.


35

          
2.
          
   
A tempo

   
B (Someone Like You) C
46 Adágio q=58 rit.

   

A tempo


Adágio q=58
82

                         
          


89 rit.

              
         
A tempo


(Rolling in The Deep)
94 Allegro q=120 D

          
mf

E
           
108

             
           
 
f
 

F
        
116

                                 

           
122
         
        
2 Trompete Bb 3


128
            
                      


   

G
       
134

                   
             
 
  


141
         
                             
 
 
 

148
     
                                            
  

H Final
       
155

                          
  
   

       
162
         
                      
 
 
  


169

                  
              
 

       
175

                
1.2. 3.

 


    

I
       
181

  
                     

  

187
   
                                  

Tribute to Adele 21
Trompa F 1
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108 A 
(Set Fire to The Rain)

         
           
f

 
   
                    
13
 
       
  
23
                                

        

    


32
 
1. 2.

   
      
    
         
     
mp
rit.

38
  
                        
A tempo


Adágio q=58
 B 
(Someone Like You)

 
45

        
pp

C
                
66
 
     
     


mp f 3

       
           
75 rit.
3 3

              
mp
A tempo
82 Adágio q=58

                        
f


rit.


89

                     
A tempo
 
94 Allegro q=120 D (Rolling in The Deep)

                                         
     

mf f

                             
100

                   
E
 
107
            
         
sfz mf

 
114

                                          
F
  
                 
119

               


© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Trompa F 1


127
    
         
mp

G
     
133

 

                                    
138

     

       
143

             
 
mf

H Final
          
151

                

                                             
158

     

      


164

 

      


170

     

                                         
176 1.2. 3.

 

I
      
181

             
  

  
187

                                     
Tribute to Adele 21
Trompa F 2
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108 A 
(Set Fire to The Rain)

         
          
f

  
                       
13

         
  
23
                               

        
   


32

                  
1. 2.
       
               
mp
rit.

38

                         
   
A tempo
  
(Someone Like You)
46 Adágio q=58 B

     
pp

66 C
           
        
         
3


75 rit.

                          
3 3

      
A tempo mp
82 Adágio q=58

    
                   
   A tempo f
         
D (Rolling in The Deep)

rit. Allegro q=120
 
91

                         
    mf f

              
97
      
           

                                  
103

            
sfz
111 E

                                                
mf
F
 
117

                
    
    
 

   
122

          
    
  
  
© Copyright 2016, Ferraz Musical Art
Composição Musical e Arranjo.
Curitiba - PR
2 Trompa F 2


127

                                                 
mp

G

133

                    


138

                                         

       
143

        

 

  

H Final
  
151

                         


158

                                                   


164

                                                 


170

                                                 


176 1.2. 3.

                                           

I
      
181

             
  

  
187

                                      
Tribute to Adele 21
Trompa F 3

Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108 A 
(Set Fire to The Rain)

         
           
f

 
         
13

                 
  
23
                               

        
   


32

                  
1. 2.
       
               
mp
rit.

38

                      
     
A tempo
  
(Someone Like You)
46 Adágio q=58 B

     
pp

66 C
         
     
 
 
      

74 rit.

                           

     
A tempo mp
82 Adágio q=58

    
 
                 
   A tempo
f
         
D (Rolling in The Deep)

rit. Allegro q=120
 
91

                         
    mf f

              
97
      
           

                                  
103

           

sfz
111 E

        
    
mf
F
 
117

     
    
 
               

   
122

          
    
  
  
© Copyright 2016, Ferraz Musical Art
Composição Musical e Arranjo.
Curitiba - PR
2 Trompa F 3


127

                                                 
mp

G

133

                    


138

                                         

       
143

        

 


 

 
H Final

151

                   
     


158

                                                   


164

                                                 


170

                                                 


176 1.2. 3.

                                           

I
      
181

             
  

187
  
                                     
Tribute to Adele 21
Trombone 1
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108
     A (Set Fire to The Rain)
                        
        
mf f

10
      
              
   
       
    

21        
                                                  
     

31       1.
       2.
                         
 
 

37 rit.
          
              
  
p

A tempo
45

Adágio q=58
 B (Someone Like You)
     
  
  
pp

66 C  
                        
 
mp mf
rit. Adágio q=58
A tempo

78

                  
  
3 3 3

87 rit.
                             
  
       
f

A tempo
94 Allegro q=120 D (Rolling in The Deep)
                                                  
 
mf

100
         
 
    

sfz

E      


111


mf

F       
118
           
 
                  

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Trombone 1

127      


   
  
        
mp

G     
134  
         
                
      
f

142            

          

 

 



mf

149
                                
               

Final f

H     
155                      
          
  

 
164
 
                       
           

  
173
           1.2.    3.      
         
    

181 I i ss
.     i ss
.     i ss
.    
   gl gl gl
     
mf

187
                          
             


f
Tribute to Adele 21
Trombone 2

Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108
A (Set Fire to The Rain)
                               

   

 
mf f

10
  
                      
    

20      
                                                      
     

28   
                         1.  
         
     

36 rit.
2.
    
   
               

  
p

A tempo
Adágio q=58 B (Someone Like You)
46      

 

pp

66 C
                   

mp

                     
75 rit.
       

     
mf 3 3 3
A tempo
82 Adágio q=58
                         

           

A tempo
91 rit.
 Allegro q=120 D (Rolling in The Deep)
     

                           
mf

97
         
     

103 
            

sfz

111 E       
       

mf

F
           
118
 
                               
 

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Trombone 2

127
                                                  
      

mp

G     
134
                  
             

f

142            
        
            

mf

149
     
      
            
Final f
155H                   
              
           


 
164                      
          

 
172                  
1.2.  3.     
               

180     I           
        

 

 


mf

186                          
          
     
f
Tribute to Adele 21
Trombone 3

Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108
A (Set Fire to The Rain)
                               

   

 
mf f

10
  
           
     
      

 
 

20      
                                                     
      

28   
                         1.  
         
     

36 rit.
2.
 
   
                      
p
A tempo
Adágio q=58 B (Someone Like You)
46      

 

pp

66 C
                   

mp

                     
75 rit.
   
          
mf 3 3 3
A tempo
82 Adágio q=58
                                        
A tempo
91 rit.
  Allegro q=120 D (Rolling in The Deep)
                               
  mf

97
         
     

103
          

 

sfz

111 E
                                                         

mf

118 F           
            
                         

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Trombone 3

127
                                                            

mp

G     
134
                  
             

f

142            
        
            

mf

149
     
      
          
   
f
Final
155 H                   
              
           


 
164                      
          

 
172                  
1.2.  3.     
               

180     I           
        

 

 


mf

186            
                       
   
 
 
f
Tribute to Adele 21
Trombone Baixo

Words & Music by: Adele Adkins, Daniel Wilson,


Curitiba, PR, 25 de agosto de 2016.
Fraser Smith & Paul Epworth
Moderato Arranjo: Ismael Ferraz

INTRO q=108 A (Set Fire to The Rain)


                        
               
mf f

10
  
                       

     

18    
  
                                   
 
26    1.
                 
        
    

35 
2.  
                   
    

     
 
A tempo p
(Someone Like You)
44 rit. Adágio q=58
 B 
       
      
60  C
   
             
mp

73 rit.
     

     
      mf
A tempo
82 Adágio q=58
     
               
   f

89 rit.

             
           
A tempo
94 Allegro q=120 D (Rolling in The Deep)
     
     
mf

100
 
      

106

                                        

111 E
     
                                     

119 F
        
   
                       

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Trombone Baixo

127
     
  
                     
f

135 G   


     
                       
        

143
                                 

mf

149 
         
                     
f

155 H Final   


                        
  

        


163
  
      
                   
  

        


171
 
1.2. 
     
                       
          

179  


I
     
3.

                    

185 
                  
                 
f
Tribute to Adele 21
Euphonium in Bb

Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108 A (Set Fire to The Rain)

            
     
f

13
   
    
            
     
       
  
 

20       
                                               
 

27
    1.
      
                             

36

2.
                      
      
mp
A tempo
42 rit. Adágio q=58
   
             
   

50B (Someone Like You)


           
  

63 C
    
              

   rit.
75
                                


mf 3 3 3
A tempo
82 Adágio q=58 rit.
              
     
A tempo
Allegro q=120 D
93 
   (Rolling in The Deep)
                     
     
mf f
f
98
                        
            

103
                                      
  
V.S.

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Euphonium in Bb

110
     E                

  
            

F      
117     
              
        
mf


124        
              
            
f

G
135                          
          

        
143
   
          
mf


150                            
             
f

H Final
155                        
          

163                          


           

171                         


1.2. 
          

       
179
3.  I   
        

mf


186       
             

f
Tribute to Adele 21
Euphonium in C

Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108 A (Set Fire to The Rain)

                 
   
f

13
           
                          
 
20      
                                                   
    

27  1.
    
    

                   
    
 

36
  
2.
                      
      
mp
A tempo
42 rit. Adágio q=58

                     

50 B (Someone Like You)


          
   

63 C
                   

rit.
74
                                 

 
mf 3 3 3
A tempo
82 Adágio q=58 rit.
                     
A tempo
93 Allegro q=120 D (Rolling in The Deep)

      
                       
  
mf f
f
98
                        
             

103
                                               
 
V.S.

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Euphonium in C

110 E                     
   
  
  
                

F       
118
             
               
mf

                  
125
             

f

G                        
135
  
         


143         

      

 

   

mf


150
                           
             

f
Final
155H                       
     
        

163                            


            

171                        


       


177 1.2.            3.           
                 

181 I            
          

mf


187
     
         f                 
         
Tribute to Adele 21
Tuba in Bb
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108 A (Set Fire to The Rain)

  
               
          
 
mf

10
            
   
          
20
                            
        
  

27
             
       

33 1. 2.
              
    
39 rit.
                                                 

A tempo
45 Adágio q=58 B (Someone Like You)
 
          
mp

56
         
   

66 C
            
    

74 rit.
       

    
A tempo
82 Adágio q=58 rit.
             
     
A tempo
92  Allegro q=120 D (Rolling in The Deep)
                
f

mf

98
 
     
V.S.

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Tuba in Bb

103
                
   

109 E

                     

116 F 
    
                          

125
                          

135G
                                    

142
                     

148
                             
   
f

155H Final
                                    

162
                                       

169
   
                  

175 1.2. 3.
                         

181I
                           

186
        
                   

f
Tribute to Adele 21
Tuba in Eb
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108 A (Set Fire to The Rain)
       
               
      
mf

10
         
               

20
   
                                      

27
                                                
 

33 1. 2.
                                                 

39 rit.

                       
A tempo
45 Adágio q=58 B (Someone Like You)
            

mp

56
         
   

66 C
             
    
74 rit.
  
       
  
A tempo
82 Adágio q=58 rit.
                  

A tempo
92 Allegro q=120 D (Rolling in The Deep)
  
             
f mf

98
     
V.S.

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Tuba in Eb

103
      

109 E
  
                  

116 F 
 
        
                 

125
                          
     
G
135
                                   

142
                   
  

148
      
                     
f

H Final
155
                                   

162

                                      

169

                     

175 1.2. 3.

                         

I
181
                          

186
       
                       
f
Tribute to Adele 21
Tuba in C
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108 A (Set Fire to The Rain)
 
     
 
 
      
 
 
 
     
 
mf
10
      
              
  
 


20
 
 
                    
                    
27
 
                                                 

33 1. 2.
  
            
     
39 rit.
  
      
A tempo
45 Adágio q=58 B (Someone Like You)
 
           
mp

56
   
          
66 C
  
        
       
74 rit.
  
        
  
A tempo
82 Adágio q=58 rit.

                  

A tempo
92 Allegro q=120
 D (Rolling in The Deep)

                                    

f
 mf

98

     
V.S.

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Tuba in C

103
 
      

109 E

   
                  
116 F 
                
   
          
125
                
                  
135 G
  
        
                  
142
 
                   
  
148
    
 

                  
f

155 H Final
  
                           

162
 
   

                      
 
169
 
               
      
175 1.2. 3.
 
 
                     
181 I
  
          
               
186
   
       
              
f
Tribute to Adele 21
Timpano
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108 (Set Fire to The Rain)
 A 
  
     
mf

13 
         
 
           
         

24 
                        
          
pp mf
rit.
34 1.  2.  
      
      
pp mf
A tempo
46
Adágio q=58 B (Someone Like You) C rit.
   

  
     
A tempo
82 rit.
Adágio q=58   

 
   
 

A tempo f

94 Allegro
 q=120 D (Rolling in The Deep)
    
                         
mf

101
              
     
108 E
           
   

sfz mf
114
    
                 

119 F 
 

© Copyright 2016, Ferraz Musical Art
Composição Musical e Arranjo.
Curitiba - PR
2 Timpano

127
             


133 G
                        


138
            


143
                

149
                     
  


155 H Final
                


162
   
                   

168
        
          

174
       1.2.  3.

               

180 I
          

185
                 
         
188
          

               
Tribute to Adele 21
Bateria

Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108
 A (Set Fire to The Rain)
                                       
  
mf

12
 Fill.....
                                        
                           

18
                                         
                           
  
25
        
                    
                                 
  
 
32
                1.                2.                       
                                                         

39
                                       
                                        
rit. A tempo
3 3 3 3
Adágio q=58
44
                                           
         

(Someone Like You)
50 B
                               

58
                               
 

66 C
                                 
 
rit.
3 3 3 3
75         
                       
 


A tempo
82 Adágio q=58
                          

rit.
3 3 3
90                  
        
   
  
A tempo  f
 
Allegro q=120

94     D (Rolling in The Deep)
                               
                                    
mf V.S.

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Bateria

103
      
                                                        

Fill..... E
110
                                                   
                                                 

116 F
      
                                                        

123
                                               
                                                

129
          
                                                
G
135
      
                                                        

142
                                               
             
    
    


148
      
                                            


H Final
155
      
                                                        

162
      
                                                         

169
                                               
                                                

175 1.2. 3.
                                               
                                                 

181 I
                                       
          
                                       

186
                                         
                                           


Tribute to Adele 21
Bells

Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108

                                 
mp

5 A (Set Fire to The Rain)


                   
 

       

        
11

      

      


16
 
                                             
 

 
22

                                         
   

  
    
28

      
1.

                

                       
35

   
2.
       

mf
rit.
  
41

                              

A tempo
Adágio q=58
46
  B 
(Someone Like You) C 
        
   


rit.

76
         
     
3 3

         
mp A tempo
A tempo
82 Adágio q=58

 rit.
 Allegro q=120

          
f

95

D 
(Rolling in The Deep)

                   
          


103
      
      
mf

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Bells

E  F  
             
111

         
 

        


128

 

G
         
135

         
 

       


142

             

                                  
149


     
  
f

H Final
           
155

   
mf

      


     
162

            

          


169

   

   

          1.2.
175

                    


3.

    

I
      
181

       

                                  
187

  
  
f
Tribute to Adele 21
Xylo
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO
                          
Arranjo: Ismael Ferraz
Moderato q=108
     
 
mp

A(Set Fireto TheRain)    


         
5

 

      



       
11



         


  
16

   

22
 

                                   
      

 
28
                   1.
      

   
   

    2.         



35

          
mf

           
rit.

              

41

      

A tempo
46
 
Adágio q=58 B 
(Someone Like You) C   
    
  

   
rit.
  
    
           
76

   
mp 3 3

 q=120
A tempo A tempo
82 Adágio q=58  rit.
   Allegro
     
   
f

D (Rollingin The Deep)


                          
95

   

      



103

         
mf

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Xylo

          
    
E F
  

111

      

      



128

        

G         



135
  
       

       



142
  
      


       

149

         
f

H        


Final



155
  
       
mf

       



162
  
       

      



169

           

        1.2.
   
3.
 

175

            

I      



181

        


        

187

           
f
Tribute to Adele 21
Piano

Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
INTRO Arranjo: Ismael Ferraz
Moderato q=108
Dm F C Gm

                   
  

  
       

   
 
(Set Fire to The Rain)


  


  

5 A Dm F C Gm Dm F/A C

                    


 


     
       
           

Csus4 C Fm A¨ E¨ B¨m Fm A¨/C

        
12

                    
          

  
 

 
  
     

  


 

 


19 E¨ E¨sus4 E¨ D¨6 B¨m Fm Fm D¨6

                                                    


     
          
                       
 
  

  
E¨sus2 E¨ B¨m7
 
26 E¨ Fm Fm E¨ E¨

               



  
  


 

 
    

          
                    
  
                 
1. 2.
33

B¨m7 Fm E¨ E¨
    Fm E¨ Fm

   

 

 
  
         
  
 

 

  
                                                  
rit.

  

39 Fsus4 Fm E¨sus4 E¨ B¨m E¨ F

    
B¨m
    


  
            

  


       

      
     
A tempo
Adágio q=58
B¨ Dm/A Gm F/A

46

        
           
 
 






B B¨ (Someone Like You)

50 Dm/A Gm E¨ B¨

                                   
           

       
     
    

V.S.

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Piano

Dm/A B¨

55
Gm E¨
                
               


  
  
   
 


59 Dm/A
Gm E¨ Fadd9 Gm7
                
             

    
      
   


63 E¨


E¨ Gm7 Fadd9/E¨


Fadd9

           


               

     
   
C B¨

66 E¨ F Gm7 E¨ B¨ F Gm7 E¨

               
        
              


     
         
      
    
B¨ F Gm B¨ F Gm B¨ F

71 E¨ E¨

                      
                         

 
 



















rit.
Gm F/C Gm/D Fsus4 B¨/D

76 E¨ E¨;3

               
              
                          
 
  


 A tempo








Adágio q=58
E¨ F/E¨ B¨ F/A Gm E¨ B¨ F/A Gm E¨ B¨ F E¨

81 Gm

                 

   

           
  
       
   


     
        
    

   

   



rit.

 

88 B¨ F/A Gm E¨ B¨ F/A B¨ F B¨ B¨º G7/B

                                              




           
         f 
 
          
     f
A tempo
Allegro q=120 (Rolling in The Deep)
D C5(;3)
 
C5(;3) C5(;3)

94 G5(;3) B¨5(;3) G5(;3) B¨5(;3) G5(;3)

                                                    


   
             
mf

                            



101 B¨5(;3) G5(;3) B¨5(;3) A¨ B¨ Gm7 A¨

                       
     


 
   

  
                 
      
Piano 3

E Cm
                        
108 B¨ Gm7 G B¨ A¨Œ„Š7

                                      


   

                                    
           

                         
114 A¨Œ„Š7 B¨ Cm B¨ A¨Œ„Š7 A¨Œ„Š7 B¨

                                            



 

  
  
  
  




  
  




  
  








  
  
  
 

119

F              
Fm

  
Fm
     
Fm
         
 


 

                   
                  

                                                        
128 E¨ D¨maj7 D¨maj7 E¨ Fm E¨ D¨maj7 D¨maj7 E¨

  


  
  














                                                        
135G Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7

 


                            
        
                  

                  E¨        D¨Œ„Š7 E¨    Fm


                                       
142 D¨Œ„Š7 E¨ Fm D¨Œ„Š7

  


  












 
 




 
 




 
 


 
 







                                         
E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm

148

                                            
                        


           
                   
         
       
      
 

4 Piano

Final
154
         E¨        D¨Œ„Š7
H Fm
    E¨                          
       D¨Œ„Š7
Fm E¨ D¨Œ„Š7
                   
                         

   

                          
                          

                  E¨         E¨
                                                
162 D¨Œ„Š7 E¨ Fm D¨Œ„Š7 D¨Œ„Š7 E¨ Fm

          

                                         

                         

                          E¨        D¨Œ„Š7 E¨   


                               
169 D¨Œ„Š7 D¨Œ„Š7 E¨ Fm D¨Œ„Š7

   

    
  

















 
 




 
 




 
 





1.2. 3.

                                                 
175 Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨

 

   






 
 




 
 










   
 













        E¨        D¨Œ„Š7     E¨           
I Fm
         D¨Œ„Š7
181 Fm

                              

    
 




  
  




  
  




  
  
  
  
  
  




 
 

                                         
E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm

186

                                            
                        

            
                   
         
       
      
 

Tribute to Adele 21

Base
Words & Music by: Adele Adkins, Daniel Wilson,
Curitiba, PR, 25 de agosto de 2016.
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108 (Set Fire to The Rain)
Dm F C Gm
A Dm F

                         

7 C Gm Dm F/A C Csus4 C

                        

13 Fm A¨ E¨ B¨m Fm A¨/C E¨ E¨sus4 E¨ D¨6



                                    

22 B¨m Fm Fm D¨6 E¨sus2 E¨ E¨ Fm Fm E¨



                                       

31 1. 2.
E¨ B¨m7 B¨m7 Fm E¨ E¨ Fm E¨ Fm

                        

39 rit.
Fsus4E¨ E¨ Fm E¨sus4 E¨ B¨m B¨m E¨ F
  
                            
A tempo
Adágio q=58
46
B¨ Dm/A Gm F/A
B (Someone Like You)
Dm/A Gm E¨ B¨


                                    

55
Dm/A Gm E¨ B¨ Dm/A Gm E¨ Fadd9 Gm7
                                

63
E¨ Fadd9 Gm7 E¨ Fadd9/E¨ E¨
C F Gm7 B¨
   B¨ F Gm7 E¨ B¨ E¨ F
                                  

72 rit.

 Gm E¨ B¨ F Gm E¨ B¨ F Gm E¨ F/C Gm/D E¨;3 Fsus4 B¨/D


                                    
A tempo
Adágio q=58
E¨ F/E¨ B¨ F/A Gm E¨ B¨ F/A Gm E¨ B¨ F Gm E¨
81
 
                           
rit.
88 B¨ F/A B¨ B¨º G7/B
Gm E¨ B¨
 B¨ F/A F 
 
                      
A tempo
Allegro q=120 (Rolling in The Deep)
94 C5(;3) D C5(;3) G5(;3) B¨5(;3) G5(;3) B¨5(;3) C5(;3)
 
          
V.S.

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Base

100 G5(;3) B¨5(;3) G5(;3) B¨5(;3) A¨ B¨ Gm7 A¨



                    

107 A¨ B¨ Gm7 G
E Cm B¨ A¨Œ„Š7 A¨Œ„Š7 B¨ Cm

                                    

116 B¨ A¨Œ„Š7 A¨Œ„Š7 B¨ F  Fm Fm Fm


 
 
                        

128

  E¨ D¨maj7 D¨maj7 E¨ Fm E¨ D¨maj7 D¨maj7 E¨


                             

135 G Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨


 
                                 

143 Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ D¨Œ„Š7



                                      

152
D¨Œ„Š7 E¨ Fm
H Final
Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨
 
       
                         

161 D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7



                                       

1.2.
170 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7

                                

3.
178 D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ I Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨

                               

185 Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm


 
                          
Tribute to Adele 21
Baixo Elétrico
Curitiba, PR, 25 de agosto de 2016. Words & Music by: Adele Adkins, Daniel Wilson,
Fraser Smith & Paul Epworth
Arranjo: Ismael Ferraz
INTRO
Moderato q=108 (Set Fire to The Rain)
F C Gm
A Dm F C Gm Dm F/A
Dm
 
     
 
 
       
 
 
      
 
mf

11 C Csus4 C Fm A¨ E¨ B¨m Fm A¨/C E¨ E¨sus4 E¨


            
      
     
  

21 D¨6 B¨m Fm Fm D¨6 E¨sus2 E¨ E¨


                                           
         

28 Fm Fm B¨m7  B¨m7

                    E¨        E¨                     

1. 2.
34 Fsus4 Fm
Fm E¨ E¨
Fm E¨ E¨  Fm
                                                  

40 E¨sus4 E¨ B¨m B¨m rit.


E¨ E¨ F
                                            

A tempo
Adágio q=58
46 B¨ Dm/A F/A B B¨(Someone Like You)
Dm/A
  Gm
    Gm

E¨ B¨ Dm/A
 Gm

 
mp

B¨
57 Dm/A Gm7
E¨ Gm E¨ Fadd9 Gm7 E¨ Fadd9 E¨ Fadd9/E¨
   
        

66

C F Gm7 F Gm7 E¨ B¨ Gm

    B¨   E¨
    F  E¨


F
    
rit.
Gm E¨ B¨ F Gm E¨ E¨;3 Fsus4 B¨/D E¨ F/E¨
74 F/C Gm/D
   
          

A tempo
Adágio q=58 rit.
82 B¨ F/A B¨ F/A Gm E¨ B¨ F Gm E¨ B¨ F/A Gm E¨ B¨ F/A B¨ F
Gm E¨
                     
A tempo
Allegro q=120 (Rolling in The Deep)
93  B¨ B¨º G7/B
  C5(;3)
       
DC5(;3) G5(;3) B¨5(;3)
  
  
  
f mf V.S.

© Copyright 2016, Ferraz Musical Art


Composição Musical e Arranjo.
Curitiba - PR
2 Baixo Elétrico

B¨5(;3) C5(;3) B¨5(;3)


98
 G5(;3)
                G5(;3)
               G5(;3) B¨5(;3)




103 A¨ B¨ A¨ Gm7 B¨ A¨
       


109 Gm7 G
E Cm B¨ A¨Œ„Š7 A¨Œ„Š7 B¨ Cm
                
                   

116 B¨ A¨Œ„Š7 A¨Œ„Š7 B¨ F       


         
                    

Fm
125     Fm  Fm E¨ D¨maj7 D¨maj7 E¨ Fm E¨ D¨maj7 D¨maj7 E¨
                   
  

G Fm
135 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 E¨
                                  D¨Œ„Š7
      


143 Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 E¨


D¨Œ„Š7
                                           

f
Final
151 D¨Œ„Š7 D¨Œ„Š7 E¨ Fm
H Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨
                               
  


mf

159 Fm E¨ D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨


D¨Œ„Š7
                                            

167 Fm E¨ D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7


D¨Œ„Š7
                            


174 1.2. 3.
D¨Œ„Š7 E¨ Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7 E¨
                                       


181 I Fm E¨ D¨Œ„Š7 D¨Œ„Š7 E¨ Fm


                           


186 E¨ D¨Œ„Š7 E¨ D¨Œ„Š7 D¨Œ„Š7E¨ Fm


        D¨Œ„Š7
                      
  

f

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