― UP alumna ― Ermita, Manila and the Ateneo community ― Bocaue, Bulacan ― published and produced 41 plays as a ― a folk dancer and PE teacher playwright, a teacher, an actor, and a ― compile and research on the ethnic and director colonial dances of the Philippine regions. ― humor, love, moral dilemmas and the use of 2. Ramon A. Obusan local idioms and colloquialisms ― A dancer, a choreographer, a stage ― Wanted: A Chaperon, Half an Hour in a designer, and an artistic director Convent, Three Rats, and Basketball Fight! ― Ramon Obusan Folkloric Dance Group 2. Lamberto V. Avellana ― promoted the unique and graceful dances of ― Bontoc, Mountain Province the Philippines ― post-war stage and film director 3. Alice Reyes ― 1939, Sakay, the first Filipino hero movie. ― founder of Ballet Philippines (1969), the ― In 1956, Anak Dalita, Best Film in the Asia official resident dance group of the Cultural Pacific Film Festival. Center of the Philippines, ― 1957,Badjao ― dancer, a teacher, a director, and an 3. Daisy Avellana administrator to propel ballet training and ― top post-war stage actress and theater performances in the country. director ― Sita in the ballet show Rama Hari. ― Roxas City, Capiz 4. Leonor Orosa Goquingco ― together with Lamberto Avellana, the Vivien ― Jolo, Sulu Leigh and Laurence Olivier of the ― versatility Philippines ― stage actress, classical ballerina, and ― Candida in Nick Joaquin’s Portrait of a director Filipino Artist ― founded the Philippine Ballet Theater in 4. Honorata Atang de la Rama 1987 ― Tondo, Manila ― her articles about dance were published ― “queen of zarzuela and vaudeville”, abroad like in Dance Magazine (New York), ― Dalagang Bukid, epitome of all Filipino Enciclopedia della Spettacolo (Rome), and zarzuelas Arts of Asia (Hong Kong). ― singer, she popularized native folk songs 5. Lucrecia Reyes Urtula and kundimans. ― Iloilo City 5. Rolando S. Tinio ― dancer, teacher, and researcher. ― poet, essayist, critic, actor, dramatist, and ― executive director of the Bayanihan Dance teacher Group ― Tondo, Manila. ― brought to the local and foreign spotlight the ― “father of Taglish poetry”, following ethnic dances ― Singkil, Vinta, ― translated into Tagalog the drama plays of Tagabili, Pagdiwata and Salidsid. Shakespeare, Sophocles, Chekhov, and Ibsen. 6. Severino Montano ― playwright, actor, and director ― Laoag, Ilocos Norte ― more than 500 compositions. ― 50 plays in his lifetime ― Ana Maria and Hatinggabi. ― The Love of Leonor Rivera, Gabriela Silang, ― taught at the UP Conservatory of Music and The Merry Wives of Manila ― founded the CEU String Quartet ― 1953, founded the Arena Theater, officially 5. Andrea O. Veneracion the Philippines’ first formal venue for ― Manila theatrical performances. ― Filipina singer, composer, and conductor 7. Salvador F. Bernal ― founder of the award-winning choral group ― Dagupan, Pangasinan, the Philippine Madrigal Singers. ― “father of theatrical stage and set design”. 6. Jose M. Maceda ― more than 300 productions ― Manila ― use of local and indigenous materials like ― a composer and ethnomusicologist the abaca, bamboo, rattan, etc. ― devoted years touring the regions of the country researching and developing Filipino Filipino National Artists in Music: ethnic music. 1. Lucio San Pedro ― Pagsamba (worship music utilizing 100 ― Angono, Rizal instruments) and Suling-Suling (10 flutes, ― musical compositions for band music, 10 bamboo buzzers, 10 flat gongs) concertos, cantatas, choral music, chamber ― First to use only bamboo as an instrument music, and film scoring. ― Lahing Kayumanggi, Lulay, Sa Ugoy ng
Duyan, and Sa Mahal Kong Bayan. 2. Levi Celerio ― A prolific composer and lyricist ― Tondo, Manila ― credited for around 4,000 songs ― Pasko na Naman, Ang Pasko ay Sumapit, Misa de Gallo, Saan Ka Man Naroroon, Kahit Konting Pagtingin, Waray Waray, Pitong Gatang, and Kapag Puso’y Sinugatan. 3. Lucrecia R. Kasilag ― Eminent pre- and post-war composer and pianist ― San Fernando, La Union ― 200 pieces of music in folk, opera, and orchestra forms. ― the use of indigenous instruments to her orchestral productions. ― First Filipina orchestra composer 4. Antonio J. Molina ― Quiapo, Manila ― “dean of Filipino composers”
(Routledge Studies in Twentieth-Century Literature) Alistair Rolls - Agatha Christie and New Directions in Reading Detective Fiction - Narratology and Detective Criticis-Routledge (2022)