Las Alegrias (I) Libreto de Partituras Guitarra Flamenca paso a paso (Vil)Une camire profescanals wae développia qui commerce dapua wis jaune donne au creat a won tn tne comme corcarise ot ereposteur vee soulamert 17 a ome son pea concert Gomme soinle #1 dew saa sna # aaverd Feaspensctie claborateur ces deur phi grands de [Square samenca urement 1 comiowe on satare 2 marche déja avec tex eles recornalasances pie du pl haut rives {dor In more Fama, Sousne Rar (Fac ‘& TUnen) La Récompense Nateraia do by Cslre Flmenea ce Jems din Prony, (Cae ‘uous ne lsbetasse méthode Cemakremert senaensteée, tisement poeeitre daw c= tomas it soulone un kong ot te aval de recherche sur la pidagroie cars la gulave eenca Dans ‘ame repeioee comm eomponiaut on Hore (Sverces ceuvres Aeteds de zeneen: Ls Galore Famerea Par Pa oe de etea) tT do SGunaee Famenca™ (en colaboraien aves Cause Woe 1 oat oe gnome pevieas fwotneome de Farancn Seana Nace samme by Russi (Comsaralere Tehakoy, cseou), Foloane (Acackeie Chopin, Varowe, Uriel te Panama, En ela suse premier ‘pos Un endcar anceae on ide ot mane dane ‘caine Oe Bos eer aero Career 1 recarmentprésoré son raat Mecha! : dane time toue po? Tamergaa cu Sid aeeo un grand Shestaat nares bonne ebiquac pte ‘ik roccason de mccaion de Pain a Orla 30 rand on tumés par fo Canada mee wy che fregmme dalours expagrce el eee compositions prams Pandan Prenderce Ewe denne de Espagne Host reels pour sf plusteure concerts por cverse lls ‘antares, a ae 2008 ok tame fourememen ase, on solkale 90 presasoe pour [Rauguturavecson spectacle Fetal des Pas San Petestarge, ta Rus Cnet be munickes espagnol chek! pou tae pare ‘cas fn ana i concuuon hretar a Cana Ge Panama Na one sa gute aux aires: cs presi (opateu Thesie de a Opera cu aa, ie These Fos ao hagrd ou le Hermiage Tete on Ent Petemborn, oad dossciews da Srey. Bayou, fauenoe. Aimee cu Mee ta foncathin cater set soncres sane doe pays won fore USA le Erte, a Jers, ’Alemagne, Nor > (amac ta cataboraien de Carmen Bae) "Per Fata" (Teast de Gurares avec ls gure ‘lasegue fe Cats Oras) -iactiao”{ (avec Tina dt Geraldo, Koad Strut "Bun, Guan ect ni corattion we vison tidied 1a musique Ronerea et vet aver SOF chaque ‘a on auger see mol ete Grane MumgU ‘ul esanpile av 90 bre Oscar Herrero Una ainda oatera profesional que coma ‘Seale may piven ovo su net y bun hacer Came concerstsy come, (Con tn stk 17 aha feces 1 pat coneseo {ama soln y ton anoe depae ba exon O0 Spreacindi calaorador de deed oe grandes all guar ameren dl mone Protgue su snacirs ya on scans eon tos reas reconacrmertos y gel anes dt ns to mel en ef suns del famenen, Boron iro (rautia oa La Union) y Prema Rona! oe Guna Flamarea en Jerez oe i From, ‘adie ‘Ader on un taborons mitooo oo eaaranaa csquematizds,tslmenie plomeo lb Garipa en ef cue destaca. ut largo ¥ aceado Shao da iieeigactr score paiogog a (alra hanenca En su amplo fearon cone Sorponlor oe eccuorvan vetioe akeas ao {slude ¥ de concer "Le Gurr Flasenca Faso a Paso" (ore wideorratea) 7 “Trvtdo oo Ir Gunarra Elmeanes jon eldborscen con ina Hr Goa et eeoeme pieegia de sar el gree sraleior de Manono com ripamons in cases Er hogares corm usta (Corsaro ‘Terakcnaty, Mosca}. Poon (Acaera Chenin, Vreova), Universo ce" Panam Sando urban ia pierces exponen ae candle famenco en lla inion aguas Ist maestro arene Con, osonteyenie ha prevanads eu abso “Hochzs™ en una gra bor Sucamésies con gF3 ato daemon poston Gon a de ee Pui on ‘congue proyama ve autres exparoles y ss roma comnpestiones, ‘Ourane ts Presdenco Eup oe Expat 68 equara para. recat votes conseron or doers chads ewopent En ol in 2000, ya ptisan dt gesieme rac, sa fnicta. sy greveress para nagar oon cu {spedticula ol Fetal de hos Palaces set 860, Petersburg, Rus, Es oh miico sapere algo pa fomar pare cr fon orion se calkracion do a svercin el Gostde Pare Ha Tavado su gutara a lee mas presiioecs ‘arom, Geade Testo de La Opera do Cave, Taste Roal Go Madi 9 a Harmiage Treas (2 Suit Potrsbug, hans icon do Syeney, Behut Bucros. Aras 0 Hebsnn! Ha. eidd (Geers poe eam USA, Brest, Jorgen, ‘Arena, ie Diecegrat “Tomenie” (Celaborn Cemen Linares, Sevan, Sara Boras, Jovi Barer} “Por Fala (ess ce Gatwras com In gata Chace dears Grama). “Wocnao” (Con Tina Garaisn, ose Manel Bet, Gaerne Maca Le coracerizn una saturn dot musics Famven cuttondo con eumera co. som, fgresanda con auilea is gran racic a2 ‘la o's gare, ‘hn exersive concen ccna wich began when Fe wat tay young stony 1p Ne abit Se ‘ congoaer ahd concent pertamer, [A be: age of 17 pe gone Na fst concert as 8 Sonic are he years. lor he became on irdepensle otsoras of to of th nck Hs corunuo te aevanca his ols earer, waving "hs gies ro ah ght bv he rete faranc the Sorte Mineo Peal Se {3 Union) ana the Reson! Flamenco Guta Fre Imdere de Frontera tHe she autor ofa complete teaching mato, fara ie uch he at on abate pronoae Feteaing s0 euanding sseeaigatin inte Ihe fedogony ofthe flamer gut In his erple Senco rpatare ete can ind cri 2 Pee0" (ares of sec) and “Tratade ee Ia Guta. Flamamca (er calabraton th Cane eons te anys te enormous retage ofhrng been ues (Tehakavaty ‘Consanamey, Mow), Faure (Chopin Achdemy, Watson), and TRS nina fPenams, Fie hos a gir the firs amen. once in lowerd ard ever a few at Spans Canary anes. oe cay eases Wi mek “Tien” on geyser of Sh Amis, He presented his tour of Ganada beareing wih tne Beaeeo exon in Ctswa, ing whic he Pvoned staclad asks by Spann autre at (ala hi omn compaction Dung Spain's preside of me European Urion he was eles upon to give several concerts In arous European alles ‘Alt bated at Om Ruslan govenmant ie fretanon use rae fo macgeate the Sat Pcenbura Feral of Palen in BO00, ecm Sparen musican chosen 19 the pst in ae eta taken Ne guar to the moet oreiget ‘haste tom the Oper of Caro in Earn Maire's Royol Thaatre and he Hemiage Trsare of Sain Pelatsbry Io Byars, Baru Bowne fies and roi Meso erined in the WA, Bazi, Jordan, Germany ard Chie anna ier cures. emograeny: Toren” fi cobaborations fram Carmen Linares, Sean; Sra Barat ad aver Borer) "Por Fala" (Clube of Guitars wth the ‘suse! Gar Caron Oar haath Tio Ge Cees, ee Marl Busio| nd Gterme Meith Cuca Moro has 2 uncqe vn of Sameneo ma, tling 2 Of eae nee red Ui ME ‘iri sty excess thes at-ALEGRIA “E”- INDICE -INDEX Signos de notacidn / Notation signs Cierres Estructuras Ritmieas / Structure Rhythmic ‘Comipases rasgueados (E-B7-E-B7-E) ‘Compases rasgueados (E-B7-E) ‘Compases rasgueados (INTRO) Secuencia A-E-B7-E / Sequence A-E-B7-E. Melodias 7-8-9 / The melodies 7-8-9 Falsetas. Remates Liamadas Finales Pagina | Page 12 16 31 35-SIGNOS DE NOTACION- ri NOTA: Cuando se refiere a acordes y no se indica nada, el acorde es Mayor, ejemplo: C=acorde de Do Mayor; Cm = acorde de Do menor; C7 = acorde de Do séptima (Mano derecha) p= pulgar; i = indice; m = medio; a = anular; ¢ = mefiique; T (Mano izquierda) ae indice; 2 = medio; =anular, 4 = meftique © ® @® ® Los niimeros indican la cuerda donde se pisa © Golpe en la tapa arménica con dedos: a, m Pos 1, Pos 2, 1,11, 10, (Vv, 1 Fin de cejilla, Pos, Ras, .. Posicidn de la mano izquierda sobre el diapasén _... Cajilla en el traste donde indica ef nimero romano Media cejilla en el traste donde indies el mimero romano ( ) Opcional -RASGUEADO t (pim.ac) Rasgueado de graves.a agudos con el dedo que se indique 4 (9,1) Rasgueado de agudos a graves con el dedo que se indique todos ' 1 (pi) Rasgueadode graves a agudos con el dedo que se indique, acompahado de golpe +, Golpe en l parte superior de la apa arménica seguido de rassueo con el dedo que se indique (p P t (dente Ras 3-NOTATION SIGNS- oS = rss c D E F G A B NB: When referring to chords and none is indicated, the chord is Major for example: C= the chord of C Major; Cm = C minor; C7 = chord of C7 (Right hand) p= thumb; i= index; m= middle; a= ring finger; e = littel finger; T = all (Left hand) 1 ~ first finger; 2 = second finger; 3 = third finger; 4 = fourth finger © ® © © © @ The numbers indicate the string which must be struck % "Golpe” is a tap on the sound board with thering finger and middle finger... Pos 1, Pos 2, ..... Position of the left hand on the fret board 1, 11, II, IV, ...... Barré on the fret indicated by the Roman numeral . Half barré on the fret indicated by the Roman numeral TV, 4V, () Optional — End of barré, (cejilla) Pos, Ras, -RASGUEADOS- (STRUMMING) t (Prismae) Rasgueados from the bass to the treble strings with the finger indicated 4 (pi) Rasgueados from the treble to the bass sirings with the finger indicated * ‘Np. i) Rasgueados from the bass to the treble strings with the finger indicated accompanied by the "golpe" % "Golpe” on the ‘upper’ sound board (above the bass strings) followed by the finger indicated (ny (mp) eee 4 ot f-SIGNES DE NOTATION- eS =o= = = o —o = Do Re Mi Fa Sol La Si Cc D E F G A B AVIS: Lorsque on se teporte & un accord sans indiquer rien de plus I accord est majeur, exemple: C= accord de Do Majeur; Cm = accord de Do mineur; C7 = accord de Do septiéme (Main droite) p = pouce; i= index; m= majeur; a = annulaire; e = aut (Main gauche) 1 = index; 2= majeur; 3 = annulaire; 4 = auriculaire © @ ®@ @ @ _Lesmumeros indiquent la corde oi 'on appui %* "Golpe" coup sur table harmonique avec les doigts a, m Pos 1, Pos 2, ..... Position de la main gauche sur le diapasén 1, IL, IIL, IV......... Barré dans la frette oi Yon indique le nombre romain val, “IV, «ssses Demi barré dans la frette ot on indique le nombre romain — Fin de capodastre, Pos, Ras, . () Facultatif -RASGUEADOS- % (Coismae) Rasgueados des cordes graves vers les aigites avec les doigts indiqué J (si) Rasgueados des cordes aigiies vers les graves avec les doigts indiqué * + (pri) Rasgueados des cordes graves vers les aigiies avec les doigts indiqué, accompagné d'un "golpe” t sGolpe” donné dans la partie supérieure de la table harmonique suivi d'un rasgueado avec Gm) le doigt qui est indiqué ( m p) P Ras A Ras3 Ras 4 Ras 5CIERRES (E) Oscar Herrero Alegrias "E" (Oscar Herrero) 4 Cierres-~-ALEGRIA “E”- ESTRUCTURAS RITMICAS / STRUCTURE RHYTHMIC COMPASES RASGUEADOS f — B7- E~B7-E > > > > > 1 2 3 4 5 6 7 8 9 wo WU E B7 OE BT E > > > > 1 2 3 4 5 6 7 8 9 10 12 E BT E COMPAS 1 > 1 2 3 4 5 6 7 8 9 10 i 12 E B7 compAs 2 1 2 3 4 5 6 7 8 9 10 th 12 B7 ECOMPASES RASGUEADOS (E-B7-E-B7-E) Oscar Herrero Ni) } ot me ve ey pe igs 2 * a 3 2 I ry $-i- ft x —= b ¢ —e Fe $ $ $ — —— a 23 $ Bo ——— Ras 4 hoy Ras 7 0 je S| 3 +4 $F + 3 3 3 $F A : ee () TSE Alegrias "E" (Oscar Herrero) © ° F ° o - A + -—_ i +—1 ts 2 o a 2 2 22 6 6 Compases rasgueados EB-EBT-ECOMPASES RASGUEADOS (E-B7-E) = iF == — eee eee : pt ngage | 3 se o2 — He 3 2 ¢ ae a ia =e 3 zd o & ° 2 3 3 3 Alegrias "E" (Oscar Herrero) 7 Compases rasgusados E-B7-ECOMPASES RASGUEADOS (E) (INTRO) Oscar Herrero Alegrias "E" (Oscar Herrera) 8 Compases rasgueadas INTRO (1)Ras 4 hoy Rast wees es 4 + 4+ 2 2 2 3 3 3 3 3 3 nse Alegrias "E" (Oscar Herrero) 9 Compases rasgueados INTRO (2)[Ne2] Ras4 hoy — J Ras 4 poy V v Alegrias "E" (Oscar Herrero) 10 Compases rasgueadas INTRO (3)Ras 4 hoy v ° ° 0 —o—o ° zi i i i — Ae Pos 5 opt Ras 4 n Alegrias "E" (Oscar Herrero) u Compases rasgueados INTRO (4)SECUENCIA (A-E-B7-E) Oscar Herrero Picado Alegrias "E" (Oscar Herrero) 12 Secuencia A-E-B7-E (1)Picado Alegrias (Osear Herrero) 1B Secuencia A-B-B7-£ (2)MELODIAS 7-8-9 (E) Oscar Herrero [PRA | Alegyias "E" (Oscar Herrero) 14 Melodias 7-8-9(1)ee aS SS Picado = oe 4 —— A + iis = + 6) = ; SS] Rr RE Se T a 0 Be one i Alapia a ~ kK 6 9 2 oo r 3 38 8 8 ° ss rc 1 + 4 2 1B. 0 0 0 222 c 4 4 — 4 — Alegrias "B" (Oscar Herrero) 18 Melodias 7-8-9 (2)ALSETAS (E) Oscar Herrero Faiseta 1 ® @ —3— _— ee ee et eel — TF * He Alegrias "E" (Oscar Herrero} 16 Falsetas (I)Falseta 2 Alegrias "E" (Oscar Herrero) 7 Falsetas 2)3 Os * t [3 Se —3— ¥ ee P. Alegrias "E" (Oscar Herrero) 18 Falsetas (3)= CO 2 Falseta3) Pos 4 a oS Sa t Pieado 19 Falsetas (8) Alegrias "E (Oscar Hervero}Pos 4 =3— Sa = - < 7 Alegrias "E" (Oscar Herrero) 20 Falsetas (9)Alegrias (Oscar Herrero} 21 Falsetas (6)i 1 Pos 6 8 v Qi a te ee a a oe oe — = Pos7 Pos 8 * =) if ‘ * ph \ pa ; 5 pt Alegrias "E" (Oscar Herrero) 22 Falsetas (7)€ - t * Pos 6 . of ; i oie —-— SSL a $a ob ms * ot — oe 6 —4 4 ie + Alegrias “E" (Osear Herrero) 24 Falsetas (9)Foto: Ricardo Marquez Osear Herrero, 1978 ias "E" (Oscar Herrero) 25 Falsetas (10)Falseta 5] Pos 6 —— Pos 4 —— Pos 6 i om oaom i a om a om p p iim ia mop SO — r ; Alegrias "E" (Oscar Herrero) 26 Falsetas (11)Alegrias "S" Oscar Herrero) 7 Falseras (2)Pos 2 Alegrias "B" (Oscar Herrero) 28 Falsetas (13)(Falseta 6 8 ty Alegrias "E" (Oscar Herrero) 29 Folsetas (14)Pos7 wl *i ‘will Alegrias "E" (Oscar Herrero) Falsetas (15)REMATES (E) Oscar Herrero a] Rea, PPR Rasa _— al OPr FH g seers Sy . we} ¢ 3-3 FE 3 F pp pd ————s _ B 2 2 $ 6 e $63 0 Ras A. ; cy Ce ——— B $2 j oe 7 xe - = a id : SaSmss + : : se eg Ig ; i a = j — F + a $ 3 8 ° 2 2 Alegrias "E” (Oscar Herrero) 31 Remates (1)Alegrias "E" (Oscar Herrero) 32 Remates (2)LLAMADAS (E) Oscar Herrero Nd é Z a 74 # : Z : z ff 5 ? — ° — — $ x 3 4 + i+ e + $ 3 — Alegrias "E" (Oscar Herrero) 33 Llamadas (1)eS = = ; A = co 3 8 : : ; k 4 ¢ ¢ 2 2 2 A 1B 2 2 ° . . pt pt ~- a z ; : A iB o- 0 2 ; Alegrias "E" (Oscar Herrero) 34 Lamadas (2)FINAL (E) Oscar Herrero [Na Ras 4 hoy Rasd —- aa Gertie gd \* = = os bene eee B— © 0 2 2 ss 4 — 55 44s + = 5 t 5 $ =¢ $ ie i SS iB 4 s— + os soe ee 4 3 + $ Sot at A ! Gee Se e ne a } a | } re 2 : is ; CG 3s 2- srias "E" (Oscar Herrero) Final 1)a _ > p i a] nat 4 1 i t el mo : —— = ; 2 a : a 3 ;—# a — ee a - ° [ee ee nana ceneEn 1 Sa —— -— 8 it ——=— 3 [8 ene St 3 $ 3 + ° P u + — ; 4 — an SF A 3g > 4 = $4 5 a —f—— o 0 0 0 0 — + 2 {re — - = Se + 2 0 o o 0 Alegrias "" (Oscar Herrero) Final 2)i RGB ARTE VISUAL tgb@rgbartevisual.es ¢ www.flamencolive.com