slowly from easy to'medium leve » cover the essentials of horn play th young student.A FIRST BOOK OF ETUDES FOR FRENCH HORN Containing 129 original etudes which ‘progress Slowly from easy to medium level. These etudes Cover the essentials of horn playing and music for The young student. 3 BY Arthur E. Goldstein - Chicago Symphony Orchestra - Buffalo Philhamonic 2 Radio City Music Hall Symphony Ore ‘The Metropolitan Brass Quintet Orchestra da Camera ‘ommunity Coll Faculty ~ The Waldorf Schoo! $1.50 Published By COR PUBLISHING CO. 67 BELL PLACEvee vv vesJe Belz BESO Bre Bea Ez BE2 Bra BEM Best ‘BES mest bese BEG pes BED ED a (rrampet, Hora, and Trombone except where noted) ROBERTS, W. A Day inthe Country «vv ve et se neat COWELL, J. Trio for Trumpet, Horn k Trombond: vv + + + oe b ple SEAR, Ww, [Brace Demonstration Pieces Paiare i Puiu « ANONYMOUS “Glognsber Liderbach (are. Waldeel) wieLarer, A. rate iy bin Vers neve, 5 SABATING, G, Brass unrlet~ Poppet Walle (2 tpt ian tb) CHASE, A.” Guertet mori for Breas (2 tpia hn trb)i2 SIMON. AL, PALESTRINA, 2.P, Ricoscart del Primo Tuono (arr. WalSeed)(2ipl tb fi LOCKE, M. ‘Sate now! (tpt tr tha) (are, Waleed), LOCKE, M, ute no.2 (pt hn te ta) ares ‘SEAR, W. Guertet to (2 tyes xb tal REICIA,C, Fugue novi8 (are. South, + REICUA,G, Sonata non? (a SCHEIN: HANDEL Paduena fo jeer es rummeshornet & Seb, The Gonguaring 7 shen reps $2.00 MascHEna, Fr. spss $2.00 ISSAC, Hh $2.00 onnecit, 1. GENIE, 1H.” Galllarde & Fugue (arr. Waldeck): BACH, 78. Art of the Pupue-Contapunetue 1 PALESTRINA, 3.P, Adoramus. (4r91 Waldeeds = ‘coors, A. HANDEL, OF, PALESTRINA, J.P. Or GALLUS, 1. SCHNWT21G, &, Dex Complete Mathod for der Waldhorn Obet deP SCHMUTZIG, W. Incomplete Method fur dle Holsbleslnstrarn scumurzic, scumurZic, ?|that the three books be used simultaneously there- sludent enough material towards gaining @ solid f musical development, and sustained interest. jduces the bass clef in preparation for the horn iuently uses this clef, and for general musical‘Definitions i ACCEL, (ACCELERANDO) ADLIB. .. 2... ALLA Le ALLEGRETTO |) | 1 | (ALE EGROP EG art tt ANDANTE . 2... ANDANTINO . 2... (CANTANDO CANTABILE . . . . ipo 60005 CRESCENDO... . DECRESCENDO DIMINUENDO . . se DOLCE ....... DECISO. ...... LANGSAM . 2... LARGHETTO ..... LARGO 2... LEGATO... . 1s ENDO fee eee ec LOCO weet te MAESTOSO. 2... PNGISg 0-6 a6 ac ipo oodoas MINUET. 2.2... MOsSsO ... ee NON TROPPO... . . OSSIA PIU FACILE . . PIU Le. eee poco... . : RIT, (RETARDANDO). | SCHERZO ..... SETREDO eee STACCATO... 2. TRANQUILLO. . 2. . VIVACE VIVO 2... WALTZ... - gay, lively i i faster by degrees / at will i in the style of | light and cheerful, diminutive | of ALLEGRO MW ul a moderate movement i i diminutive of ANDANTE in a melodious, singing style with i louder by degrees softer by degrees t sweetly i with decision fi slow 1 not as slow as LARGO © a very slow movement t smoothly fh slow i . nullification of i majestic, with dignity i] march li less : a slow, stately dance in } HE meter with movement i not too much e or else this easier way h + more i a little; rather i { slower by degrees a composition of light and i playful character; a {| joke i spirit, animation short tranquil I ' lively, brigkly, quickly 1 a dance in 3 meter i fFINGERING CHART AND BASS CLEF s MODERN BASS CL. NOTATION: souhds 2 5th| lower- flayed as js- syste: OLD BASS CLEFINOTATIGN: sounds a_4th|higher- diayed se Diy E F Fi Gb ' |¥ i d Symbols ce Dynamics gua 82 basso - + moderately loud + loud + very loud | . crescendo decrescendo + staccato + accent + strong accent . fermata; hold + Yepeat the previous measure - repeat the two previous measures + sign + go back to the beginning + end . repeat . coda . first ending « second ending + octave higher . Octave lower + very soft » soft . moderately softfir i ) 95 26 28 28;q toe aSpure m Allegretto (Se ; ane rear ce aa Allegro aS aa Se i nf * L tH Moderato = wea = fo 82, Tne mp staccato SSS Taper Moderato 83; Sf —i Andante ude 3 eo ge =e7 ere Allegro 89 7loderato P in 1 Scherzo 101 staccato iAllegro Moderato i 1022 staccatoSf espressivo Allegro a aS a i 106 ayMarcato wigs SE : = = t i aw le . . | é errr! | Andante Moderato bE 109 f P i a fife toit i fee : 10 fer Ge Gas: Andante I f \Moderato eee # staccato i Lento ™P cantabile-———~*3 2 Vivace KB i 116 DS fl, mf Po Teggerio e staccato 3 Andante preciso ij Gee Saas 255 i 7 Moderato 118 Ce f “(in 4) of * FineVivace Mode rato et at |LELLLLELLUL LCELCEELELELELELLEGLLELELELELEL ELL EELEEELAndantino i 127¢a Allegro non troppo ro : eos en i OSSIA PIU FACILE bia esBRASS QuInTETS (2 Trompots, Horn, Trombone, Tuba except where noted) ROBERTS, W, Three Headlines. oe eee cece ceca ee aed ple EMMETT). Dinie (are, Reberlais = vss sv vss Seu pe GOLDSTEIN, A, Brase Fandares & Excerpts froin the standard Operaticy SABATINI,G. Brass Quintet~ Puppet Walla.» wee gem pte VERDL, ce BROWER, ANONYMOUS, SEAR, W, PURCELU, He PeZeL 3. BACH, 33. InDuich dubile areegear)s vse BACH, 3.8. My Soul Langeth and March (arr Sean): we pte PALESTRINA,I.P. angus Del (are, Waldect)- seu pe LRCHNER, FECAND, DILASSO, BAGH Christ iat Eratunien~'« acting (sev. Waldecl). ss ss REETHOVEN, L. Opus 130 2nd Movement (arr. Searle «= a BEETHOVEN, Le Opis 190 Ploale (arr, Seats ser cece foe PEZEL, 1" Allemante'u Coursnie. (are Sean) 00002201201 pte SIMON, Ay Gutneat in 3 Movemants pus 26 (are: Sear) se pte PURCELL, ty Fantasia Upon One Note (arte apopapory PURCELL, Hy PURCELL, PANONYMOUS| BACH, 18. SpEBEL I. PEEL 7. staPsoN, 7. BOHEIN, Jai scwtein, 2. (as in BEAT). . SCHEIN, 1H. Allomande 0 ¢U e SCHEIN, Joh Allemande 2 44 T¥i mee sin BEAT). SEAR, We Guintet for rauee > SCHEIN, JH ~ Intrada (ares ear) » vs ss BACH, 3.8. Fugue Xi Wall Tamnpared Ci ROSENMOLLER, 3. Covcante, Sar Waleche wees pts ‘ASOLA, J ‘blew trae far, W PEIRCE Er ern re FISCHER, 1... Le Journal du Printemps (art. Walicet). 2 ROSENMOLLER ROSENMULLER, 2 FISCHER, J. BiscHer, 1. BRAY, J. RicureR, A. Bach, 3. PREEL, 3 *) ‘Srnavse, 3. ih Pohks (ans. bigot. «> > STRATTON, D. Variations on « Theme by Henry VII. + TSCHAIKONSKY, P."Neopolitan Dance" {ror Sean Ls fers. Waldeck. « _ set pte MENDELSHON, P. Wadting Maren from riitivutr’ Hips Blab uevy, Fe STANLEY. Cor Publishing Co. 67 BELL PLACE MMASSAPEQUA, NEW YORK 11758GOLDSTEIN, A. ‘GOLDSTEIN, A. GouosrEM, A: GOLDSTEIN, A Levy, Fs SARATIN, 6° VIVALDI Taarenin, a SABATIN, Fonrona. i Cone A. MUELLER, 0. MUELLER, O- HAYES, 1." STEVENS, Ht BEETHOVEN, i. SABATIN, . eat {A Pies! Book of Exereluen for French {A Second Book of Solos for Prone Hora 1 = fret ieee Suite no. 1 for French Horn & lane Te ea anata for Horn ind mor” (an tp) cg Lyrical Romance for Horn & Planes) elected Horn Quartets 4 e * Geincted Horn Quartets 2 Quartet jar Lav GR Kruse ano, Site orn Gurtts Yet s3 Gants ey erate Sieh oi oe ‘Concerto fot Obs ins Bats ty & Oie for French or Beancon & Bivertimento for Preneh Morn: Trio for Clarinet, Horn t Bia Tilo for Clarins, Hora ‘Mloata for Clarinet, Horn & Bas ‘he Country tp hn Sb set regen lor Horn 3 Trombone (cise ane woodwind u bras quartets quinitey ated) f= Myil tan Due vec) eres Gene Engle for Horn, Strings i Hay