I

Will Survive
Gloria Gaynor
A.A.Mirpour

MirpourPianoAcademy©
   
Yodel 



          
       
 
  
   
  

6 3

 
6 5

  
Piano

 
  



Brass

  
Violin 

  
Electric Guitar
2  MirpourPianoAcademy©

   
Cello 
                    
 
    
3

Ydl

   
  
 
   

Pno.

   
Brass 

   
Vln. 

                              
    
 
E.Gtr.

  
  
Vc. 

     
Bass   

D. S.     

MirpourPianoAcademy© 3
   
       
                     
7
3 3
Ydl

     

   
    
Pno.

   
Brass 

   
Vln. 
 
                   
E.Gtr.
      
    
    
Vc. 

  
Bass           

D. S.     

4 MirpourPianoAcademy©
                   
 
11

Ydl

        

     
     
  

Pno.

  
Brass 

  
Vln. 

                                

                
      

E.Gtr.

 
  
Vc. 

            
                

Bass

                       



D. S.            

MirpourPianoAcademy© 5
  
      
14

Ydl

       

   
 
Pno.


Brass 


Vln. 

       

         
 

E.Gtr.

 
Vc. 

    
Bass    

       
D. S.     

6 MirpourPianoAcademy©
    
                  
    
15 3 3
3
Ydl

              

   
      
  
Pno.

  
Brass 

  
Vln. 
         
                  
                   
     
E.Gtr.

  
   
Vc. 

         
               

Bass

                       
D. S.             

MirpourPianoAcademy© 7
   
    
 
18

Ydl

   
3

     
 
Pno.


Brass 


Vln. 
      
          
 
E.Gtr.

  
Vc.  

      
Bass  

       
D. S.     

8 MirpourPianoAcademy©
                      
  
19

Ydl


        
3

    
3


    
 
       

Pno.

      


    
               
Brass
     
  

 
Vln.



             
            
        

   
 
    

E.Gtr.

  
 
Vc. 

           
        
    

Bass

                       
D. S.             

MirpourPianoAcademy© 9
          
22

Ydl


      


 
Pno.

 
Brass   
     


Vln. 

      

      
 

E.Gtr.

 
Vc. 

       
Bass   
       
D. S.     

10 MirpourPianoAcademy©
   
                 
    

23

Ydl

  
              

   
 
   
Pno.

      

                     
     
Brass

  

    
Vln.

              
                     
     
E.Gtr.

  
   
Vc. 

        

             
 
Bass

                       
D. S.             

MirpourPianoAcademy© 11
    
 
26

Ydl

    
     

 
Pno.

   
       
 
Brass


Vln. 
       
            

E.Gtr.

  
Vc.  

      
Bass     

       
D. S.     

12 MirpourPianoAcademy©
               

27

 
Ydl

         
                  

   
Pno.

      


    
               
Brass
     
  
Vln. 

        
                      
    
     
  
   

E.Gtr.

 
  
Vc. 

           
        
    

Bass

                       
D. S.             

MirpourPianoAcademy© 13
 
    
30

Ydl

    

      

 
Pno.

 
Brass   
     


Vln. 

     
       


E.Gtr.

 
Vc. 

       
Bass   
       
D. S.     

14 MirpourPianoAcademy©
  
                      
31
3
Ydl


  
                
     
 
Pno.

      

                    
     
Brass

  
Vln. 
                    
                                     
 
E.Gtr.

  
   
Vc. 

        

             
 
Bass

                       
D. S.             

MirpourPianoAcademy© 15
    
   

34


 
Ydl

      
        
3


6

 

  
Pno. 7

   
       
 
Brass


Vln. 
     
            

E.Gtr.

  
Vc.  

      
Bass     

       
D. S.     

16 MirpourPianoAcademy©
    
  
35

 
Ydl

  
          
        

     
Pno.

  


    
Brass

     
   

Vln.

                                  
     
  

E.Gtr.

 
  
Vc. 

            
                

Bass

                       



D. S.            

MirpourPianoAcademy© 17
 

38

Ydl

       
   
 
Pno.


Brass 
           
Vln. 

     

       


E.Gtr.

 
Vc. 

    
Bass    

       
D. S.     

18 MirpourPianoAcademy©
  

39

Ydl

    
                
  
     
  
Pno.

 
Brass 
      
    
     
 
   
Vln.

      
              
 
E.Gtr.

 
  
Vc. 

        
          

Bass

               
D. S.         

MirpourPianoAcademy© 19
  

41

 
      
Ydl

     
     

    

   
Pno.

 
Brass 

                    
 
       
Vln.

                   

          
E.Gtr. 
  

Vc.   

        
Bass       

               
D. S.         

20 MirpourPianoAcademy©
                       
   
43

Ydl


       
  

 
3

        
  
    
Pno.

  
Brass 

  


Vln.

 
                            
                

E.Gtr.

  
 
Vc. 

           
        
    

Bass

                       
D. S.             

MirpourPianoAcademy© 21
 
      
46

Ydl

 
  

 
Pno.


Brass 


Vln. 

        

    
 

E.Gtr.

 
Vc. 

       
Bass   
       
D. S.     

22 MirpourPianoAcademy©
 
                 
47
3
Ydl

    
        
     
  
Pno.

 
Brass 

 


Vln.

                
             

E.Gtr.

 
  
Vc. 

  
             
 
Bass

               
D. S.         

MirpourPianoAcademy© 23
 
              

49

  
    
     
Ydl

    
    

  
Pno.

 
Brass 

 
Vln. 

   
          



   




 

  

 
E.Gtr.

  
  
Vc. 

   
Bass

     



 





               
D. S.         

24 MirpourPianoAcademy©
                    

51

Ydl

           

    
3

    
 
   
Pno.

          

                 
Brass
     
  

  
Vln.


       
 
 

 

      
                      
  

E.Gtr.

  
 
Vc. 

            
        
    

Bass

                       
D. S.             

MirpourPianoAcademy© 25
  
      
54


Ydl

 
      

 
Pno.

 
Brass   
     


Vln. 

      

   

     

E.Gtr.

 
Vc. 

       
Bass   
       
D. S.     

26 MirpourPianoAcademy©
   
                
55


Ydl

        
      
     
  
Pno.

      

             
   
Brass

 


   
Vln.

          
                   
  
E.Gtr.

 
  
Vc. 

  
             
 
Bass

               
D. S.         

MirpourPianoAcademy© 27
            
    
 
57

   
     
Ydl


    
 
  
 
3


3

  
  
Pno.

      
               
   
Brass

 
Vln. 
             
               
 
E.Gtr.

  

Vc.   

             
Bass      

               
D. S.         

28 MirpourPianoAcademy©
                   
 
59

   
Ydl

     

           
 

 
 
   
Pno.

             

Brass               

Vln.    

                               
            
   

E.Gtr.

 
  
Vc. 

        
      
     

Bass

                       
D. S.             

MirpourPianoAcademy© 29
 
       
62

Ydl

  
     
 
Pno.

 
    
Brass   

Vln.  

      
   
    


E.Gtr.

 
Vc. 

         
Bass 

       
D. S.     

30 MirpourPianoAcademy©
  
             
63
3
Ydl

        

          
 

  
Pno.

         
Brass         

  
  
Vln.

      

                
E.Gtr.
 
 
  
Vc. 

              
  
 
Bass

               
D. S.         

MirpourPianoAcademy© 31
              
 
65

  
    
Ydl

    
           

      
Pno.

        

Brass          

  
Vln.    

          

      
             
  
E.Gtr.

  

Vc.   


              


Bass

               
D. S.         

32 MirpourPianoAcademy©
                  

67

 
Ydl

  
                 
   
    
Pno.

                
Brass 

          
Vln.  
                              
                  
      

E.Gtr.

 
  
Vc. 

            
             

Bass

                       
D. S.             

MirpourPianoAcademy© 33
        

70


Ydl

    
      

 
Pno.

Brass  

 
Vln.    

      
     
 

E.Gtr.

 
Vc. 

       
Bass   
       
D. S.     

34 MirpourPianoAcademy©
  
                
71

Ydl

          

  
 
 
          
  
Pno.

   
Brass       

     
    

Vln.

                

            

E.Gtr.

 
  
Vc. 

  
             
 
Bass

               
D. S.         

MirpourPianoAcademy© 35
 
        

73

Ydl

  
       

  
 
Pno.

Brass   

    
Vln. 

   
       
     

E.Gtr.

  

Vc.   

   
Bass

     

               
D. S.         

36 MirpourPianoAcademy©
     
      

 
 

75

    

Ydl

     
           

 
   
6
Pno. 6


  


   
Brass

    
    

Vln.

            

E.Gtr.      

   
Vc. 

       
   

Bass

                       
D. S.             

MirpourPianoAcademy© 37
       

78

Ydl

  
   
 

      

Pno.


Brass 
         
Vln.  

        

       

E.Gtr.



Vc. 

         
Bass 

       
D. S.     

38 MirpourPianoAcademy©
       
  
              

79
3 3
Ydl

     
         
           

 
   
Pno.

  


Brass

          
  


   
Vln.

                        
              

 
E.Gtr.


   
Vc. 

       
      
Bass          

                       
D. S.             

MirpourPianoAcademy© 39
  
       
82
3
Ydl

      
 

 
Pno.


Brass 

    
          
Vln.

       

E.Gtr.            


Vc.  


       
 
Bass

       
D. S.     

40 MirpourPianoAcademy©
              
83

       
Ydl

  
        
      


   
  
Pno.

 
Brass 

                  
             
Vln.

                    

                  
 
E.Gtr.

  
  
Vc. 


            
  


Bass

               
D. S.         

MirpourPianoAcademy© 41
          
 
85

    
Ydl

    
      
  
    

Pno.

 


Brass

             

Vln.  

   
      
    
     
     

    
   
   
E.Gtr.

 
 
Vc. 

    

          
Bass
 
               
D. S.         

42 MirpourPianoAcademy©
             
         

87

  
Ydl

           
    
            
3

 
   
Pno.

  


Brass

         
  

  
Vln.

            
                           
  
 
E.Gtr.


   
Vc. 

         
 
       
     
Bass
 
                       
D. S.             

MirpourPianoAcademy© 43
 
     
90

Ydl

  
  
  
   

 
Pno.


Brass 
    
           
Vln.

       

E.Gtr.            


Vc.  


      
 
Bass

       
D. S.     

44 MirpourPianoAcademy©
         
     
3
91

           
Ydl


         
   

  
Pno.

 
Brass 

               
             
Vln.

 
            
 
 
  
   
 
  



  
E.Gtr.

  
  
Vc. 

   
Bass

     



 





               
D. S.         

MirpourPianoAcademy© 45
   
 


93

Ydl

  
    
      


   
 
        
Pno.

     
Brass    

        
Vln.  
                    
                   
 
E.Gtr.

 
 
Vc. 

           
      

Bass

               
D. S.         

46 MirpourPianoAcademy©
   

95

Ydl

    
                    
      
   
Pno.

           
Brass     

         
Vln.   

      
    
                 
  


 
             
    
 
E.Gtr.


   
Vc. 

    
           
Bass       
                       
D. S.             

MirpourPianoAcademy© 47
 

98

Ydl

  




   
 
  
   
Pno.

Brass    

   
Vln.  

       

   
 
E.Gtr.



Vc.  


       
 
Bass

       
D. S.     

48 MirpourPianoAcademy©
  

   
99

  
    
Ydl

   
        

    
Pno.

Brass   

    
Vln. 

  
                   
     
 
E.Gtr.

  

Vc.   


              


Bass

               
D. S.         

MirpourPianoAcademy© 49
  

101

Ydl

   
              
       
   
Pno.

    
Brass     

        
Vln.  
       
            
          

E.Gtr.

 
 
Vc. 

    

          
Bass
 
               
D. S.         

50 MirpourPianoAcademy©
   

103

Ydl

  
                      
         
       

Pno.

        
    
 
 


Brass

         
  

      
Vln.

                   

                      
 
 
E.Gtr.


   
Vc. 

         
               
Bass
 
                       
D. S.             

MirpourPianoAcademy© 51
 

106

Ydl

   


    
 
  
   
Pno.

Brass    

   
Vln.  

       

   

E.Gtr.



Vc.  


      
 
Bass

       
D. S.     

52 MirpourPianoAcademy©
        
  

107

    
Ydl

        

       
 
 
      
  
Pno.

 
Brass     

        
  
             
Vln.

       
     
              
E.Gtr.
         
   
     
Vc. 

             
Bass      

                       
D. S.             

MirpourPianoAcademy© 53
    
 

110

Ydl


    

   
Pno.


Brass 


Vln. 


E.Gtr.   

      
 
Vc. 

 
Bass 

       
D. S.     

54 MirpourPianoAcademy©
  
      
 
     
     

111

Ydl

          

3

  
   
Pno.

  
Brass 

  
Vln. 

    
E.Gtr.          

    

     

   
Vc. 

   
Bass 

                       
D. S.             

MirpourPianoAcademy© 55
  
        
114 3
3
Ydl

    

 
Pno.


Brass 


Vln. 

E.Gtr.   
    



 
Vc. 

 
Bass 

       
D. S.     

56 MirpourPianoAcademy©
              
    
115
3
Ydl

            
        
      
 
Pno.

  
Brass 

  
Vln. 

   
E.Gtr.  
    
   


  

   
Vc.


  
Bass 

               
D. S.     

MirpourPianoAcademy© 57
    
 
 
118

Ydl

   
3

  
Pno.


Brass 


Vln. 


E.Gtr.   

     
 

 
Vc.

      

Bass 

       
D. S.     

58 MirpourPianoAcademy©
       
             
   
119 3
3
Ydl

  
                         
  
   
Pno.

  
Brass 

  
Vln. 

      
E.Gtr.                 

     

   

    
Vc.

                
Bass   

                       
D. S.             

MirpourPianoAcademy© 59
          
122

Ydl

   
   
 
Pno.


Brass 


Vln. 


E.Gtr.   
 


     
 

  
Vc.

  
Bass    

       
D. S.     

60 MirpourPianoAcademy©
  
             
 
    
3
123

      
Ydl

       
    
   
        
       
   
     
Pno.

   

       
 
   
Brass

   
Vln. 

 

            
 
E.Gtr.

   



Vc. 

                
      

Bass

                       
D. S.             

MirpourPianoAcademy© 61
     
  
126

Ydl

     
3 3

       
 
 
Pno.

   
  
Brass   




       
Vln.  

        

         

E.Gtr.



Vc. 

       
Bass   
       
D. S.     

62 MirpourPianoAcademy©
  
     
 
             

127
3 3
Ydl


                            
     
     
Pno.

         
                   
    

Brass

          
  


Vln.

               

 
      
 
                
    
 
E.Gtr.


   
Vc. 

         
 
       
     
Bass
 
                       
D. S.             

MirpourPianoAcademy© 63
         
130
3
Ydl

        
 
 
Pno.

   

   
 
Brass

    
           
Vln.

       

   
  
E.Gtr.



Vc.  


      
 
Bass

       
D. S.     

64 MirpourPianoAcademy©
        
  
   
131

    
    
Ydl

    
          
      
    
Pno.

   
              
   
Brass

                  
            
         
Vln.

                 
             

E.Gtr.

  
  
Vc. 

   
Bass

     



 





               
D. S.         

MirpourPianoAcademy© 65
       
 
133

   
Ydl

           
    
3

   

      
Pno.

       
          
   

Brass

           

Vln.  

                    

                  
 
E.Gtr.

 
 
Vc. 

    

          
Bass
 
               
D. S.         

66 MirpourPianoAcademy©
       
 
     

135
3
Ydl

  
           
        
  
Pno.




  

  
 
   
 

    

Brass

             
  


Vln.

 
       
 
     
                
    
 
 
E.Gtr.

  
Vc. 

 

             
Bass
 
               
D. S.         

MirpourPianoAcademy© 67
    
                
137

Ydl

 
             
              
  
Pno.

      

            
   
Brass

      
    
     
 
Vln.

                
                  
  
E.Gtr.

 
  
Vc. 

  
             
 
Bass

               
D. S.         

68 MirpourPianoAcademy©
            
   
3 
139

Ydl


                   
3

  
     

Pno.

   
                 
   
Brass

 
 
                
Vln.

             

        
 
E.Gtr.

      
    
Vc. 

   
Bass

       

                 
D. S.         

MirpourPianoAcademy© 69