PIANO/VOCAL/CHORDS EMichael Jackson Ce Seiie 2Elica JOCK ollecion Project Manager 5y Felaman ‘Att Layout: Deborah ons ‘Cover Photography: BH Nation (© 1999 Trump Merchancaing, inc. Allghis reserves, Used by permission, WARNER BROS. PUBLICATIONS - THE GLOBAL LEADER IN PRINT 'USA: T5B00 NB at Aveo, Mla, FLSA Caréh hap (© 2001 WARNER BROS. PUBLICATIONS ‘Al Rights Reserved ‘Any duplication, agaptation or erangement of the compastions cconjainac! in iis colection requites the writen consent of the Publisher, 'No past of thi book may be photocopied or reproduced in any way without permision, Unauthorized uses are an iningement of the US. Copyright Act ond are punshabe By lw,Contents Bad Beat It Billie Jean Black or White . Blood on the Dance Floor a Childhood (Theme From “Free Willy 2°) Dirty Diana Don’t Stop ‘til You Get Enough Earth Song Ghosts The Girl Is Mine Heal the World. History Human Nature . | Just Can’t Stop Loving You In the Closet Man in the Mirror Remember the Time . Rock With You Say Say Say Scream She's Out of My Life Smooth Criminal ba They Don’t Care About Us Thriller, ween Ee 2 Bad Wanna Be Startin’ Somethin’ . . The Way You Make Me Feel Will You Be There (Theme From “Free Willy’) You Are Not Alone. . 70 44 6 154 166 172 104 160 149 32 56 130 185 178 122 82 192 144 112 137 78 - 20 37 14 197 98 48 63BEAT IT Written and Composed by MICHAEL JACKSON Moderately fast No chord They told him, “Don't They'reout to get come a-round here. Don't wan-na see your face; you bet - ter leave while you can. Don’t wan-na be a boy; you wan - na Boat t-3-1 © 1982 MUAG MUSIC (BM) All Fights Administered by WARNER-TAMERLANE PUBLISHING CORP. (BM) ‘All ights ReservedAt fi-re's in their eyes and their words are real - ly clear. So beat it, wan-na stay a - live; bet - ter. do what you can. So beat it, You bet- ter run; you bet - ter © do what you You have to show them that you're real - ly not Hf Hee wan-na see no blood.Don't be a _ma-cho man. You wan-na be tough; bet -ter playin’ with your life. This ain’t no truth or dare. They'll kick you, then they beat you, then they’ He HE a do what you can. So beat it. But you wan - na be tell you jis fair. So beat it But you wan - na beEm D No_— one wants to be de - feat beat it, in’ how funk - y and strong is your _fight. i mat - ter who’s__ HH wrong or right. Just beat it. just Beatlt-3-3 D. Sand fade2 BAD Song and Lyrics Written by Music Composed by MICHAEL JACKSON DALLAS AUSTIN, BRUCE SWEDIEN and RENE MOORE Moderately slow J= 96 Fm? Ea - - . ne mf Verse: Fm7 1.Told me that you're do - in’ wrong. 3.Hell all up in Hol-ly - wood,_ Word out shock-in’ all a - Jone. say - in’ that you got it good. mH 288 {© 1095 MIJAC MUSIC (BMI), EMI APRIL MUSIC, INC. (ASCAP), DARP MUSIC (ASCAP), BRUCE SWEDIEN PUBLISHING (ASCAP) and RENE MOORE MUSIC, INC. (ASCAP) [A Rights on behalf MUIAC MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP, (2M) "Al Fights ReservedCry - in’ wolf ain't like a man._ ‘Throw-in’ rocks to hide your hand. Creep-in’ from a dus - ty hole._ Tales of what some-bod = y told. Bridge: AS Bim AWC = ie = ge You ain’t_ done e - nough. for me, you ain't done e - nough. for me. What do you want__ from me? ‘What do you ——want_._ from me? GmiF Dbmaj? Fm? You are dis - gust - in’ me, Yeah,_______yeah. Tired of you haunt - ing me. Yeah, yeah, ow ~ 2634-7-2Dbmaj7 i You're aim - ing just for me, You're aim - ing just for me, Dbmaj7 ner Just. want your cut__._ from me, You got blood —lust___ for me, fi 3 Verse: 2.Look who just walked in the place. 4.Look who got slapped in the face. Bbm you are dis - gust - in’ me, you are EWI dis - gust - in’ me. CVE 2Bad-7-310 Dead and stuf-fy in the face._ Look who's stand-ing, if you please. dead and stuffy in the place._ Right back where I” wan-na be.— Though you tried to bring me to my _ knees... T'm stand - in’ though you're kick - in’ me. Chorus: Em7 BUF @ b at 2 bad, 2 bad a-boutit, why don’t you scream and shout it? 2 bad, 2 bad a-bout it, a2 D293 at MFI As ATI 2Bad-7-4DWF Fm? _& why don’t you just scream and shout it? 2 bad, 2 bad a-bout it, why don’t you scream and shout it? jf. DIGS ott Sa DWE 1. DWF on Ee why don’t you just scream and shout it? why don’t you just scream and shout it? b; Fm7 BUF ae 2 bad, 2 bad —a-bout it, why don’t you scream and shoutit? 2 bad, 2 bad a-boutit, o1 DTG ot Wiad bd bITa DWF a 2 why don’t you just scream and shout it? 2 bad, 2 bad a-boutit, why don't you scream and shout it? jd DLA tt JQ fd 2Bad-7-512 BWE ae ? . why don't you just’ scream and shout it? Fm7 Life's about a dream, I'm real-ly un-de - feat-ed when M. J.’s on my team, Re-al-i-ty brings forth. re-a-li-zm. It's the man of steel or-gan-i-un, — ‘twi-zm, not from the pri-zm. Take charge like Man-il- la, Nine five Shaq re-pre-sent with the Thril-la, A, —~,: 2ead-7-6crotch, twist my _knee, then I'mthrough, Mike's bad, I'm bad, who are you? ~ — Fm7 BYE 2 bad —a-bout it, why don’t you scream and shout it? 2 bad, 2 bad a-boutit, dl dfn od QI bl bt DWE a is why don’t you just scream and shout it? 2 bad, 2 bad a-boutit, why don’t you scream and shout it? 2 d)FGF td) TSI BE Repeat as desired (vocal ad lib.) fee . \ NC. 2 bad, 2 bad a-boutit, why don’t you just screamand shout it? 2 bad, 2 bad a-boutit. ai DLAF. +, 28ed-7-74 THRILLER Words and Music by Moderately bright ROD TEMPERTON Cim | E Fe CHm7 SS — Ke It’s close to mid is e-vil's lurk- in’ in the dark. ‘You hear the door— re - al - ize there's no-where left to run. They're out to get you. There's de-monsclos-in’ in on ev-'y — & Thiltor-6-1 © 1982, 1988 RODSONGS (PRS) {All Rights Administered by RONDOR MUSIC (Londen) LTD. (PRS) ‘Admiistred inthe U.S. and Canada by ALMO MUSIC CORP. (ASCAP) "All Fights Reserve Intemational Copyright Secured15 FR7 — Un-der the moon You feel the cold _— hand, They will pos - sess you. & c#m7 FAT 4 ae i see a sight that al-most stops your heart——— You try to scream, won-der if you'll ev-er see the sun. You close your eyes, less you change that num-ber on your dial. Now is the time ~ a ter -ror takes_the sound.be - fore. you make it. You start to freeze. hope that this— is just_ i- mag - i-na - tion. But all the while,. you and I to cud - dle close to-geth - er. ‘All thru the night $ Thier 6-216 as hor -ror looks-you right_ be -tween. the eyes. You're par - a - lyzed. you hear the crea-ture creep - in’ up— be-hind. You're out of time, TH save you from the ter - ror on— the screen.— T'll_ make you see —— FR C#m7 fa = °Cause this is thrill, = er,— thrill - er — "Cause this is thrill, = er— thrill - er night. There that this is thrill - er FHT Fim7 fet a — no one’s gon- na save you from the beast a - bout to strike You know, it's ain't’ no sec- ond chance_ a - gainst the thing with for - ty eyes. You know, it’s I could thrill you more than an-y ghost would dare to try. Girl, this is ‘Thiler- 6-37 C#m E FR Ctm7 FR7 onan beget ama” = FRR To Coda thrill - er night. You're fight-ing for your life in- side a thrill - er night. You're fight-ing for your life in -side a thrill - er night, so Tet me hold you tight. and share a AB C#m? aa at kill- er thrill-er to a7 FR7 AB chm E FR7 Thaler-6-418 Amaj9 dead start towalk in_ their mas - quer-ade. ze E/B cae noes = cap - in the jaws of ___ the a Amaj7 G#7sust fm This is_ the end of your Coda AT FAT AB Cm 6 GH Ban eel Ea kill - er thrill-er. Ther 6-5 Bo Ctm7 i! They're 0 + pen _+ iF Gk7 Af fe a) SYal Coda19 Repeat ad lib for rap Cm ate, ace Bict Ftict RAP: Darkness falls across the land. ‘The midnight hour is close at hand. Creatures crawl in search of blood To terrorize y'aw!’s neighborhood. ‘And whosoever shall be found Without the soul for getting down Must stand and face the hounds of hell ‘And rot inside a corpse's shell. The foulest stench is in the air, The funk of forty thousand years, ‘And grizzly ghouls from every tomb ‘Are closing in to seal your doom. ‘And though you fight to stay alive, Your body starts to shiver, For no mere mortal can resist ‘The evil of a thriller. Thier -6-6SMOOTH CRIMINAL Written and Composed by MICHAEL JACKSON Moderately op © op og ea ae Ey ed it’ was the sound of ‘Smooth Criminal 12-1 © 1987 Mac MUSIC ‘All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. ‘All ights Reserved21 op ° op Am He came in - to her a-part-ment, he left the blood-stains on the car - pet op Am es ae She ran un-der-neath the ta - ble, he could see she was un-a - ble, op ° GIB Am, F So she ran in - to the bed -room, struck down. An-nie, are you OK? So An-nie, are you O cB ‘Smooth Criminal - 12-22 An-nie, are you OK? ‘An-nie, are you O K? ‘An-nie, are you OK? An-nie, are you 0 Bust ig ie An-nie, are you OK? An-nie, are you © K? cB B cap (An-nie, are you OK?) (Will you tellus that you're OK?) ‘Smooth Criminal - 12-30 ) Bz fe (There's a sign in the win - dow) (that he struck you a cre-scen - do, An - nie.) (He came in - to your a-part-ment.) (He left the _blood-stains on the car - pet.) a a = cr £ (Then you ran in - to the bed-room,) (you were struck down.) (it was your doom.) An-nie, are you OK? So An-nie, are you O Kk? BB Smooth Criminal 12-4An-nie, are you OK? An-nie, are you OK? wa An-nie, are you OK? So An-nie, are you OQ K? you've been hit a smooth ‘Smooth Criminal - 12-5opp c op ei ra a a2 So they came in- to the out - way, it was Sun-day — What a black day. ° op F Mouth to mouth re- sus -ci - ta - tion, sound-ing heart-beats_ — in tim - i - da - tions. An-nie, are you OK? So An-nie, are you O K? BS ‘Smooth Criminal -12-6& An-nie, are you O 2 So An-nie, are you O — K? ‘Are you OK, An-nie? An-nie, are you OK? An-nie, are you OK? An-nie, are you OK? So An-nie, are you O — K? Are you OK, An-nie? An-nie, are you OK? An-nie, are you OK? ‘An-nie, are you OK? So An-nie, are you OK? ‘Smooth Criminal -12-727 Am # oe ho (An-nie, are you OK?) (Will you tell “us| — that you're kK?) En if et (There's a signin the win - dow) (that he struck you fe (He came in - to your a- part-ment,) (left the blood-stains on the car - pet.) (Then you ran in - to the bed-room,) (you were struck down.) (It_was your doom.) ‘Smooth Criminal = 12-828 (An-nie, are you OK? (So An-nie, are you O K2) (Are you OK, An-nie?) 3 op (You've been hit by,_) (you've been struck by - a smooth crim-i op op ° ° 2 C) = Ei Am Nc. ef (Spoken:) Okay, I want everybody to clear the area right now! paoy! (Rumble noise) Smooth Ceiminal- 12-9Gp op og Am op op og 2 0 Gp 6 GB og 2 op op og eo ape Seth Criminal - 12-10Repeat and Fade Ro Am § ®@ es aa 1 don't know!___ I don't know! __ Dad gone it ba = by! Dad gone it ba ~ by! (An-nie, are you OK?) that you're OK?) ‘Smooth Criminal = 12-1131 1 don’t know! (It was your doom, An - nie! Dad gone it! (Then you ran in- to the bed-room,) (you were struck down.) (It was your doom, An - nie) ‘Smooth Criminal - 12 1232 THE GIRL IS MINE Written and Composed by MICHAEL JACKSON ra Moderately slow, in2(Jd-J >) Am: D6/E is D/E a He aa Amaj9 Amaj9 D/E D6/E night she walks. right in my dreams, un - der - stand. the © way—— you think, build your hopes. to be____ let down, Pcie ‘The Gi Is Mine -5-1 © 1982 MAC MUSIC (BM) [A Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. (BMI) Al Fights Reservedmet her that she’s real - ly ly one ly dreams, — for her, Bm7 Tho Gi Is Mine -5-2 from_ the T'm yours, not feel_— it's Amaj9 so proud Send-ing ros - es Iknow she'll tell you am the and— your Tm_ the Amai9 F#7sus4 HH FR who is spe - cial in her heart. real- ly just a waste. of ~—_‘time,__ “cause she said blow her — mind. Bm7/E 0. the dog - gone the dog - gone the dog - gone 33 D6/E aAmaj9 D6/E Amaj9 FHTsus4 Bm7 Bm7/E me im I know she’s mine, Don't waste your time, —_ Don't waste your time, Amaj9 D6/E fee To Coda z ~__ Amaj9 D/E [- a. love you rs ‘The Git Is Mine 5-335 Amaj9 D6/E sie HA Take you an i ad y -where. mi He maj WS The Gi Is Mine -5-4ra? De ts fy hp al — both can-not —have___ her, or the oth - er day you'll dis - coy - that she’s = D/E FRR D.S$al Coda} — Coda Amajo FE 7sus4 ‘my girl we Mol ARE faa Ah,— don't Repeat (vocal ad lib) and fade Bmaj E6/FR Bmaj9 E/FE Ae AA HE ads ade The Git Mine - 5-537 THEY DON’T CARE ABOUT US Written and Composed by MICHAEL JACKSON Moderately slow J = 88 Verse: NC. 1. Skin head, dead head, ev-ery-bod-y gone bad. Sit-u-a-tion, ag-grav-a-tion, ev-ery-bod-y_al-leg-a-tion. 2. Beat me, hate me, you can nev-er break me. Will me, thrill me, —youcannev-er kill me. 3. Skin head, dead head, ev-ery-bod-y gone bad. Trep-i-da-tion, spe-cu -la-tion, ev-ery-bod-y_al-leg-a-tion. In the suite, on the news ev-ery-bod-y dog food. Bang, bang, shock dead, ev - ery-bod-y's gone mad. Chew me, sue me, ev-ery-bod-y do me. Kick’ me, hike me, don't you black or white me. Jn the suite, on the news ev-ery-bod-y dog food. Black man, black-mail, throw'the broth-er in jail. c Dm a All I wan-na say is that All I wan-na say is that All I wan-na say is that they don’t real - ly care a - bout they don’t real - ly care a - bout they don’t real - ly care a = bout ‘They Don't Care About Us +7 =1 (© 1995 MluAc MUSIC (BM) |All Rights Administered by WARNER. TAMERLANE PUBLISHING CORP. (BM) ‘Al ights Reserved38 Bb 1. 2.3. ihe a Dm Dm BA All I wan-na say is that they don’treal-ly care a - bout. us. All I wan-na say is that they don’t real-ly care a - bout All I wan-na say is that they don’t real-ly care a - bout_ Chorus: Tell me what has be - come. of my life? I have a wife and two chil - dren who love_ me. Tell me what has be -come_ of my rights? Am I in-vis-i- ble ‘cause_ you ig- nore. me? Dm @ Be Al op beet go a Tam the vic-tim of po-lice br - tal - i Your proc -la- ma-tion prom-ised me free lib - ‘They Don't Care About Us -7-239 I'mtired of be-in’ the vic - tim of hate, you're rap - in’ me of my pride,_ob, for God’s_ sake.— T'mtired of be-in’ the vie - tim of shame, they're throw-in’ me in a class_with a bad_ name. 1. AT D.C.1R, I look to heav-en to ful-fill its pro-phe - cy. Set_ me free. I can’t be-lieve this is the land from which I % Bridge: Bb fe Ey ) do hate to say it, the gov-ern - ment don’t wan - na see. Some things in life they just don’t wan - na see ‘Thay Don't Care About Us -7 340 Roo - se - velt_ Mar - tin Luth - er Verse: Dm iB a 4, Skin head, dead-head, ev-ery-bod-y gone bad. 5. Skin head, dead-head, ev-ery-bod-y gone bad. Beat me, bash — me, In the suite, on the news ‘They Dont Care About Us-7-4 he would- n't let this. be, no, he would- n't let this be. you can nev-er trash me. Hit me, ev-ery-bod-y dog food. Situ - a-tion, spec-ul - a-tion, eve-ry-bod-y lit - i - ga-tion, Sit-u - a-tion, se-gre-ga-tion, eve-ry-bod-y al -leg - a-tion. kick me, you can nev-er get me. Kick me, hike me, don't you wrong or right me.al Eo | ie All I wan-na say is that they don’t real - ly care a - bout us. All I wan-na say is that they don’t real - ly care a - bout us. To Coda & Dm ie E All I wan-na say is that they don’t real-ly care a- bout. us, All I wan-na say is that they don’t real-ly care a - bout_ ‘They Dont Care About Us~7-542 DS. % al Coda © Coda they don’t real - ly care a - bout mR Ey HE IT wan-na say is that they don’t real - ly care a - bout, ‘They Don't Care About Us -7-64B Bb Ee) z Bb e all I wan-na say is that they don’t real-ly care a- bout,. all I wan-na say is that they don’t real-ly care a - bout (us.) (us.) DS CS. DSS DS. CS. DS. CS Dm CD Dm OD Dm CD Dm CD Dm CD Dm Dm A7 DA AT bas ie a ‘They Don't Care About Us - 7-7BILLIE JEAN Written and Composed by MICHAEL JACKSON Moderately bright Fam G#m/F# Gim/FH Fim GHm/FR ARBRE A ff HR Fem? Gtm/FE F#m Gtm/Ft Fim7 Gtm/FE Hf AR fim = GR ma” A She was more like a beau - ty queen from a mov - ie scene. For for - ty days and for for - tynights, law was on her side. Fim Gtm/Fe Fm? Gb m/Fe FR Aa” = I said don’t mind, but what do you mean Iam the one But who can stand when she’s in ‘de - mand, her schemes and _—_plans,_ Bille Jean 4-1 © 1982, 1983 MUJAC MUSIC [Al Fights Administored by WARNER-TAMERLANE PUBLISHING CORP. (BMI) ‘All Rights ReservedF#m? Gim/F# fe, Shesaid So take Fim Fim7 Ana 1 my_sti Ghm/FR fon the floor the floor— on Bm7 Aaa oS am the one rrong_ ad - vice: Fim? = G#m/F# 4 fe ra G#m/Fe rte Bie Jean - 4-2 Jean three, and she looked Hae as she caused a scene. at me, just Fm the round?_. the round.— in in — dance re - mem-ber who will Gtm/Fe fir ff me my Fem fi Gtm/Fe Then ev - ‘ty then showed a on the her ba - by head turned pho - to. 45 Gtm/FA inthe round... think floor al - ways name was we with’ MyFam? Gime Bm7 — SS o — thatdreamedof be- ing the one__ who will dance on the floor_ in the round... by cried. His eyes were like mine. Can we dance on the floor_ in the round?_ Fim G#m/F# Fem? — G#m/Fe fi? GA a” ways told___me, ways told____me, Fm fe it care - ful of what you do. ‘And don’t go a-round break-in’ young girls’ care- ful of what you do. ‘And don’t go a-round break-in’ young girls’ Fem D Fm And Moth-er al = ways told. me, be_—_—_care - ful of who youlove. And be But youcame and stood_right by me, just a smell of sweet__per-fume. This Fe47 D cy Fkm = Gtm/F# Ha in ‘A Fal care-ful of what you do_ ‘cause the lie be - comesthe truth. He 4 hap-penedmuch_ too soon... She called me to herroom. He} jean— is & es Fim? | Gém/Fé Fim Gtm/FH Fim? Gtm/Fe Bm7 jE fa & Aa” FRR aR A not my lov = er. She's just a girlwho claimsthat I_ am the one, Fim G#m/F# Fem7 Gtm/FH Bm7 A a GRR FR ae She says I__ am the one,— 3 D. S$ and fade Fim? Gtm/F# Fim? Gtm/F# ra A FRE FA. not my Bile Joan - 4-4WILL YOU BE THERE (from “Free Willy”) Written and Composed by MICHAEL JACKSON Freely (Angel's Intro) oS ° Moderate Gospel feel > fn = Emp Emp Eto HPO (Piano Intro) a Wit You Be There -8 -1 1991, 1992 MAC MUSIC [Al lghs Administered by WARNER. TAMERLANE PUBLISHING CORP. AA Fights Reserved49 mp = like the Riv - and I will then tell me will when wrong, will you you my friend. when lost will’ you find like you are my broth - er— Love me ike a a man should be faith - and walk when not50 and fight till the end but Im on-ly hu- man. to i sf ef Wit You Be There - 8-2i Ev- ery-one's tak- ing con-trol of me,— seems that the world’s got a role for me.— 3 3 3 3 Tm so con-fused,will you show to me— you'll be there for me— and care— e-nough to bear me, 3 3 lay your head low - soft-ly then bold - ly— car-1yTne love me and feed kiss me and free me— T will feel E Fine FE GtimFt Wil You Be There -8 -452 Fe FE GimiFt FE GimFi lift me up slow - ly— carry me there. softly you say to me T will be there Bbm/Ab Ab lift me up slow - ly— cat-ry me bold - ly— lay your head low - ly— soft-ly then bold - ly— Blm/Ab Bbm/Ab Ab Ab 7 Ab Wi You Be There -8-5 Ab Bbm/Ab ab I will feel blessed.) show me you car- ry me Bhm/A>53 BhmvEb abyeb Bhm7 aby a F e Is on & m7 Bln? = ayc Bbm/Db Aeh —-BYT/E> Dye Rio ae HH. ia ? at 4 J54 Ab Bbm/Ab Ab Ab Dy Eb darkest hour, my deepest despair, will you still care? and my tribulations, through our doubts and frustrations turbulence, a through my fear violence, WillYou Be There -8-755 confessions. In my anguish through my at and my sorrow, the promise another tomorrow. let Wit You Be There -8-8 ll56 HEAL THE WORLD Written and Composed by PRELUDE BY MARTY PAICH MICHAEL JACKSON Free tempo Dmj7 ay Dmaj7 AIG Fhm7(addB) AY A HH mf Dmaj7— Amaj7ch._ = Bm qaap) 4 A 4 st Ht > Moderately slow A D/A Amaj7 D/A A ya Amaj7 m1 fat ar at A Chm? m7 /E, and I know—— that it is love.— ‘And this place— there's a love that can - not lie. Love is. strong, let our spir its nev - er die, — In my heart,— Heal he World - 7-1 © 1991 MUAC MUSIC (BM) ‘All Fights Adminstored by WARNER-TAMERLANE PUBLISHING CORP. (BMI) ‘All Fights Rosorved357 A Chm? Bae —— could be much bright - er 1 And if you — it on-ly cares of If we ty I feel you are Cre-ate a world. real- ly ty, you'll find there's no need— to In this place— = we shall see in this bliss— we can - not fear or dread. — with no fea —to-geth- er we cry _hap - py See the na - you'll feel there’s- no hurt or We stop ex - ist - ing and— start tions tum their swords in - to ways to get e-nough. for the liv - ing. feels that al - ways love's e-nough- for us grow - ing. So,make a real - ly get there, if you cared e-nough- for the liv - ing. Make a I Heal the World -7-258 lit- tle bet- ter lit tle ‘space,— world, space,— make it a tire hum- an race.— iff bet-terplace. for you and_ Heal the World - 7-3 There are bet-ter place. Bm7pp 70 Coda | 1-, arnt peo-ple dy - ing, D aim ifyou care e-nough.for the liv - ing, make a Bm RA Amaj7 fH for— me. If you want_59 dream we were— con- ceived. in will re-veal a joy- fulface.— ‘And the world weonce.be-lievedin will. shine a- gain in grace.. Fim D C7 whodowe— keep strangling life, wound this Bat Rmi/B DS.% al Coda} plain to see— this worldis heav - en- ly,— glow— Wecould fly— Heal the World -7-4Heal the world, make it a bet-ter place. Chn/Ft B Dimy/ay Gin _ Dim? je: rR ae fy you and— for me— and theen - tire humanrace... There are peo-ple dy - ing, ifyou care e-nough-for the liv - ing, make a bet-er place. for you Heal theworld,— make it a better place- for you and— for me— and— the en- Heal the Wodd- 7-561 Abn Efm7 FE Efm7 tire hum-an race... Thereare ——peo-ple dy - ing, if you care e-nough-for thelliv - ing, and— for— me. ‘There are peo-ple dy - ing, _ifyou better place—for you care enough-for the liv - ing, make a better place. for you and. for- me. ‘There are Atm Ef? il Ef? e-nough— for the liv - peo ple dy - Heal the World -7-662 bet-ter place for you and and— for— me, make a better place,— me, me, better place.— Heal the world we me, me. save it for— our save it for— our chil - dren.YOU ARE NOT ALONE Written and Composed by os R. KELLY BO) Slowly J= 69 ee 1, An-oth - er day_ has gone,. Tm still all a-lone_ I thought I heard you cry, Gim7 Cum? ie How could this be? You're not herewith me.__ ask - ing me to come and hold you in my arms._ Fi7sus BO) fee a Younev - er said_ good-bye, some-one tell me why I can hear your prayers,_ your bur-dens I will bear.— You Are Not Alone -7 1 {© 1995 ZOMBA SONGS INCA. KELLY PUBLISHING, INC. Adm. by ZOMBA SONGS INC.) All Rights ReservedGim7 Cem? did you have. to and leave my world but first “I need_ your so for -ev-er can Fe7sus Amaj713 Gi7ds) and ask my-self_ E Cam Enel Fy did love slip a - way. Some-thing whis - pers in my ear and says: You Are Not Alone -7 -2Chorus: 6 Fi7sus BIFY BO) = Ee ee that you are not_ a - lone,__ Gim7 Cim7 Though you're fara - way, Fi7sus BIFy BO) a fi ee For you are nota - lone, Gtm7 Cim7 ‘Though we're far you're al - ways in___ my heart, You Are Not Alone -7-3Fy7sus BIFY BQ) Gmaj7_ AIG. BO) a Gmaj7 Cim7/FH 1 2. Just the oth - i Whis-per__ three words_ then I'll___come You Are Not Alone -7 467 Em? i AIG And girl, you know. that ‘Tbe Dm7/G T'llbe there. You are not_ a lone, DMO) Bbm7 a es Tam here. with you, ‘Though you're far aa DB/Ab = ij EG Tam hereto. stay. a= lone,— You Ate Not Alona -7-568 Bbm7 am here. with you, ‘Though we're far Ebm7 EWBb = « & you're al - ways in__ my heart, You are not_ a= lone, = Eb) Cm? El = Tam herewith you. ‘Though you're far__ Eb/Bb a i Tam here. to stay. For you are not a= lone, You Are Not Alone -7-669 Cm7 ie am here with you. ‘Though we're far__ Fm7 Bb7sus EWBb Ea 2] EB you're al - ways in my heart For you are not. BHO) Chmaj7 Di Eb ie 8 = You're not a-lone,. you are nota - lone, ae) Chmaj7 Db6 Eb Repeat ad lib. and fade iy ia a Say it again. You're not a-lone,_ you are not a-lone,__ not a-lone,_not a-lone._ You Are Not Alone -7-770 BAD Written and Composed by MICHAEL JACKSON Medium Dance Groove Ds oS Sos * H« i“ ED No Chord butt is mine, tell you giv - ing you count of, * These chords contain no 3rds. Bad-8-1 © 1987 MUAC MUSIC (BM) All Fights Administered by WARNER-TAMERLANE PUBLISHING CORP, (BMI) ‘All Fights ReservednN show your face in broad, day = light. show your stuff’ or let. it be. tell - ing you, on how 1 tell - ing you, just watch your hurt your mind, don’t shoot to kill know your game, what Al right,nn Well, they Bm? Chen that’s real = ly { fiend soy have seen a + ter don't get through. my face. >Amt B 9 Amt ste. ps Am? D9 De Michal: FE Fife. a. aia. You know I'm — bad, real -ly, real-ly, bad.) To Coda Amt bs An? ABs si je gs aa. you know it, You know I'm _ bad, I'm bad, {or on fice know. real-ly, real-ly, bad.) real-ly, real-ly, bad.) *(And the bs FB an. bs Am? Am? whole world has to an_- swer right now just to a - gain. Who's bad... whole world has to an - swer right now “Sing the lyrics between the asterisks 2nd time only. aug-0-4 NB ME lyFER (Michael) word is out, 2. (Instrumental solo). Am? be Gon-na lock you up.Tan ” = make a fight.__ ‘Ami om fa throw = in’ stones, 2: Amt bo. \Ati7 bo DS at Coda® se. Rac. Rise. Fare But they = ____________(End solo) We can16 © cote, o» Fon. Am? st. EB ae. know it, you know, real - ly, real - ly, bad.) (And the Repeat 4 Times ar Am? pe = po HR se. HERS. whole world has to an + swer right now, just to Am? bs tell you once bp Am? po You know I'm real-ly, real-ly bad.) AmT po ‘Ese. you know it, real-ly, real-ly bad.) you know it, you know, you know, you1 ‘And the whole world has to an - swer right now, just to real - ly, real - ly bad...) + swer right now, just to ” Vain Dy FB ate. st. Ban. fae 123. ‘Am’ tell you once a ~ gain. Who's bad? tell you once a - gain...) tell you once a Additional Lyrics (For repeat) You know I'm smooth-I'm You know I'm bad, I'm bad~ ‘bad-you know it you know it (Bad bad-really, really bad) (Bad bad-really, really bad) You know I'm bad-I'm You know I'm bad-you. know-hoo! ‘bad baby (Bad bad-really, really bad) (Bad bad-really, really bad) You know I'm bad-I'm bad- You know, you know, you 2 know it, you know know itscome on (Bad bad-really, really bad) (Bad bad-really, really bad) And the whole world has to And the whole world has to answer right now answer right now (And the whole world has to (And the whole world has to ‘answer right now) answer right now) Just to tell you once again, Woo! lust to tell you once Gust to tell you once again)8 SHE’S OUT OF MY LIFE Slowly, with feeling Written and Composed by TOM BAHLER Esus Esus E She's out of my life, she's out of my life. (He's) JEN (He's) 3 LX mp atempo aa Gdim7 EG} B/A Gem? Cym7 Ht eal By Ea > And I don't know wheth-er___ to. laugh 3 Fem Finv/E Dym7(b5) G47(b9) GET Cim A 8, ae Ee a Idon't know wheth-er___ to live or. die, and it cuts like a knife, _ 3 a 5 1 fF ee art © 1979 WARNER-TAMERLANE PUBLISHING CORP. (BM), FIDDLEBACK MUSIC PUBLISHING CO,, INC. (BMl) and CAREERS-BMG MUSIC PUBLISHING, INC. (Bk) ‘Al Rghls Reserved19 Fim7 Fem7/B B E i GS > she’s out of my ife, (He's) Esus E Esus E i EB It's. out of my hands, it's out of my hands. 3 Gaim A BIA Gim7 Chm? Pl ee zi iy ee i <3. — To think for two years. a Fim? Fi Djmn765) Gy7b9) GH Cim # 8, & Se 3 and I took it for grant-ed, 3 ‘She's Out of My Life - 4-2EIGE Fem7 F}m7/B i Ee EB fae i Re way that it stands she’s out of my hands. a |___$_—__—__ GID ANCE EB. D ay ve i And so I've leaned that love's not posses - sion, D A fee =r and I've learned that love won't wait Now I've leamed Gury Cie A Fem pe that love needs ex-pres - sion, but I. learned_______ too And she’s _—~ —— ——_=_= ‘Sho's Outot My Life- 4-381 Esus E Esus E Cydim7 Ee Ee Fe fin: HE E en out____of my life, she’s out of my life 3 3 a tempo BIA Gim7 Chm7 i ae ; ae cal Fea Damned in-de-ci - sion and cur-sed pride, SS i S Fim? Fim/E Dim7(b5) Gy7069) Cim # Es et ). —_—_——— and it cuts like a knife (‘stead of —be-ing my wife 3 I kept my love for her. locked deep in - side, 2 w. => BIA EQ) Fim? Fim7/B OBOE. A fa fe | RE ie a a she’s outof my life. (He's) eee rit, e dim, a | ea She's Out of My Lito 4-482 MAN IN THE MIRROR Words and Music by SIEDAH GARRETT and GLEN BALLARD Medium Pedal T’'m gon-na make a change,— once in my. I's gon-na feel___ real__ good, gon-na make a diff-erence, Man in the Miror= 13-1 (© 1987 Yolowovick Road Music, Universal = MCA Music Publishing, "A Division of Universal Studios, Inc. and Aerostation Corporation {All Fights for Yelowbrick Read Music Administored by WB Music Crp. [AI Fights for Aarosation Corporation Administered by Universal -MCA Music Publishing, ‘8 Division of Universal Stusis, Ine. ‘Al Rights Reservedtur up the col-lar on my fav-orite win-ter coat, — this wind is blow-in’ my mind, 1 see the kids — im the street__ with not €-nough to eat. to be blind? Pre-tend-ing not to Amt(addD) op ‘A. sum-mer’s dis - re- gard, a bro-ken bot - tle top, Man inthe Miror- 13-2op ciadaD) ‘Am7{adaD) ° and a one_man’s soul. __ They fol- low each oth- er on the wind, op. CadaD) cp ya’ know, Teause they got. vn that's why I want you to know, 3 G(edaaye aa GaddayB af Tm start-ing with the man__ in the mir-ror, Tm ask ing him to Geadeay a act # $8 anh Pe He change his ways. ‘And no mes-sage could have been an - y clear-er: Mania the Minor 13 +3pies ig Wan-na make the world wan-na make the world a bet = ter place— take a a bet - ter place,.) (take a look at your-self, look at your-self, 85 cp a and then make a change. and then make a change.) (Na na na, a Dre fal T've been a vie-tim of ___ Cada) pee It's time that I re- al-ize, that there are Manin the Miror- 13-4 2 selfish kind of love, DFE some with no home, —86 Em? ctadaD) nick-el to loan. Could it be real-ly me,___pretend-ing that they're not a Am7(addD) op teaaD) wil-low deep-ly scarred, some-bod-y’s brok-en heart, and a washed out dream. GGaddaye ‘Am7(adaD) om They follow the pat-tern of (Washed out dream.) that’s why Im start - ing (Start - ing Man in the Mietor- 13-5 "cause they got with with87 G(aaaayB att ep GfadaayB Michae: FREE et start-ing with the the mir-ror, Tm ask-ing him to c cp Gaasays ane © alc DI+9, aR HE wan-na make the world a bet - ter place, take a wan-na make the world a bet - ter place) (take a Manin tho Miror= 13 -6 i ait88 your - self Ab AbjadaBbyC a look at your-self and then make that start - ing with the Took at your-self and then make that. change! o> ies a” Abeaashyc ae iti Peat the mir-ror, the mir- ror, Man inthe Miror- 13-7Fy oes rn ahasasbyc » mes - sage (Bet-ter Bh B49 been an = y clear-er. wan-na make the world abet ~ ter place,) change) (You got Man in the Miror = 13-890 Bb+9K+5) Hs. close your, your get it right, while you got the time) (‘Cause when you close your heart.) (then you close your cot Oy D> Dib a AkessBV uh that man, in the mir-ror, fi ® sa fJir3w: 3 the mir-ror, ‘Akaaabyc o Dhb a En ‘ask - ing him to change——— his ways. ~J7Ti4_, Man inthe Mirtor- 13-991 AbyaddByc Db Bhp ab a fe. Bee FR No ‘mes - sage could have been an = y clearer. fa iba change!) the at your - self your - self Manin tho Mior - 13-1092 B Fm? Fie Hoo! Be “e Re Hoo! Hoo! — Bb Ab Fm? Dhacaeh ee a we, FER GEE roo! Gonenafeel real good—..now! Yeah yeah! Yeah tJ ws a yeah! Yegh yeah! HB Oh no, nono. 2 ovdy t t a S (Ooooh. So = = ‘Man in tho Misor = 13-1493 Dhyaddbs) Fe > I'm gon-na make a change, It's gon-na feel real good! Come on! Just lift your ~ self, You've got to stop it. Your - Play 4 times (See addtitional lyrics) Tye got to make that oe A Ro Men inthe Miror- 13-12the mir-ror,) Dhyaaath) you got to not let your - self, _broth-er. Spoken Make that change ‘Additional Lyrics for repeat: (Weah!-Make’ that change) You know-l've got to get that man, that man... (Man in the mirror) ‘ou've got 10 ‘You've got t0 move! Come ‘on! Come on! You pot ig. tand up! Sand up! eat Ma that change) tand up and eo oat (Man in the mirror) joo! Hoo! Hoo! ‘Aaow! Qeah Make that change) jonna make that change... come on! You know it! San Make hat chang. Man inthe Mitr = 13-13,95, THE WAY YOU MAKE ME FEEL Written and Composed by Medien, Rock MICHAEL JACKSON DE Dmaj7/E fo =. E DE E Dmaj7E E DE 4 4 4 ‘The Way You Make Mo Fool - 9-1 © 1987 MJAC MUSIC (0M) ‘Al Rights Administerd by WARNER-TAMERLANE PUBLISHING CORP. (MI) ‘Al ights Reserved96 Dmaj7/E DE Dmaj7/e Dmmaj7/E +p Hey, pret - ty ba - by with the — high 1 like the feel - in’ you're. iv E DE E Dmaj7/E you give me fev - er like just hold = me ba - by, and___ E DE BE Dmaji/E ‘You're just a prod - uct of On, Til be work - in’ from ‘The Way You Make Me Feel-9-2E Die E DmajT/E 97 fee ai fa aa I like the groove of ‘your to buy you things___ to ie A oma A Gia % | & 8 ie a Til pick you up in my I feel your fev - er from Just pro - mise ba-by, you'll Inev - er felt so in DE Just kiss me_-ba - by and 1 swear I'm keep - in’ you eB ie a inf tell me_ twice. that you're the one for me) the we 5 we Hal sat - is - fied,— “cause you're the one for me. ‘ay you make me feel— 4 y ‘The Way You Make Me Feel -9-998 DmaiV/E E DE E Dmaj7/E E Michael a fee nt iat rt red you real - ly turn The way you make you real - ly turn me on. pe pe i You knock me off of my feet. My lone = ly & : You knock me off of my feet now, ba = by, ret y lone - ly days are gone.— You knock me off of my feet. aay aE maine To Coda O DE 2. acha-a-ooh! My lone - ly days k 4 * Second time only. ‘The Way You Make Mo Feel-9- 4Go on girl! D.S% (Lyric 2) at Coda ® 4 4 The Way You Make Me Feel- 9-5100 Play 3x (See ‘eae DE ® Coda icra you make The way DIE E additonal Iytes) a you make E DE Eg you real - ly turn_me on. you real - ly turn me Dmai7/E E My lone - You knock —me_ off of my “The Way You Mako Me Feel-9-6 You knock me off of my feet_. DE E ly days101 Dmajt/E E DE ane Ain't no - bod-y's busi - Chik-a - chik-a - Chik-a ¥ ¥ F ‘The Way You Make Me Feel- 9-7102 Go on, girl! 4 4 Repeat and Fade-Chorus onl = "mali DE E ae ‘The way you make Dmai7/E E DE “The Way You Make Me Feel-9-8E Dmsj7/e You knock E Dmaj7/E My lone = ly days 4 Additional Lyrics for Ain't nobody's: ‘Suances int nobody's business (ihe way you make oe ee) Kin’ nobody's business. Aint nobody's Pass but (You really tur me’on) fete oak me ot ot He eet Gon! (by lonely days are gone) Give itto megive me some time 1c rw 90 jou make me feel) me on Be my girl wanna be with mine (You really turn me on) Ain't nobady’s business ‘The Way You Make Me Feel -8-9 DE 103 DE (You knock me off of my feet) Ain't nobody’s business but mine and my baby's Go on girl! Aaow! (My lonely days are gone) jee hee! Aaow! Chika-c Chika-chika-chika Go on girl-Hee hee! whe way you make me feel) lee hee hee! ‘ou really turn me on) ‘ou knock me off my feet) (My lonely days are gone) whe way you make me feel) ‘ou really turn me on) ‘ou knock me off my feet) ly lonely days are gone)DON’T STOP ’TIL YOU GET ENOUGH Written and Composed by MICHAEL JACKSON Moderately slow J = 102 NC. mf (Spoken:) You know I was, Iwas wondering, you know, that if we should keep on, because the force, it, it's got a lot of power, and you make me feel like, you make me feel ike... 00. He Ee i (strings) Dont Stop TH You Get Enough - 8 1 (© 1979 MIRAN MUSIC (BM) {All Rights Administered by WARNER. TAMERLANE PUBLISHING CORP. (Bt) ‘Al Rights Reserved105 Verse: Efe Ey is the feel - and I feel er tem-p’ractures Ain't noth ~ ing like a Dont Stop "Ti You Get Enough -8-2Pow - er is the force, the— melt ~ ing like hot can - dle 3.Heart - break, en-e - my that makes it a and there's no Sen - sa - tion love - ly E - ter - nal love shines , AB Hy ee ques - tions why. get clo - ser, where we're at so let love. in my_ eyes. so let _love Don’ Stop Ti You Get Enough -8-3107 Ee —— = to my bod - y__ now, so = take us through the hours. I won't be com- = take us through the hours, I won't be com- Fe cy — love me, “til you know _ how. plain - ing, this “is pow - er, plain - ing. Your love is mine. ‘Chorus: Amaj7/B ee Keep on, with the force, don’t stop. _-‘Don’tstop til you get e-nough._ Keep on with the force, don’t stop. stop ‘til you get e - nough.. Keep on_ Don't Stop TH You Get Enough -8-4108 Amaj7/B es with the force, don’t stop. Don't stop “til you get e - nowgh._ Keep on_ To Coda ON. a | Cada @ NC. with the force, don’t stop. Don’t stop til you get ~ nough._ Bm7/E BY Don't stop "til you get ~ nough._ Don't Stop Ti You Get Enough -8-5B AIB 2. Gam7 Hl . Ee _ (strings) Bee D.S.% al Coda Dont Stop You Get Enough - 8-6110 Verse: B AB ® Coda aEPE Don’t stop "til you get e-nough.— com-plain the force is Don't Stop You Get Enough -8-7mM Amaj7/B La with the force, don’t stop. stop ‘til you get e - nough.. Keep on_ with the force, don’t stop. stop til you get - nough._ Keep on_ Amaj7/B with the force, don’t stop. stop ‘til you get e - nough.. Keep on Repeat ad lib. and fade with the force, don’t. stop. Don’t stop "til you get e - nough._ Keep on. Dont Stop "Ti You Get Enough - 8-8SAY SAY SAY Words and Music by MICHAEL JACKSON and PAUL McCARTNEY 42120 sim 6 ; ? Gf _G8 a Bh” Eb ebm? Bbm? Eb Hi ebm? Bm what you want play___. games where you want leave me can nev - er say not — the one Bom? a sie al fal with my affect - ion. Take, take, take what you need but here for-ev - er. You, you, you stay a > way, so who real -ly loves you. 1 pray, pray, pray ev ory day that — ‘Say Say Say 4-1 © 1983 MIJAG MUSIC and MPL COMMUNICATIONS ING. ‘All Rights on behalf of MIJAC MUSIC. ‘Administered by WARNER: TAMERLANE PUBLISHING CORP. ‘Al Rights ReservedEbm? Bom Ebm 13 cat ie ate with no. di - rect - ion. All a-lone_ I sit home see you nev - er. What can I do _ gil, to. get irl, like I do.What can_I_do—— _ girl, to_get. =~ K ae bt by _ the phone — wait - ing for_you through to you? — ‘Cause 1 love-you ba - by through to. you? —— ‘Cause 1 love-you ba a at de ry Through the years_ how can you stand to hear my plead-ing_ for you dear? You know I’m crying, Stand - ing here— bap-tised in all my tears, ba by through the years, you know I’m crying, Stand - ing here bap-tised in all__ my tears, ba- by through the years, you know I'm crying! a Z3,2J7q To Coda ® ( Bbm Bbm7 eb 7 Bbm ooh ooh ooh ooh ooh, = Say Say Say-4-214 Eb Ebm? ae fet Zim EH (Oren Bm? Bbm Ebm? Bom allt ety aa * ev-er wor - Ty and younev-er shed a tear, ivaz2. J- Say Say Say-4-9Ab Se £0 15 at (Hs say-ing that love — ain't real, look at my face, these tears ain't dry-ing, mi. Pol pb Bbm & BEE tom ata x D.C. al Coda CODA ooh. Bbm Bbm? se Aue Ee Bbm a 4 ae Fade ‘say Say Say-4-4116 BLACK OR WHITE Written and Composed by Brightly MICHAEL JACKSON E, AE E AG E AE z AG E fa lS als ct EB I took my ba - by on a Sat - ur - day bang, ‘They print my mes - sage in the © ‘Sat - ur - day Sun, Boy, is that girl with you? Yes, we're one andthe I had to tell = them =" aint sec - ond to Back orwnie <6 © 1991 MLIAC MUSIC (BMA) [Al Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. (BMI) ‘Al Rights Reserved Rap Lyes Whiten by BILL BOTTRELL © 1901 IGNORANT MUSIC "All Fights Administered by WE MUSIC CORP. ‘A Fights Reserveduy I be- lieve. in mir - a-cles mir - a - cle has hap- pened to - night. told a-bout €- qual - i- ty, its true, ei - ther you're wrong or you're right. tell me you a- gree__ with me saw you kick - ing dirt in “my —eye.— if you're ‘think- in’ a-bout—my ba- by, it don't BE AE E A6 E a “““Ee © @ & mat- ter if you're black or white. Backor White - 6 -21 am tired. of this bus - ines, ‘when the go-ing gets rough. scared. of your broth - er, I aint scared. of no sheets. Black or White - 6-3B19 ES Gs 11g when the go- in’ gets tec - tion. for gangs, clubs,and na- tions, caus- ing grief in hu - man re-la - tions. I's a turf war, on a glo- bal scale, I'd rath- er hear both sides of the tale._ You see,it's not a- bout woke Waite - 6 = 41 Em6 AG ay i Em6 fac- es. Where your blood comes from is where your space is. T've seen the sharp get dull-er, I'm E AE EB A6 E ae DS. 9% al Coda . not go-ing to spend my life be-ing a cot-or. Don't said if you're by, thinkin! of ‘be-ingmy {, be 2 it don't mat-ter if youte black or white. 1. | 2 AG A6 EB A ie fm a am Black or White - 6 - 5Is it's white, it’s tough for them.to get by. its white, whoo. Black or White - 6 -6122 IN THE CLOSET Written and Composed by MICHAEL JACKSON and TEDDY RILEY Slowly and freely Bm Fim Em(addF#) Bm Fim ith Em(addF}) Bm Fim? Emu Bm 7 i q f 1 cannot contain myself when in your presence. I'm so humble, just. touch me. B FAT ed fe ‘Moderate Funk ‘No Chord Don't hide our love, Inthe Ciosat-8-1 ‘© 1991, 1992 MIJAC MUSIC, ZOMBA ENTERPRISES, INC. and DONRIL MUSIC ‘AL Fights on bohal of MIJAC MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. ‘Al Fights on behalf of DONRIL MUSIC Adminstored by ZOMBA ENTERPRISES, INC. ‘Al ights Rserves123 who makes me high. It’s worth the giv- ing, you have to soothe it. You can't neg - lect it, its worth a ty. T real-ly want it, You can - not cleave I's just de - si - Its just de - si - fur nace. ‘You can-not wet it, you can-not bum it waste it Then if you want it, then, won't you taste it } ‘She wants to give. love it. ‘Cause if its ach-ing, you have to rub it, cot -0-2 oeBmFt EQMFE = it (She wants to give it, aah, she wants to give it.) (She wants to give it, aahh,- Dare me. — she wants to give it) She wants to give— it.(She wants to give it, ahh, she wants to give it.) Yea, Gmaj7/Ft - oon oh (She wants to give it she wants to give it.) = she wants to give it) It’s just a f (Whispered): One thing in life you must understand, the truth of lust, woman to man. (Whispered): Just open the door and you will see, this passion burns inside of me. Inthe iosot -8-3So open the door and you will see, there are no secrets. Don't say to me youll never tell, touch me there. Make your move, set me free. Mak Var eva, eae “Spell, (Sung): Be ~ cause there's some- thing a- bout— you, ba - Bm FH D6 a that makes me— want to—__give ‘it to you. Gmaj7 FW Bm Gmaj7 Ege nm some-thinga- bout. (Spoken): Just promise me, whatever we say, Inthe Closet-@-4126 cimy-5 FW to each other, for now, we take a vow to just keep it in the closet. To Coda DS. $ (no repeat) al Coda Coda CmiB BEER In the Closot-8-5im 127 Be-cause there's some-thing a- bout— some- thing a- bout you, ba zi an B qi want. (Spoken): Just promise me Inthe Closet -8-6128 ff NC. whatever we say or whatever we do to each other, for now, we'll make a vow to just keep it in the closet. (She wants to give it Dare me. (She wants to give it.) Dare me. (She wants to give it, aahh,— she wants to. give it) Inthe Closet -8-7 (Aahh.— ) (Spoken): Keep it in the closet. (Aahh.— ) (Spoken): Keep it in the closet. (She wants to give it, aahh,-129 she wants to give it.) (She wants to give aahh,—— she wants to give it.) Dare me. Dare me. (She wants togive it, aah, she wants to giveit) — she wants to give it) (She wants to give it.) (Spoken): Keep it in the closet. Dare me. (Spoken): Keep it in the closet. (She wants to give it.) (She wants to give it.) (Spoken): Keep it in the closet. (She wants to give it, ahh, she wants to give it) Dare me.130 HISTORY Written and Composed by MICHAEL JACKSON, JAMES HARRIS Ill and TERRY LEWIS Moderately J = 92 Verse: Nc. 1. He got__ kicked in the back, he say that he need-ed that. 2.Don't let no one get you down, Keep mov-ing on high - er ground, He hot — willed in the face, keep dar-ing to mo -ti- vate. He say one day you will see, Keep fly- ing un- til you are the king of the hill No force of na-ture can break his place in world his to - ry. Hedares to be rec-og-nized, the fire’s___ deep in his eyes. your will to self mo-ti-vate She say, “This face that you see is des - tined for his-to - ry. History -7-1 (© 1995 MLJAC MUSIC (BMI, FLYTE TYME TUNES (ASCAP) and EMI APRIL MUSIC INC. (ASCAP) Al ighis on bohal of MIJAC MUSIC Adminstored by WARNER- TAMERLANE PUBLISHING CORP. (BM) ‘Al Fighis Reserved131 ci Dim? Ch Gim7 Gim7/C 2 & ae How man-y vie - tims must there_ be slaughtered in vain a-cross the land? How man-y peo - ple have to__ cry song of pain and grief a-cross the land? FE FA/AR ct Dim? Cy ‘And how man-y strug-gles ‘And how man-y_ child -ren Gifsus oye GamtICy cis ee ed Feet Ea fore we choose to live the proph - et’s fore we stand to lend a heal - ing i ® Hitory-7-2132 Chorus: Fi FVE BID} Gim7¢5y/D Fy FYE fi ae i a fi a Ev-'ry day. cre-ate your his - to - ry. Ev-'ry path. you take, you're BIDE Gim7(bsy/D Fy FE B/D} Gim7¢5yD ay ae fe TR = ni leav - ing_ your leg- a - cy. Ev-'ry sol - dier dies in his glo - ry. Fi FUE B/D Gim7¢5yD i aa rn tr = ae Ev-'ty leg - end tells of con - quest_ and lib - er - History -7-3)133 EVE Ev-'ry day cre~ate your BIDE Gim7(s)/D FVE B/D} Gim7¢syD ah ith fe BRS fet ir Ev-'ty page. you tum, you're writ - ing_ your leg - a - Fi FWE BIDE Gym7¢5yD Ft EWE fe Ee i cy ie Ev-'ry he - rodreamsof chiv- al - Ev ty child_should sing to - BDI Gim7(65/D HCE BICE ci Fe i Pa ig Ee 1 ~ mon - y. . All na - tions_ sing, let's har-mon-ize_ all a-round_ the History 74CHG Fy Ft FAS Bo Gtim7 Cy ES ae BE B Ee How man-y vic - tims KA Dim7 cy Gim7 Gym7/C Ft FAG Ce ae must there. be slaughtered in vain a-cross the land?_ History-7-5135 B ce Dim? ct B how = man - y child - ren Gi im7/C# D9 #8 Ee fore we lear to live as broth-ers___ and cre-ate one fam-il - y, oh? G GE CE Am7(b5)/Eb G GIF Evry day_cre-ate your Ev'ry path. you take, you're Ev-‘ry day_ cre-ate your rt Ev-"ry page- you turn, you're Hstory-7-6136 CIE Am7(5)/Eb CIE, Am7(b5)/Eb G if a ga if iA -ing_ your leg - a - cy. dier dies in his glo - ry. - ing_ your leg - a - to dreams of —chiv- al - ry. 1 2. G GE CE Am7(bS)/Eb CIE. Am7(b5)/Eb fey ie ier ay Ev-'ry leg - end tells of con - quest. and lib Ev-'ry_child_should sing to - ap: GID <—~ sol-dier dies, a mother cries ‘The prom-ised child__ shines in a _ba-by's eyes._ nna-tions sing, all a-round_the world, History-7-7137 SCREAM Written and Composed by MICHAEL JACKSON, JANET JACKSON, JAMES HARRIS Ill and TERRY LEWIS Moderately slow 4 = 108 G. c G ce a a c Am7/D ete] Verse I: lo Bio F en (Michael): 1.Tired_ of in -just-ice, tired__ of the schemes, kind - a dis-gust-ed, Am7/D G a gE ee ———¢ Hf so what_ does it mean? Kick - ing me down, I got to getup, ‘Seream=7-1 (© 1995 MMIAC MUSIC (BM, BLACK ICE PUBLISHING (8M), FLYTE TYME TUNES (ASCAP) and EMI APRIL MUSIC INC. (ASCAP) [All Rights on behalf of MIJAC MUSIC Adminstored by WARNER-TAMERLANE PUBLISHING CORP. (BMI) ‘Al Fights Reserved138 Am7/D NC. as jacked as it sounds, the whole sys-tem sucks. (Janet): Peek. in the shadow, come in - to the light, Am7/D —— —<—<——— G. a Fo — ‘you tell_ me you're wrong, then you bet-ter prove. you're right You're sell -ing out souls but ws 1 care_ a-bout mine, Tve got. to get strong-er, and I won't give up the fight. ‘Soream-7-2139 % Bridge Amt a s & — — (Michael): 1.With such. con - fu - sion, don’t it make__ you wan - na scream. (Michael): 2.With such_ con - fu - sion, — don’t__ it make you wan - nascream. (Michael): 3.With such col - lu - sions, don’t__ it make you wan - nascream. (ei if Ee — Your bash. a - bus - in’ vic - tim - ize. with - in___ the scheme. Your bash_ a - bus - in’ vic - tim - ize with - in__ the scheme, Your bash_ a - bus - in’ vic - tim - ize with - in the scheme, Bm7 & — (Janet): You try to cope. with ev - ery lie they scru - tin - ize (Both):Some - bod - (Janet): You find. your plea - sure scan - dal - iz - in’ ev - ery lie. (Both): Oh fa - (Janet): You try to cope_ with ev - ery lie they scru - tin - ize. (Both): Oh_—_broth- @ AnD an To Coda - y please. have mer - cy ‘cause I just can’t take = ther, please. have mer - cy ‘cause I just can’t take - er, please have mer - cy ‘cause I Scream -7-3140 Chorus: Cc free — Stop pres-sur - in’ me, just stop pres sur - in’ me, Stop pres~sur - in’ me, Am7/D — make me want to scream. Stop pres sur - in’ me, just stop pres - sur - in’ me. is Verse 2 Am7/D é Ef Stop pres-sur - in’ me, make you just wan - na scream, (Michael): 2.Tired_ of you tell - in’ the stor ~ y your way It's caus-in’ con-fus- ion, you think_ it’s 0 - kay. Seteam-7-4141 (Janet): Keep chang-in’ the rules, while you're play - in’ the game. Tecan’t take_ it much long-er, I, Conn Am7/D Fri = na scream. (Janet): Oh, my God, can’t be-lieve what I saw as I tumedon the T. V. this eve - ning. (News Man): “A man has been brutally beaten to death by police after being wrongfully identified as a robbery suspect. SS Rye. Twas dis - gust - ed by alll the in - just - ice. (Michael): All the injustice. The man was an 18 year old black male . Seteam 7-5Em7 Am7 DS.% al Coda © Coda Amt/D just can’t take ‘Sereamn-7-8143 Em7 Am7 Em7 Am Just stop pres - sur - in’ me. Em7 Am7 Am7/D Em? Am Stop pres- sur - in’ me, make me want to scream, Stop pres - sur - Em7 Am Am? lig Bi ke Od —— just stop pres- sur - in’ me. Stop pres-sur - in’ me, make me want to scream,ROCK WITH YOU Words and Music by ROD TEMPERTON Dance rock 4 = 120 AWB) CHD Ebm9 Ab/Bb Bb Ebm9 , : a a ER fa AWBb Bb GWAb Ab GHAb Ab ie ae a Ee ie Verse: Ebm9 GWAb zy 3— close your eyes, Tet that rhy-thm get in - to the floor, thereain't no-bod-y there but —I— 1. Girl, 2. Out on Don’t ty — to fight it, Girl,______" when you dance, Rock with You-5-1 {© 1979 RONDOR MUSIC (London) LTD. Al Rights Administood by ALMO MUSIC CORP. (ASCAP) forthe World ‘Al Rights Reserved145 LS u—3—_ noth - in’ that you can do, Re -lax____your mind,_ magic that must be_ love. Just take it slow,_ —3— Fm7 Chmaj7 is lay back. and groove. with mine, You got - ta ‘causewe got so fart o_o. When you Ebm7 Fm7 Gbmaj7 Ebm7 Fm7 Ghmaj7 Ab H&P ER. fe < e ee wore gen-na tide the boo-gie, Share that beat of love. Rock with You-§-2cyDb AWB) Bb Ebm9 re my Fry a rock with you. Dance you in - to. day. 1 wan-na (Sun - light,)_ Ebm9 AWBb Bb GWAb Ab ae ee ae Get ae ie rock with you. all night.) We're gon-na the night_ a - way. Bridge: ‘GWAb Ab Bbm ssur-vives,— Rock with You-5-3147 DWF Chmaj7 GWAb Ab He ae a Ebm9 Ab/Bb Bb on. (First time only) Ebm9 AWBb = CHDb Ebm9 ee AWBb BIC cwDb ay BR baad! hb I wan-na rock with you. 1 wan-na groove with you. Rockwith You-8-4148, I wan-na groove. I wan-na tte! Em HS I wan-na rock with you. GIA A GIA A Repeat ad lib. and fade fe ER Ge ei —# | OR night). We'regon-na rock the night a - Rock with You-5-5149 GHOSTS Written and Composed by Maeepiely Gow J=96 MICHAEL JACKSON and TEDDY RILEY mf % verse: L.There’sa ghost out in the hall there's a (2.3, thump-ing in the floor, there’s a ATE Em? ATIE 7 7 ‘ghoul up un - derthe bed... ‘There's some-thing in the walls, there's blood up-on_the stairs. And there's creak be-hind_ the door.. There's a rock ing inthe chair, ut there's noone sitting there. There’s a Em7 ATIE Em7 groan-ing through. the room, and there's noth-ing I__can see. And I know this place is a tomb, be-cause ghost-ly smell a-round,_but_no - bod-y to_ be found. Andthe cof-fin lay_ 0 - pen. where a {© 1997, 2001 MIJAC MUSIC, ZOMBA ENTERPRISES. INC. and DONRIL MUSIC. Ghosts 5-1 ‘All Rights for MLIAC MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. ‘All Fights Reserved150 Chorus: ATIE Em7 HH HER , : ae I don’t un-der - stand it, hey. (omit Ist time:) (Got a ghost, got a break in the wall. Got a —, now it’s haunt - restless soul —_ don't un-der - stand it. ghoul, got a ghoul in the hall. Got-ta see. Watch it Got a ghost, got a breakin the wall. Got a ATE Em? ghoul, got_a ghoulin the hall. Got-ta see. Watch it! Got a ghost, got a breakin the wall Got a ATE Em? ghoul, got_a ghoul in the hall. Got-ta see. Watch it! Got a ghost, got a breakin the wall. Got a Ghosts -5-2151 fT 1.3, ATE ATIE 2. There’s a And ghoul, got a ghoul in the hall. Got-ta see. Watch it!) ghoul, got a ghoul in the hall. Got-ta see. Watch it!) % & Bridge: Br Em z= = gave you the right to scare my who gave you the right to scare my she needs me?_ And — who gave you the right to shake my HE ey NC. tree? They put a knife in my back, shot an ar-row in me. Tell me, are you the ghost of fi fT Choate 5-3 one152 Jjeal-ous - y? The ghost of _jeal-ous - y. DS. BID, 3 Em aE a BT 3. There's fam-"ly___ tree? ‘And — who gave you the right to take in - who gave you the right to shakemy — fam who gave you the right to she needs me?_ And who gave you the right to shake my Ghosts -5-4153 Em co HE EH NC. fam "ly tree2_—They put a knife in my back, shot an ar-row in me. Tell me, are you the ghost of Mona. jeal-ous-y? The suck-ing ghost of _jeal-ous-y. I'muryin’ to buy peace_ of mind. Tell me, are you the ghost of _jeal-ous- y? Ghosts -5-5154 BLOOD ON THE DANCE FLOOR Written and Composed by Moderately slow J= 92 MICHAEL JACKSON and TEDDY RILEY Fm Ab Bb Ta m7 OF eC rter itr ‘Blood on the Dance Floor-8 -1 © 1097 MuAG MuSiC (0M), ZOMBA ENTERPRISES INC. ASCAP) and DONFIL MUSIC ASCAP) [AX igh on Gohal of MIJAC MUSIC Administered by WARNER. TAMERLANE PUBLISHING CORP. (8M) i Righs on behalf of DON MUSIC Adit by ZOMBAENTERPRISES INC (ASCAP) Rights Reserved155 Verse: NC. 1.She got yournum - ber, she know your game. She put you un - der, 2She got yournum - ber. How does it feel to know the stran - ger it's so. in-sane, Since she se-duced how docs it feel is out to kill? ‘She got your ba it hap-pened fast. to know that wom is out to kill? If you could on © - rase the past “ry night stance is like tak- chance._It's (— “a-bout love and ro-mance,.and now. you're gon-na Blood on the Dance Floor -6-2156 — a-bout love and ro-mance,-and now. you do re ~ gret it. Bridge: Em7 To escape the world.Tve got_ to en joy{ the f sim - ple dance And it Em? — that ev - ‘ry - thing.was on_ my side. (Blood on my side.) It seemed.to me like Blood on the Dance Floor -6-3 Ev - ‘ryhotman is out tak-in’ a chance..It’s not. seemed_.Fm7 — and true_ 10 - mance.. Chorus: Em7 sie got your num ~ ber_ en inch-es in, sepoyorrnmn - bef Bld on the Dance Fioor-6 4 157 Bb 749) And now she’s got. to get_me, and I just can’ttakeit, —just.can’t break it. Su ~ BOF and Su - sie ain't your friend. Look. who took you un - der, with sev- Fm? BOF Blood is on the dance floor,._—blood___ is. on the knife. and Su you know, sie says its right. Su - sie says it’s right.158 Fm? BUF sie got your num - ber_ and Su - sie ain't your friend, Look__ who took youun - der, she put Em? BUF sev-en inch-es in, Blood is on the dance floor blood___is on the knife. Tt was blood_ on thedance_ floor. (Blood on the dance. sie got your num - ber, Su - siesaysit’s right. (Blood on the dance_ floor.) It was blood. onthe dance_ — floor.) It was blood. on the dance. floor. Bled onthe Dance Flor - 6-5159 Em (Blood on the dance floor.) It was blood on the dance. floor. 749) NC. just can’t take it, the girl won't break it Repeat ad lib. and fade Blood on the Dance Floor-6- 6160 EARTH SONG Written and Composed by MICHAEL JACKSON Slowly J= 80 Abm Db Abm ie Verse: Abm DWF Eb Abm Db fe Ee oe 1, What a-bout sun-rise, 2. What have we done to the world, Abm. Db Abm Db ee Ee & i what a - bout rain, what a- bout all the things. that _you Took what we've done? What a- bout all the peace —that_you Forth Song -6-1 © 1995 MUAC MUSIC (BM) AlRights Administered by WARNER-TAMERLANE PUBLISHING CORP. (BMD AIRights Reserved161 Eb Abm Db Abm Db Ei ee Ea nay Ec said we were. to gain? What a-bout kill - ing fields, is there a time, pledge your on - ly son?__ What a-bout flow-ering fields, is there a time? Abm Db Eb ay Ee #9 what a-bout all the things_ that you said was yours. and mine? What a-bout all the dreams. that you said was yours. and mine? Dbm7 Gbsus Gb ch Abm cs i i ey ev - er stop to no - tice all the blood we've shed__be - fore?__ ev - er stop to no - tice all the chil - dren dead_ from war? Did you Dim Eb = eB = ev = er stop to no - tice the cry-ing Barth, the weep - Ah, ev - er stop_ to 0 - tice the cry-ing Earth, the weep - ing shores? Forth Song -6-21628 ors Db Abm Db : & gg 2 ,@ _@ Abm Db cm om To Coda ® Ty Bb . " '0 Coda eff. Bridge: Dim? Ghsus Gb co Abm ca fe i Ea ay T used to glance be - yond_ the stars. Earth Song -6-3163 Dim Eb DS.% al Coda —~ Ea a ed far. Ah Now I don't know. where we are, we've drift - though I know © Coda Eb Bbm7 Bb orth Song -6-4a 7 Ea what a-bout yes - ter-day?(What a-bout us?) What a-bout the seas?__ (What a- bout us?) 2.4, See additional lyrics i fs B a us?) The heav - ens are fall - ingdown, (What a-bout us?) I can'te - ven breathe. (What a-bout Eb Eb ie Ee ss us?) What a- bout the bleed-ing Earth? (What a-bout us?) Can'twe feel its. wounds?_ (What a - bout se Es us?) What a- bout —na-ture’s worth? (Ooh, ooh.) It's our —plan-et’'s womb. (What a - bout 3 Forth Song-6-5165 P is Bbm7 E ERR ’ ooh.) Do we give adamn? Ah, Bbm Eb Bin Eb : & g , # Bbm Eb Bbm7 Eb ie a Verse 2: ‘What about animals? (What about it?) We've turned kingdoms to dust? (What about us?)* What about elephants? Have we lost their trust? What about crying whales? We're ravaging the seas. ‘What about forest trails, (Ooh, ooh.) Burt despite our pleas? *Repeat after every line except where specified. orth Song -6-6 Verse 3: What about the holy land (What about it?) Torn apart by creed? What about the common man, Can’t we set him free? What about children dying? Can't you hear them cry? Where did we go wrong? (Ooh, ooh.) Someone tell me why. Verse 4: What about babies (What about it?) What about the days? What about all their joy? What about the man’? What about the crying man? What about Abraham? What about death again’? (Ooh, ooh.) Do we give a damn? (To Chorus:)166 CHILDHOOD Slowly, with expression (J = 90) Written and Composed by (9) MICHAEL JACKSON a Have you seen my Child - hood? I'm search-ing for the (with pedal) DIF EV/GH AQ) if fe HB "Cause I've_ been look-ing a-round__ DIFE Amaj9 Bm7 Ei = they view it as such strange ec-cen - tric - i- ties. 2 \4 ————————— Chichood- 6-1 (© 1995 MUAC MUS MI) [All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. (BMD ‘Rights ReservedEysus 7 Amajg 167 ff Be EB keep kid-ding a - round. 3 Emv/A AT but parsddom, mej Slower Dna? Cin? Bm? Amaj9 ‘Tempo Ey & & & = EE Peo-ple say I'm not o - kay such el - e - Slower Amaj9 Dmaj? = Cim7 Bm? Amaj7 = i mentary things. been my fate to com-pen - sate, po Chichood-6-2168 Tempo Gmmaj13 Bm7/E E7 ee ee EE Child -hood I've nev-er known. Have you seen my Amajg Bm? Child - hood? T'm search-ing for that won - der a— E7sus Ey Amaj9 fi fees Like pi-rates _ andad - ven-turous dreams, and kings on the 3 Em7/A Ay Dmaj9(H11) Cim? ACH i iy Be Re you judge me, try ¥ Chichood -6-3Dmajo¢i11) Cim7 A/C} Dmaj9(H11) Cim7— ACH co to love me, look with - in Amaj9 DE Amaj9 ea have you seen my Child - hood? Bmaj9 Cim7 f simile yO Fetsus Fy EG} FYT/AY = Bai Chidhood-6- 4170 Slower Fym7/B Emaj? Dim? = Cjm7 Bmaj9 a) or i Peo-ple say I'm strange that way £2 Ja mf rit, e dim. os FW Bmaj9 Emaj7 Dim? Cym7 —- Bmaj7 a i ie ee such el - € - men-tary things. been my fate to com-pen - sate, aa 3 ‘Tempo I Amajl3 Cima FW (Child - hood)_ I've nev-er known. Have you seen my od BO) EGE ea Child - hood? I'msearch-ing for that won Childhood 6-5Cemi/Ft py7—B/GHFYTIAR Bajo m ce ae He et youth. Like fan-tas - ti - cal _stor-ies to share, the dreams Iwould dare, watch me 3 3 Freely Fym7/B BIA Gim7 prypp — Emaj9(#i1) Dim? BIDE a Gen ae ey Be you judge me, Cy Emaj9(e1) Dim? ByDy——-Emajg(#t1) Dim7 Dmaj7 ce fee Hae a the pain - ful youth F F r P Bmaj9 Bmajo He a Have you seen my Child - hood? —— > Chichood -6-6172 DIRTY DIANA Written and Composed by MICHAEL JACKSON Gm ee Ht £ ad Moderately Gm e = Ditty Diana 6-1 © 1987 MUAC MUSIC AI Pights Administered by WARNER-TAMERLANE PUBLISHING CORP, ‘All Fights ReservedC2 F Gm 173 You'll nev - er likes the fi eb Ae weight off of me. 1 know your ev = ery so won't you they come to town. Ev - ery mu - si - cian's af - ter the tired, you see But I hate sleep - in’ Why don't you r f e 2 just let me be. Te been here times. be = = —fore,__ buts Twas cur - tain comes down. She waits at back - stage doors for those who come with — me?. 1 sid my ba - by’s at home, she’s prob - ably e Gm fy f too blind to see that you se - duce ev - ery man. This time you have pres - tige, who pro - mise for - tune and fame, a_—iife_ that’s wor - ried to - night. I did - nt call on the phone to say_ that. ? Diny Diana -6-2174 & won't so I'm se - duce care free ‘al - right. me, She's She's Di - say - ing say + ing that's O that's O walked up kK. K. to & eo what what yours you please. 1 you want. rll to ~ night. At have the be your that “1 stuff night ran that lov to you - in’ the want. thing, phone e i thing that freak you you need. She looked me by, can taunt. And I don't deep al ~ right, 1 said, but in what un - lock the you the eyes. say, I'm door me so 20 too. for_- got to start. far. key. She rit She says be said there's your he’s 0 turn - in’ back. ev ery - thing com - ing back, the —# Diy Diana-6-3 1 am TH be say - in’ the the ba She's touch - in’ I want to be - cause 1 She trapped me if you make be - cause he’s175 ps e Gm GRBs. ae fa a in her heart me a star. > *Dirt-y Di - an - a sleep-ing with me. * Sing the lyrics, "Dirty Diana, nah.” twice, last time only. Diny Diana-6-4Diy Diana-6-5 SF«- To Coda Bye i177 & Coda ie. Reveat and Fade bed Diy Oiana-6-6178 | JUST CAN’T STOP LOVING YOU Written and Composed by MICHAEL JACKSON Spoken: I just want to lay next to you for awhile. Freely No Chord You look so beautiful tonight. Your eyes so lovely, your mouth is so. sweet ee A lot of people misunderstand me. That's because they don’t know me at all. I just want to —SESEEE touch you and hold you. 1 need you. God, I need you. I love you so much. SSS: | Just Cant Stop Loving You-7-1 © 1987 MWAC MUSIC (8M) ‘AI Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. (BM!) ‘ALFights Reserved179 Sung: (fichaed your name, Gmtjc our love you came. | Just Cant Stop Loving You-7-2180 You know how I this thing can't go. wrong, —— —— so proud to say I — Your love’s got me high, —s3—, Dm7/G This time is for - you are my — choice ___ now, find Siedak): hear your voice , night when the stars. shine, 1 pray in you Tl | dust Cant Stop Loving You-7 9Gat you bring. so. true. call come and You You 181 ee "5 Heay-en’s in my heart, at (Siedeh): When morn-ing a - wakes_ me, will mjc know how I feel, this know how I feel, I — Am? can’t live my iif with - out you. hear your voice say - ing | Just Cant top Loving You-7 = 4 1 ‘do, an - gels wait for thing can’t go won't stop un —182 Fm/Bb just can't. hold ons: I thing can't go ——s ao: My life ain't my life ain't worth liv - ing if worth liv - ing (Bow: if Gm? c just. can't Gm? © Gm I. just can't stop lov -ing you | Just Cant Stop Loving You-7-5 |______ we be -long. wrong. (mp: This 50, strong. ¢s Well,183 Fn? Bri? Amt/G # ea i FOnn.n tell me just) what will 1 do, fi: Cause} 1 just can't stop loving. you. G Cust € [2 (0: At G@o:1 just can’t stop lov - ing_ you. s cs ‘Abjab emai? te (9: We can change all the _— world to- mor- row, «We can | Just Cant Stop Loving You-7 -6184 AB Emaj7 and I (Bom: want to you for al - Repeat and Fade Db Abm7 Db ‘Aba? By, 9 wo. = HH No, ba - by. Oh! HHH =f 1 can't stop. 1 (Bom: I just can’t stop lov-ing you. — (Bom): T just can't stop lov-ing you. — Bhm7/ab ‘Abm7 (3): No, hm Pima? (s: i (89: ORION! Oh..Oh.. HH What will 1 do, uh, ook! 7 7 ’ (Bom: And if 1 stop, (then tell me just what_ will I do?___ a ‘Additional Lyrics (for Repeat and Fade) (Both): 1 just can’t stop loving you. (Michael): Hee! Hee! Hee! Know I do, girl (Both): 1 just can't stop loving you. | Just Cant Stop Loving You-7-7 (Michael): You know I do. And if I stop, (Both): Then tell me just what will I do?185 HUMAN NATURE Words and Music by JOHN BETTIS and STEVE PORCARO. Moderately G(addA) A Fmaj7 Em7 if ad ee He Gladda) A Fmaj7 Em7 HAA fg F HE ~ cross_ the night - ™ Human Nature -7-1 (© 1982 WB MUSIC CORP,, JOHN BETTIS MUSIC and SONYIATY MUSIC CORP. ‘ll Fights for JOHN BETTIS MUSIC Administered by WB MUSIC CORP. A Rights Reserved186 winks a sleep = less eye. shake_ my — win - A G F#m? Em7 Asus4 fa ia aR Hel He —> sweet,.se - duc G im ag A * ie fa fae me > ing Look - ing r Human Nature -7-2Four — walls_won't hold e - lec = tric eyes : the cit - y's heart be gins to just_ an knows_I'm touch — her Fim? Em7 & then let__ me She —_likes_ the T'm dream- ing Human Natu 7-3 187 ap watch - shoul -188 If they. say, “Why, ‘em that it’s Bm7 A S Fém7 Em7 HE ee gq manna - ture. Why, does he do me that way? Bm. G A D i FH anh tH If they. say, “Why, "em its hu- TT: Bm7 A G Fem7 ra cae E aR To Coda Human Nature -7-4189 do me that way? dome that way? Bm Em7 Bm ie tl Ee like liv - in’ this way. Em7 Bm Em9 lov-in’ this way. Gmaj7/A ladda) A EER E 4 ta Human Nature -7-5Em7 G(addA) A EH! FARA f Emaj?, Em7 Em9 FE fa D.S.$al Coda . Tt oO do me that way? Gmaj7/A Gadd) A a AR 1 like liv-in’ this way. Fmaj7 Em7 Human Nature -7-6191 Gada) A Fmaj7 Em7 i HH aH fag Hy Bbmaj7 Am7 Fmaj7, Em7 Bbmaj7 Repeat and fade Bbmaj7 Human Nature -7-7192 REMEMBER THE TIME Written and Composed by MICHAEL JACKSON, BERNARD BELLE and TEDDY RILEY ‘Moderately C749 Em9 C79 Em9 Remember the Time (© 1991 MUIAC MUSIC (BK), WB MUSIC CORP. (ASCAP), B-FUNK MUSIC (ASCAP), ZOMBA ENTERPRISES, INC. (ASCAP) and DONFIL MUSIC (ASCAP) [AI Rights on behalf of MIUAC MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. (BMI) ‘All Fights on bahalf of -FUNK MUSIC Administered by WB MUSIC CORP. (ASCAP) All Rigs on behalf of DONRIL MUSIC Administored by ZOMBA ENTERPRISES, INC. (ASCAP) ‘A Rights Reserved193 No Chord fell in love? We were so young and in- no-cent then. used to talk? Ya ‘know, weld stay on the phone at Do you re-mem - ber all be = gan? It just night till dawn. Do you re-mem - ber things we said? Like I like heav-en, so. why did it end? Do you re - member you so, Til nev-er Tet you go. Do you re - member ‘We'd be to- geth Ey-‘ty mom would sing. Remember the Time -5-2194 Ineach oth those spe-cial times? ‘They'l just go on. C749 —— (Tell me) } Do you re - mem- ber the time. when we fell in love? Do you re - back of my mind. pmo co time. when we___ first met? Do you re - mem-ber the time. when we fell in love?Do you re - mem-ber the — time? Do you re- mem - emember the Time -5 -3195 as Dimajd Em Those sweet__ no. mat- ter what was Fm9 Bhui7 C745 for- get what we now, ba = by. Do you re- Repeat and fade cH9 in love? Do you (Vocal ad lib, see Additional Lyrics.) Remember the Timo 5-4196 Em9 cn Do you re -mem-ber the — time_ when we fell in love?Do you re - mem-ber the — time?_ Additional Lyries Do you remember the time Remember the times When we fell in love Do you, do you, do you, Do you remember the time Do you, do you When we first met Remember the times Do you remember the time In the park, on the beach When we fell in love Remember the times Do you remember the time ‘You and me in Spain Remember the times Do you remember the time ‘What about, what about... ‘When we fell in love Do you remember the time Remember the times ‘When we first met Ooh... in the park Do you remember the time Remember the times ‘When we fell in love ‘After dark... do you, do you, do you Do you remember the time Remember the times Do you, do you, do you, do you Remember the times Remember the times Ooh Yeah yeah Remember the times Do you remember girl Remember the times On the phone you and me Remember the times Till dawn, two or three What about us girl Remember the Time - 5-5WANNA BE STARTIN’ SOMETHIN’ Written and Composed by MICHAEL JACKSON Moderately bright D/E E D/E eR HA HER No chord I said you wan-na be start-in’ some+thin’, you got to bestart-in’ some-thin’, —, wan-na be start - in’ some-thin’, you got to be start-in’ some- thin’. It’s too are a Wanna Be Startin’ Somethin’ 7-4 (© 1982 MMIAC MUSIC (BM) [Al Rights Administoed by WARNER-TAMERLANE PUBLISHING CORP. (BM!) “All Fights Reserved I said you high198 F So ver (yeah, yeah), too low. toget un - der (yeah, yeah). You're stuck ze in the mid-dle (yeah, yeah), andthe pain__ is thunder (yeah, yeah). _—_It’s too. high ___ is thun-der (yeah, yeah). I took my. ba - by to the doc - tor with a to pre-tend that you're_ good when you're is al- ways talk - in’ when no- feed your ba - by, then wh Wanna Be Statin’ Somathin'- 7 -2199 fe - ver, but noth-ing he found. By the time_ this hit the street, they —said__ al - ways up to no good. Youreal - ly___ can’t make him hate_ her, so._your bod - else is tak - in’, tellin’ lies and rub-bin’ shoulders, so they don't have aba - by. And don’t. think may-be, if you — she hada _—_break- down. al - ways tongue be - came a@ ra = zor. al - ways call her mouth a = mo - tor. al - ways can’t feed your ba - by. al - ways E DIE He say in’ you my ba - by cry ~ in’. Talk = —in’,squeal - in’, ly ~ in’, — myba- by ay- in Treach - er-ous, cun-nin’, de - clin - in’, You — myba- by ay- Talk = —in’ysqueal - in’, spy - in’, say - in’ you__ — _thatchild from ory - Hust = lin’, steal = in’, ly ~ in Now Wanna Be Statin’ Somethin'-7 +3200 — just wan - na be — start = in’ some-thin’. got omy = ba = by cry = in’. . . nt wommextite’ just” wan. na be start ~ in’ some-thin:( 1 Stid you wan-nabestart-in’ some-thin’, you got ba - by’s slow - ly dy - in’. ~ a > — to be start - in’ some - thin’. said you wan-na be start - in’ some - thin’, you got D/E FR to be start-in’ some -thin’. It’s too high to get. 0 - ver (yeah, yeah), Ft E D/E a to get un - der (yeah, yeah). You're stuck__ in themid-dle (yeah, yeah), and ai ‘Wanna Be Startn’ Somethin’ 7-4201 is thun-der(yeah, yeah). It’s too high to get o - ver (yeah, yeah), Wri DIE ae SS to get un- der (yeah, yeah). You're stuck__ in the mid-dle (yeah, yeah), and the pain__ is thun-der (yeah, yeah). You love — is thun-der (yeah, yeah), D/E E you're a veg’ - ta- bl Still they we Wanna Be Startin’ Somatin'-7- 5202 D/E E D/E E fe You'rea buf - fet, E a be So a iS They eat off of you. You're a veg’ - ta-ble. 4B DIE H Ht Bil-lie Jean. _ is thun-der (yeah, yeah). Lift your head up high_ and scream_out to_ If you can’t_ we Wanna Be Statin’ Somethin'-7-6D/E ae a ‘Wanna Be Statin’ Somethin! 7-7 world, me,— “1 know.I am — some-one!”_ be - cause_you so you-be - lieve in and let_ the you. know__ what's true. Help_ me ate 203 truth un-furl_ No one_can hurt__ Repeat and fade D/EMichael Jackson Collection Bad Beat It Billie Jean Black or White Blood on the Dance Floor Childhood heme From “Free Willy 2°) Dirty Diana Don't Stop ‘til You Get Enough Earth Song Ghosts The Girl is Mine Heal the World History Human Nature | Just Can't Stop Loving You In the Closet ‘Man in the Mirror Remember the Time Rock With You Say Say Say Scream She's Out of My Life Smooth Criminal They Don't Care About Us Thriller 2 Bad Wanna Be Startin’ Somethin’ The Way You Make Me Feel Will You Be There (Theme From “Free Willy’) You Are Not Alone