FGC287-1 PA finale QUICK REFERENCE GUIDE FOR WINDOWS?” a eg ee ere ee ta ary PR ea eae ee assistance in getting started. This guide is Te ac a ee Le and point you to additional helpful resources should you need them. Thanks again for your ee ea Sire PaneraQuick Reference Guide for Windows Getting Started ‘A. Using the Document Setup Wizard Finale Screen View Navigating Your Music A. Choosing a view B. To Zoom In and Zoom Out C. To Drag the Visible Score Region D. To Switch Pages Entering the Music: Simple Entry A, To enter notes with your mouse B. To enter notes with your mouse and computer keyboard C. To type notes into the score with your computer keyboard, D. To play notes into the score with 2 MIDI keyboard, Multiple Voices: Layers Playing-in Music: HyperScribe A. To record a performance. B. To set the smallest note value C. To record into two staves . D. To change the recording tempo and countoft. 10 10 Selecting Music A, Tosolect..... B. To expand selection. Copying, Pasting, and Inserting A. Todrag-copy B. To copy using the clipboard ©. To insert music. D. Filtering . Transposing Working with Measures A. To add measures B. To insert measures C. Tofita certain number of measures per system D. To adjust the measure layout manually Working with Staves A. To insert staves B. To delete staves C. To apply staff styles. D. To hide an empty staff in a system E. Tomove staves . WW " 2 13 13 4 18 16 7 7 a 18 18 19 19 19 19 20 20Markings and Text > Adding expressions ‘Adding articulations ° Adding slurs and hairpins 9 Adding text Key Signatures, Time Signatures, and Clefs A. To define a key signature B. To define a time signature C. To define a clef change Lyrics. Chords. and Repeats A. To type-in lyrics B. To type-in chord symbols C. To create repeats with Ist and 2nd endings Playback A. Playback Controls B. To change the playback tempo C. Human Playback Online customer service and tochnical support: wwwzfinalemusic.com/support 21 2 2 22 23 24 24 26 24 25 25 26 26 27 21 21 28 Page Layout Shari g Your Music A. To print your score B. To export an audio file More Finale Help Resources EFFICIENCY TIPS: Using Contextual Menus Metatools A. Using Articulation and Expression metatools B. Using Smart Shape metatools C. Common metatools. D. Using metatools with Simple Entry den Pra ww finalemusic-com aCe rat 29 30 30 30 31 32 33 3 34 34Getting Started A. Using the Document Setup Wizard Finale's Document Setup Wizardis usually the fastest way to begin a new score. The pages in this wizard allow you to quickly specify all the basic score elements. Document Styles include fonts and ‘markings designed for particular types of documents, inthis case, a choral azz arrangement. @ From the Fite menu, choose New > Document with Setup Wizard. © Choose the Ensemble and Document Style and click Next. Select your instruments and click Next. © on pages 3 and 4, choose the desired score elements, and click Finish. Pages 3 and 4 allow you to specify the * Title * Credits and copyright + Key signature * Time signature + Tempo indication * Pickup measure + Number of measures aE avn Helaft ale] afa{siel3| lo ‘Search fo “Setup Wizard” in the User Manual for details CINEFinale Screen View When you open a new score, the following menus, palettes, and controls appear. These elements form a framework for all of Finale’s features and functions. Menu bar These menus include standard operations and editing commands. ‘Main tool palette This palette contains all of Finale's primary tools, Playback controls Use these to start and stop playback, Document window Tho active dacument appears in this window. Simple Entry paletto Use this palette to choose note durations, accidentals, ote ‘while entering with Simple Entry. Vertical scroll Use this sero bart position ‘the document vertically Page scroll Use these buttons to navigate pages. Horizontal scroll Use this scroll bar to position the document horizontally This bar identifies the selected tool This counter identifies the current page.F Navigating Your Music | Getting the best view of your score in progress is crucial to working with Finale efficiently A. Choosing a view (eR) document MIDVAudio Plugeins \ The two main views in Finale are Page View and Scroll View. From the View menu, choose Scroll View or Page View. Page View Scroll View displays your music exactly as it will appear displays your music in one continuous on the printed page. Use this view for system horizontal system, free from page constraints and page layout. Sonata, Op. 27, No.2 Press GD * Go switch between Page View and Scroll View ‘Search “Views the User Manual for mare deiB. To Zoom In and Zoom out Q You can find zoom commands under the View menu, but to save time, use keyboard shortcuts. Press GD Press QD + vo z00m out 3 deve oor wy C. To Drag the Visible Score Region <\ Use Finale’s Hand Grabber tool to reposition your view of the score. Or, with any tool selected, right-click and drag to move the score. ‘Search for “Hand Grabber” in the Usor Manual fr mor information D. To Switch Pages In Page View, use the arrow buttons in the lower left corner of your screen to navigate between pages. Or, use the keystrokes listed here: Gees Pages Wid) 1 =i Press GARB + GD to moveto previous page. ross MMM * BY to move to next page. ‘Search for “Page View" in the User Manual for more informationEntering the Music @ Click the Simpte Entry tool wy . © Observe the Simple menu (a) at the top of your screen. You will use this menu to change settings and refer to keyboard shortcuts. © observe the Simple Entry palette (b), which you will use to specify note durations and other note properties. A. To enter notes with your mouse @ Click the note duration in the Simple Entry palette, as well as the accidental, tie, tuplet, or grace note, © Position your mouse cursor where you would like to enter the note. © Click to enter the note. Finale flips the stem direction when appropriate. Ena crac Simple Entry A a. “Tools Simple Window b. ii GGG (at) a a] oi Gal aa a a a Tip: Double-click Steapie Entry Palette one of these tools Rea to de-select all other tools in the Simple Entry palette.B. To enter notes with your mouse and computer keyboard Use your numeric keypad |(c) to choose note durations before you click them in Use the image to the right as a guide. To remove extra tools, double-press as shown below. Notebook users, use the “Laptop Shortcut Table” to improve the efficiency of your smaller keyboard. Choose Simple > Simple Entry Options «and click Edit Keyboard Shortcuts. Under Keyboard Shortcut Set, click the Name drop-down ‘menu and choose Laptop Shortcut Table. bo @ pe + Tochange the selected duration. (oress once) be. > @ > 4 To select only the duration and remove the dot and flat (press twice) Exar ante and then pross@ an crete tilt. = @-o | Notes are purple when you enter them, Change the duration of the note you just. indicating they can be edited with a keystroke entered by pressing Alt+# (1-8) All Silo Entry keyboard shortcut are listed unde the Simple men. Nanri Eee Teta oaC. To type notes into the score with your computer keyboard Using your computer keyboard to type notes into the score is faster than clicking. When you have typed the duration: @ Press Enter to activate the Simple Entry Caret, which is Finale's entry cursor. © Use the up and down arrows to choose the pitch. © Press Enter to enter the note © 6; simply type the letter of the desired pitch, 0 (zero) for a rest. © Press Shitt-down arrow to move ‘the caret down an octave. = pao xi Moves selection left/right. Moves selection up/down. Here are some common ways to modify a selected note. Hutson Hato ea. eco000”™ atte en Fig —_Adanal Bajo bam Moser oemac Dacinanser ‘See “Simple Entry” inthe User Manual for more information ENTERIN PreeD. To play notes into the score with a MIDI keyboard You can use your MIDI keyboard (or other MIDI device) to quickly enter notes. With the caret active, simply play the desired note or chord to add it to the score, Check Simple > Use MIDI Device for Input, (Sirmpie) window Help to use a MIDI keyboard for note entry. ‘Simple Entry Options. ’ 2 "Speedy Enty’” and “HyporSeibo”in tho Usor Manual ar other ways to enter music using @ MIDI keyboard Multiple Voices: Layers When a second voice with a different rhythm is required within a measure, like the eighth notes shown in red below, enter the notes in a new layer. Each layer is a rhythmically independent voice. Simply choose the new layer and enter as you would normally. Layers can be chosen from the View menu, orthe ayer button atthe bottom ofthe screen SSS (We) Document MIDVALS Pgins Gea Scot View cont | oe iow cue Page ie Ste >| Layers can be identified by note color. ee, sont | Layer yer? tapers GD ayers = . ects . Select Sal Set » Always use layers 1 and 2 first when notating uC - ‘multiple voices. Use layer! for the higher xs Seen eid Lerd Soteata voice. If there are three or four voices in a ype snes swe tye sancane single staff, then use layers 3 and 4 as needed. From the Document menu, choose Show Active Layer Only to work with a single layer independently. - EEE + eee) “(Fi ie Show Active Layer Only allows you to editor clear individual layers without affecting the hidden layers. (Compare to figure above). Be sure to uncheck Show Active Layer Only before printing. ‘See “Mutiple Voices” inthe User Manual for more information, Den tea!Playing-in Music: HyperScribe & HyperScribe® allows you to record directly from your MIDI keyboard into the score To configure your MIDI keyboard (or other external MIDI device) for use with Finale, see “Setting up your MIDI system” in the Tutorials section of the Finale User Manual To record a performance Click the HyperScribe tool = Click a measure. Wait for two countoff measures and begin playing © 0007 eB) =i ju/alalalala) | aytee: Toate TOF ersten, tirer cre semen ! A } CEPLL Omeemmreewnten Ca) Cana) (ea. Choose MIDV/Audio > Quantization Settings to open this dialog box. ‘When you're done, click the score to stop recording, @ To set the smallest note value Since a live performance is never perfect, Finale rounds-off your performance to the note value you choose. For example, if your piece does not include any notes shorter than an eighth note, tell Finale this by specifying eighth as the smallest note value to ensure there will not be sixteenth notes in the transcription. This setting is configured in the Quantization Settings dialog box. Te we ePet?| <— Results of your HyperScribe —> Tie eet er eit f aes recording depend on the Oe 7 Lubbma), | SmallestNote Value selected bene ae FI and other quantization settings. 2a TT owt, site cree threr sno ther thre omeni) 5 0606000 ° To record into two staves Click the HyperScribe tool 5. From the HyperScribe menu, choose Record Mode > Split Into Two Staves. Enter the split point (middle C = 60) and click OK. Record your performance To change the recording tempo and countoff Ifyou are transcribing a busy passage, you may want to record at a slower tempo for greater accuracy. You can do this, and make additional adjustments to aspects of your recording session in the Playback and/or Click and Click and Countoff dialog boxes Click the HyperSeribe to From the HyperScribe menu, choose Beat Source > Playback and/or Click (a). Select Use This Tempo, and enter the desired recording tempo in the adjacent text box (b). Be sure the correct main beat duration is selected below. Click Click and Countoff. After Measures, enter the desired number of countoff measures (c}. Click OK twice to return to the score. Chere tay natn tebe)Selecting Music The Selection tool is Finale’s universal editing tool. It can be used to select, move, delete, copy, paste, or otherwise edit any region of measures and virtually any individual item in the score. Tp: Soo “Selecting Music” in tho Usor Manual or more det A. To select Click on the staff lines (without clicking on a note) to select a full measure. (Click only once.) Click outside and above the staff and drag diagonally across any measure region (partial or whole measures) to select a measure region. Double-click a full measure to select a measure stack. Copying measure-specific items or deleting full measures requires a stack selection. sees Sai A selected region including full measures in every staff is called a measure stack and is indicated >y highlighting that extends from the top to the bottom staff, including the area between staves.B. To expand selection Use keyboard shortcuts to expand or contract the selected region on a single staff To next beat QA lara vedoinee GMO Gee is Toendotscore SMD GHEE Tas To beginning of score aD + ED Grea Beossin A ines = ote SS a 2 eee ..oF on multiple staves.. Copying, Pasting, and Inserting Finale offers a great deal of control over copying, inserting and pasting (replacing) A. To drag-copy Ifthe source and target regions are both visible on your screen, quickly copy music fee fir by dragging the selected region. = = Glick and hold @ Click and hota © drag © Felease Tip: See "Copying Music” in the User Manual for more details. B. To copy using the clipboard Ifthe source and target regions are not both visible on your screen, copy music to the clipboard, then paste the contents of the clipboard to the target region Existing music is replaced. o@-: © Select the target o@-a CntyC. To insert music When you copy and paste, Finale overwrites the content in the target region. When you insert, all subsequent music is pushed towards the end of the score, usually increasing the total number of measures. GBB> 8 click and drag to insert instead of paste A red insertion bar indicates the inserted music will nudge music towards the end of the score. Full measures will notbe inserted. A green insertion bar appears when copying and inserting stacks. It indicates Finale insert the full measure(s}, pushing subsequent measures towards the end of the score.D. Filtering You can copy specific score elements using the Edit Filter dialog box. From the Edit menu, choose Edit Filter. In the Edit Filter dialog box, check the items you want to copy. (Click None to uncheck all). © Sick ox. To copy measure settings, Rt a full measure stack must TTA be selected. | = Ea) (Weare styies Weebe space Cikey sgnatres Wimeasure widths Znote postonng ZiPage beats DRepeats Wise points (0 system beats (tine signatures © copy the music as you would normally. Pross GMB + CNB + GHB + Gt open the Exit Filter dialog box. Finale uses the filter while Paste Multiple. AlteCtteV copying whenever Use Filter is checked under the Edit menu. Edit Fier. ‘Shite AlteCileF Ce CR RT)Transposing To transpose: Click the Selection tool Select a region of music. From the Utilities menu, choose Transpose. Select the interval from the Interval popup menu. Click OK. ®@ ©0000 To quickly transpose. @ Ciick the Selection too! Mi. © elect a region of music © Press. Boo transpose down a step BD co transpose up a step. Oto transpose down an octave. Oro transpose up an octave. This method transposes the music diatonically within the key signature. To change the key use the Selection too! context menu ar the Key Signature tool. To configure a transposing staff, use the Staff toolWorking with Measures © A. To add measures [Ei eee Docent MAU < Select a measure region in a staff. The inserted staff will appear above this one. pare, © From the Staff menu, choose New Staves (with Setup Wizard). B. To delete staves ‘cyt @ Click the Staff Handle for the staff you would like to delete. © Press GB - GD inate removes Bass Drums the staff and repositions adjacent staves, cea Alternatively, accordingly | cistectict a stat handle and choose Delete Staves and (Crate Reposition. C. To apply staff styles Staff Styles can be used to apply a notation style, such as the following, to a portion ofa staff. @ Select the measure region. © From the Staff menu, choose Apply Staff Style To > Score and Parts. © Choose the desired Staff Style and click OK. and 2hareepests ——Xnotoheads Change transposition a iyi notation Sash notation Force hide staf (cutaway) = =] E RSet a TieD. To hide an empty staff in a system @ Solect a region including the empty staves. © From the Staff menu, choose Hide Empty Staves. © To show hidden staves, right-click this handle and choose Show All. oe we cs = a scr sr | | | | This dashed tine Sth one SS indicates hidden : w= = se | emplystaves o. E. To move staves Click a staff handle and drag to move it vertically for one system only. (Double-click the handle and drag to position the staff in all systems.) ‘Sea “To move stavas"in the User Manual fr more detail RENMarkings and Text Most markings and text are added with one of three tools; the Expression tool, Articulation tool, or Smart Shape tool. In this section, you will learn how to easily add these figures, and which tool to use. A. Adding expressions a Six different types of figures are added with expressions, each with its own category: Note: Expressions and articulations affect playback. Aricaion at [SS sua tape Ton nan) — > e nf ——— [x resin To add an expression. @ Click the Expression tool @. © Double-click the score. © Choose the category. © Double-click the expression. To add multiple expressions: @ Click the Expression tool & © drag-select a region of notes. © Choose the category. © Double-click the expression.B. Adding articulations 3 Articulations are markings attached to a single note, including: To add an articulation to a single note: @ Click the Articulation too! B © Ciick the note. © Double-click the articulation C. Adding slurs and hairpins ~~ Lines, curves, and other shapes are added with the Smart Shape tool, To add a Smart Shape: @ Cick the Smart Shape tool ad © Choose the desired tool from the ‘Smart Shape palette. © Double-click and drag to add the Smart Shape. tH HE i SEM ERPS If you don't see the expression or articulation you need, click Create to define a new custom marking Staceato Tenuta To add an articulation to multiple notes: @ Cick the Articulation too! B. © Drag-select a region of notes. © Cick Select. © Double-click the articulation. © cick ox. Tolls Glissandi—_Otavas (verb) we Hoirpins Sls Drag the diamond handles to adjust the slur contour. AND TEXT 22D. Adding text (Ai Titles, subtitles, composer, arranger, lyricist, and other text that does not need to adjust with the music is added with the Text tool Ties — sonata, Op. 27, No.2 Subties —— Sonata quas na Fentasia Composer To set or edit a document's title page text! [== @ From the File Menu, choose File Info. © Enter the page text information in the File Info dialog box. © Click ox. To enter Lyrics, use the Lyrics tool Ma. To add other text on a page: @ Double-click to display the text frame. © ype the desired text, or, choose an insert. Cah nn a }) Inserts are placeholders for standard text like titles, page number, or current date. To add a text insert, choose Text > Insert. ROCCE ia OT LOTSKey Signatures, Time Signatures, and Clefs To change the key, time, or clef. @ Choose the Selection too! i © Right-click a measure. © Choose the Key Signature, Time Signature or Clef command and choose the desired option. A. To define a key signature & B. To define a time signature aA @ Click the Key Signature too! Be. @ Click the Time Signature tool © double-click a measure. © Double-click a measure. © Use the slider next to the key signature © Use the Number of Beats slider to specify the preview to specity the key. number of beats per measure. ° Click OK. Pe Rye. © Use the Beat Duration slider to specify the duration of each beat (e.g. eighth, quarter, etc.). Ee ame © Sick ox. See To define a clef change & Click the Clef too! 2. Double-click a measure. ©00° Double-click the desired clef. To create a mid-measure clef change, select a partial measure before you double-click. 2 eeetet Sea "Selecting Musi” in tho ae = Pe rere L, Z Ry Be aan rere BraetA. To type-in lyrics & @ After the notes are entered, click (Gi corsa Fretoats the Lyrics tool 4. AMIN | Lyrics, Chords, and Repeats © Fromthe byrics menu, check Type Into Score. Yigg © Click a note to display a blinking cursor beneath the staff. © ‘ype a syllable and then press spacebar to advance. Use - (dash) to add hyphens between syllables. Type: —> "The [spacebar] fal [-] ing [spacebar] leaves” > Twe m= me = un The Lyrics window allows you to easily ‘yi edit syllables, paste text from other a Tet programs, and click-assign lyrics. lume: feeme ow) +S ARIAL ele*/a Font: Brosdney Copy Text 12 an Tea ‘Search “Lyrics window” inthe User Manual for moe deal eee earTo type-in chord symbols 64% Click the Chord tool 8 Click to display a cursor above the staff. © 000” Press spacebar. Finale converts your text toa chord symbol To show guitar fretboards, from the Chord menu, choose Show Fretboards. Type the chord id suffi ‘Type: ann? lype the chord root and suffix. = Tes . ariel For example," Amin7” > “Amin? (spacebar! > FE # pe When typing chord symbols, use “b” for flat and “#” for sharp. To create repeats with 1st and 2nd endings al Click the Repeat tool =i. Select the first ending measures. and Second Endings. Select the first measure of the repeated section. c. ° e © From the Repeat menu, choose Create First ° ° From the Repeat menu, choose Create Format Repeat Bar. Poem OOPlayback A. Playback Controls The Playback Controls give you standard buttons for controlling the playback of your score. one i] commonowe - Hold down QQRRERIERAIMD and cick 2 measure to start and pause playback Press GAMD + QHEEEMMID + y click and drag to spot-check. Press GUM + GHD + GEIB + 13 10 spor-cheok a single stat. Glick the speaker icon in the Playback Controls and choose Leftmost Measure to begin playback at the leftmost visible measure. B. To change the playback tempo If you have not defined a tempo marking In the Playback Controls, click the Tempo drop-down menu and choose the desired note duration, Enter the number of beats per minute in the adjacent text box. Tempo marking expressions override the tempo indicated in the Playback Controls. See “Tempo Marks” in the Finale User Manual. Ped erC. Human Playback* The proper performance of any piece of music depends on the genre and style. For example, you wouldn't expect a jazz piece to be performed the same way as a classical sonata. Tell Finale how you want your piece performed using Human Playback. Human Playback performs the music in the style specified, and even interprets the markings you've added. To choose a Human Playback style, from the MIDI/Audio menu, choose Human Playback, and then select the desired style. To enable or disable Human Playback @ Click the From the MID/Audio menu, choose Human Playback and then select the desired style. e To turn off Human Playback, from the MIDI/Audio ‘menu, choose Human Playback > None. (TiOVEGHE) Pugins Toot Rape Wi Py Fale tough ST + Py Fle tough Ot ‘trent Sep f Audio Track Reiice up . Stor Eryback tes OF MOI Option: MoI Cipbews . Choose MIDW/Audio menu > Human Playback > Jazz to activate the Swing option in the Playback Settings dialog box.Page Layout G Adjusting the position of systems and page margins should be the final step before printing your score. Use the following techniques to finalize the page layout: Click and drag these handles to adjust the position of the page ‘margins for tis page. Click and drag these handles to adjustthe system's top margin (lick and drag a system to adjust the position ofthe system, which also adjusts all subsequent systems vertically Sinfonia No. 3 Johann Sebastian Bach (1685-1750) b Click the Staff too! i to show staff handles, which allow you to adjust the vertical position of staves within systems. See “To ‘move staves” on page 20 ofthis guide for details. GID ic ot tng onov a system independently. These icons represent systems ‘hase measure layout has been locked. Finale's automatic music spacing features willnot adjust the measure layout of locked systems. Page Layout” inthe User Manual for more details on laying out your pages.Sharing Your Music A. To print your score To print, press MB + @ and click ox ‘S00 “Printng“n the Usor Manual fr deta B. To export an audio file @ From the File menu, choose Export a fame DE 7 to Audio File. teow (GenTaS © Sade © Choose a location and filename. ae © Click the Save as Type drop-down menu and select the desired file format. © Click Save. Anyone can open, view, play and print your Finale files by downloading the free Finale Reader™ at www.finalemusic.com/reader.More Finale Help Resources To open the Finale User Manual: From the Help menu, choose User Manual, or click a help button | _ Hep Click here to learn how to get the ‘most of the Finale User Manual ot You ar hee: Welcome to Fi “pMeleameto Finale 2011 iva nex Béinae Tons 2011 finale user manual Search for bap on Hoo use the Finale 2011 User Manual Other resources Vist tp inalemusic con/sunpat aspx to view the Knowledge Base and access ational help. Viste rum makerusic com to interact wth the File community on ou user forums. more Finale tips fom a variety of authors a eaten Click here to visit the Finale Forums to connect with a global online community of Finale users. Click here to visit the online Knowledge Base to browse common ‘troubleshooting solutions. Click here to visit the Finale blog for more tps. From the Help menu, choose QuickStart Videos to watch helpful demos about how to use Finale. VCS aot}EFFICIENCY TIPS Using Contextual Menus Right-click to open contextual menus, which allow you to quickly.. Editor delete tox Transpose, add repeats, insert measures, and make other changes to measure regions, Sinfonia No. 3 or, choose from one of the many other options. By context-clicking a region you can perform a multitude of additional tasks: Aad, insert, or delete measures Change the key, meter, or clef * Edit measure attributes * Change the barline style * Create or break multimeasure rests + Apply alternate notation Add repeats * Cut, copy, or paste + Transpose Coad Pena eT)EFFICIENCY TIPS Metatools ‘Metatools are programmable keyboard shortcuts you can use to quickly add markings to your score. A. Using Articulation and Expression metatools Sw oe To add an articulation or expression using a metatool Click the Articulation |. or Expression too! 2 Hold down the metatool key and click. Use the same method to quickly enter key signatures, time signatures, and clefs (with their respective tool chosen). "S" is the default Articulation metatool key for a staccato marking, To add the marking to multiple notes: Hold down the metatool key. Click and drag to surround notes in a box. Release the mouse button. See section “C" for more metatol keys and to find a sting ofa articulation and expression metatools Soe eat Uae a cetoTeB. Using Smart Shape metatools im Use metatools for slurs, hairpins, lines, and other shapes as a convenient substitute for clicking icons on the Smart Shape palette and using the Custom Smart Shape tool. double-click (hold on 2nd c K) To add a slur using a metatool: Click the Smart Shape tool Hold down the S key. Double-click a note, holding on the second click, and drag to the destination note. Release the mouse button Simply hold down the metatoo! key and double-click to add note-attached Smart Shapes, lke tab slides. °S” is the default Smart Shape metatool key for slur markings. C. Common metatools oe 2a mpm Pm SILOM wh te 8 o— «Oo =e a. ———* eo Articulation and expression metatools ble are listed in the Articulation Selection and Expression Selection dialog boxes. Look tothe upper right of each listing ‘Search fr “metatools" in tho User Manual for more information, including how to program custom metatol keystrokes eet aaa ao TD. Using metatools with Simple Entry id Articulations and Expressions, as well as key, clef, and time signature changes can be added using metatool keys while entering notes in Simple Entry. @ Choose the Simple Entry tool ub. © Select a note and press I to add an articulation—taptop users press Or, Bio avs anexpression f° Ga Gora cierchange 9: MB BD: io key signature change aA GR + DD ier a key signature change 3 © Press the metatoo! key, in this case, ¥. © rif you don't know the key, press Enter. © Highlight the option from the list and press Ent > Gor FP thon metatoo! key * —— | os a ot adar Le are