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The EvolutionofImagination:
An ArchaeologicalPerspective
StevenMithen
Introduction
28 SubStance#94/95,2001
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ofImagination
Evolution 29
Types of Imagination
ImaginativeDecision-Making
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30 StevenMithen
FromImagination
toFantasy
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Evolution
ofImagination 31
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32 StevenMithen
The ImaginativeLeap
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EvolutionofImagination 33
questions that have just been raised: How can minds supposedly pre-
programmedwiththerulesofnaturecan so effortlessly ignorethoserules?
Whyis imaginingwhatis withinthemindsofotherpeople so valued? Why
is narrative such a pervasive and important feature of the human
imagination?
Chimpanzee Imagination
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34 StevenMithen
imaginewhatthedeceivedindividuals'reactionswillbe. Themostintriguing
exampleand theone thatappears quiteimpossibleto explainin any other
terms,is thehide-and-peeptactic.Byrne(1998) relatesit as follows:
... a dominantchimpanzeewas observedconfronted by an attemptat
deception.Anotherchimpanzeeinhibited itsnormaltendency to begin
eatinga covetedfooditemwhenitsaw thedominant chimpanzee nearby
(itselfa tacticthatcouldhavebeenlearnedfrompastcoincidences). The
dominant's reaction showedthatthedeception was notsuccessful:ithid
andpeepedoutfrom behinda tree.Presumablythinkingthatthedominant
animalhad insteadleft,thesubordinate chimpanzee pickedup thefood,
and was promptly relievedofit.(117)
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ofImagination
Evolution 35
and EarlyHomo
Australopithecine
Thechimpanzee mindislikely
tobe quitesimilar
tothatofthecommon
ancestorofmodernhumansand chimpanzees thatlived5-6millionyears
ago. Betweenthatdate and 1.8 millionyearsago, numerousspeciesof
hominids existedinEastandSouthAfrica,someofwhichareplacedinthe
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36 StevenMithen
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Evolution
ofImagination 37
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38 StevenMithen
Imaginationand ArtefactProduction
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ofImagination
Evolution 39
An argumentagainstinvokingsuchrichpowersoftheimaginationcan
be made by citing"artefacts"producedby non-humananimals thatalso
display a seeminglyimposed form,oftensymmetrical in nature-spider
webs, beaver dams, birdnests. We do not attribute to these animalsan idea
of the finishedformwithin theirminds. There is, however, a critical
difference.Hand axe manufacture is a reductivetechnology, and one witha
of
high degree unpredictability as to the form of detached flakes.Animal
artefactsare constructivein nature,most likelyachieved simplyby the
iterationof a simple routine.When blindly repeated, this may end in
something that looks like a product of design and imagination. The
manufactureof a hand axe is quite different. Wereone to make it withthe
unimaginativerepetition ofa few knappingactions,one would end up with
an artefactsimilarto an Oldowan chopper.
Imaginativepowermayalso have been a necessaryprerequisite forthe
culturaltransmissionof technicalknowledge.Early Humans were great
followersof tradition;theskillsofhand axe manufacture and ideas about
formappear to have been passed down fromgenerationto generation(see
Mithen 1994). This may have depended on passive observationalone-
didacticteachingoftechnicalskillsseemsrareevenamongmodernhumans.
Alternatively,some instructionby the use of gesture may have been
employed.In eithercase, imaginationofwhatan observedtool-makerwas
tryingtoachievewitheachblow seemsessential.Had theskilledtool-maker
been able to explainwhathe/shewas doing,thedemands on imagination
may have been significantly reduced.
the
However, powersofimagination necessaryfortool-making inEarly
Humans remainedquite limited.One of the most remarkablefeaturesof
hand axe technologyis thatit remainedeffectively unchangedover such
of
long periods time, and in such a wide range of environments (Mithen
1996). We normallyassume thathigh levels of technicalskill,as evident
fromhand axes,goes hand-in-handwithabilitiesto innovateand improve
technology.Yet thisis not the case withEarlyHumans; theywere either
unable to imaginemakingothertypesofstoneartefacts-suchas thespear
points,stoneknives,and arrowheads used extensively by laterhumans-
or had no need of these.The latterseems unlikely.Thereshould be little
doubtthatEarlyHumansocietywas highlycompetitive, and a moreefficient
huntingtechnology would have provided individuals with considerable
advantages.They seem not to have been constrained by technical skillfrom
makingthese,and consequentlyone mustconcludethattheconstraint was
on theirimaginativecapacityto inventbetterweapons.
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40 StevenMithen
Imaginationand Colonization
EarlyHumans were thefirstof our ancestorsto dispersefromAfrica.
Some ofthelandscapestheyeventuallyoccupiedwere quitedifferent
from
theAfricansavannahs (Gamble 1993).The causes and mechanismsof this
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ofImagination
Evolution 41
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42 StevenMithen
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ofImagination
Evolution 43
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44 StevenMithen
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EvolutionofImagination 45
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46 StevenMithen
relevant
whichappearsdirectly tohowlanguagemayhaveinfluenced the
has
imagination recentlybeen airedbyClark He
(1996). has written
how:
[ofideasbylanguage]mayallowthecommunal
... migrations construction
ofextremely delicateanddifficult
intellectual andprogressions.
trajectories
An idea thatonlyJoe'spriorexperience couldmakeavailable,but that
canflourishonlyin theintellectualnichecurrentlyprovidedbythebrain
ofMary,cannowrealizeitsfullpotential byjourneying betweenJoeand
Maryas and whenrequired. Thepathtoa goodidea cannowcriss-cross
individuallearning so thatone agent'slocalminimum
histories becomes
another'spotentbuildingblocks...culturallyscaffoldedreasonis able to
incrementally explorespaceswhichpathdependentindividualreason
couldneverhopeto penetrate. (206)
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ofImagination
Evolution 47
ModernHumansand theExtension
ofMind
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48 StevenMithen
and demographicdevelopments,remainsunclear.
Whethermodernformsofmentality evolvedcontemporaneously with
modernanatomyaround 130,000years ago, or resultedfromsome later
developments-presumablya neuralmutation-some 50,000yearsago, is
of littleconsequenceforthepresentargument.What is evidentis thatby
30,000yearsago at least,modernhumanswere engagingin thoughtsand
behaviorof a radicallydifferentkindfromthatofNeanderthalsand Early
Humans. A simpleway ofdescribingthisis thatmodernhumanswere far
moreimaginativethanall humanancestorsand relatives.
Examples of these new behaviors have been described at length
elsewhere (Mellars 1989, 1996; Mellars and Stringer1989; Stringerand
Gamble 1993; Mithen1996).Key featuresinclude religiousand ritualistic
behavior,productionof paintingsand sculptedobjects,multi-component
tools,and substantialarchitecture. Thereseems littledoubt thatmodern
humanswerecreatingcomplexmythologies, involvingsupernatural beings,
as has been recordedamongrecenttribalpeoples, such as theindigenous
Australians.Some ofthemosttellingimagesfromtheirartare thoseofpart
human/partanimalfigures, suchas thebison/manpaintingfromChauvet
cave, France (Chauvet et al. 1996). These demonstratemost clearlythat
modernhumans of 30,000yearsago were able to conceiveof entitiesthat
broketherulesofnature,entitiesthatcould notexistin thephysicalworld.
In otherwords,theywere engagingin thetypeof imaginationthatcan be
describedas fantasy.
How weremodernhumansable toengagein thisnew typeofthinking?
The answerI have providedin mypreviousworkis thattheywere able to
integratebodies of knowledgeand ways of thinkingthathad evolved in,
and previouslybeen restricted to, quite differentcognitivedomains. For
instance,they could take knowledge about a lion, and about a man, and
come up with a new imaginarytypeof animal-that representedby the
33,000-year-oldlion/man carving fromHohlenstein Stadel, Germany
(Mithen1996).I havetermedthisability"cognitivefluidity" and have argued
thatit underliesart,religionand science.
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EvolutionofImagination 49
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50 StevenMithen
Conclusion
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Evolution
ofImagination 51
Acknowledgments
I am gratefulfortheinvitation
tocontributetothisvolume,and to delivera lecture
at UCSB. The followingfromUCSB helpedmakethatvisitenjoyableand stimulating.
Theirownideas,publicationsandsuggestionshavebeena greathelpinthedevelopment
ofmythinking aboutimagination,and theevolutionofthehumanmind:PorterAbbott,
CharlesBazerman,Leda Cosmides,Paul Hernadi,and JohnTooby.I would also liketo
thankMikeJochim forhissupportand hospitality
duringmyvisitto UCSB.
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Evolution 53
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