Here is a barebones guide for Julian’s UPRIGHT ending, paid scenes will be marked as •Paid

choice• and will not include their subsequent choices as they have no effect on the plot

(The Lovers)
Ask about Julian
It must run in the family
Tell her the truth
I didn’t know enough yet
Hold still
We have to stop meeting like this
Thank you
•Enter the forbidden Garden•

(The Chariot)
Mazelinka
Are you okay
Why did you come back
•I’ll keep an eye on him•
Sleep with him
You’re trying to change the subject
You can come back
Distract him
Press the subject
•Do you want to put it on•
Watch him improvise
I had fun today too
I’m not afraid of pain
•Do you want me•
Julian left me
What should I do

(Strength)
Do you want me to catch him
Will he let us help
I can do it
We need to make a plan
Zap the lamp
I’m not mad at you
•Kiss me, you fool•
I’m not giving up
You can have this
•Let’s stay a little longer•
(The Hermit)
Yes, I did
Are you missing anything
Because no one else will
•What does he say about me•
•Get Rowdy•
No deal
No deal
Let’s go
•Only if you join me•
Talk to the man
Have we met before/ How did it happen (Doesn’t matter the first leads to asking the second
anyways)
Are you happy

(Wheel of Fortune)
•Let me help•
Blond/brown/black wig (any)
We should go
We should check Lucio’s room
Why are YOU here
•Kiss him•
He said he wanted a future with me
•Tell me everything•
The courtiers know something

(Justice)
Drop the act
That’s not true
•I’m listening•
What was he like
Bear with it
He would never do this
•Chase the memory•
The facts don’t add up
You were locked up
What can I do
•Bring her to Julian•
Stop prosecuting yourself

(The Hanged Man)

It could work
Yes, you should have
•Take him to your room• (Note this paid choice is your first hint at your ending Julian should be
the one to say that they need to meet with Asra to stay on track for upright)
•I like a little danger•
Calm down and think

(Death)
•Take his hand•
Struggle/Give up (You’ll get slightly different dialogue depending if you struggle more than once)
Call out
Go on the offense
•Make sure he’s alive•
No
You can’t save everyone

(Temperance)
•Let’s change together
Listen to Julian (second hint to your ending, they work together through the chapter, if you pick
the other option Julian is more obsessed over making the apprentice happy and less
overworked and the apprentice is far more touchy towards Julian as a result)
Bird cage/ acrobatics/ water show (pick any, you get a Julian themed goody from the birdcage)
I’d rather watch
•Dance on the table•

(The Devil)
We’ll stop it this time
I’d prefer fewer goats
•Bathe with Julian•
Volta/Vlastomil/Vulgora (Any)
•Let’s find out•
I refuse (But I’d really love to...)

(The Tower)
Let’s follow him/her/they
Take a look
•Tell me about Brundle•
(Once you hit the Tower you get hint three,Julian either realizes the voice is fake and his own
fears manifested or yeets out the window thinking it is actually the apprentice despite standing
right there by him.)
We can do this together
•I’ll show you something fun•

(The Star)
How do we stop him
I’m worried too
Maybe there’s another way down
Let’s not and say we did
•You’re on, Julian•
What do you think you’re doing
We’re not in this alone
•How did you escape from Vesuvia•
I care about you,too

(The Moon)
•Start a snowball fight•
Get in
Time’s out
How did I get here (only choice)
Chase him (only choice)
Any
This isn’t how it happened (only choice)
It’s not me (only choice)
(Fourth hint, Julian realizes it is a dream and says the apprentice and his friends would not want
him killing Lucio and that his loved ones would not say such things; reversed he does kill dream
Lucio before the apprentice calls out to him and he is seen giving in to his fears)
•Hold him•
I have to try

(The Sun)
Portia’s house/ Rowdy Raven (either, you get Death being creepy as Pepi or Malak)
It has to work
For love
•That sounds nice•
•How did you meet them•
You won’t get away with this
Fight (only choice)
(Last hint, Julian confesses his love and repeats he wishes to have a future once more together,
and help each other with hardships, reversed, he talks of love but is still self-sacrificing framing
his love as more obsessive and with the need to only protect the apprentice come what may)