The Cage of
Melancholy
Identity and Metamorphosis
in the Mexican Character
Roger Bartra
Translated by Christopher J. Hall
ka
Rutgers University Press
New Brunswick, New Jersey12. Toward Metamorphosis
Over the ancient sorrow, over the “old tear" of the Mexican people,
a light of hope has begun to shine.
Pedro Henriquez Urefia, Estudios mexicanos
Thee they are—miserable and ragged, the /pero and his
Maria scratching at the borders of the cloth covering the long tables at the
sumptuous banquet of history. They have been condemned to immerse
themselves in their own indifference and to get drunk in the filth of the
carth. Under the table they roll around in sexual promiscuity with those of
theit kind.
Suddenly the ragged troop’s camp follower stands up, a huge figure
‘made pregnant by the forces of progress. Her stooping Adam, in peasant
Clothes and sporting a revolutionary moustache, reveals Promethean mus-
culature. The Mexican soil has received the new seed, and the Revolution
explodes against the Mexico of courtesy and dissemblance, to open the way
forthe “brutal, glittering face of fiesta and death, of brawling and bullets,
of carnival and love,” as Octavio Paz puts it.'
The Revolution is an impressive spectacle for the intelligentsia:
Oddly, those who appeared destined to live with their heads bowed down
manage somehow to rebel and are transformed. At the bottom of the well of
the Mexican spiric is not only sadness, but also an unexpected potential for
Violence. Itis possible, according to many, to harness this energy in order to