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  • Nocturne in C Sharp Minor PDF

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    Lalo Rizo
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    This document is a musical score for Chopin's Nocturne in C sharp Minor. It contains the musical notation across 35 measures, including tempo markings, time signatures, notes, dynamics, and other performance instructions for the piece. The score progresses through varying melodies, rhythms, and dynamics throughout the nocturne composition.

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    Nocturne_in_C_sharp_Minor.pdf

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    This document is a musical score for Chopin's Nocturne in C sharp Minor. It contains the musical notation across 35 measures, including tempo markings, time signatures, notes, dynamics, and other performance instructions for the piece. The score progresses through varying melodies, rhythms, and dynamics throughout the nocturne composition.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    22 views6 pages

    Nocturne in C Sharp Minor PDF

    Uploaded by

    Lalo Rizo
    This document is a musical score for Chopin's Nocturne in C sharp Minor. It contains the musical notation across 35 measures, including tempo markings, time signatures, notes, dynamics, and other performance instructions for the piece. The score progresses through varying melodies, rhythms, and dynamics throughout the nocturne composition.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 6

    Nocturne

    in C sharp Minor

          
    Chopin

                        
         
     = 65

         
            
               
     
     

     


         

    5

          
           

          
     
        

    7

          
                   
         
    3


          

    11

         
        

       
      
    12

         
         



     

               
           



       
    14

          
       
           
    3 3 3 3 3


                   
        
    17

       
               

       

       

     
                
        
     
        

    20

           
                
          
    3 3
    cresc.


    2
        

     
           
                
     
    24 3 3

       
               
       
    

         

       

        
               
    27

             
         
    

     

     
               
        
    29

          
       
          

                  
     
                
    31
    3

     
                               
        
    3  allargando

                
     
    35

      
                
        
               
             
    3 3 3

     3 3  3
    3
      
              
      
    41 3

                     
                  
    rit........................................

         
    3 3 3

     3  3  3

     
     
         
     = 65

     
    A Tempo
    46

         
         
    

                   
     


        
     
    48

         
    3 3 3

           
    3 3
    

         
     

      
          
     
    51

          
         
        

    4
           
                       

    53

            
          
    3 3 3 3

       
    3

        

         
      

    56

             
      
     
      

              
     

             
     
    58

       
         
    9
     9

           
           

       
    59

       
         
    35

             
             
    60

           

           
      
    11 13

    5


     
      

       

    62

         
            
            
    rall.  

     


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