Fisherman's Horizon

FINAL FANTASY VIII BGM

Distant Worlds:music from FINAL FANTASY

Andante  = 70
          
植松伸夫

    
 
     
Piano

 
    
            
4


    
  
   
 
         

        
   
         

            
      
   
7


 
      
     
 
    
 
     

           
 
      
              
10

   
       
        
  
      

   simile
 
             
          
13

    
  
           
       
       

Composer by NOBUO UEMATSU and SHIRO HAMAGUCHI Arranged by ZHAO DAQIAN

A symphony orchestra music performed by Royal Stockholm Philharmonic Orchestra
-1-
              
          
    
16

    

      

 
  

             
   
       
              
19

     
    
    
 
          
       

                    
21

 
 
      
  
           
   
   simile

      
                     
24

   

               
           

         
27

 
    

      
         
 
 
-2-
  

           
29

    
 


      

  
 
        
31

             
     

       

   
     
  
     
  simile

         
34

    
      

           
        

     
       

   
37

   


               
    
        

    
  
     
      
40

    

   
         
      
     
    
     
-3-
           
   
  
     
43

    

  


    
cresc. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
    
                   
           


           

46

           

  
                   

 
 


  simile

       
    
48

    
  

           
                
   

     
50
      
    
   

   
                      
      
52
        
               
   

         
      
     

-4-
    
    

   
54


            

   
 
cresc.
       
      
   

      

56
           

  
                 
       

  

      
   
58

           
   
    
         
    

61
      
 

                       
poco rit.


        
 
   

       

       
  
64

 

   
       

   
  

-5-
                 
66
     
Tempo I
            
 

   
  
       
diminuendo

 
     
           
           
           
    
69

  

                     
   
           
        
            
72

   

  
poco rit.

           

      

 

  
74

 


   

 
  


-6-