Partituras para Tocar em Casamentos (For Alto Sax & Piano) PDF

Wedding Collection
for alto sax & piano
www.virtualsheetmusic.com
Virtual Sheet Music PDF files - License Agreement
Carefully read all the terms and conditions of this license agreement prior to use
of this document. Use of this document whether all or a portion of this music
indicates your agreement to the following terms and conditions.
Virtual Sheet Music grants you, the purchaser, a non-exclusive license to use this
score (the »PDF score«), under the terms and conditions stated in this agreement.
You may:
1. make one copy of the PDF score solely for back-up purposes.
2. print this document for your personal use.
You may not:
1. make copies of the PDF score in whole or in part except as expressly provided
for in this agreement.
2. make alterations or modifications to the PDF score or any copy, or otherwise
attempt to discover the source code of the PDF score.
3. sub-license, lease, lend, rent or grant other rights in all or any copy to others.
4. make verbal or media translation of the PDF score.
5. make telecommunication data transmission of the PDF score.
Terms:
This agreement is effective until terminated. You may terminate it at any time by
destroying the PDF score, together with all copies in any form. It will also
terminate if you fail to comply with any term or condition in this agreement.
Virtual Sheet Music - all rights reserved
NOTE: when you select Print, be certain to select the "shrink to fit" or "fit to page" option before clicking OK.
Cover photo:
“The bride and groom”
Classical Sheet Music Downloads
for support:
support@virtualsheetmusic.com
Wedding-March
R.Wagner (1813-1883)
Moderato
               
Alto Sax   
mf

       


   


  
  
              
Piano f mf
      






            
  
8
                 
       
 
 
                         
             
           
   

          
    

15
                
    
f
    
                   
                 

                   
      
22
     
           
mp

              
                  
    p  
         
      
   
   
   
 
1
 
29
            
 
mf

                  
    
mp
                   
     
34
        
     
 
             
       
       
           
     
39
    
        

p
dim.
   
            
      
        
     

dim. p
          
         

45
    
             
    
mf
  
                        
               
mf
      

 
     
        
 
 
 
2
          
52
   
   

   
                       
        
                   
        
        
ad libitum
59
         
 

   
 
f mp
 

          

  
   
     
f p pp
          
   
 
  

         

Air
J.S.Bach (1685-1750)
Lento
      
Alto Sax       
pp
    
  
 
pp   always pp
                              
Piano

continue
          
3
         
        
           
       
   
              
  
              
 
3
    
5
      1.
           
 
     
1.
    

 



     
              
             
 

6
 2.   
                 

p
       
2.
     



 
p
           



    


 
           
8
    
      
               
               
   
cresc.

                          

10
             
    
 
f p
            

    
    
mf p

                              
  
4
       
12
      
    
3 cresc.
           
  
 
   
  
      
cresc.
        

                      

           
14
 
    
f mp
             
               

mf   mp
   
cresc.

  
                         
  
        
16
      
   


f
 
                  
  
mf
    
        

18
 
 
 1.     
2.
  
    
       
1. 2.  
     



    
 
       
                     
  
5
Ave Maria
C.Gounod (1818-1893)
Andante

Alto Sax     
                        
   
Piano p always legato
              
3

   
  
 




 








          

5
 
 
pp
  
 




  







        


 
7
  
 
     
     
    
 



          
6
  
9
    
  
p
             
         
           
  
11
  
     
       
        




           
 
 
13
     
   
mp
            
         
    
    
15
      
   


p
      
    
     
  
       
            
7
  
17
   
  
pp

            
       

          
 
19
    
   
mp
             
      
cresc.

        
    
   
21
 
 
mf
         
           
mp

   
   
   
23
      
     
f
        
           
cresc. mf
        
   
8
    
25
     

 
           
        
    
27   
    
    
mf
            

    

 

 
 
29
       
    
           
         
mp cresc.
        
   
 
31
       
 
f sostenuto
         
          
cresc.
        
       
9
    
    
33


ff
         
             
f

         
   
35       
  
     
           
                
        
   
37
 1. 
2.
 
  
1. 2.
      
              
   
mp mp
         
    
  
38
 rit. 
    
     rit. 
       
    


 
 
      

  
10
Cantabile
G.Tartini (1692-1770)
Andante

               
Alto Sax

p
 
               
 
 
Piano p
            
    
             
4
                       

        
    
                    
 
                      
     
8
              
 
  
        
 
        
   
          
      
              
            
 
               
11
             


p pp cresc.
    
            
    

 cresc.
p
    
   
  
        
11
14    
                 

      


 
f mp
 
      
      


     
mf
    
p
 
      
17
  
           
      
        
  
               
        

         
         
   
Träumerei
R.Schumann (1810-1856)
Andante
                   
Alto Sax       
p

      
             
Piano pp
      
  
       
  
6
            
   
rit.

      


          
rit.
            
  
  
   
   
          
 
12
10
   
a tempo
         
      
   
mf
 a tempo       
               

mp   
   
     
  
    
 
    
         
14
         
rit.
  
 
p
     
         rit.
       
              
 
           
  
 
          
18
 a tempo
 
        

mf
 atempo 
 
      
    



pp
   
 


   
 
 
    rit.

       
22
    
        
f mf
   rit. 
   
  
       
mp
mf dim. pp
     
   
     
  
  

  
13
Ave Maria
F.Schubert (1797-1828)
Lento assai

Alto Sax    
6 6
        

                 
         
   
Piano mp
 
6
  
         
      
   

2
  
       
             
continue
         
    
      
        
   

3
      

p
                 
              
p
 
  

    
   


4
         

                        
   
     
   
 
14

5

   

    

                        
    
       
   

6
 
            
6
 
                        
   
      
   
 

7
           

6

                         
     
   
      
  
 
6

8
             

  
                        
   
        
   
15

9

            
          
                  
        
   

10

            
6
cresc.
 
                      
     
   
      
   
 

11
          

3 f mf
                   
            
mf
   
        
   
6

12 rit.
         
  
rit.
                        

   
   
       
   

16
 a tempo
13
      
p

a tempo
                         
     
p
   
     
   


14
    
           
 
 
         
          

   
  
   
        
   
 
   
15


mf

                        
always p
   
      
   
 
16
        
 
                        
   
   
      
   
 
17
    
   
17
 

                        
       
   
        
   
   
         
18
 
6
                        
   
      
   
 
19
            
  6
 
   
      
                     
 
   
      
   
 
     
20
  
  
  6
 
  
                        
   
        
   
18
  
        
21
 
          
                     
   
        
   
22
          
  
6
cresc.
 
                        
   

cresc.
  
      
   
 
23
         
   3
f
Largo
G.Händel (1685-1759)
Cantabile
  3
  
Alto Sax              
p mf

3
  
               
     
 mf
    
Piano p
 
            
  

 
7
                 
  
          
               
   
f
       
        
           
14
   
                
p
             
        
p
            
            
21
 3
   
     
     
          

       
     
   
         
 
        dim.   
p
 
              

21
Largo
G.Händel (1685-1759)
Cantabile
  3
  
Alto Sax              
p mf

3
  
               
     
 mf
    
Piano p
 
            
  

 
7
                 
  
          
               
   
f
       
        
           
14
   
                
p
             
        
p
            
            
21
 3
   
     
     
          

       
     
   
         
 
        dim.   
p
 
              

21
28
        

    
      
  
 
mf p pp
      
 
           
       
pp   
cresc. mf   

                   
      
  
35
        
   
             
 
mf
   
         

     
       
mf
          
cresc.
        
           
  
42
       3
    
            
p
3
          
         
p
      
    
           
    
49 1. 2.
     

           
 
        
  1. 2. 
                
                 

          
 

22
Adagio
T.Albinoni (1671-1750)
Adagio
Alto Sax        
      
       
  

 
Piano mp
  
          
          
6
        
 
p
3
           
        

      

   
      
  
   
continue
11
                  
 
3 3
         3 

         
 
 


   
   

       
16
  
            

3
   mf
   3
    
  3

               
     

        
      
 
23
  
21
          
  
 
   
       
    

     
      
25 1.
     

p
           

1.
       
      
    
           
27 2.
   rit.

                         
  
f
  

2.
   
rit.
 
         
mf
        
        

32 a tempo
  adlibitum          
                     

p
                

a tempo 
   
 
  
 

  
   
   

24

37
                   
            
f
 p
 
      
     
  
        
          

    
         
42
ad libitum
                            
 
 
mf
      
 f
  
     
 
   
 
 
        
       
     
47
                      
  
p
      

    
    
 

  
           
     
 
53
     
   3
                

     

cresc.

3 mf 
      
       
25
58
         
   

f
           
                  
   
 
            
        
62                  
 3 3
3 3
         
3
    
3
                        
     
           
       
      
66
        
 
p
   
  
   

  
       
         
p
         
           
 
           
72
         
mp 3 pp 3
mf
    
        

             
pp
    


 
  
       
26
78
    
           
 

             
   
     
mp

      mf

           

83               
 
    
f
       
             

   
             
  
 f
       

   
    
   
               
87
 
 
         
 
          
     
   
    
            
       
  
91
      
   

ff
 
              
  
     

      
ff
          
  
 
 
       
27
95
          
      

     
        
 
      
   
  

      
   
       
101
 
      
    

  
    
  
   
 
         
    
    
     
 
      
 
106

sostenuto
            

    
       
  
   
  
        
            
      


111
      
               
   

 
    
     


pp
 
   
   
    
28
Wedding-March
F. Mendelssohn-Bartholdy (1809-1847)
Allegro
 3 3 3 3
  
3 3 3
          
Alto Sax
                  
ff
3 3 3 3
                                 

3 3 3
Piano ff
      

 
           
6
  
       
     
 
    

ff

               
 
      
     
f
      
           
    
 
   
 
10
       
  

  
    
     
          
     
  
     
        
        3
         
14
 1. 3
 
3
       
       
3
    
        
 
mf cresc. 3 3 3
1. 3              

              
3
3 3
3 3
cresc.
      
3
     
3
      

29
 
2.
   
14
          
   
        
mp
                  

 
2.
                
           
p
     

    
     



        
20
         
         
     
cresc.
 
 
      
ff
                          

       

cresc.
 
  f  
        
    
 
     
  
            
25
        
 
     
 

    
         
            
          
      
    
              
     

    
  
END
 
TRIO  
   
29
    
         
mf
    
   
     

     
         
  
   
mf     
      
    
             

30

33

1. 2.
   
    

  
        
    f
   
          1.     
2.
 
  
 
         f
  
               
 
    
   
40
   
        
     
    
  
  
 
  
     
  
    


  
     
   
      
  
      
 
43
   
  
   
    
   
    
  
   
   
    
 
   
     
   
          
    
46 1. 2. 3

   
        
  1.

    
2.
           
3
         
   
       
   
from  to END
31
Alto Sax
Wedding-March
R.Wagner (1813-1883)
Moderato

                   
 
mf
10
                
    
   
16
                  

f
24
         
        
mp mf
    
31

              
38
                  
  
dim. p
45
    
        
    
mf
                   
51
    
  
ad libitum
        
 
59
  
  
f mp
1
Alto sax Air
J.S.Bach (1685-1750)
Lento
         
   
     
  
pp
4
                
    
6
 1.                 
2.
 
7
        
        

p
          
9
       
 
f
11
         
           
p 3
13
                
 
  
cresc. f mp
   
     
16
         
  
f

18
        
1. 2.  
          
2
Alto Sax Ave Maria
C.Gounod (1818-1893)
 Andante       
    
pp
    
9

          

p
 
        
13
       
   
mp p
      
17
          
pp mp
21
        
       
    
mf f
25
       
     
       
mf
   
    
29
         
 
f sostenuto
33
    
 
 
      
    
ff


37
 1. 
2.

rit.
      
3
Alto Sax
Cantabile
G.Tartini (1692-1770)
Andante
  
       
   
      
p
4
     
                         

                         
7
 
    
  
11
                 
     
p pp cresc.
14   
       
              
f mp
17
  
                 
  
4
Alto Sax
Träumerei
R.Schumann (1810-1856)
Andante
     
 
       
p
6
            
    
rit.
         
10
  
a tempo
          
           
mf
14
            
    rit.
  
   
p
         
18
 a tempo  
          
mf
22
 
      
rit. 
            

f mf
5
Alto Sax Ave Maria
F.Schubert (1797-1828)
 
Lento assai
                       
p
6
  
6
                    
6
6

8
         
        
                      
6 cresc.
           
11 6 rit. a tempo
              

3 f p
mf
14
                       
    
mf
18
                               
     
 6

6 6
21
                        
   
6
cresc.
                    
    
23
 
 3
6
f p
        
   
26
    
     
mf mp
pp
6
Alto Sax Largo
G.Händel (1685-1759)
Cantabile
 3
   
             
mf
p
37
                 
     
44
      
3
 
p
         
          
51
 
            
58
         
             
mf p pp
64
        
     
     
mf
70
         
            

p 3
76
             
  
80
 
1.
     
2.

  
        
7
Alto Sax
Adagio
T.Albinoni (1671-1750)
Adagio
          
       
p
12
                   
  
3 3 3
19
                  
   
  
mf
26 1. 2.
 
               
p f
30
               
rit. a tempo
                    
 p
   
 ad libitum            
34
  
            
  f
38
                 
                
p
42
 ad libitum  
                         
  mf        

   
       
      
45
       
f
               
48
 
 
p
8
       
Alto Sax
51            
 
  
3
f
63              
         
3
p 
 
              
70
     
mp 3 pp 3
76
   
                  
mf
83                         
 
      
f
89
                 

 
  
ff
95
         
      
101
         

     

107 sostenuto
                   



112
    
   
  
 
  
 

9
Alto Sax
Wedding-March
F. Mendelssohn-Bartholdy (1809-1847)
 Allegro 3 3 3 3
    
3 3 3
          
ff
           
    
6
           
   
   
ff
10      
        
1. 3
 
   

mf
  
15 3 3
       
         
cresc. 3 3 3
  
14
 2.          
        
mp
       
   
19
              

cresc. ff
       
       
24
    
    
  
   
     
          
TRIO
 
28
        
    
mf
        

33
 
1.  2.
    
            
f
  
       
37
       
   
41
        3
     1.    
2.
 

10

Partituras para Tocar em Casamentos (For Alto Sax & Piano) PDF

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Partituras para Tocar em Casamentos (For Alto Sax & Piano) PDF

Uploaded by

Copyright:

Available Formats

Wedding Collection

for alto sax & piano

You may not:

Virtual Sheet Music - all rights reserved

Classical Sheet Music Downloads

          

        

          

            

                        

                        

         3 

           

  

                

                                 

1. 3              

                  

                          

        

You might also like