The Americans
INTRODUCTION BY JACK KEROUAC
when the sin is hot on the strets and
the music comes out ofthe jukebox or om a near=
by Faners
hae’s what Robert Frank has capeated
in eremendous photographs taken a he eaveled on
the road around practically forty-eight sate in an
ld used car (on Guggenheim Fellowship) a
wih ehe agility mystery, genins, snes and tran
ie secrecy ofa shadow photographed scenes that
hhave never been seen before on fil, For this he
will definitely be hailed a6 a great artis in is el,
knowing any mote whether jukebox is sadder
than a coffin, That's because he's always eaking pi
Alice seeing chese pictures you end ap finally
tures of jokebores and caffine ~ and intermediary
steric like the Negro priest squatting under-
neath che bright liquid belly mer of the Missispp
{at Baton Rouge for some reason at dusk of eanly
dhs ith a white snowy cross and secre ean
tions never known outside the bayou = Or the pic
ture of chair in some cafe withthe sun coming i
the window and seting onthe chairin a holy halo
never thought could be caught on fil sich less
described in its best visual entirety in words
“The humor, the sadnes, the EVERYTHING-
ness and American-ness ofthese picture! Tall hin
cowboy tolling bute outside Madison Square Gar-
Alen New York for rodeo season, sad, spindly,
unbelievable ~ Long shot of night road arrowing
forlorn into immensties and Mat ofimposible-to-
believe America in New Mexico ander the pris-
‘one's moon — under che whang whang guitar star
~ Haggard old froway dames of Los Angeles lean
Jing peeting out the ight front window of Old
Paw's ear on a Sunday gawking and critciing to
‘exphin Amerika co litle children inthe spattered
tack seat — tattooed guy deeping on gras in park
in Cleveland, snoring dead to the world on a
Sunday afternoon with too many balloons and i
boats ~ Hoboken in the winter, platform fall oF
politicians all ordinary looking til suddenly atthe
far end tothe right you se one of them pursing his
lips in prayer politico (yawning probably) noe a su
caret - Old
sn standing bestant with oldman
Mad-
American fag canopy in old
cane under ol steps long since torn down
Thawed car seat in fantastic Venice California
Irckyard, I could sie in i and sketch 30,000 words
(as eailzad brakeman I rode by such backyards
pod) (empty tokay
bottles inthe palm weeds) ~ Robert picks up evo
hic hikers and ets them dive the ar, at night,
and people look at their two faces looking grimly
onward into the night (Visionary Indian angels
who were visionary Indian angel says Allen Gis
berg) and people say “Ooo how mean they Iook™
but all they want to dois arrows om down that road
and gerack t the sack - Robert's here tell usso
~ St Peterburg Floris the retired old coders on 3
‘bench in the busy mainsreet leaning on thei canes
and talking shout social securiey and one incredible
1 chink Seminole half Negro woman pulling on
her cigarette with thoughts of her own, as pure
picture asthe nicest tenor sol in see
‘As American 4 picture ~ the faces don't edito-
rilize or evticize or say anything but "This isthe
sway weate in rea fe and ifyou don ike it don't
know anyehing about it 'eause I'm living my oven
Jie my way and may God bless us al, mebbe"
it we deserve it”
leaning out of the old st
Othe lone woe of Lee Lucien, a basket pitty-
haw.‘What a pocm thisis, whar poems can be writ-
ter about this hook of pictures some day by some
x high by candlelight bending
lover them describing every gray mysterious de=
tail, the gry film chat caught the actual pink
juice of human kind, Whether Ys the mille of
Invmankind
meant, makes no difference when you look a
1, oFhumian-kindnes, Shakespeare
these pictures. Better than a show,
Maroad driving men ahead ~ the mad road,
lonely, leading around the bend! into the openings
of space toward the horizon Wasatch sos prom=
ised usin the vision of the west, spine heights atthe
‘worlds end, coast of blue Pacific starry night —
rpobone hal-banana moons sloping in the angled
ight sky, he torments of grea fo
the huddled invisible insect im the car racing
‘onward, illuminate = The tw ex, the drag the
‘bate, the star, the dra the sunflower in the grant
~ orangebutred west lands of Arcadia, Forlorn sands
ofthe folate earth, dewy exposures to infinity in
back space, home of the ratlesnake and the
sopher~ the level of the world, low and fa: the
charging rete mute unvoiced road keening in a
Seizure of tarpaulin power into the route, Abulous
plot: ofandowners im green unexpected, ditches
by the side ofthe road, a Hook. From hereto Elko
long dhe level of this pi
poles {can soe 3 bug pl
svush, hitch yourself a ride heyond the fastest
Fight erin, beat che smoke, find the thighs, spend
parallel co telephone
ing in the hot sin ~
the shiney, throw the shroud, kis the morning
star in the morning gla ~ madroad driving men
ahead, Pencil traceries of ur faintest wish in the
tuavel ofthe horizon merged, nosey cloud obfisks
ina dabble of speechless distance, the black sheep,
clouds cling a parallel above the steams oF €.8.0. =
serried Liede Misouri rocks haunt the badlands,
harsh dry brow fil olin the moonlight sith
shiny cow's a, telephone poles toothpick time,
“dotting immensity” the crazed voyageur of the
Jone automobile prstes forth hie eager insigni
cance in noseplates& Tcenses nto the vst promise
oflife, Drain your basins in oll Obie an che I=
an and the Illini pans, bring your Big Muddy
rivers thra Kars and the mudlands, Yellowstone
Jn che frozen North, punch lake hoes in Florida
and L.A, mise your cities inthe white plain, cast
‘your mountsins up, bedswze the west, bedight the
west with brave hedgerow cli sing eo Prome-
themn heights and fire — plant your prisons in
the basin of the Utah moon — nudge Canadian
roping lands that end in Arctic bays, putt your
“Mexican ribneck, America ~ we'e going home,
oinghome,
Lying om his satin
fame of death, Man black, mad mourners ing by
couakea peek at Holy Face wo see what death like
and de
low in the tremendous
Ifyou know what
‘the sutras say ~ Chicago convention with sleek fice
‘earnest wheedling confiding cigatholding union
‘bom fi as Neto and eager ax Cacsat inthe thunder.
‘ous beer crash hall leaning over to confide —
Gaming able at Buse Montana with background
election posters and litle gambling doodds to
knock over. editorial page in itself
(Gor shrooded in fey expensive designed tar=
polian (t knew a truckdrver pronounced it “tar
palin”) 0 keep sa0t of no-oot Malibu fom
falling on new simonize jab as owner who is a
‘svo-dollaran-hour carpenter snoozes in-house
with wife and rv, all under pa
oes for nothingfn the cemeteral California night, ag, ack ~ In
Idaho thiee erases where d
cats crashed, where
‘that long thin cowboy just barely made ito Madi-
son Square Garden as he was about a mile do
the road then ~ “Ftd you 19 wit i the ear” sy
people in America so Robert sneaks around and
photographs Tle kids waiting in the ear, whether
thre litle boys ina mosorama limousine, ompious
& opiful, oF poor litde kids can't Keep their eyes
‘pen on Route yo Texas a 4 A.M a8 diel goes to
the bushes and stretches - The gone monsters
stand in the New Mexico flats under big sign ss
SAVE the svete white baby in the black nur
ses arms both of dhem bemused in Heaven, a pie=
ture that should have been blown wp and hung i
the ateet of Litle Rock showing love under the
shy and inthe womb of our universe the Mather ~
And the tone!
‘hat women newer se, the shoeshine going om in
eit picture ever made, the urinals
sad eternity =
‘Wo, and blown over Chinese cometery fos
crs in a San Francisco hill being hammered by
potatopateh fog on a March night I'd sry nobody
there but the rubber et
Anybody docint like dhe pitchers dont ike
potry, 36? Anybody dont like potry go home see
Television shots of big hatted cowboys being toler-
ated by kind horses.
[Robert Frank, Swiss, snoberusve, nice, wih
sha tle camera tht he ruses and snaps with onc
hand he sucked a sid poem right out of America
‘onto fil, aking rank among the tragic poets of
the world
‘To Robert Frank [now give this mesage: You
got eyes
‘And U say: Tha litle ole lonely elevator gil
looking up sighing in an elevator fll of blurred
demons, whit’s er name & adres?