12 i4 16 18 20 22 24 26 28 30 32 34 36 38 40 a7! 44 ASTOR PIAZZOLLA for Violin & Guitar ARRANGEMENTS BY IAN MURPHY CONTENTS ADIOS NONINO 46 Los Posripos Boricua, 48) Mane IN USA BUENOS AIRES HORA CERO 50 MI EXALTACION CALAMBRE 52. MISTERIOSA VIDA DECARISIMO 54 NUEVO MUNDO DERNIER LAMENTO 56 PRESENTANIA DETRESSE 58 Psicosts EXTasIs 60 RECUERDO New York Fievre (FIEBRE DE TANGO) 62 REviRADO FRACANAPA 64 ROMANTICO IDILIO (SANS TA PRESENCE) GREENWICH 65 SE TERMINO (C'EST FINI) Guuinay 68 Suavipap IMAGINES 676 70 Taco cuoc (Douvov) IRACUNDO 72 Taxcutsimo La CALLE 92 74 TE QuIERO TANGO LA FIN DEL MUNDO 76 Topo Fue Las FURIAS 78 Yo CANTO UN TANGO LLUEVE sopeE BRoaDway 80 About Astor Pazzolla SBN 0-b34-09635-7 Publisher: LES EDITIONS UNIVERSELLES represented in Canad and USA by DAVID MURPHY ET CIE HALeLEONARD® ORPORATION Forall works contin neh ‘Urauizes copying, ranging, acaping, corre or publ performance I an iningement of copyight inners ar fable under he ie et Hal Lecnars Online stADIOS NONINO By YVES PAUL MARTIAL PUECH and ASTOR PIAZZOLLAA e AN a f fe Uh Te ols a f “ah I al | Fy || | Ty HL ie fi be | be ms ee ie 4 i} i ‘| el at | IN (a wll. {l ih , vi aoe ee bea eas = —— ae = 2 mf b. € ae wie Perrier: 2335S 3 = 2 ian a i s Ih tr aH |S revi Wes) AS Apo Teel he mes > - — Lo Tempo | -Deciso ity uy 4M pel a | Ie 4 Awe is beim HH * ANSI | a wb 4 AML | Aisin | ath a Hie Ale I] HN A q SihHU! —«l wills Fl~ — a a = —— <6 te ta © aaa co TP ' tap ESSE E tee ee le, es Be ees h ise fe we i ote voy eee sis Z ceerr : !YI ai I a a ) q ey aa x#l an ki “4 ~ | wi [ib a fi il moor rrr ~e 4 + myae 7 apaie a ah fs | Ji —— i le ed weet eer e verre Trerorrrerrrgrrrryr ooo, Morendo* BORICUA By ASTOR PIAZZOLL von ORES [Pwy v a 5 BEBUENOS AIRES HORA CERO By ASTOR PIAZZOLL/Violin Guitar CALAMBRE By ASTOR PIAZZOLI S. = 2 7 == tf a = | s 4 a Pus nly * ptsTo Coda DS.alCoda CODA (eee Se a Ate = eoDECARISIMO By ASTOR PIAZZO ® ab Zabas Violin Guitar Capo 1 4 a v9 vo | Wi Wi Wl al poor * oF ter 6 rrr reeboz.) nor PETS eof Tt eer . be To Coda @ ComadeDS. al Coda cous 2* DERNIER LAMENTO By ROGER AUGUSTE, CHARLES DESBO ALBERT ABRAHAM. 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Piazzolla was born in 1921 in Mar del Plata, on the coast south of Buenos Aires, but lived in New York City from 1924 to 1937. In New York the young Piazzolla tuned into the vibrant jazz scene and bandleaders such as Duke Ellington and Cab Calloway. At age 12 he received his first bandoneon, a type of butten accordion that is the principal voice of tango, and began playing music from the classical repertoire. Soon afier his family returned to Argentina in 1937, Piazzolla joined the popular tango orchestra of Anibal Troilo and—while still a teenager—estab- lished himself as a talented bandoneon player and arranger. In Argentina, Piazzolla continued to study classical music, 100, with the composer Alberto Ginastera and others. In 1954, Piazzolla composition “Buenos Aires” won him a scholarship to study im Paris with Nadia Boulanger, who encouraged him to find his own voice by tapping into his passion for tango. Back in Argentina in the late 1950s, Piazzolla did just that, laying the groundwork for what become known as tango nuevo—new tango. In 1960 he formed his seminal group Quinteto Tango Nuevo, featuring bandoneon alongside violin, guitar, piano, and bass. In the ensuing years Piazzolla music increas. ingly used dissonance, metrical shifts, counterpoint, and other techniques inspired by modern classical composition and jazz orchestras. In Argentina, where tango is a source of national pride and identity, some tango purists were incensed by these radical departures from tradition, and in the late 1960s even Argentina’s military government criticized Piazzolla for being too avant-garde. Piazzolla left behind a huge body of music—more than 750 works—and classic recordings such as Adiés Nonino and Tango: Zero Hour, as well as collaborations with artists as diverse as poeV/author Jorge Luis Borges (El Tango), jazz vibraphonist Gary Burton (The New Tango), and the Kronos Quartet (Five Tango Sensations). In 1986. Piazzolla’s_ music was featured in the Broadway hit Tango Argentino, In 2001 Amadeus Press published Astor Piazzolla: A Memoir, the remarkable life story (as told to journalist Natalio Gorin) of one of the 20th century’s true musical iconoclasts.