All Violin 2 Christmas 2017 PDF

AMADO MIO
(Polytonic Orchestra)
Violin 2 arr. .T. P. Lympanovnos
piano arpegio
 q=126 B 
tempo
q=100 A
               
C

    

     
D
             
11
      
  
16
                    
22 E
            
       
30
            

     

F
         
38
   
       

 
         
45
                   

solo piano
 
G
                             
52
 

   
                         
57
          
AMADO MIO
2 Violin 2
 
solo piano
  
H
               
62
             
6
    
solo piano
     
I
              
68
   
     
           
solo trumpet
J
             
75
              

6
      
 
Fill in drums/perc.
      
82
          
6
        
       
88
    
                 
solo trumpet
K
    
94
      

         
    
   
piano arpegio free voice largo tempo
100

L
 M
q=76 N
             
        
tutti
first tempo
110 O q=126
         
        
   
P
                
118
   
     
           
126
              

132 Q
    

    
     

    
140 R S
              

           
 mf pp
Violin 2
Violin 2
Besa me Mucho Morris Albert
q =95
solo guitar/bass
(Polytonic Orchestra) Arr. Lympanovnos Panagiotis
A
   
mp 
  
    

CANTO
9 B 
 
  

mp pp
25 C
   
           
   
34

           
     

 
         
D

41
            

E
  
49

3
       
    

   
56
        

     

THEME PIANO/ORCHESTRA
63 F 
  
        
3
   
  
VOICE
G
    
71
          

     


A tempo q =95

rit. rit.
78 H I
       
     
 
 
 
 

Cantique de Noel
Violin 2 (Polytonic Orchestra) arr. P . Lympanovnos

A q. =55
 B
 C rit.

           
    
mf
     
16 D q. =55 E
CANTO
                    
      
30 F
                
 
39 G
     
       
  
f
               
47 H
      
    
         
I

55
   
63

J
 
                   

 
K

71
              
   
L M solo

77
            
                  
mf mp
           
88 N 
   
solo
       
             
                        
mp
  
98  O
     
  
f
 
108 P

       
        
    
         
Q

116
    

124 R
 
                   

 
S

132
             

 
138 T rit.
           
©Copyright P. Lympanovnos 2015
Violin 2 Carol Of The Bells
arr. P. Lympanovnos
A q = 180
                                   
9 B
 
                          
     
 
18
                                
25 C D
 
                    
             
35 E
                  
   
       
 
45 F
                        
    
                 
51
         
                 
57 G
            
         
61 H
            
       
Violin 2 "Christmas - That Special Time"
(Polytonic Orchestra) arr. by P. Lympanovnos
A q = 96

                 
    
7

6
           

6

       
Swing
10 B q = 132 C
     
      
           
16
           
            
22
           
            
D
  
28
           
        
35

E

        

      

43
 
6 6 6 6
                             
molto rit.
46

F G q = 142
 
       
Bossa nova
   
"Christmas - That Special Time"
2 (Polytonic Orchestra)
Violin 2

52 H

     
    
 


    
59
            
    
      
  
63
             
             
 

68 I
   

                
    

75
       
           

82

                          
   
87 J
                    
            

91
  
           
  

   
      
molto rit. molto rit.
 
96
     
    

100 K q = 60
   
         
   
"Christmas - That Special Time"
(Polytonic Orchestra) 3
Violin 2
106 L
      
                      
  
111
   
                             
116 M
     
                 
    
122
        
                  
126
             
              

132 N
                              
                   



      
137
                          
                   

    
  
O
 
142
         
                 

  
145
              
   

HAPPY NEW YEAR
Violin 2 (Polytonic Orchestra)
ABBA
arr. P. Lympanovnos
    
A q = 70
                               
mp

5 B
  
              
REFREN 1
           

C
               
13
    
  
 mf
                                    

18
    
mf
CANTO 2
    
23 D
  
          

        

 
29
            
 

 

   
REFREN 2
mf
       
E

35
         
  

mf
   
                 
39
   
mf
             
42
         
46
  
                                   

mp
Copyright © P. Lympanovnos 2015

Violin 2
Have yourself a merry little Christmas
arr. P. Lympanovnos
q = 78

A
   
    
 
CANTO
6

B
 C
  
        
  

REFREN
19

D

     
   
       

CANTO

E

28
    
       
  
 

34
      

 

38 F G
            
       

44
            



48 H rit.
           
   
  
54 I q = 80 q = 120
   
 ©Copyright P. Lympanovnos 2015 
Historia de un amor
Violin 2 (Polytonic orchestra) Carlos Eleta Almaran
arr. P. Lympanovnos
A

      

 
    

B

9
  
   
         

CANTO REFREN
13

C
 D
 E
     
 
    

33
              
 
    
CANTO
41

F

          
 


INTRO TRUMPET/ SAX

INTRO GUITAR
    
G H
                   
48
 
CANTO FINALE
60
  I
        
 
     


70
       
 
   
     
  
J molto rit.

77
  
                
    
Can't Take My Eyes Off Of You
(I Love You Baby)
Strings (Polytonic Orchestra)
INTRO PIANO arr . Lympanovnos Panagiotis
   
INTRO
 
A q=125
 
B
            
  
8
         
          
CANTO WOMAN
13

C
 D
 E


ORCHESTRA TEHME REFREN
 
1.

2.
  
 
45 F G
    
TRANSPOSE
CANTO MAN
             
H

66
                
    
73
        
      

ORCHESTRA THEME REFREN

I J

1.2.

       
82 7
  
 rit.
 
  
96
       


Violin 2
INTRO PIANO
CANTO /
NO TEMPO
I will survive Freddie Perren
arr. Lympanovnos P.
A q = 120
 B
    
 
   
   

C TEMPO DISCO D
13
  
   
 

 
  

 
26 E
     
   
    
      

                                   
F
 
37 THEME ORCHESTRA
     
3 3
42
   


G
       
       
 


47
 
               
          

53 H
  
   
    
   
61 I
  
   
    
   
J
  
69
             
   


                                   
76 K L
      
3 3
81
         

        
    
  
 M 
                               
85
   
  
3 3
89
     
 
   
   
   
Strings It had better be tonight
H. MANCINI
(Meglio stasera) arr . P. Lympanovnos

A < q =105
        
          

  
 
    
 
6

B

     
      
     
C

12
        
  
6
 


  
D

16
            

       
21
   
     
 
 
E
               
26
      

     

30
                      


  
F G

34 
                   

38 
                     
      
41 
              

It had better be tonight
2 Strings
           
LATIN PERC./TRUMPET GUITAR ARPEGIO
 H       
I

44
           
 
           
     
swing
 
latin rerc.
   
              
J

52
  
    

K

61
                  

    
  
  
  
     
   
L

66
               
     
   
 
         
70
 
   
 

      
M
     
74
            
 

78
          
       
  
82
       
                        
    
JINGLE BELLS
A (Polytonic orchestra)
    
1.
Violin 2                     

8
B
        
2.
    
  
 
  

14
        
1. 2.
  
     
C D
20
    
             
          1.
28
       
2.
        
E
     
34
     
1.
       
  
 

F

42
           
2.
        
      1. 
48 molto rit.
     
2.
      
Violin 2
La Foule M. Rivgauche and A. Cabral

INTRO
q = 192 A arr. .P. Lympanovnos
                     
  
                     
             
13
            
   
CANTO 1
     
19 B
          
 
 
27
             

   
q = 192
C
                   
35
     
     

42 rit.
                        
accel.
q = 150 q = 192
         
 D           
REFREN
51
           
  
59
 
       
rit.
    
                    
2
accel. La Foule
Violin 2
E q = 150
            q =192

                            
67
         


74
                        rit.
      
   
INTRO 2
 
q = 190 ØTo intro finale
             
81
     
F
   
                                
91
               
    
 G     
   
97
      
    

105
  
                

 
    
INTRO FINALE
                        

113 HØ
 
   
                                    

124
                
    
                       
131

      
       
              
  
                   
138
                            
        
La vie en rose
Violin 2 (Polytonic Orchestra) M. Monnot & L. Guglielmi
q = 85 rit. < q =65 arr. P. Lympanovnos
  
A B
               
  
    

    
 C<
        
q =87
     
9
          
 
   
18
            
      
27 D rit.
  
  
       
3 3

33 E < q =65
  
  
     
        
 
  
   
F < q =87
      
38
    
 
46
  
rit.
             
q = 100

54

G
    
 
         
 
3
               
60
      
3 3 3 3 3 3
       
3 3

       3  
H molto rall.
   
65

3
  
3 3 3 3 3 3 3
                     

Violin II
Beautiful that Way
(La vita e bella)
   
canto N. PIOVANI
A B arr. P. Lympanovnos

        
          
22 C
     
mp
 mp mf
mf
D

     
30
       
arco
        
  
f
vocals
       

37 E
    
p
mp mf mp refren mp

44

F
                
   
 
pp mp pp mp pp mp
53
              
pizz. arco


    
  


p p p
canto + vocals επαναληψη
             
62 G
       
mp mf mp mf
canto
H
      
70
       
arco
        
  

f
vocals
              
77 I
   
mp mf mp mp mf
83 q=56
                
calando
 
p
Last Christmas
Wham.
INTRO piano INTRO arr. P. Lympanovnos
q =75
 q =113
Violin 2            
 
       
8
  
 
 
 
  
 
 
 
  
 
 
  
 
 
 
 
 
  
 
 
  
   
                       
12
     
REFREN 1
15
           TO CODA
REFREN 2 τις 2 επαναληψεις
23
    
   
THEME
31
                                 
                               
35

      
CANTO
39
        
THEME
47 X2 CODA FINALE
   
        
 
56
    
         
rit.
60
 
1. 2.

    
   
 

Violin 2 intro /jazz guitar
Light My Fire
Doors
q = 85 intro orchestra arr. Lympanovnos Panagiotis

A
 B
       

13

C CANTO

   
 
REFREN
      
17 D
      
     
       
q = 120 E CANTO 2

    
23
               
 
F REFREN
    
32
                     
    
THEME ORCHESTRA
           
          
  
           
39 G
         
REFREN
                    
H
         
45
  
  
  
         
50
 
      
    
CANTO
 
        
54 I
       
3 3
REFREN
62

J

      

     
70
                     
                 
 
 

Violin 2
O CHRISMTAS TREE
arr. P. Lympanovnos
Fine
A q =68 q =68

rit.
   
         
 
       

10
         
   
 
     

D.C. al Fine
 
17

1. 2.
  
            
  


  
24 B
 
    
  
 


   
29 q =68
 
  

 
                
                            1.   
37
   
 2. 
        
44
    
          
    
   
Violin 2 ONE WINTER NIGHT
arr. P. Lympanovnos
q = 138/h. =46

A
           
  
p mf
  
B

9
          
     
mp
  
17 C
        
       

25 D
        

  

33 E
            



41 F
               

49 G rit. molto rit.
         
q = 138
H A tempo
   
56
                
mp
  
mf

65 I
            
  
f mf

73 J
      

  
f mp  
  
79 rit.
        
   p
fp
Perhaps, Perhaps, Perhaps
Violin II (Polytonic Orchestra)
q=120 A
   
         
       
CANTO
5 B

   
pizz.
             
  
  
15
  
arco
      
           
  
C
 
21
        

              
28
  
D
     
          
   
    
34 E
               
 

40
   
arco
 
              
  
45 F
    
            
     
 
51 pizz. arco
                    
 
  
  
Copyright © Θ. Π. Λυµπανοβνός
Violin 2 SANTA CLAUS IS COMIN' TO TOWN arr. P. Lympanovnos
       
       
Moderato
      
f
A
  
5
                         
mf
  
13
                         
f

21 B pizz.
                              
  
  
28
          
arco
          
 
 
     
1. 2.
    
34
       
 
sf
41 C
    
1.
                     

D pizz.
                
48
        
2.
  
p
55

arco
     
pizz.

               
f p
     
62

arco
        
f
     
        
E

67
    
f  
rit.

               
78
   
Violin 2
Silent Night
arr. P. Lympanovnos


A < q.=58

rit.
                
p f
9

B q.=38
 pizz. 
            
 

C arco
  

17

pizz.
                 
   

f mf
       
D arco

24 pizz.
                
           
 
               
30 arco
 
                      
E
          
37
        
Something Stupid
arr. P. Lympanovnos
A q = 103

   
    
  

6 B
         
      

14
 
 
        
   

C
    
22
 
   
 
     
   


30 D
          
     

38
  
 
 
           

 
46 E
                

52 F
     

 
 
       


60 G
      
      

 
 
64 rit.
 
     
      
 
 
Stand By Me
J. Leiber / M. Stoller.
CANTO arr . P. Lympanovnos

A
 B
 
 
CELLO

C
 
25
                                  
staccato
VOCALS

D
 
31
               
     

legato
    

41
        
 
 
 
      
STRINGS

E
 
49
                                  
staccato
STRINGS THEME

F
 
55
                     
3
  

legato
 
63
            
  
3 3 3 3
       


G
             
71
     
                 
staccato
    
78
                                 
  
84
    
                       
 
H molto rit.

89
             
3
    

legato
Violin 2 Strangers In The Night Bert Kaempfert
INTRO
(Polytonic Orchestra) arr. Lympanovnos P.
A q = 90
                     

CANTO
5 B
 10
 
 
  
   
 

 
C 15 20
 
 
 
 
 
 
  
 
REFREN
D
                 25   
  
CANTO 2
rit. 
E q = 90
   
30
           
     
THEME ORCHESTRA
F
   G                  

35
   

                 
40
 
molto rit. q = 90
TRANSPOSE CANTO
              
H VOICE rit I 45
              


50
 
                     

J CANTO FINALE 55
         
 
K 60 molto rit.
               
Violin 2 A TIME FOR US
From Romeo and Juliet
Nino Rota
canto 1 arr. P. Lympanovnos
q = 70 rit. q = 70
A
 B
         
        
  
   

mf mp mp
refren1
12 C
       
 
   
                      

mf
 mp espress.
canto 2
22 D
  
                 

  
  

  
     
mp
refren 2
34  E
 
                       
  


p mf
  
40
                            
        
Canto Orchestra
F
 
          
45
         

f
 
  
52
    
1.
      

ff f
 mf
f

G 57

H  
        
2.
        
         

f mp
TIME TO SAY GOODBYE
(Con te partirò)
F.Sartori
INTRO arr. P. Lympanovnos
q =105

A
   
3
Violin 2            
CANTO 1

8 rit.
B q =105
6
        
     
  
mp 

14 rit.
      
     


20 C q =105
           
 






  
            
 1 
REFREN  
27
 
D
       
  
  

34
          
       
6

3 6
  
39 E
    
3
          
CANTO 2
6
rit. q =105
 
47 F
    
     
  
 
54 rit.
      
      
 

 
REFREN 2
 q =105       
61 G

2 Violin 2
TIME TO SAY GOODBYE
(Con te partirò)
65
             
     
6

3 6
71
  
    
3
          
6
         
79 H
   

           
 
85
      
3 6 6
91

I
 
            
  
3 6
accel.
   
99 J
     
 
   
   
WHITE CHRISTMAS
arr. P. Lympanovnos

q =89
 
A
         
 
6 B
               
    
     

rit.
13
  

           
      
 
 
  

22 C q =89
       
                      
29
  
  
                   
D
   
37
   
                 
44
  

       
              
52
   
E
  
              
    

59
    

 
                 
67
      F
 
  
                 

74
          

     
    
80

rit.
  
         
   
Violin 2
What A Wonderful World
arr. P. Lympanovnos
q =69
        
A B
       
mp p

8
 
C
 
      
 
mf mp
14 3
      
      
   
19 D  E
        
p
rit.
 
27 F
       
   
   

q = 50
 
35

   
  
     

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AMADO MIO

              

              

        

          

           

           

                                    

        

Copyright © P. Lympanovnos 2015

      

ORCHESTRA TEHME REFREN

ORCHESTRA THEME REFREN

                      

                  

                        

                                    

       

                                 

                

         

©Copyright P. Lympanovnos 2015

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