J-cques S-unière, the museumʼs cur-tor, -nd dem-nds to know where the Holy Gr-il is. After S-unière tells him, Sil-s shoots him -nd le-ves him to die. However, S-unière h-s lied to Sil-s -bout the Gr-ilʼs loc-tion. Re-lizing th-t he h-s only - few minutes to live -nd th-t he must p-ss on his import-nt secret, S-unière p-ints - pent-cle on his stom-ch with his own blood, dr-ws - circle with his blood, -nd dr-gs himself into the center of the circle, re-cre-ting the position of D- Vinciʼs Vitruvi-n M-n. He -lso le-ves - code, - line of numbers, -nd two lines of text on the ground in invisible ink. A police detective, Jerome Collet, c-lls Robert L-ngdon, the storyʼs prot-gonist -nd - professor of symbology, -nd -sks him to come to the Louvre to try to interpret the scene. L-ngdon does not yet re-lize th-t he himself is suspected of the murder. After murdering S-unière, Sil-s c-lls the “Te-cher” -nd tells him th-t, -ccording to S-unière, the keystone is in the Church of S-int-Sulpice in P-ris. The Te-cher sends Sil-s there. Sil-s follows S-unièreʼs clues to the keystoneʼs loc-tion -nd discovers th-t he h-s been tricked. In - fit of r-ge, he kills Sister S-ndrine Bieil, the churchʼs keeper -nd - sentry for the Priory of Sion. At the Louvre, L-ngdon meets Jerome Collet -nd Bezu F-che, the police c-pt-in, -nd re-lizes th-t the two policemen suspect him of the murder. Sophie Neveu, -n -gent of the dep-rtment of cryptology -nd S-unièreʼs gr-ndd-ughter, -rrives -t the crime scene -nd tells L-ngdon th-t he must c-ll the emb-ssy. When L-ngdon c-lls the number Sophie g-ve him, he re-ches her -nswering service. The mess-ge w-rns L-ngdon th-t he is in d-nger -nd should meet Sophie in the b-throom -t the Louvre. In the b-throom, Sophie shows L-ngdon th-t F-che is noting his movements with - tr-cking device. She throws the device out the window onto - p-ssing truck, tricking the police into thinking th-t L-ngdon h-s esc-ped from the Louvre. Sophie -lso tells L-ngdon th-t the l-st line in the secret mess-ge, “P.S. Find Robert L-ngdon,” w-s her gr-ndf-therʼs w-y of -lerting her: P.S. -re the initi-ls of her gr-ndf-therʼs nickn-me for her, Princesse Sophie. L-ngdon thinks th-t P.S. might st-nd for Priory of Sion, -n -ncient brotherhood devoted to the preserv-tion of the p-g-n goddess worship tr-dition, -nd to the m-inten-nce of the secret th-t S-unière died protecting. L-ngdon decodes the second -nd third lines in S-unièreʼs mess-ge: “Leon-rdo D- Vinci! The Mon- Lis-!” Sophie returns to the p-intings to look for -nother clue. The police h-ve returned to the Louvre -s well, -nd they -rrest L-ngdon. Sophie finds - key behind the M-donn- of the Rocks. By using the p-inting -s - host-ge, she m-n-ges to dis-rm the police officer -nd get herself -nd L-ngdon out of the building. As Sophie -nd L-ngdon drive tow-rd the Swiss b-nk identified on the b-ck of the key, L-ngdon expl-ins the history of the Priory of Sion -nd their -rmed force, the Knights Templ-r. He reve-ls th-t the Priory protects secret documents known -s the S-ngre-l, or the Holy Gr-il. L-ngdonʼs l-test m-nuscript is -bout this very subject. When Sophie -nd L-ngdon enter the b-nk, -n unn-med security gu-rd re-lizes th-t they -re fugitives -nd c-lls the police, but André Vernet, the b-nkʼs m-n-ger -nd - friend of S-unièreʼs, recognizes Sophie -nd helps her -nd L-ngdon esc-pe. Sophie -nd L-ngdon figure out th-t the number left ne-r S-unièreʼs body must be the -ccount number th-t will open the v-ult. When they open the v-ult they find - cryptex, - mess-ge delivery device designed by D- Vinci -nd cr-fted by S-unière. The cryptex c-n only be opened with - p-ssword.
The Theft of The World's Most Famous Portrait From The Louvre 100 Years Ago Was Not Only The Art Heist of The Century. It Confirmed That This Picture of A Smiling Woman Was Far More Than A Painting