‘A Mochica Painting at Panamarea, Peru
Duccio Bonavia
American Antiquity, Vol. 26, No. 4 (Apr., 1961), 540-543,
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Equus o for shat matter any of the ether forms that can
bbe keyed out and separated from the other mammals by
these elements alone. Certainly a family clasifcation can
he arcived at fom very litle in the way of foot material
‘The pectoral and pelvic gitdles are usualy abit other
than complete by the time they are encountered in the
‘quaery oF ste, bur, as in the case of the limb bones much
information can be gained from very hile i the way of
arscular suefaces or muscle scars Actual size and shape
‘of the innominate will nartow down the groups to be
compared, and usually a family or genezic level can be
arrived at with incomplete peli
holds tue forthe scapula of many animale but with this
tlement it i possble to find ferures that wall indicate
more of the animal's habits then is possible from the
pelvic gtdle, For example, the postscapular fossa of the
fcapula. will separate ut this bone from similarsized
‘capulae as belonging to bear. The comparative measie-
rents of width and lengch of the scapular Made of the
Bison will epacate it from that of domestic eat. Since
the form of the bony elements of the shoulder girdle
permanently record the function that they served dusing
the life of the animal, itis possible with litle eft to
fstablish if the animal was. digger o¢ a runner and
hhence, with many of the maller mammals which groups
to turn to for comparative material. Many forms have
specialized seapulae which will enable a generic or even
2 specific dentfication from the scapala. alone.
Vertebene other than the caudate can be assigned to x
family in the matorty of instances. This is du in pat 20
the same reasons given for the scapula of mammals. The
back muscles determine the animal's actions and these
muscles in turn leave a record of their actions on the
‘arious processes of the vertebrae to which they were
seached. A cat verteben will indicate the lithe springing
Action of this animal, while the Tnrge neural spines pres:
tnt in the buffalo will indicate the heavy, powerful, low
hanging head of this familar animal
(Caudal vertebrae and fasmentay sibs ae last on the
lise of material tobe salvaged from an archaeological ste
Tn many instances i is dificult even to assign these bones
to 4 family of with sb fragments to do more than state
that an animal the sze of = horse or tape was present.
“The seltive importance ofthese various fragmentary
mammalian bones are illustrated and listed numerically
in Figure 1. I is eafe to say that representative elements
fof the fics sx listed categories should always be Kept
However, the numero fraement of shafts of limb bones
having no articular surfaces or seulpuring should be dis
‘carded om the site. The same is tue for broken vertebrae
for ibe which cannot be assembled into more complete
Teis far better to ative ata general identification on
the family level when this Weneifcation is made from
poor of scanty material than fo attach a label listing a
ecifc determination when this species was “guesed at.
tateral. The same
Feonos Grotooteat Sune
Tallahassee, Fla
August, 1960
AMERICAN ANTIQUITY
Vou. 26, No.4, 1961
Fo. 1 [Bowavial. General view of the mins of
Panamarce, Per,
A MOCHICA PAINTING AT
PANAMARCA, PERU*
Duccto Bowavia
Aastuct
A polychrome mural ip the upper portion of the temple
pyramid at Pahamarca in the Nepefia valley depicts te
Tigious procession before a sacrifice. The main figures are
1 priest Tollowed by two asians, three prisoners, and
4 guard. The mural containe several mosfs new to Mo:
Chica painting: Ie is assigned co Larco's fourth phase of
Mochica cultore, but some elements suggest the post
bility of » somewhat later placement
‘THE TEMPLE PYRAMID of Pafamarca (Fig. 1) sses
majestically above its surrundings in the Nepedia valley,
A few kilometers from the coast and to the south of
‘Chimbote. It sone of the southernmost Machi sites of
fancient Pert. Althoush this imporane archaeological
center js famous for its uneivaled mural paintings, the
fcientife data about stare extremely scanty. Excepe for
the work of Richard Schaedel (1951), there are only
some incidental or scattered notes which are of lle ai.
Pethaps the most important of these is the drawing of
scence apesge way ander the Spanish by David
Fa, 2.
[Boxewie], Drawing showing the architectural
sinuation in which the moral at PaBamarea was discov
{reds and the numbers assigned tothe Bgures in the pro-FACTS AND COMMENTS sn
Fo. 3 [Bowavia], Extended color reproduction of the
Panamarca muta by the staf of the Museo de Arqueole-
tia, Universidad de San Marcos, Lima, Photo Guillen
the assemblage in Squier’s monumental work (Squier
1877), but it serves only for comparative purpotes.
Tn 1950 when Schaedel made his investitions, the
number of paintings which had chen been discovered was
ready considerable, ut the majority of these are today
destroyed or in process of destruction and it is for this
reavon thatthe dats of the North American archaeoloist
re of such great importance. Ie 1958, Hans Hoekheimer
was informed that « new Mochice mr had been dhe:
Covered in these same ruins, He and { were able to ad-
mire this find in the sume year by accompanying Eek
Reed on a trp to the ste undertaken for UNESCO.
Fo, 4 [BowAvial. Detil ofthe original mural painting at Pa
‘Thanks to the sid of the Museum of Archaeology of
the National University of San Marcos and of the
UNESCO mission in Peru, we were able o complete a
study of this new mural during the same yess, and to
have Felix Gaycho, draftsman of the Museum, prepare a
copy of it. Unpublished notices of the results of this
work have been writen for the UNESCO mission in
Pera (Bonavin MSS 1958, 1959), and two accounts have
been published (Bonavia 1959s, 19596),
“The new painting i located nese the representation of
the sea anail with some feline characteristics which was
studied by Schaedel. However, the Schaedel painting is
practically at ground level, whereas the present one is
fupported on the remains of an ancient floor which is
very high in relation to the actual floor of the construc
‘ion, and which must have been part of one of the high
‘est spots in Paflamarca. Because of lack of time, we com
‘entrated exclusively on the new painting, ignoring come
pletely the remainder of the seracture, which had already
been studied in detail by Schaedel
"This painting, lke all Mockien paintings so far known,
was laid out by incising the figures in the feesh plaster
‘with a sherppointed instrument, and then painted by
filling in the enclosed areas with various colors. As is
‘usual in Mochica art all the figures are represented in
profile, and in various sizes, ist, because perspective was
unknown, and second, inorder to show the hierarchy of
persons by diferences in size.
marca showing a snake creature (No 2 in Fig 2)
richly attired acoisee or attendant (No. in Fig 2), and a prisoner witha cond around his neck (No 5 in Fig. 2)5a
‘The scene shows a procession moving from right to
left (Figs 2, 3). The frst person (Fig. 2, No. 1) is of
Tange size and richly ated. He cartes in his hand what
seems #0 be some sort of container, and is almost ce
tainly a priest. He is followed by 2 very small creature
(ig. 2, No.2) which is apparenly a snail with a serpent
head. Next are two welldressed personaues (Fig. 2, Nos
3,4), one above the other, who appear to be acaytes or
sistants of the high priest They also carry objects in
‘hei hands, the upper one a cup and the lower one an
enigmatic implement. Then come three prisoners (Fi. 2,
Nos. 5, 6,8) represented in the classic Mochiea manner,
snaked’ and with cords around their necks. They are
guarded by another person (Fg. 2, No. 10), who holds in
hig hand something which seems to be a whip. Below
these last figures, there are another enigmatic element
(ig 2, No, 9) and a great serpent (Fig. 2, No. 2) with a
forked tongue and a forlike head. The frieze ends with @
large insignia (Fig, 2, No. 11) composed of a Mochica
club and shield. Everything seems to indicate that the
scene represents a religious procesion before sacrifice
“The upper pact of the entire mural is bounded by a
‘motif which, following Sawyer (1954), we have called
Fi. § [Bowavis], Deri of the original mural painting
st Pafamarca showing a prisoner (No. 8 in Fig. 2), the
druard with a whip in hs hand (No, 10 in Fig. 2), 38 >
Tnown object (No. 9 in Fig. 2), and portions of other
figues
AMERICAN ANTIQUITY
Vou. 26, No.4, 1961,
“step and wave." The lower border of the mural consists
of an iregular succession of wavelike scrolls.
‘This frieze was painted on a white background in two
shades of white, wo shades of light blue, « blue-black,
two shades of orange, and various shades of red. The
paints were prepared from minerals on a calcite base; the
Aigerent shades of red were achieved through the use of
various ion oxides
‘The mural is dated in the chronology of Latco Hoyle
(1948) Ie belongs tothe fourth phate of Mochica culture,
5 do the friezes studied by Schaede! (1951), Some ofthe
clements suggest the slight possibilty that i Belongs to 8
fomewhat later period.
“The principal importance of this mural consist in the
presence of eerain new motifs, which have not appeared
{nthe previously known Mochica murals. The discoveries
fn the Huaea de la Luna in Moche, so well described by
Kroeber (1930), are very different in their overall aspects,
se ace those in the Lambayeque zone studied by James A.
Ford in 1959, but which remain unpublished.
From all the indications which we hae, itis clear that
Paflamarca was a religious center of great importance,
‘expecially if we consider that ehis center seems to be the
Southenmost Mochica architectural complex now known
from the Peruvian coast. In order co have had such
splendor, this temple pyramid should have had great
‘enters of population nearby, for ies absurd to imagine 2
Teligious construction ‘isolated from the populace. At
present, we can only suppose that this srene population
‘was in the Santa valley. This position is corzoborated
by Bmesto Tabio, who has encountered sumerous Mo-
chica cemeteries and buildings in his latest explorations
in the Santa
In PaBamarca, there is sill much to do. On all sides,
there are indications of addtional paintings, throush
‘which we could learn much, not only ofthe art, but also
‘ofthe lfe of this group of warriors and artists who have
Tefe sich an indelible impeession. New studies of these
ruins could cast much light, not only on the pictrial
aspects of the euins but also on their chronology, for
Schaedel (1951) ha reported Tinhuanacoid remains in
cemeteries adjacent to the complex. The Mochice-Tiar
hhuanacoid tanstional stage i sil not clear and perhaps
it would be posible co obtnin important evidence here
for this time period. On the other hand, we can now be
slmostcertsin that there are architecural remains inthis
same assemblage which are much older than Mochicoma
Guronological conclusion reached intuitively by Tello
“These earlier ermins have not been studied, but Jorge
Muelle has tentatively accepted the pre-Mochica age of
tome of these ruins,
“The pancrama of Perusian mural painting is still
most unknown. We know that paintings are present in
the Playa Grande period (Stamer 1954), aswell as inthe
Mochica, Tiahuanacoid, Chim, and nea periods all
slong the Peruvian cous. However, to date Mochiea
perio sites have produced he largest numberof mural.
‘The new mural painting of Pafiamarea isa further ad-FACTS AND COMMENTS
vance in the constant search for reconstructing the cul-
ture of the people of ancient Peru
owt, Dee
Wi Une guns pints mural Patumatca. Supemento
‘tad Bf Cotta taut, Nor 3B.
1990,"Una ping mga de Patamazn, Valle de Nepete.
"hogan Neosat de lvcnuntnes Antoes
TH Auch Eelonong aT, I The Nan
‘Cost “Fi Mag af Nora Hino, Ancol
Seat Vas NR coe
‘osceren Anern
date da Perk. Sued
sera, AR
1 “a Nan Gumminas Caen,
‘te of Chicten, Chcaee
fcoaee Are ian
TP, Mochi Moral Pama, Arcane, Vo No
‘Suen E 6.
HiT Pea, Imes of Tal and Elation in the Land
‘nat Hare nd Brahe New Yo “
WM ae Es, Pat fe Mechel Val Noe Fe
Bt Cota
‘Uxwvestoap Nacionat, Mavon De SAN Mancos
Lima, Peru
Cetober, 1960
AGE OF THE SKELETON FROM THE
LAGOW SAND PIT, TEXAS
K.P. Oaxtey ano W. W. Howers
Ansreact
Measurements of the fuotine, uranium, and nitrogen
content of 2 representative series of bones from Lagow
fd neighboring terrain show that while the human
Skeleton from the Lagow Sand Pit is not modern, i can-
‘not be assigned an antiquity equivalent to chat of the
Lewisville Pleistocene fauna athe ste.
PARTS of a human skeleton came to light in the Lagow
Sand Pit, on the outskirts of Dallas Texas, in October,
1920, in association with bones of various extinct mam”
mals. These were reported on by Ellis Shuler (1923). Be-
fore he visited the site the human bones had been taken
from the deposit, but workmen present all agreed that
they lay about 5 feet below the land sueface at the spot,
land that there was no sign of a grave or any disturbance
In the overlying stif clays. The bones lay in a zone of
fine sandy yellow clay, which contsned mammoth, camel,
8 large Bison, antelope (Tetameryx) and deer (Crook
and Harris 1957: 73). The ischium of young mam-
‘oth and a carapace fragment ofa turtle have apparently
slays been kept with the human bones (Crook and
Harris, Fi. 10).
563
‘The content, as now known, has heen fully presented
by Crook and Haris (1957, 1958). The deposit involved
is che Pemberton Hill-Lewisville terrace (T-2) of the
Trinity River sytem, at about 70 fet above steam bed.
‘This terrace consists of four subformations from above
down: Richards alluvium, Upper Shuler yellow sandy
clays, Lower Shuler laminated yellow sands, and basal
Hill gravels. The general fauna appears tobe late Pesto-
cane, and includes mammoth, eamel, horse, Glyptodon
and Smiladon; Geochelone (Testude), and a terapin,
both locally extinct, are abundant. At Lewisville, the
Upper Shuler formation contains hearths, which ave
vielded several acifacts including a Clovissype point, and
{hearth with a radiocarbon age of “more than 37,000
years” (O* 235, O* 248). For purposes ofthis report, we
mus ignore the still unsesolved dilemma ofthis asscia-
tion, of an apparently reliable date by a reputable labor
tory with = projectile point in tradition which all other
evidence indicates was not established for atleast 20,000
years after the radiocarbon date. We are concerned only
‘wich the correcness of associating the hurnan bones with
the fauna and the terace in which they ly.
“The Lagow bones are referred to the Upper Shuler
formation. Crook and Harris examined residual exposures
at the Lagow Pi and satisied themselves thatthe forma
tions there are identical with their counterparts lee
where; and they, at well as Shules, noted that materia
adhering o the human bones confimed theit derivation
from the Upper Shuler zone. All observers noted the
apparent foslization of the bones, and Shuler (1923) re
ported the following chemical analysis comparing a hur
‘man sample with a camel bone from the pit
PO, cw
Hanan = Sah §28
Comet S138 Ast
‘Actually, as we now know, neither the lime content nor
the phosphate content necessarily changes in course of
time. However, from all the supericial signs, the bones
appear to be true fossils of the terace, whose fauna
indicates a Late Pleistocene date, and whose geological
position would place it in a temperate phase prior to
the Inst glacial event of the Pleistocene
Ta his report, Shuler commented that ifthe Lagow
bones had not been human, no question of their Piste
‘ene association would be raised. However, the find seem
to have been ignored entirely. It was reported only &
few years before the Folsom discovery, roward the end
of the long period during which Hrligka had success-
fully put a quietus to all claims to Pleistocene age for
‘American Indian skeletons, The Lagow individval did
rot emerge again into the literature until Sellards (1952)
mapped and recarded the occurrence. Then Crook and
Harris (1952, 1958) drew attention to the find in con-
nection with the Lewisville evidence. ‘They pointed
to addtional sites where the same terrace has furnished
indications of human occupation. Accordingly, it has
seemed worthwhile to investigate the Lagow skeleton
further, with a view to establishing its nature and relative
date
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