Man

In The Mirror
Glen Ballard & Seidah Garrett adapted from Three of a Kind's interpretation Annie Nepomuceno
featured on the album "Groovapella"

  4    
Soprano    4        
 = 95


    44    
feel real good gon na make a


          
Alto


    44                     
It's gon na feel real good gon na make a

      

Tenor

  4     
Gon na make a change for once in my life It's gon na feel real good gon na make a

Bass
  4

     
S          
 =100
6  a tempo


          
diffr ence doo doo

A 

          
                           
diffr ence


T

           
diffr ence gon na make things right As I turn up the col lar of my fav orite win ter coat

 



B

dm dm dm dm

   
S                 
   
11


    
doo doo blow in' my mind kids in the street with out e

  
A
         

    
      
I see the kids in the street with out e

T          

    
This wind is blow in' my mind kids in the street with out e

       
B
    
dm dm dm dm dm dm
   
S                         
 
14  

 
    
nough to eat Who am I to be blind pre ten ding not to see their needs ...gard

        
             
 

                     
         
nough to eat Who am I to be blind pre ten ding not to see their needs dm doo





T

        
nough to eat Who am I to be blind pre ding not to see their needs A sum mer's dis re gard

       
  


   
B

     
dm dm dm dm dm dm dm doo

       
       
18


               
top oh they fol low each o ther on the wind

A   

    
                     
dm doo dm doo dm doo dm doo

  
 
T

                   
a bro ken bot tle top and a one man soul They fol low each o ther on the wind

  
   
B

   
dm doo dm doo dm doo dm doo

S                     
crescendo


22

 
   
you know got no where to go That's why I want you to know

          
         
crescendo
A


    
                
dm doo coz they got no where to go That's why I want you to know

  
crescendo
T

                  
you know got no where to go That's why I want you to know

   
    
crescendo
B

                      
dm doo got no where to go why I want you to

S             
 
25

  
     
I'm start in with the man in the mir ror I'm ask in' him to change his ways

                    
   


                         
   
I'm start in man in the mir ror I'm ask in' change his ways

  


  
      
I'm start in man in the mir ror I'm ask in' change his ways

              


know dm dm man in the mir ror oh yeah dm dm dm dm dm oh

2
         
S                              

29

 
    
and no mes sage could have been a ny clear er if you wan na make the world a bet ter place take a

              
A
          

          
    
no mes sage been a ny clea rer if you wan na make the world a bet ter place take a

             
T
  

 
                   
no mes sage been a ny clea rer wan na make the world a bet ter place take a

     
   
B

   
change dm dm dm dm dm dm wan na make the world a bet ter place take a

S                   
               
32

 
                
look at your self and then (uh) make a chay yay yay nge na na na na na na na na na na


                 
A

    
                        
look at your self and then (uh) make a chay yay yay nge na na na na na na na na na na

   

T

                           
look at your self and then (uh) make a chay yay yay nge na na na na na na na na na

     

B

   
look at your self and then (uh) make a chay d dm d dm d dm d dm dm d dm dm d d

S  
       
36 


      
doo doo doo doo

                          

T

            
I've been a vic tim of a sel fish kind of love It's time that I re a lize

 
   


   
B

  legato      
dm dm dm dm dm dm dm dm dm dm

S   

       

   
40


    
I re a lize some with no home could it be

       
    


  
A

        
        
There are some with no home not a nick el to loan

T    

         
There are some with no home not a nick el to loan

 
B
    
dm dm dm dm dm dm

3
             
S              

43

       
       
could it be pre ten ding that they're not a lone scarred heart

A             

        
                   
could it be pre ten ding that they're not a lone dm doo dm doo

   

T

            
that they are not a lone A wil low deep ly scarred some bo dy's bro ken heart

    
  


   
B

               
dm dm dm dm dm doo dm doo

      
47



       
washed out dreams of the wind you see

A                

       
                   
dm doo washed out dreams of the wind you see

  
  
T

      
               
And a washed out dream They fol low the pat tern of the wind you see coz they got

    
  
B

           
dm doo dm doo dm doo you see

S                



51

   
     
they got no place to be that's why I'm start in' with me I'm start in with the

                  
 


          
       
they got no place to be that's why I'm start in' with me I'm start in

     


T

  
     
no place to be that's why start in with me I'm start in

         
     

B

       
  
they got no place to be that's why start in with me dm dm

S                  

54

 
      
man in the mir ror I'm ask in' him to change his ways oh

A         
 
       

         
          
man in the mir ror I'm ask in' change his ways oh

T      

  
      
man in the mir ror I'm ask in' change his ways oh

B
         
man in the mir ror oh yeah dm dm dm dm dm oh

4
   
S  
                
 
57

 
  
change! and no mes sage could have been a ny clear er if you

        
A
    

   
           
change! no mes sage been a ny clear er if you

T


 
      
change! no mes sage been a ny clear er

     
 
B

   
change! dm dm dm dm dm dm

                           
59


          
wan na make the world a bet ter place take a look at your self and then (uh) make a chay

 
A
                


        
wan na make the world a bet ter place take a look at your self and then (uh) make a chay

                  
 
T

                         
wan na make the world a bet ter place take a look at your self and then (uh) make a chay

B
   

           
     
wan na make the world a bet ter place take a look at your self and then (uh) make a chay

S           
61


                         
yange I'm start in' with the man in the mir ror oh yeah I'm ask in' him to change his ways oh

 
    
A

             
        
yange I'm start in man in the mir ror oh yeah I'm ask in' change his ways oh

T        

 
       
yange I'm start in' man in the mir ror oh yeah I'm ask i'n change his ways oh

           
B
   

    
   
yange start in' man in the mir ror oh yeah dm dm dm dm dm oh

S                            

65

 
    
change! and no mes sage could have been a ny clear er if you wan na make the world a bet ter place take a

          
A
             

     
              
change! no mes sage been a ny clear er if you wan na make the world a bet ter place take a

       
T
  

                   
change! no mes sage been a ny clear er wan na make the world a bet ter place take a

     
   
B

change dm dm dm dm dm dm wan na make the world a bet ter place take a

5
   
S            
                      
68



         
look at your self and then (uh) make that change! start in with the man in the mir ror woh

  
                  
A



                             
look at your self and then (uh) make that change! man in the mir ror woh

T    

                
            
look at your self and then (uh) make that change! I'm start in' with the man in the mir ror

  
B
  

     
             
look at your self and then (uh) make that change! I'm start in' man in the mir ror oh

            
71

  
   
yeah ask in' him to change his ways no mes sage hoo hoo hoo if you

             
A
       


             
yeah yeah change his ways no mes sage hoo hoo hoo if you

T     

           

    
     
I'm ask in' him to change his ways No mes sage could have been a ny clear er if you

            
  
B

   
yeah dm dm dm dm dm oh change dm dm dm dm dm dm

S                             
75


        
wan na make the world a bet ter place take a look at your self and then (uh) make a change you got to

 
A
                   

      
wan na make the world a bet ter place take a look at your self and then (uh) make a change you got to

                      
 
T

                             
wan na make the world a bet ter place take a look at your self and then (uh) make that change you got to

B
  

  
                  
wan na make the world a bet ter place take a look at your self and then (uh) make that change you got to

S       
77

 
  
get it right while you got the time Coz when you close your heart you can't close your, your

A                      

                      
 
get it right while you got the time Coz when you close your heart you can't close your, your

T  

                       
get it right while you got the time Coz when you close your heart you can't close your, your


B
  
get it right while you got the time Coz when you close your heart you can't close your, your

6
           
S        
79

        
mind! hoo! hoo! hoo! hoo! hoo! hoo! hoo! hoo!

A         

 
                   
mind! hoo! hoo! hoo! hoo! hoo! hoo! hoo! hoo!

T         

   
      
mind! I'm start in' with the man in the mir ror I'm ask in' him to change his ways

       
B
      

        
mind! I'm start in' man in the mir ror oh yeah dm dm dm dm dm oh

S                    
83

  
   
hoo! hoo! hoo! hoo! if you wan na make the world a bet ter place take a

       
A
           


  
hoo! hoo! hoo! hoo! if you wan na make the world a bet ter place take a

                        
  
T

  
                  
No mes sage could have been a ny clear er if you wan na make the world a bet ter place take a

     
   
B

   
change dm dm dm dm dm dm wan na make the world a bet ter place take a

               
S                 
86

   
look at your self and then (uh) make a chay yay yay nge na na na na na na na na na na

  
                            
A

                   
        
look at your self and then (uh) make a chay yay yay nge na na na na na na na na na na

    

T

                            
look at your self and then (uh) make a chay yay yay nge na na na na na na na na na

    

B

    
look at your self and then (uh) make a chay d dm d dm d dm d dm dm d dm dm d d

 
S 
                       
90

  
   
oh chay yay nge na na na na na na na na na na make that change

         
              
A

        
              
oh chay yay nge na na na na na na na na na na make that change

  
T
 

                        
 
oh chay yay nge na na na na na na na na na make that change

 
B
         
dm dm dm dm d dm d dm d dm d dm dm d dm dm make that change

7
   
S   
95

  
A  
  
T 

 
  
B
