THE BRAZILIAN MASTERS Guitar Arrangements by Brian Hodel 26 DESAFINADO 12 SAMBA DE DUAS NOTAS 4 EBONY SAMBA 10 SAMBA DO AVIAO 30 ENGANO 14 SAMBA TRISTE, 3. ESPERANGA PERDIDA 3. SAMBALAMENTO, 6 ILHA DE CORAL 20 SE TODOS FOSSEM IGUAIS A voce. 23, INCERTEZA 18 SILENCIO DO AMOR 16 MANHA DE CARNAVAL 7 soLIDAo There is no music more naturally suited to the guitar than Brazilian popular songs and certainly no greater composers of that music than Antonio Carlos Jobim, Luiz Bonfa, and Baden Powell. The universal appeal Of the music itself and the popularity of the guitar as an instrument join to make the bossa nova a favorite ‘guitar style throughout the world. It is not surprising that Brazilian music is so natural to the guitar when one discovers just how im- portant the instrument is in Brazil and to her best composers. Antonio Carlos Jobim, one of the world’s most popular songwriters, composes on both guitar and piano. Luiz Bonfé and Baden Powell, authors of many international hits, are both virtuoso soloists on the guitar. And there is something in the intimate sound of the instrument itself that lends perfectly to the subtle syncopations of samba and bossa nova. This book has been designed not only to give pleasure to guitarists from average to expert playing ability, but also to serve as a method through which a player can learn the Brazilian style and gain enough understanding of it to arrange, compose, and im- his own musical ideas within it. The songs ap- pear in order of difficulty. Going through the book sequentially will improve your reading as well as your technique and musical expression. TR HOLLIS MUSIC, INC.SAMBALAMENTO Moderato (Repeat four times) © \o ra——_ oa rom én 4g Coda Dishalcoay — i Im i r r i fr r ¥ Repeat and fade 7 ecg amg ene, NET ‘ALL RIghR neloding Public Performance For Profit. EBONY SAMBA (Sambanegro) By LUIZ BONFA and MARIA TOLEDO ‘Moderato (d= 60) on cou cm -¢u——_- fv - 34 . ® + add rom —— - cv ———5 374 4 roPFUFU UP RR fF To Coda® fi. ra—— 3 réua— — - ¢v —_______,, oy f tr oF OF rf F r Ff sm ecypmps stent ug sc Hee Ty aot “Ai Rgit fected including Public Peformance For ProfitD.s.4at Coda Coda cll, o a tempo qvILHA DE CORAL (Coral Island) 4 wz BONFA ‘Moderato, con rubato 34 iol oS yond z . -3I4 a tet i TF F Fete. ‘TRO © Copyright 1969 and 1981 LUDLOW MUSIC, INC, New York. N.Y. igual Coreg Seosed ‘wade in 0.5.4 ewrvel including Public Performance Fr Profit,. SOLIDAO 7 By ANTONIO CARLOS JOBIM ‘and ALCIDES FERNANDES § ess || Lento, con rubato coe boco rit ” D.s.¥al Coda® Coda ; ra———4> = 3 = BEE ar ass $ "E 7 fa ¥ a = nd poco vt Fat ot fe Copyght 184 fdloes Euterpe Lida Rode lane, Ba, se Hous moc! SEP Ree Pe antl sblcsuoe ght ope UA, and Canada ‘emattonal Copyright Seewed Made in U.S.A. AIT ight Reserved Including Publ Performance Ft reitESPERANCA PERDIDA By ANTONIO CARLOS JOBIM and BILLY BLANCO Largo, con poco rubato © : ra ev révui— aa J c-3a7 A 2065 Ealgos Eutepe Ldn. lo de ape, Bra -Tw wanpsnme Hove PObIING cont New Yor i publication rights for the world uding Ea eT ite “amas tnrematisnal Cap aaltgne Romrved along Pulte Pectormance Ft ProfitWe10 From the motion picture "COPACABANA PALACE” SAMBA DO AVIAO (Song of the Jet) By ANTONIO CARLOS JouIM | Rubato -¢u— A tempo: Moderato dn tr of réu———_ sr fx Ww d— sod " 7 a ry "© revi -ci— = jes ror ft ? fF er tt ttt a vse SPH it mk Se Ec ulonal Copyright eet. eee eet us pfomance Fo Bai” ialing * "AUT Rights Reser[ SAMBA DE DUAS NOTAS Lutz BONFA Moderato J =60_ oy * 4 (© Copyright 1965 and 1981 LUDLOW MUSIC, INC, New You, N.Y. intemational Copyright Secured ‘ade 0.5. 4, hl Agha Restved Mnluding Poblte Performance For ProfitTiel eer oa CU es ie cv _ = mm I~) 4 — nt i co | jail ——— 2 TP ta if = Se“ SAMBA TRISTE (Sad Samba) By BADEN POWELL Lento to allegretto, con rubato and BILLY BLANCO rev ee pe ® ® harm, Xt | wy ! » 5 s a tempo a ) on vacua f r » ie oe FT Tim o> nun a at wc ‘HRS oe aod ac Peromance For Pi °* MANHA DE CARNAVAL 7 Dee Molton ee Cong fr sere: ge ihtesacsnal Copy ‘Chappell er LF et ight © 196 by Nouvelles Eon Mer hes nd aed Art Music Co ei Chappel & Coy "ag, oT o ‘Alb Rughe Reserved psn et Wun Pobisher)qv 4 ny ° oo Of = ys eh, Ea aS 7 ome a im et poco rt sustain chord ie qT ea 7 Jig . 2d 4 Ja = = 2 ~ - = 1 ee == = SSeS / +t i ee vm | ram 3 rév— r¢m— ¢m 7 ait , fad ° red 17 SILENCIO DO AMOR (The Silence Of Love) By LUIZ BONFA and MARIA TOLEDO rw— a ee Ff pF q Lento, con rubato + cu cn oa rom rcv. 24 a - : ToT ov ft = a tempo moderato = = > roav— rou rev — 2 i ? =i =a ee eeeey oa pour oid ‘ 4 : Lf wm eget tign sig mc er Ta rah te Sate nae rina* SE TODOS FOSSEM IGUAIS A VOCE (Someone To Light Up My Life) By ANTONIO CARLOS JOBIM Largo, appassionato —— 160, appassionat : cr pitpl add od = os oe tee a reu—————7 rai—T - RE ae t cayrag 2088 goes Ree Ln eden, Bar ‘ro Hous MUSK ho nko a pense ile Ter he wold ng Sous and Lain Ametia) ht secured. akigos sg ‘Shue erence For Prt22 a tempo, cantabile 7 rox—— p¢vi— pex— ron a tempo r¢u— rcv civ pal—> pol 24 a Jody, ‘ Le | thowstots pit 5 ats =} por | = TeINCERTEZA * (I Always Knew) By ANTONIO CARLOS JOBIM ‘and NEWTON MENDONCA Lento -cu—— r ld r ro va rém— 5x — oi de v4 ¢ SIRE tt te meni eta ‘ woKLie RE, Be Non ta Cle pater ges a BUR a aa i SEP ace a ee24 a eS Pa a f a as =* DESAFINADO | By ANTONIO CARLOS JOBIM | rem ce Allegretto (d=85) con brio aed sd = AD 1 Pa, eee eee ee ee ee Ne _ i asd ang 1962 es Mae A sio ong 98004 1 galt al pusication ahs fr fe U.S, A. and Cann ‘ntemitonal Copies Secured " | nemgigns Reet ved Inching Pubic sexfrmance ot Pat | | | ad T an oc Paulo, Brazil aio HOLLIS MUSIC,“REIL all = ) I |» ENGANO | By ANTONIO CARLOS, JOBIM ‘and LUIZ BONFA Largo, con molto rubato a cn To Coda com ia 3854 so HoLtis OSE ING, New Yor, contls al pablicaticn ita the woes aig oh dius Ames sina Co red cela REBAR GOP aE ng Pete reeemane For Pte i ‘ay32 op tt r rf ooF r } om qn i == 4 = a yr ¢ ae ee ie a