~~ DYE ence nly ARIIST SCRIES MICROPHONES ATM25 The Model ATM25 is a wide-range moving coll dynamic mveropnane: wit a hyper ardiold pickup pattern. It has been Specially engineered 10 meet the most Gritical requirements of high-quality Sound reinforcement systems and tomest the needs of professional musicians, Its also excellent for studio. snd. remote broadcasting and recording as well as Serious amataur recording ‘The ATM25 is particularly suited to ap plications involting high sound pressure Tevels, Response 1s tallored to. provide natural reproduction when used By. In Stumental performers at very short distances, Ite eapocially well-suited for luse.an bass instruments such as Alok ‘rum Extensive laboratory testing and develop. Ment of evory. facet. ol portormance istingulshes. the Medel ATN28.Rigic Guallly standards and prociso manufac: uring. techniques inguce tha. finest microphone performance available. A low-mass slaphragm/voice colt Sesombiy and, highroticloney magnetic Sreun combine to prove both excstent fideity and senestvty to maton most Kronte. inpuis. Nis robust construction takes the ATW25_ideal for sppiloaions fequiring unusual dependabihiy. It teslures balanced low-impedance cuiput fn professional qually connectors The hypercardioid polar pattem of the ATM25 features. a farfower acceptance angle. than conventional cardioia Microphones. This allows the ATM25. to Mocus” onthe desired. sound. location (euch as the “sweet spot” of a drum head) and reject ringing or other unwanted Sounds outside tha piekup pattern With te elficient motor system, lange tlaphvagm. and wellcontrolied polar pat fem, the ATW Ie 8 very effective toot In Dieting. p otter highly” -aynamic. in Struments. suchas timpani, plano {especially the bass section) bass (ering Sd loci harp and tuba In addition, the hypercardiold polar pat tom provides excallent isolation betwacn instruments during performances ang ‘while tecording, The pattern 1s useful In Controlling feedback, reducing pickup of Unwanted sounds, and can be used to allow greater micropnone:to:pertormer distance with equal naise eampares to-an ‘omnidirectional microphone. The ATM26's relatively high sensitivity assures uselul output and an excellent Match to most mixers, rape recorders. or amolifier “inputs. it will provide un: alstorted oulput. even In very. intense Sauna fide. In some cages, however, an attenuator suen as the Addio-Techalea Model atao02 may bo reauired betwosn tha microphong and-amplitier to avoid ‘overloading sensitive input stages. ‘The Model ATM25 is enclosed in a tugged housing with a lowretlectance matte finish. An internally shock mounted cap. Sule reduoes handling and cable noise. A Bultin cable. connector mates with pro: fessional XLRF connectors, The integral ‘microphone clamp permits mounting on ‘any microphone stand with 51".27 trveads, ‘A _compact, shock-absorbing _careying ase Is provided to hold and protect the Imierophone and stand clamp. Aline of ac Cesserlas 1s also available from your AT Sealer Output is balanced low impedance. The ‘output connector mates with XLAF cable ‘connectors, The balanced signal appears Seross Pins 2-and/3, while the ground (Ghiela) connection is Pin 1. Output is phased so ‘hat positive acoustic pressure Produces postive voltage at Pin’? in ac Sordance with industry convention. For balances lowimpedance inputs Model ‘Atast Gable lor equal) can be Used. An accompanying drawing shows the wiring used at the equipment ena of this eable, Note that oer manufacturers may employ other color codes for cable Conductors, Regardless of color code, tis Important that both ends of each cable ‘2 wired consistently. with the. shicld always connected to Pin 1 at both ends. Pin Zecnnected to Pin 2, and Pin 3 ta Pin 3. This will assure that all microphones aie electrically In phase and reduce prob: ems of uneven response and. sound Caneellation when ‘we microphones are Used In close proximity. For unbalanced low.impsdance inputs, Model ATB312 Cable (or equal) s recom: ended, A Yeinch phone pls Is prewired f the equipment end of this cable as Shown in the drawing, For use into a high impedance input, use Model ATBS14 Cable (or equa. Plug this able into a Model Arsz01 Lino Match Transformer which has an integral "Ine shone plug for plugging directly into the Emplifier input, Losating the transformer 41 the equipment Input minimizes pickup Gf nolse and hum, typleal problems of Tong highimpedanee lines. ‘Use of the CPa808 HZ transformer cable iS also recommended To check for phasing of any two micro eee corre) then been tor rea input (using a “¥" connector) and speak Info. bon while nolding. them closely fogetter. I output Is reduced or distortion is higher han with single microphone at the same volume. setting. raverse the phase of one microphone by interchang: tng the signal wires 0! one cable, While every effort nas been made to pro: vide an extremely tugged microphone, reasonable care shold Be taken te avoid ahyse. The microphone can withsiand @ ‘wide range of temperatures and humicity ‘wilnout damage Care should pe observed To keep forelgn partieies tram entering the windsereen ft exposed to.an environment ‘wily small ron’ or steel tiings. fon. ‘workbench, for example) these fine metal atiicies “can accumulate on” the Glaphragm and _reduge’ tow frequency tesponse. Excessive accumulation of alt on the windsoreen wl teduce high fre uieney responseATM25 SPECIFICATIONS? ELEMENT ‘Moving Gall Dynamic POLAR PATTERN Hypercardioid FREQUENCY RESPONSE 15.000 He SENSITIVITY 8 dB 48 = 1 mWit Pa) ‘OPEN CIRCUIT SENSITIVITY 2 m (54 dB re 1/1 Pa) IMPEDANCE 600 ohms WEIGHT (lose cable and clamp) 187 ozs. 090 grams) DIMENSIONS: “458% (117 48m) long, 412" (8A head diameter ‘OUTPUT CONNECTOR Integral ‘ACCESSORIES FURNISHED ‘ntegral star protective carying ease ‘in the interest of standards ‘R1ths oer tal tas ont 20 ethos {o other industry professionals on request. “1 Pascal = 10 dynesiem? = 10 microbars {A PHONE PLug wisn XLRM PLUG WIRING, an Ee USES RADARS BALNSED : a se é ose) >t eo MICROPHONE, pe sniewo = AT MIKE CABLE) QUILL T= ‘Arms semis OROPHONES Lett mitt ato AES ATOR, TAT ATMS , a audio-technica. AUDIO-TECHNICA US, INC, 1221 Commerce Drive, Stow, Ohio 44224