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  • Duke Ellington. Características: Arr. For Large - Pag.166-Comparación Del Mismo Tema Arreglado en Diversos Estilos

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    This document provides an overview of Duke Ellington's musical style and career, highlighting 15 characteristic elements of his style including his use of blues scales, blue notes, and unusual instrument combinations. It then lists over 50 of Ellington's most famous compositions from the 1920s to 1960s and discusses his classic and later periods, noting some of his most acclaimed live and studio recordings from each era.

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    Ellington Discography

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    This document provides an overview of Duke Ellington's musical style and career, highlighting 15 characteristic elements of his style including his use of blues scales, blue notes, and unusual instrument combinations. It then lists over 50 of Ellington's most famous compositions from the 1920s to 1960s and discusses his classic and later periods, noting some of his most acclaimed live and studio recordings from each era.

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    © All Rights Reserved
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    14 views2 pages

    Duke Ellington. Características: Arr. For Large - Pag.166-Comparación Del Mismo Tema Arreglado en Diversos Estilos

    Uploaded by

    Asier
    This document provides an overview of Duke Ellington's musical style and career, highlighting 15 characteristic elements of his style including his use of blues scales, blue notes, and unusual instrument combinations. It then lists over 50 of Ellington's most famous compositions from the 1920s to 1960s and discusses his classic and later periods, noting some of his most acclaimed live and studio recordings from each era.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 2

    Duke Ellington.

    Características

    1.- Voicings escala disminuida.

    2.- Voicings con Blue notes. (Rockin’in rhtyhm)

    3.- Grandes intervalos entre melodía y contramelodía.

    4.- La voz lead no es siempre la más aguda.

    5.- Color a un intervalo constante encima de la voz lead.(Caravan, Reza-Pastorius)

    6.- Solis triádicos en trombones.(Take the A train)

    7.- Tesituras inusuales.

    8.- Combinación de instrumentos inusual.

    9.- Mucha armonía con dominantes.

    10.- Armonía impresionista.

    11.- Vibrato exagerado (incluso en unísono).

    12.- Uso de pedales.

    13.- Conversaciones entre solos.

    14.- Shakes en metal, más rápido de lo habitual.

    15.- Notas cortas más cortas de lo habitual.

    Arr. For Large –Pag.166- Comparación del mismo tema arreglado en diversos estilos.

    10
    DUKE ELLINGTON
    ALGUNOS TEMAS:
    East St. Louis Toodle-Oo (1927)
    Black & Tan Fantasy (1927)
    Creole Love Call (1928)
    Dreamy Blues/Mood Indigo (1931)
    Rockin’ in Rhythm (1931)
    Creole Rhapsody (1931)
    It Don’t Mean a Thing (If It Ain’t Got That Swing) (1932)
    Sophisticated Lady (1933)
    Daybreak Express (1934)
    Solitude (1934)
    Delta Serenade (1935)
    In a Sentimental Mood (1935)
    Clarinet Lament (1936)
    Caravan (1937)
    Blue Reverie (1937)
    Pyramid (1938)
    Prelude to a Kiss (1938)
    Battle of Swing (1939)
    Ko-Ko (1939)
    Cocerto for Cootie (1939)
    Cotton Tail (1940)
    Warm Valley (1941)
    Take the "A" Train (1941, composed by Billy Strayhorn)
    I Got it Bad (and That Ain’t Good) (1941)
    Just Squeeze Me (But Don't Tease Me) (1941)
    Don’t Get Around Much Anymore (1942)
    Moon Mist (1942)
    C Jam Blues (1942)
    Diminuendo (1943)
    Crescendo in Blue (1943, composed by Duke Ellington & Billy Strayhorn)
    Do Nothin’ Till You Hear from Me (1943)
    I’m Beginning to See the Light (1944)
    Perfume Suite (1944)
    Harlem (1950)
    Lonesome Valley (1956)
    Things Ain't What They Used to be (1964)
    A Drum Is a Women (1956, composed by Duke Ellington & Billy Strayhorn)
    Monologue (1957)
    Satin Doll (1958, composed by Duke Ellington, Billy Strayhorn, & Johnny Mercer)
    Midnight Indigo (1959)
    Such Sweet Thunder (1959)
    Sunswept Sunday (1959)

    GRABACIONES.
    Periodo clásico. (1930-40’s)
    • “In a mellowtone”
    • “Duke at his very best”
    • “Indispensable Duke”
    • “The Blanton-Webster Band”
    Segunda etapa (1956-74)
    • “Ellington at Newport”
    • “The great Paris Concert”
    • “And his mother called him Bill”
    • “Such Sweet Thunder”
    • ª”Afro Bossa”
    11

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