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    8 views8 pages

    Piston

    Uploaded by

    thejacked
    Exercise

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 8
    2, Ay Ante compat te floming 0 excep: Beethoven, Sting Quartet, Op. 138, 1V Secondary Dominants Importance ant Definition of the Seondary Dominant Furcon ‘most any page of tse we Ik a shows oumerons aeciSea— ‘Shar fd stra The te oma sero the fone othe dotoni se We knw that ecw igs No ‘ees nde ht 3 mdson htc ce Some of them $e sequed ona the major sh nd seve get a Ions nor mode Ot chroma seater ones ie Psi toe bene odo wal decane» no ne ‘igus tempor ening oe bones pant Nanya sans re om cont pcre for he sound of dominant harny to that of sao en, pe ‘Genet preva Lin the nsec etary, Neste ‘frit incon nthe sin ey el the sear Soma pa, ‘pl reo Caper the noe npr peers ok ‘fears ay. The pee expel ang im cr ease 16: Meza, Sonat, K. 243 resto Ge emt vavifotanm vo cna bythe aon of now noes and hereby ew cords moreover it eed the use of ton nd movement emo pores ‘Sn intsnaenenad ont produedaseucalharoniesneme In'uhuh vch cond same the oman of te ne See Beagle +m obenaton of is practice he flowing alee: ny lege ft sae ay be pede by Oo dominant heen) ‘lle weaning she fname tna "Ths tempor dma chords have be red vats 1 els pes hd, hee se The dep Tope Sn mh ok hel ae Fay Scene ove neta, Toe ahr wich hey seve 8 Jeenary Soman maybe ele omy he inet Mae of nna ram weeny he iy, he wiry dominance {Uber nde by sbmmanand don, cy tose us ee fe ior onal dees supped yt royce dos nse wine al erred. Ta seal the cee Bethover tne the opening menue Ce Syptony Nes The ‘ueon thon dlyedin ts buts mae ere {eS bythe sng sty oe cesta toed xanis 6-2: Becton, Symphony No 11 ‘Tee szcondary dias ate ot only fant vai ba ae animperint sours of mente wa Compr oft sige ‘Se and cent ture wee theca {Spe of new nes which cold Igual ced he only. Tee hanmicvcstuary was grey sce eg tend ion efthae ors ihe allowing example witha he sar a {ey mesic of medert tempo al tee ptso t chomate ans 16-1: Schubert, Wales, Op. 1, No.2 ‘At befoems a which he gua do mina ofthe key may ppt ate sho enplyed ondary donna, Tat mete pact ‘ge muor nde dian seventh chode sn the Jou so th whos rot eng toe a). whl mtranan, Frcs Ble Vat Vinshe hey fC muy hve thos forms “he normal tds ofthe major a nr ods nC at shown Velo! whew apiable ce tected secondary domine fe™ ti bo gen, oud seer, dei fom major ah eich ponte tener ids aot ely be TRIESTE Eig econ domane eto ls the 2 ‘EaWftet Note tne meena fr olan Viste ‘Sno ase be espe comple verona doen JESU minted fv maybe ised a compe YE Rage fae mole vet, bower an ses sean Mtl ad th dina se go avastie The aoe aon WTC inee made esometts tedmwe a seta hod SESS te cine cuomatitty werd apni Neapolan Sach Gap. Setar Ressution The pipe ofolton he dominator ogres spy Tips renlnon afecay dorny, The exo dom seer ed ice uben woo wo od for pare of ‘Sein Tuy sop ve eh a ot Freee tC br lego of sd a ot dow EDThe Dc tcmpory teal ere coe ea aie reat aia a ena be ceva Stay denn rte maa ed oe» SIE O ate epee snd covery 2 ne rey iene ede roe dma SS Using the Secondary Domina ‘The cimpet nd mow msl way inode» sondry dominant itt pee ch bord at may enero ar al ‘trey af th secondary vont ne ee propo ee ors (Ge scons dint second cord 0 th rp) cold Be equ min he temprry say, bth fe ied hed Such 2 dlty of onal meaning fia the chord conection and perce te lope sound of the armenie pogo, (re i Bes sbour duonenn chara Chaps) inshecenporny Ly. Ta wildly meant hoa oe sp ent eter the wo Cor tne ne wl pen ‘roma sera fom i he oe, (Cree Relation ‘Wher ths hom etomiip ound betwen erent ee halle onion crt ccs when he wo tesa a sd ‘ap seve the crwtoon woul be seep bey wee Giri nth as deseing Sven dee. A posing tone BE wold ether be writen aright weer Fand Ds Fis oo "SE Moe ower o each ag exited ths cstseaton ‘wo ich be soca Te coords nol be sadn mame ‘Hing cromae pares fake place al ec. Asacesion of Vf V 40 V? woul eel be araged in ke nance though bepoy thecgomate sacesion the DE ‘Whe shen tat te Fading one of the secondary demand wear thctevemh well sve onary eal SETI therefore to nog ett tt oe fat shows st StS or communion conocan. The forma given Flow = ‘Sle on oie atershop™ owes, owed 1 eva Fo nvrW In wortiog ou your ness, you ould conmet ah chords at ie wut eased, bt a xs th be ad foe Songer snd look hr xs o olan th eae ‘Tae eg expend ross redaons omed beveled ‘care wnburmone tone xasrt 16-11; Bach, Wall Tempered Clary, I, Prelude No. 12 Ses lage = [SAME 16-12: Bach, St, Mate Pasion, NO. FoF of ih oo Sn 63 Schmann, Ld, Op. 39° No. 5 at. ich vest “Te dominant ofthe eso dee ae tthe ath ee of (Brigr sak enorme in the mine mode sine nt mode SE SPSUAT dined nel poe never aca onic Te {lnc we x chr se to make hc king eo

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